Papers of Geraldine Plunkett Dillon
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The Tyranny of the Past?
The Tyranny of the Past? Revolution, Retrospection and Remembrance in the work of Irish writer, Eilis Dillon Volumes I & II Anne Marie Herron PhD in Humanities (English) 2011 St Patrick’s College, Drumcondra (DCU) Supervisors: Celia Keenan, Dr Mary Shine Thompson and Dr Julie Anne Stevens I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD in Humanities (English) is entirely my own work and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: (\- . Anne Marie Herron ID No.: 58262954 Date: 4th October 2011 Thesis Abstract This thesis examines the extent to which Eilis Dillon's (1920-94) reliance on memory and her propensity to represent the past was, for her, a valuable motivating power and/or an inherited repressive influence in terms of her choices of genres, subject matter and style. Volume I of this dissertation consists of a comprehensive survey and critical analysis of Dillon's writing. It addresses the thesis question over six chapters, each of which relates to a specific aspect of the writer's background and work. In doing so, the study includes the full range of genres that Dillon employed - stories and novels in both Irish and English for children of various age-groups, teenage adventure stories, as well as crime fiction, literary and historical novels, short stories, poetry, autobiography and works of translation for an adult readership. The dissertation draws extensively on largely untapped archival material, including lecture notes, draft documents and critical reviews of Dillon's work. -
Joseph Plunkett
Plunkett, Joseph Mary by Lawrence William White Plunkett, Joseph Mary (1887–1916), poet, journalist, and revolutionary, was born 21 November 1887 at 26 Upper Fitzwilliam Street, Dublin, second child and eldest son among three sons and four daughters of George Noble Plunkett (qv) (1851– 1948), man of letters, barrister, art historian, nationalist, and papal count, and Mary Josephine Plunkett (née Cranny) (1858–1944). Born into the catholic branch of a family prominent in Ireland for some six centuries – the martyred bishop Oliver Plunkett (qv), co-operativist Sir Horace Plunkett (qv), and writer Lord Dunsany (qv) were all noteworthy kinsmen – Plunkett enjoyed the most moneyed background of the eventual leaders of the 1916 rebellion. His paternal grandfather, Patrick Plunkett (1817–1918), born on a small farm adjoining the demesne of his relatives, the Plunketts of Killeen castle, Co. Meath, entered business in Dublin in the 1840s, first in the leather trade, then in building. He and Plunkett's maternal grandfather, Patrick Cranny (1820–88), likewise a self-made builder, from Borris, Co. Carlow, between them developed much of the south city suburbs; the two men's wives were first cousins, and Plunkett's parents second cousins. Education, illness, intellectual interests Plunkett was reared in his parents’ Dublin home and in two rented properties in the south county: Charleville, Templeogue (briefly in 1897), and Kilternan Abbey, near Enniskerry, Co. Wicklow (1900–08). He matured into an eccentric, nervous personality in a household dominated by his mother's erratic, capricious character, alternately neglectful and abusive, alongside his father's benign detachment from domestic life. -
The Anglo-Irish Truce of 11 July 1921 Which Brought a Formal Conclusion to the Irish War of Independence
University of Limerick Ollscoil Luimnigh The Anglo - Irish Truce: An analysis of its immediate military impact, 8 - 11 July 1921 Pádraig Óg Ó Ruairc Ph.D. 2014 University of Limerick Ollscoil Luimnigh The Anglo - Irish Truce: An analysis of its immediate military impact, 8 - 11 July 1921 Pádraig Óg Ó Ruairc Thesis presented to the University of Limerick for the award of the Degree of Doctor of Philosophy Supervisor: Dr. Ruán O’Donnell Submitted to the University of Limerick, September 2014 Abstract This thesis is a study of the dynamics of the Anglo-Irish Truce of 11 July 1921 which brought a formal conclusion to the Irish War of Independence. Although this work explores the origins, character and significance of the agreement, its primary focus is an analysis of the effect the announcement the impending armistice had on the use of lethal violence in the final days and hours of the conflict. It uses empirical data to interrogate existing hypotheses, and test popular theories surrounding the cessation of the Irish Republican Army’s military campaign. Furthermore, it examines in detail the hitherto neglected subject of the reaction and responses of the British forces in Ireland to the agreement. This study also establishes the role the advent of the Truce played in fomenting ‘Belfast’s Bloody Sunday’, one of the most intense outbreaks of sectarian violence in modern Irish history. This thesis addresses key questions which are central to understanding the Truce and the conflict as a whole. The new research presented in this study challenges an established historical narrative. The empirical findings make a useful contribution to the development of a more complex and comprehensive history of the Irish revolutionary period. -
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PROFILE Ailing writer who shaped the rebellion >>> CONTINUED FROM PAGE 8 the youngest of the Plunkett brothers, also fought in the Rising. An iconic photograph of the aftermath of the rebellion shows George and Jack, uniformed and in identical slouch hats, standing side by side under the eye of a sentry in Richmond Barracks. Like their older brother, both were handed down death sentences but, in their cases, the sentences were commuted. This is not the only reason why one should consider the Plunketts’ association with the 1916 Rising as very much a family affair. Joseph Mary Plunkett’s father, George Noble Plunkett, was an important figure during, and especially after, the Rising. He became the first-ever elected Sinn Féin MP in the North Roscommon by-election of February 1917. If family was one important aspect of Joseph Mary Plunkett’s 1916 story, then friendship was the other. Seeking a tutor to teach him Irish so that he could matriculate into University College Dublin in 1909, Plunkett found Thomas MacDonagh, well-known Gaelic Leaguer and then assistant lecturer in English at UCD. The two became firm friends through a mutual interest in poetry, which seems to have ‘I See His Blood taken precedence over Irish in their tutorial sessions. Upon The Rose’ VEN while in Algiers, Plunkett kept up his friendship with MacDonagh Joseph Plunkett UCD’s Dr Conor Mulvagh in front of the Kilmainham Gaol altar at which Joseph Ethrough correspondence wherein Plunkett married Grace Gifford, the night before he was executed. FRANK McGRATH they sent each other their poems.