A Brief History of Fiber Art

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1070 AD 1980s The 230 ft long Bayeux 1785 The revival of felting as an Tapestry was commissioned Edmund Cartwright, an art form gains momentum. by Bishop Odo of Bayeux, English clergyman, half-brother to William the patented the first power Conqueror. loom. 1300-600 BCE Embroidery begins to emerge as an art form. 700-1200 AD Embroidery was considered a 1979 sign of high social status and Judy Chicago creates the Dinner flourished in the Medieval 1700s Party, one of the first 3,500 BCE Islamic world. Embroidery samplers pieces of "high art" Silk weavings begin to be were produced by the that incorporates produced in China. daughters of wealthy needlework within families in England and women's history. its colonies. 7,000-5,000 BCE During the Neolithic era, 300-700 AD 1300-1600s hemp and flax fibers are Whipstitching was used in Depicting common used in early textile 2010 garments during the folktales with production. Olek installed a Migration period in religious themes, crocheted suit over modern day Sweden. tapestries began to "Charging Bull" (1989), a take the place of statue on Wall Street. It paintings on walls. was removed 2 hours 1880s later by a city employee. Using an upright loom, the Navajos wove blankets for trade, 1990s depicting distinct styles Yarn bombing grows in 1258 AD such as “Two Gray Hills” popularity as Houston Embroidery workshops and and “Teec Nos Pos”. artist Bill Davenport guilds begin in response to creates and exhibits the need for skilled artisans crochet-covered objects. in the French and English garment industries. 700 AD 10,100 BCE Horizontal and vertical The oldest known textile looms could be found in in the Americas was found in many parts of Asia, Africa Guitarrero Cave, Peru. and Europe. A Brief History of Fiber Art .

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Fiber Art Network/ Fiber Art Now Brand 7,100 Is the Only Organization of Its Kind
MEDIA KIT F IBER A RT Fiber N ETWORK NowArt CONNECT WITH THE WORLDWIDE FIBER ART + TEXTILE COMMUNITY! Fiber NowArt Jen Moniz 413-222-0720 Marcia Young 413-222-0720 VOL 8 | ISSUE 4 | SUMMER 2019 VOL 8 | ISSUE 3 | SPRING 2019 A publication of the A publication of the F IBER F IBER ART ART [email protected] NETWORK NETWORK [email protected] FIBERARTNOW.NET BOOK SERIES BOOK OUR e REACH SUMMER 2020 103,400 Includes four fiber art-focused Facebook pages 27,200 6,680 THE FIBER ART NETWORK/ FIBER ART NOW BRAND 7,100 IS THE ONLY ORGANIZATION OF ITS KIND. Fiber Art Now 6,000 Readership Circulation base We are both a magazine and a membership organization that has been serving with more eyes as a result of shared the fiber art, textiles, and mixed-media space for almost a decade. copies and our digital issues We leverage every part of our organization to benefit our media partners. This includes our print and digital publication subscribers, organization members, eNewsletter (8x per month) 22,000 Instagram and Facebook communities, Twitter feed, eNewsletter subscribers, and website ads. Our readership and followers are hungry to learn about new materials and supplies, eager to read about exhibitions and conferences, and excited about taking 172,380 classes to improve their skills. They include arts professionals, hobbyists, museum TOTAL AUDIENCE professionals, collectors, curators, executive directors, and teachers. In short, we bring our entire audience to bear in support of our media partners’ Website 220,000 Monthly page growth and sales. If you are in the fine craft niche, then we have built a vehicle for views you to reach your target audience.
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View Resume/Vita
Email: [email protected] LinkedIn : https://www.linkedin.com/in/eulandasanders EDUCATION: 1997 Doctorate of Philosophy Human Resources and Family Sciences, University of Nebraska-Lincoln Dissertation Title: African American Appearance: Cultural Analysis of Slave Women’s Narratives Advisor: Joan Laughlin, Ph.D. 1994 Masters of Arts Design, Merchandising and Consumer Sciences, Colorado State University Thesis Title: AutoCAD for Hand-Knitted Garment Production: Art Deco Design Advisor: Diane Sparks, Ed.D. 1990 Bachelor of Science Apparel and Merchandising, Colorado State University Honors: Cum Laude 1987 Associate of Arts Liberal Arts, Lamar Community College Honors: President’s List and Graduation Student Speaker ACADEMIC POSITIONS: August 2012 - forward Professor and Donna R. Danielson Endowed Professorship in Textiles and Clothing, Department of Apparel, Events and Hospitality Management (AESHM), College of Human Sciences, Iowa State University Current: Teaching 60%, Research/Creative Scholarship 20%, Service 20% Lead the development of the apparel design and product development programs Mentor tenure-track and non-tenure track faculty in apparel design and product development Recruit, mentor, and advise top graduate students into the department Manage the Digital Apparel & Textile Studio (DATS) 1 June 2016 – forward Equity Advisor, College of Human Sciences, Iowa State University Chair the CHS Committee on Diversity, Equity, and Community (DEC) and represents the CHS on the ISU Committee on Diversity Coordinate regularly with
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