JOHNNY GOT HIS GUN by Dalton Trumbo _____________________________ A Bantam Book Copyright © 1939, 1959 by Dalton Trumbo eBook scanned & proofed by Binwiped 11-22-02 [v1.0] Introduction World War I began like a summer festival—all billowing skirts and golden epaulets. Millions upon millions cheered from the sidewalks while plumed imperial highnesses, serenities, field marshals and other such fools paraded through the capital cities of Europe at the head of their shining legions. It was a season of generosity; a time for boasts, bands, poems, songs, innocent prayers. It was an August made palpitant and breathless by the pre-nuptial nights of young gentlemen-officers and the girls they left permanently behind them. One of the Highland regiments went over the top in its first battle behind forty kilted bagpipers, skirling away for all they were worth—at machine guns. Nine million corpses later, when the bands stopped and the serenities started running, the wail of bagpipes would never again sound quite the same. It was the last of the romantic wars; and Johnny Got His Gun was probably the last American novel written about it before an entirely different affair called World War II got under way. The book has a weird political history. Written in 1938 when pacifism was anathema to the American left and most of the center, it went to the printers in the spring of 1939 and was published on September third—ten days after the Nazi-Soviet pact, two days after the start of World War II. Shortly thereafter, on the recommendation of Mr. Joseph Wharton Lippincott (who felt it would stimulate sales), serial rights were sold to The Daily Worker of New York City. For months thereafter the book was a rally point for the left. After Pearl Harbor its subject matter seemed as inappropriate to the times as the shriek of bagpipes. Mr. Paul Blanshard, speaking of army censorship in The Right to Read (1955) says, "A few pro-Axis foreign-language magazines had been banned, as well as three books, including Dalton Trumbo's pacifist novel Johnny Get Your Gun, produced during the period of the Hitler-Stalin pact." Since Mr. Blanshard fell into what I hope was unconscious error both as to the period of the book's "production" and the title under which it was "produced," I can't place too much faith in his story of its suppression. Certainly I was not informed of it; I received a number of letters from service men overseas who had read it through Army libraries; and, in 1945, I myself ran across a copy in Okinawa while fighting was still in progress. If, however, it had been banned and I had known about it, I doubt that I should have protested very loudly. There are times when it may be needful for certain private rights to give way to the requirements of a larger public good. I know that's a dangerous thought, and I shouldn't wish to carry it too far, but World War II was not a romantic war. As the conflict deepened, and Johnny went out of print altogether, its unavailability became a civil liberties issue with the extreme American right. Peace organizations and "Mothers'" groups from all over the country showered me with fiercely sympathetic letters denouncing Jews, Communists, New Dealers and international bankers, who had suppressed my novel to intimidate millions of true Americans who demanded an immediate negotiated peace. My correspondents, a number of whom used elegant stationery and sported tidewater addresses, maintained a network of communications that extended to the detention camps of pro-Nazi internees. They pushed the price of the book above six dollars for a used copy, which displeased me for a number of reasons, one of them fiscal. They proposed a national rally for peace-now, with me as cheer leader; they promised (and delivered) a letter campaign to pressure the publisher for a fresh edition. Nothing could have convinced me so quickly that Johnny was exactly the sort of book that shouldn't be reprinted until the war was at an end. The publishers agreed. At the insistence of friends who felt my correspondents' efforts could adversely affect the war effort, I foolishly reported their activities to the F. B. I. But when a beautifully matched pair of investigators arrived at my house, their interest lay not in the letters but in me. I have the feeling that it still does, and it serves me right. After 1945, those two or three new editions which appeared found favor with the general left, and apparently were completely ignored by everybody else, including all those passionate war-time mothers. It was out of print again during the Korean War, at which time I purchased the plates rather than have them sold to the Government for conversion into munitions. And there the story ends, or begins. Reading it once more after so many years, I've had to resist a nervous itch to touch it up here, to change it there, to clarify, correct, elaborate, cut. After all, the book is twenty years younger than I, and I have changed so much, and it hasn't. Or has it? Is it possible for anything to resist change, even a mere commodity that can be bought, buried, banned, damned, praised, or ignored for all the wrong reasons? Probably not. Johnny held a different meaning for three different wars. Its present meaning is what each reader conceives it to be, and each reader is gloriously different from every other reader, and each is also changing. I've let it remain as it was to see what it is. DALTON TRUMBO Los Angeles March 25, 1959 Book I The Dead Chapter 1 He wished the phone would stop ringing. It was bad enough to be sick let alone having a phone ring all night long. Boy was he sick. Not from any of their sour french wine either. A man couldn't hold enough of it to get a head this big. His stomach was going round and round and round. Fine thing nobody'd answer that phone. It sounded like it was ringing in a room about a million miles wide. His head was a million miles wide too. The hell with the telephone. That damn bell must be at the other end of the world. He would have to walk for a couple years to get to it. Ring ring ring all night long. Maybe somebody wanted something bad. Telephones ringing at night are important. You'd think they'd pay attention to it. How could they expect him to answer it anyhow? He was tired and his head was plenty big. You could stick a whole phone in his ear and he couldn't evea feel it. He must have been drinking dynamite. Why didn't somebody answer that goddam telephone? "Hey Joe. Front and center." Here he was sick as hell and like a damned fool making his way through the night shipping room toward the telephone. It was so noisy you wouldn't think anybody could hear a tiny sound like a phone ringing. Yet he had. He'd heard it above the click-click- click of the Battle Creek wrappers and the rattle of the belt conveyors and the howl of the rotary ovens upstairs and the rumble of steel route bins being hauled into place and the sputter of motors in the garage being tuned up against the morning's work and the scream of dollies that needed oil why the hell didn't somebody oil them? He walked down the middle aisle between the steel bins that were being filled with bread. He threaded his way through the floor litter of dollies and boxes and rumpled cartons and crippled loaves. The boys looked at him as he went. He remembered their faces floating by him as he moved toward the telephone. Dutch and Little Dutch and Whitey who took shots in his spine and Pablo and Rudy and all the boys. They looked at him curiously as he passed them. Maybe that was because he was scared inside and showed it outside. He got to the phone. "Hello." "Hello son. Come on home now." "All right mother I'll be right there." He went into the lean-to office with the wide glass front where Jody Simmons the night foreman kept a close watch on his crew. "Jody I got to go home. My father just died." "Died? Gosh kid that's too bad. Sure kid you run along. Rudy. Hey Rudy. Grab a truck and drive Joe home. His old —his father just died. Sure kid go on home. I'll have one of the boys punch you out. That's tough kid. Go home." Rudy stepped on it. It was raining outside because it was December and Los Angeles just before Christmas. The tires sizzled against the wet pavement as they went. It was the quietest night he had ever heard except for the tires sizzling and the clatter of the Ford echoing between deserted buildings in an empty street. Rudy sure stepped on it. There was a rattle somewhere back of them in the truck body that kept the same time no matter how fast they went. Rudy didn't say anything. He just drove. Way out Figueroa past big old houses and then smaller houses and then on out some more to the south end. Rudy stopped the car. "Thanks Rudy, I'll let you know when everything's finished. I'll be back to work in a couple days." "Sure Joe.