Members Newsletter 2014 Autumn
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University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2020 Black Male Representations in Non-Urban Settings in The UK Turner, Nathaniel http://hdl.handle.net/10026.1/15777 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Copyright Statement This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. BLACK MALE REPRESENTATIONS IN NON-URBAN SETTINGS IN THE UK by NATHANIEL TURNER A thesis submitted to the University of Plymouth in partial fulfilment for the degree of RESEARCH MASTERS School of Humanities and Performing Arts February 2020 ii Acknowledgements I would firstly like to thank Dr Victor Ramirez Ladron De Guevara (University of Plymouth) and Dr Lee Miller. Thank you for your guidance and support throughout this research process. I feel I have developed not only as a researcher but also as a person through this journey and I could not have better supervisors to steer me in the right direction when I lost my way. -
New Bfi Research Reveals Representation of Black Actors in Uk Film Over Last 10 Years
NEW BFI RESEARCH REVEALS REPRESENTATION OF BLACK ACTORS IN UK FILM OVER LAST 10 YEARS 13% of UK films have a black actor in a leading role; 59% have no black actors in any role Noel Clarke is most prolific black actor in UK film, followed by Ashley Walters, Naomie Harris and Thandie Newton Decade sees little change in the number of roles for black actors; only 4 black actors feature in the list of the 100 most prolific actors 50% of all lead roles played by black actors are clustered in 47 films, potentially limiting opportunities for audiences to see diverse representation; these 47 films represent LESS than 5% of the total number of films Horror, drama and comedy films LEAST likely to cast black actors Crime, sci-fi and fantasy films MOST likely to cast black actors LONDON – Thursday 6 October, 2016: The BFI today announced ground-breaking new research that explores the representation of black actors in UK films over the last 10 years (January 2006 - August 2016) and reveals that out of the 1,172 UK films made and released in that period, 59% (691 films) did not feature any black actors in either lead or named roles1. The proportion of UK films2,3 which credited at least one black actor4 in a lead role was 13%, or 157 films in total. The new research provides an early indicator of what is set to be the most comprehensive set of data about UK films from 1911 to the present day – the BFI Filmography, launching in 2017. -
News Release. 2016 Toronto International Film Festival Unveils Its
July 26, 2016 .NEWS RELEASE. 2016 TORONTO INTERNATIONAL FILM FESTIVAL UNVEILS ITS FIRST SLATE OF GALAS AND SPECIAL PRESENTATIONS Featuring World Premieres from filmmakers including Oliver Stone, Mira Nair, Ewan McGregor, Konkona Sensharma, Lone Scherfig, Raja Amari, Jonathan Demme, Baltasar Kormákur, Amma Asante, Christopher Guest, Feng Xiaogang, Rob Reiner, J.A. Bayona, Arnaud des Pallières, Kiyoshi Kurosawa and many more TORONTO — Piers Handling, CEO and Director of TIFF, and Cameron Bailey, Artistic Director of the Toronto International Film Festival, announced the first round of titles premiering in the Gala and Special Presentations programmes of the 41st Toronto International Film Festival®. Of the 18 Galas and 49 Special Presentations announced, this initial lineup includes films from such celebrated directors as Werner Herzog, Denis Villeneuve, Jim Jarmusch, Mia Hansen-Løve, Rebecca Zlotowski, Tom Ford, François Ozon, Andrea Arnold, Maren Ade, Park Chan-wook, Kim Jee woon, Kenneth Lonergan, Antoine Fuqua, Damien Chazelle, Pablo Larraín, and Paul Verhoeven. “Revealing the first round of films offers a highly anticipated glimpse into the Festival’s lineup this year,” said Handling. “Bold and adventuresome work by established and emerging filmmakers from Canada, France, South Africa, Ireland, the UK, Australia, USA, South Korea, Iceland, Germany, Denmark, Chile, India, and China will illuminate Toronto screens and red carpets over another remarkable 11 days this September.” “The global voices, transformative stories and diverse perspectives of these films capture the cinematic climate of today,” said Bailey. “New films featuring cinema’s brightest talents promise to captivate and entertain the world’s film community and audiences alike.” The 41st Toronto International Film Festival runs from September 8 to 18, 2016. -
Growing up and Doing Time in an English Young Offender Institution
BOYS TO MEN: GROWING UP AND DOING TIME IN AN ENGLISH YOUNG OFFENDER INSTITUTION by KATE ELIZABETH GOOCH A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Birmingham Law School University of Birmingham January 2013 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Child imprisonment has a long history, one that predates the formal creation of juvenile justice. However, the continued use of prison establishments for children, known as young offender institutions (YOIs), remains a controversial issue. This thesis seeks to advance the debate regarding the abolition of child imprisonment by drawing on empirical research conducted in an English YOI accommodating teenage boys. In so doing, the thesis contributes to the established prison ethnographic literature by developing an understanding of the attitudes and lived experiences of child prisoners, a typically overlooked dimension of prison ethnography. The thesis critically analyses three key themes that emerged from the empirical research: surviving life inside; interpersonal victimisation; and, the nature of the staff-prisoner relationships and the use of power. It is argued that imprisonment is far from a neutral experience. -
(IN)VISIBLE ENTREPRENEURS: CREATIVE ENTERPRISE in the URBAN MUSIC ECONOMY Joy White
(IN)VISIBLE ENTREPRENEURS: CREATIVE ENTERPRISE IN THE URBAN MUSIC ECONOMY Joy White A thesis submitted in partial fulfilment of the requirements of the University of Greenwich for the Degree of Doctor of Philosophy June 2014 DECLARATION “I certify that this work has not been accepted in substance for any degree, and is not concurrently being submitted for any degree other than that of Doctor of Philosophy being studied at the University of Greenwich. I also declare that this work is the result of my own investigations except where otherwise identified by references and that I have not plagiarised another’s work”. Signed: Signed: Dated: June 2014 ! "" ACKNOWLEDGEMENTS I would like to acknowledge the unwavering support of my supervisors, Dr Gauti Sigthorsson and Dr Stephen Kennedy. In particular, for letting me know that this research project had value and that it was a worthwhile object of study. Also, Dawn, Maxine, Dean and Alvin who proofread the final drafts - without complaining and resisted the temptation to ask whether I’d finished it yet. Lindsey and Gamze, for their encouragement and support throughout all of the economic and social ups and downs during the life of this project. My mum, Ivaline White whose three-week journey in 1954 from Jamaica to London provided the foundation, and gave me the courage, to start and to finish this. My daughter Karis, who once she had embraced her position as a ‘PhD orphan’, grew up with the project, accompanied me while I presented at an academic conference in Turkey, matured and evolved into an able research assistant, drawing my attention to significant events, music and debates. -
Sket Press Pack
PRESENTS From GUNSLINGER, the producers of ANUVAHOOD and SHANK, A GUNSLINGER FILMS Production A GATEWAY FILMS Co-Production in association with AV PICTURES, CREATIVITY MEDIA and AQUARIUM PRESS PACK Released Nationwide on: 28TH OCTOBER 2011 Running Time: 83 Mins Certificate: TBC FOR FURTHER INFORMATION, INTERVIEW REQUESTS AND SCREENINGS, PLEASE CONTACT: Monica Macasieb – [email protected] – Tel: 020 7243 4300 Tracey Zetter – [email protected] – Tel: 07980 611312 FOR ONLINE QUERIES, PLEASE CONTACT: Jamie Danan – [email protected] – Tel: 07885 670 294 www.revolvergroup.com www.sketmovie.com The rise in the proliferation of girl gangs is symptomatic of some of the major problems facing modern society. SKET takes a controversial look at this phenomenon sweeping the streets of Britain. ‘SKET’ is a derogatory term, defined in urban street culture as a woman with no regard or care for morals or dignity. This fast paced retribution thriller provides a hard hitting front row seat of UK girl gangs and the adrenaline fuelled criminality they run on. There is a distinct lack of public knowledge about female gang culture, which results in a high level of fascination – yet not one film has dared to explore it – until now. I met with various members of male and female gangs in order to learn why young women were now, more than ever, adopting aggressive male behaviour. The more I immersed myself in their ideologies the more I realised that their shift in behaviour could be explained as progressive adaptation, a theme that is at the very heart of ‘Sket’: society is changing, and girls and women must change with it in order to survive. -
Nominees Are Unveiled for the Orange Wednesdays Rising Star Award in 2012
NOMINEES ARE UNVEILED FOR THE ORANGE WEDNESDAYS RISING STAR AWARD IN 2012 • The Orange Wednesdays Rising Star Award is the only award at the Orange British Academy Film Awards to be voted for by the British public • Orange Wednesdays customers have selected the shortlist of five from a long list of eight determined by the award jurors • The winner will be announced at the awards on 12 February 2012 • Previous winners include: James McAvoy, Eva Green, Shia LaBeouf, Noel Clarke, Kristen Stewart and Tom Hardy London 11 January 2012. Today at BAFTA’s headquarters, Pippa Harris, award jury chair, Deputy Chair of BAFTA’s Film Committee and producing partner of Sam Mendes, announced the hotly anticipated nominees for the Orange Wednesdays Rising Star Award 2012 as selected by Orange Wednesdays customers from a long list of eight. The nominations recognise five international actors and actresses whose talent has captured the imagination of the British public. The nominees are: • ADAM DEACON - Hackney-born Adam rose to fame in Noel Clarke’s KIDULTHOOD, before reprising the role in the follow-up ADULTHOOD and again working with Clarke in 4321 . Adam then went onto mark his own mark on the film industry by co-writing, directing and starring in Brit comedy and box office success ANUVAHOOD. • CHRIS HEMSWORTH - Australian actor Chris became an overnight success after landing the title role in film version of the Marvel comic THOR and he will reprise the role in THE AVENGERS next year. Chris is next starring in SNOW WHITE AND THE HUNTSMAN opposite Kirsten Stewart and Charlize Theron and will play Formula One driver James Hunt in Ron Howard’s RUSH. -
Grime Music and Synoptic Controlpdf Proof Hi (1).Pdf
Swain, Spencer ORCID: https://orcid.org/0000-0002-2191-0041 (2018) Grime music and dark leisure: exploring grime, morality and synoptic control. Annals of Leisure Research, 21 (4). pp. 480-492. Downloaded from: http://ray.yorksj.ac.uk/id/eprint/2755/ The version presented here may differ from the published version or version of record. If you intend to cite from the work you are advised to consult the publisher's version: https://doi.org/10.1080/11745398.2018.1430597 Research at York St John (RaY) is an institutional repository. It supports the principles of open access by making the research outputs of the University available in digital form. Copyright of the items stored in RaY reside with the authors and/or other copyright owners. Users may access full text items free of charge, and may download a copy for private study or non-commercial research. For further reuse terms, see licence terms governing individual outputs. Institutional Repository Policy Statement RaY Research at the University of York St John For more information please contact RaY at [email protected] Annals of Leisure Research Grime Music and Dark Leisure: Exploring Grime, Morality For Peerand SynopticReview Control Only Journal: Annals of Leisure Research Manuscript ID RANZ-2017-0004.R3 Manuscript Type: Special Issue Article Keywords: Grime Music, Dark Leisure, Morality URL: http://mc.manuscriptcentral.com/ranz Email: [email protected] Page 1 of 17 Annals of Leisure Research 1 2 3 Grime Music and Dark Leisure: Exploring Grime, Morality and Synoptic Control 4 5 Abstract: Grime music represents a much-maligned leisure culture within contemporary British 6 7 society, a point exposed by calls for the genre to be banned. -
Production Notes-British Film
Focusing on British film From: Fast Girls - Production Notes The history behind Fast Girls With a deadline to get the film in the can and released before the 2012 Olympics in London, Jones [the producer] and the team he gathered had to rise to every challenge: “Aside from the weather (because we had to shoot mid-winter for summer), as always British movies are hard to put together. We also had to sell the idea of a mixed race lead actress and I think weʼre quite possibly the first major feature film in the UK to have a mixed race female lead”. With the support of the UK Film Council (now the BFI) and with what is essentially a very commercial script, coupled with the groundbreaking role that films like Kidulthood, Adulthood and Streetdance3D have played in attracting those all-important youth audiences, Jones achieved it. “Obviously with the Olympics coming up we can also ride the wave of those interested in sport. Itʼs a very universal coming-of-age story, so the other important factor in getting it financed was convincing people that it can play beyond the UK, which I absolutely believe it will because the story has universal appeal and universal themes that people can relate to” he concludes. Itʼs great to be bringing a multi-cultural, female-led film to the big screen. With the Olympics just around the corner our timing couldnʼt be better, and I hope to see lots of beaming faces walking out of the cinema. Weʼre a truly British film and it couldnʼt have been done without the tremendous support of the BFI and STUDIOCANAL. -
Contemporary British Coming-Of-Age Films (1979 to the Present)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Royal Holloway - Pure 1 Contemporary British Coming-of-Age Films (1979 to the Present) Philippa Zielfa Maslin A thesis submitted to Royal Holloway, University of London, in accordance with the requirements of a Ph.D. in the Department of Media Arts 2 Declaration of Authorship I declare that the work in this thesis was carried out in accordance with the regulations of Royal Holloway, University of London. This work is original, except where indicated by special reference in the text, and no part of the thesis has been submitted for any other academic award. Any views expressed in the thesis are those of the author. Signed: Philippa Zielfa Maslin Date: 19th January 2018 3 Abstract Locating itself in relation to existing work on youth in, primarily American, cinema, the thesis questions the analytical usefulness of conceptualising the ‘youth/teen film’ as a genre and, instead, seeks to establish the value of analysing the ‘coming-of-age film’ as a genre involving the employment of adolescent protagonists. In setting out to do so, it focuses on films which are set in Britain, made from 1979 onwards, and rarely discussed as coming-of-age films (or, indeed, youth/teen films), but which may be seen to benefit from such a critical approach. Following a survey of a range of anthropological, biological, historical, juridical, psychoanalytic, psychological and sociological approaches to adolescence, as well as scholarship on the literary precursor of the coming-of-age film, the Bildungsroman, and on the relationship between adolescence and cinema, a working definition of the coming-of- age genre is proposed. -
Rehab Revolution
The Andrew Groves short story prize topic Prison Beatrix Campbell is an award-winning journalist, author, broadcaster, campaigner and playwright. Works? She has also worked as a writer-in-residence at a comment Your story must relate to the topic ‘Prison young offenders’ institution. Works?’. Poems, autobiographies and longer prize topic stories will not be considered. The short story Martina Cole is one of today’s bestselling crime writers. Three of her seventeen novels have been prize was set up in memory of a Prison Reform adapted into high- rating TV dramas, and she Trust volunteer, Andrew Groves. has also anchored a drama documentary series, Word limit: 1,000 words maximum. Martina Cole’s Lady Killers. Kingslee ‘Akala’ Daley is founder of the Hip-Hop Shakespeare Company. He engages young people, often those who are considered “hard to reach”, Your comment piece must relate to the and helps them to achieve artistic excellence. He won a MOBO award in 2006 for best hip-hop artist. topic ‘Barred Citizens’. lyric/rap It can be about a news story relating to prize topic Erwin James is well known for his Guardian the topic or from your own experience. newspaper columns, reports and features on Word limit: 500 words maximum. prisons and criminal justice issues. He is a trustee Rehab of the Prison Reform Trust. Femi Oyeniran is a British actor and grime artist. Revolution He is famous for his roles in the films Kidulthood, Adulthood and Anuvahood. In 2009 Femi directed Your lyric/rap must relate to the topic ‘Rehab the film Fresh Off the Boat. -
THE SOUND the Sound (Trailer)
THE SOUND 11 Little Films 18 Greek St W1D 4JD London, UK Phone: +44 0207 7592160 Mobile: +44 7588 212311 [email protected] Synopsis: In the countryside, life runs quietly for Beth and her family. But when her mother, one day, hears for the first time a mysterious sound coming from the woods, nothing will ever be the same again… Logline: A young girl is desperate to discover the source of the mystery sound that is plaguing her mother. Cast: Joseph Mawle, Jahannah James, James Hyland, Hanna Saxby Producers: Chris Dundon-Smith, Gina Powell Director: Antony Petrou Dop: Joe Cook Editing: James Norris Prod. Design: Henry Woolway Costumes: Andy Blake Sound: Keith Tunney, Adrienne Taylor Foyley: Oliver Ferris, Sophia Hardman Sound Editor: Dafydd Archard Sound Design: William Miller Sound Mix: Keith Tunney Music: Cristopher Barnett VFX: Daniel Waterman DIT: Alex Byrne The Sound (trailer) https://vimeo.com/the11littlefilms/review/209745894/e2fbf27dde The Sound (screener): https://vimeo.com/the11littlefilms/review/205550488/fd8f7d2826 mysound1111 THE SOUND Biography - Anthony Petrou (writer / director) Antony is an award winning London based filmmaker. Graduating in 2004 with a 1st from Central St Martins, his graduation film 'Chip' premiered at the BFI London and screened at over 20 festivals, winning several awards. Since then Antony has directed and produced a diverse selection of films and promos working with and for big brands such as Honda, Durex, Redbull, MTV, Adidas and Sony. In 2014 Antony directed and produced the critically acclaimed ‘We Are Monster’ which was nominated for the Michael Powell Award for Best British Feature Film as part of the official selection at the Edinburgh International Film Festival.