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Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Imagining Scotland in Music: Place, Audience, and Attraction Paul F. Moulton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC IMAGINING SCOTLAND IN MUSIC: PLACE, AUDIENCE, AND ATTRACTION By Paul F. Moulton A Dissertation submitted to the College of Music in partial fulfillment of the requirements of the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Dissertation of Paul F. Moulton defended on 15 September, 2008. _____________________________ Douglass Seaton Professor Directing Dissertation _____________________________ Eric C. Walker Outside Committee Member _____________________________ Denise Von Glahn Committee Member _____________________________ Michael B. Bakan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Alison iii ACKNOWLEDGMENTS In working on this project I have greatly benefitted from the valuable criticisms, suggestions, and encouragement of my dissertation committee. Douglass Seaton has served as an amazing advisor, spending many hours thoroughly reading and editing in a way that has shown his genuine desire to improve my skills as a scholar and to improve the final document. Denise Von Glahn, Michael Bakan, and Eric Walker have also asked pointed questions and made comments that have helped shape my thoughts and writing. Less visible in this document has been the constant support of my wife Alison. She has patiently supported me in my work that has taken us across the country. She has also been my best motivator, encouraging me to finish this work in a timely manner, and has been my devoted editor, whose sound judgement I have come to rely on. -
Mcewen Concert Programme 2020
5 March 2020 McEwen Memorial Concert of Scottish Chamber Music Thursday 5 March, 2020 1.10pm University Concert Hall Nanhai Piano Trio Gongbo Jiang (violin), Robert Anderson (cello), and Gordon Bragg (piano) David Horne Reflecting Instruments* *Commissioned by the Court of the University of Glasgow under the terms of the McEwen Bequest. Additional funding towards today’s performance has been provided by the Ferguson Bequest. While I have a large number of chamber works including four string quartets, a piano quartet and two piano quintets, this is the first work I have composed for Piano Trio. It is fair to say that the wonderful Piano Trio by Maurice Ravel has always been inspirational to me, including as a pianist when I performed the work many times. While there are no direct allusions to that great work, I was motivated to explore a wide range of colour and textures in my own piece, with the trio frequently coalescing and separating texturally. As the title suggests, there is a great deal of interplay between the timbres of the various instruments and how they interplay, indeed reflect each other. From the outset the piano seems to echo and even resonate the sounds of the strings, though as the work progresses this relationship often reverses, with the strings emulating the harmonics of the piano, its pedalling and resonance. There is another aspect of the music’s language which will not be apparent to the listener but is worth noting. In much of my work I am fascinated by the nature of instruments and how their own idioms often inspire and lead musical ideas. -
Fowler's Paisley and Johnstone Commercial Directory
6>IOBT4S~ \Cr 1^ FOUNDED BY SIR PETER GOATS, I87O. REFERENCE DEPARTMENT 05O 1R3P.C. No Book to be taken out of the Room. X^- ; O O K . P A I S I 2 223125 21 Digitized by tine Internet Arciiive in 2010 with funding from National Library of Scotland http://www.archive.org/details/fowlerspaisley184546unse 2 2E3I2S 21 FC/?83 jT FOWLER'S PAISLEY AND JOHNSTONE COMMERCIAL DIRECTORY FOR 1845—1846, COIifTAIXING COMPREHENSIVE AND ACCURATE DIRECTORIES OF PAISLEY, QUARRELTON, ELDERSLIE, AND JOHNSTONE, LINWOOD. ALSO, A COPIOUS STREET GUIDE OF PAISLEYr! Umt AND AN APPENDIX, CONTAINING MANY USEFUL LISTS AND TABLES- ELEVENTH PUBLICATION. PAISLEY: PUBLISHED AND SOLD BY G. FOWLER, BOOKSELLER. ELEVENTH EDITION or FOWLER'S DIRECTORY IS MOST RESPECTFULLY DEDICATED TO P. M. STEWART, ESQ. M.P., FOR RENFREWSHIRE ; ARCHIBALD HAS TIE, ESQ., M. P. FOR PAISLEY: WALTER BAINE, ESQ., M. P. FOR GREENOCK; ROBERT WALLACE, ESQ. OF KELLY, late M, P. FOR GREENOCK; SIR JOHN MAXWELL OF POLLOK, BART.; AND THE MAGISTRATES AND TOWN COUNCIL OF PAISLEY, BY THEIR MOST OBEDIENT HUMBLE SERVANT, GEORGE FOWLER. ADDRESS. G. FOWLER, ill presenting to the public the Eleventh Edition of the Directory, returns his sincere thanks to those -who have sup- ported this Work hitherto. As the chief value of a work of this kind consists in accuracy of detail, and distinctness of arrangement, the present Publisher has in this, as in all his former Editions of the Directory, spared nei- ther labour nor expense in securing these ; and as the compilation of a work of tliis kind is attended with a very great degree of labour, and not a little expense, which can only be compensated by ^n extensive sale of the Work, he trusts he will meet with a suit- able degree of encouragement from a discerning public. -
Mcewen Memorial Concert of Scottish Chamber Music
���������������������� Programme cover designed by Katy Cooper McEwen Memorial Concert of Scottish Chamber Music Thursday 8 March 2018 1.10pm University Concert Hall Huw Watkins, piano Robert Schumann Kinderszenen Huw Watkins Sarabande Sally Beamish Night Pieces (World Premiere)* Claude Debussy Preludes (selection from Book I) *Commissioned by the Court of the University of Glasgow under the terms of the McEwen Bequest. Additional funding towards today’s performance has been provided by the Ferguson Bequest. Today’s concert is being recorded. Please remember to switch off all mobile phones. Robert Schumann (1810-1856) Kinderszenen op. 15 (1838) Kinderszenen (Scenes from Childhood) is a collection of thirteen short pieces. Despite the title being themed around childhood, the collection was created for performance by advanced pianists. Each piece has an evocative title: 1. Von fremden Ländern und Menschen - Of Strange Lands and Peoples 2. Kuriose Geschichte - Curious Story 3. Hasche-Mann - Blind Man’s Bluff 4. Bittendes Kind - Pleading Child 5. Glückes genug - Contented Enough 6. Wichtige Begebenheit - Important Event 7. Träumerei - Reverie 8. Am Kamin - At the Fireside 9. Ritter vom Steckenpferd - Knight of the Hobby Horse 10. Fast zu Ernst - Almost Too Serious 11. Fürchtenmachen - Frightening 12. Kind im Einschlummern - Child Falling Asleep 13. Der Dichter spricht - The Poet Speaks Huw Watkins (b.1976) Sarabande (2014) I wrote my Sarabande for the pianist Piotr Anderszewski in 2014. It's a five minute long piece which explores the characteristic triple time rhythm of this baroque dance form. (Huw Watkins) Sally Beamish (b.1956) Night Dances (2017) There are many reasons why a night might be sleepless. -
The Scottish Arts Council, a Ne W Great Britain'
k~rcAA/~ d e cc" ARTS COUNCIL OF GREAT BRITAI N REFERENCE ONLY DO NOT REMOVE .FROM THE LIBRARY The Arts Council of Twenty-seventh Great Britain annual report and accounts 31 March 1971-1972 ISBN 0 900085 71 1 Published by the Arts Council of Great Britai n 105 Piccadilly, London wtv oA u Designed and printed at Shenval Press Text set in `Monotype' Times New Roman 327 and 33 4 Cover: Wiggins Teape Centurion Text paper : Mellotex Smooth Superwhite cartridge 118g/m' Membership of the Council, Committees and Panels Council Photography Committee Patrick Gibson (Chairman) Serpentine Gallery Committee Sir John Witt (Vice-Chairman) The following co-opted members serve on one o r The Marchioness of Anglesey more of these committees : Richard Attenborough, CBE Professor Aaron Scharf The Lord Balfour of Burleigh Bil Gaskin s Lady Casso n George J. Hughes Colonel Sir William Crawshay, DSO, TD David Hurn Dr Cedric Thorpe Davie, OB E Paul Huxley Professor T. A. Dunn The Viscount Esher, CBE Drama Panel Lady Antonia Fraser J. W. Lambert, CBE, Dsc (Chairman) ) Sir William Glock, CB E Professor Roy Shaw (Deputy Chairman Peter Hall, CB E Miss Susanna Capon Stuart Hampshire Peter Cheeseman J. W. Lambert, CBE, Dsc Professor Philip Collins Professor Denis Matthews Miss Harriet Cruickshank s Sir John Pope-Hennessy, CBE Miss Constance Cumming The Hon Sir Leslie Scarman, OBE Peter Dews Professor Roy Sha w Patrick Donnell, DSO MBE The Lord Snow, CBE Miss Jane Edgeworth, Richard Findlater Art Panel Bernard Goss Sir John Pope-Hennessy, CBE (Chairman) Nickolas Grace Alan Bowness Mrs Jennifer Harri s Simon Chapman Philip Hedley Michael Compto n Peter Jame s Richard Cork Hugh Jenkins, MP Professor Christopher Cornford Oscar Lewenstei n Theo Crosby Dr A. -
Purchases May Sept 08
Duncan, Andrew. [Duncan Archive] MSS. E2008.15 This trunk of material contains a number of papers relating to Andrew Duncan (1744- 1828) and other family members. It includes material on Duncan’s funeral and a lot of certificates/degrees relevant to Duncan senior and Duncan junior. Our collections have a number of other items (i.e. lecture notes taken down by others, letters and travel notes) relating to both Andrew Duncan senior and Andrew Duncan (1773- 1832) junior. Mendelssohn-Bartholdy, Felix. MS letter from Mendelssohn-Bartholdy to John Thomson. E2008.17 The letter which is written in English is signed by Felix Mendelssohn-Bartholdy (1809-1947) and is dated 1838. It is a letter to John Thomson (1805-1841) the Scottish classical composer who was born in Sprouston, Roxburghshire and who studied in Germany with a letter of introduction to the Mendelssohn family. Thomson would later become the first Reid Professor of Music at the University of Edinburgh in 1838. This letter from Mendelssohn eulogises Thomson’s compositions. Maconochie, Allan (Lord Meadowbank) [Manuscript lecture notes] E2008.18 This is a collection of autograph manuscripts of Allan Maconochie (Lord Meadowbank) (1748-1816) who was Professor of Public Law and Law of Nature and Nations at Edinburgh University between 1779 and 1796. The manuscripts consist largely of lectures and notes and many of the notes are incomplete or unfinished as it was the practice of Maconochie to finish in mid-sentence. The collection is composed of notes on economics, law, government and society etc. Ferguson, Adam. [MS lecture notes taken down by a student] E2008.19 These are notes of Adam Ferguson’s lectures on Moral Philosophy. -
British and Commonwealth Symphonies from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH SYMPHONIES FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KATY ABBOTT (b. 1971) She studied composition with Brenton Broadstock and Linda Kouvaras at the University of Melbourne where she received her Masters and PhD. In addition to composing, she teaches post-graduate composition as an onorary Fellow at University of Melbourne.Her body of work includes orchestral, chamber and vocal pieces. A Wind Symphony, Jumeirah Jane was written in 2008. Symphony No. 1 "Souls of Fire" (2004) Robert Ian Winstin//Kiev Philharmonic Orchestra (included in collection: "Masterworks of the New Era- Volume 12") ERM MEDIA 6827 (4 CDs) (2008) MURRAY ADASKIN (1905-2002) Born in Toronto. After extensive training on the violin he studied composition with John Weinzweig, Darius Milhaud and Charles Jones. He taught at the University of Saskatchewan where he was also composer-in-residence. His musical output was extensive ranging from opera to solo instrument pieces. He wrote an Algonquin Symphony in 1958, a Concerto for Orchestra and other works for orchestra. Algonquin Symphony (1958) Victor Feldbrill/Toronto Symphony Orchestra ( + G. Ridout: Fall Fair, Champagne: Damse Villageoise, K. Jomes: The Jones Boys from "Mirimachi Ballad", Chotem: North Country, Weinzweig: Barn Dance from "Red Ear of Corn" and E. Macmillan: À Saint-Malo) CITADEL CT-601 (LP) (1976) Ballet Symphony (1951) Geoffrey Waddington/Toronto Symphony Orchestra (included in collection: “Anthology Of Canadian Music – Murray Adaskin”) RADIO CANADA INTERNATIONAL ACM 23 (5 CDs) (1986) (original LP release: RADIO CANADA INTERNATIONAL RCI 71 (1950s) THOMAS ADÈS (b. -
15 Cairncross 0669
ALEC CAIRNCROSS Walter Bird Copyright © The British Academy 2000 – all rights reserved Alexander Kirkland Cairncross 1911–1998 I. Early Life, 1911–39 THE TITLE OF CAIRNCROSS’S AUTOBIOGRAPHY, published in the year of his death, is Living with the Century. As it happened, the coincidence was close. He was born on 11 February 1911 and died on 28 October 1998. His wife, Mary, had died a few months before. They had been married for 55 years. This beautifully written autobiography gives a fascinating account of his Scottish upbringing in Lesmahagow, a village in the farming area to the south-east of Glasgow. His father had an ironmonger’s shop in the village, inherited from his grandfather who came there in 1864. His mother was a schoolteacher. Alec records a radical tradition in the fam- ily, for her grandfather, Thomas MacCartney, was a nephew of ‘Purley Wilson’, a radical who had been hanged early in the previous century. It is also of interest that in the seventeenth century a namesake, Alexander Cairncross, had been Chancellor of the University of Glasgow roughly three centuries before he was to hold the same office. Cairncross was the seventh child in a family of eight. They were a remarkably gifted family. Five of them took university degrees and three became professors at one time or another. One brother became an authority on Matthew Arnold and a professor in America; the youngest, John—an authority on Molière—was for a time a professor in France. Cairncross observed that John was the most able of the family. -
Chopin in Britain: Chopin's Visits to England and Scotland in 1837 and 1848 : People, Places and Activities
Durham E-Theses Chopin in Britain: Chopin's visits to England and Scotland in 1837 and 1848 : people, places and activities. Willis, Peter How to cite: Willis, Peter (2009) Chopin in Britain: Chopin's visits to England and Scotland in 1837 and 1848 : people, places and activities., Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1386/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 CHOPIN IN BRITAIN Chopin's visits to England and Scotland in 1837and 1848 People, places,and activities Volume 1: Text The copyright of this thesis restswith the author or the university to which it was submitted. No quotation from it, or information derived from it may be published without the prior written consent of the author or university, and any information derived from it shouldbe acknowledged. -
Mcewen Concert Programme 2012
School&of&Culture&and&Creative&Arts&presents McEwen'Memorial'Concert' of'Scottish'Chamber'Music Thursday,&11&October&2012 Programme cover designed by Katy Cooper Thursday 11 October 2012 1.10pm University Concert Hall Funded by the McEwen Bequest Ruth Morley (flute) Hannah Craib (viola) Sharron Griffiths (harp) Elegiac Trio Arnold Bax Serenade No.10 Op. 79 Vincent PersiChetti Tenebrae Martin Suckling Commissioned by the Court of the University of Glasgow under the terms of the McEwen Bequest. Danse Lente Op.56 Joseph Jongen Petite Suite André Jolivet Elegiac Trio Arnold Bax Sir Arnold Bax (1883 –1953) was born in London, studied at the Royal ACademy of MusiC and spent much of his life in Ireland. He was a Composer and a poet. His musiCal style blends elements of romantiCism and impressionism, often with influences from Irish literature, espeCially Yeats. Bax’s poetry and stories were written under the pseudonym of Dermot O’Byrne. The ElegiaC trio was written in 1916, the year of the Easter Rising in Ireland. As both poet and Composer Bax wrote elegies to Commemorate the ‘holy rage’. This trio is an elegy for lost friends, and for the loss of innocence. Bax was faithful to Ireland until the end of his life, but in 1916 the RomantiC Ireland he had known as a young man was dead and gone. He had been aCquainted with many involved in events surrounding the Rising, including PatriCk Pearse the educator, orator and writer who was among those exeCuted by the British. Serenade No.10 Op. 79 Vincent Persichetti Larghetto Allegro Comodo Andante Grazioso Andante Cantabile Scherzando Vivo Vincent PersiChetti (1915 –1987) was an AmeriCan Composer, teaCher, and pianist. -
Irina Bazik Dma Dissertation with Committee Notes
UNIVERSITY OF CALIFORNIA Los Angeles Nocturnes in Great Variety: Reconsidering the Nineteenth-Century Nocturnes Through Women Composer-Pianists A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Musical Arts by Irina Bazik 2021 iii © Copyright by Irina Bazik 2021 iii ABSTRACT OF THE DISSERTATION Nocturnes in Great Variety: Reconsidering the Nineteenth-Century Nocturnes Through Women Composer- Pianists by Irina Bazik Doctor of Musical Arts University of California, Los Angeles, 2021 Professor Jocelyn Ho, Chair The nineteenth-century Nocturne is widely understood as an intimate form of salon setting, with characteristic pianistic writing of right-hand melody and left-hand accompaniment. This view of the nocturne is informed by scholarship on the genre since the beginning of the twentieth century. Although numerous composers have written nocturnes, current understandings of the genre are based largely on research surrounding Frédéric Chopin and John Field. Similarly, recordings and live performances follow the same trend, rarely showcasing works outside of the canon of these two composers, thus leaving us with an important question: how may a study of nocturnes by other ii composers—specifically women composers—inform our understanding of this genre that has been idealized as a “feminine” form (Kallberg)? My research examines eight nocturnes composed by five women: Maria Szymanowska, Leopoldine Blahetka, Louise Farrenc, Clara Wieck, and Fanny Hensel. While these works hold clear connections to compositional techniques of Field and Chopin, I argue that the eight nocturnes disrupt current understandings of the genre. The analysis of these nocturnes offers a new perspective on this form: from Szymanowska’s intriguing Nocturne “Le Murmure” for three hands—the only such example in the genre, to Blahetka’s virtuosic Nocturnes op. -
Oct – Dec 2020
What's On Oct – Dec 2020 rcs.ac.uk/RCSatHome _ Welcome Welcome to the new season of performance at the Royal Conservatoire of Scotland. A season which looks very RCS at Home (Oct- Dec) different from any other as we continue to work, teach, learn and perform alongside the various restrictions that Covid-19 has brought into our lives. Performance is at the heart of everything that The past eight months has thrown us so many challenges and I am immensely proud to see the innovative and we do at RCS. Although we can’t welcome ingenious ways the RCS community has responded to the pandemic. We’ve seen new dance pieces performed live audiences quite yet, we are delighted over Zoom, music ensembles livestreaming their performances (whilst adhering to social distancing guidelines, of course) and graduates setting up their own companies to create new work and connect with audiences to share our work through the RCS at Home internationally. online platform. We miss having you, our audience, in our venues to experience the joy of live performance. I hope we can invite you into our concert halls and theatres soon but, until that day comes, I encourage you to visit our RCS at Home You can find all performances and Exchange website where you can find online performances from across the conservatoire. Talks at rcs.ac.uk/RCSatHome Every Monday and Friday we will be releasing new live content from our RCS Presents music series, and we will also be live streaming dramatic performances in November. We continue to make art.