Anna's War by A.Fedorchenko (Premiere IFFR 2018)
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Kenji Mizoguchi Cinematographic Style (Long Take) in 'The Life of Oharu' (1952)
KENJI MIZOGUCHI CINEMATOGRAPHIC STYLE (LONG TAKE) IN 'THE LIFE OF OHARU' (1952). Rickmarthel Julian Kayug Bachelor ofApplied Arts with Honours (Cinematography) 2013 UNIVERSITI MALAYSIA SARAW AK BORANG PENGESAHAN STATUS TESIS/LAPORAN JUDUL: Kenji Mizoguchi Cinematographic Style (Long Take) In The 'Life OfOharu' (1952). SESI PENGAJIAN: 200912013 Saya RICKMARTHEL JULIAN KA YUG Kad Pengenalan bemombor 890316126011 mengaku membenarkan tesisl Laporan * ini disimpan di Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dengan syarat-syarat kegunaan seperti berikut: 1. Tesisl Laporan adalah hakmilik Universiti Malaysia Sarawak 2. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat salinan untuk tujuan pengajian sahaja 3. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat pengdigitan untuk membangunkan Pangkalan Data Kandungan Tempatan 4. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat salinan tesisl laporan ini sebagai bahan pertukaran antara institusi pengajian tinggi 5. *sila tandakan rn (mengandungi maklumat yang berdarjah keselamatan SULIT 6·D atau kepentingan seperti termaktub di dalam AKTA RAHSIA 1972) TERHAD D (mengandungi maklumat Terhad yang telah ditentukan oleh Organisasilbadan di mana penyelidikan dijalankan) V ~IDAK TERHAD Disahkan Disahkan Oleh: c:dt~f • Tandatangan Penulis Tandatangan Penyelia Tarikh t:L~ 1"""~ ~ l3 Tarikh: '~I O-=l""/?4l ~ Alamat Tetap: Kg. Pamilaan, Peti Surat 129,89908 Tenom, Sabah. Mobil Jefri ~ samareoa Lect\Il'U . faculty ofApplie4 aM CrcallVe Catatan: *Tesis/ Laporan dimaksudkan sebagai tesis bagi Ijazah Doktor Falsafah,~a Muda • lika Tesis/ Laporan SULIT atau TERHAD, sila lampirkan surat daripada pihak berkuasal organisasi berkenaan dengan menyatakan sekali sebab dan tempoh tesis/ laporan ini perlu dikelaskan $ebagai SULIT atau TERHAD This project report attached hereto, entitled "KENJI MIZOGUCHI CINEMATOGRAPHIC STYLE (LONG TAKE) IN THE LIFE OF OHARU (1952)". -
American Director Jonathan Demme to Receive Visionary Award Venice Film Festival
Beat: Entertainment AMERICAN DIRECTOR JONATHAN DEMME TO RECEIVE VISIONARY AWARD VENICE FILM FESTIVAL AND CHAIRMAN JURY ORIZZONTI SECTION PARIS - LOS ANGELES - VENICE, 04.09.2015, 17:33 Time USPA NEWS - Also a Jury President on the Lido this year, the famous Director received a career-spanning Prize. He released this year "Ricki and the Flash" starring Mery Streep as a rocker mom who lets down her kids... Also a Jury President on the Lido this year, the famous Director received a career-spanning Prize. He released this year "Ricki and the Flash" starring Meryl Streep as a rocker mom who lets down her kids. The American director is famous for the films : "The silence of the Lambs", "Philadelphia", "Rachel Getting Married"... The International Jury of Orizzonti section chaired by Jonathan Demme, composed of five members, will award the following prizes, with no ax-aequo awards allowed : Orizzonti Award for Best films ; Orizzonti Award for Best Director ; Special Orizzonti Jury Prize ; Orizzonti Award for Best Actor or Actress ; Orizzonti Award for Best Short film. Jonahan Demme's long story career goes all the way back to the 1970s, through "Carzed Mama", "Melvin and Howard"... and into the 1980s comedy "Something Wild", 1991 Best Picture winner "The Silence of the Lambs", "Philadelphia", remakes "The Truth About Charlie" and "the Manchurian Candidate" and his more late-career efforts, including "Rachel Getting Married", "A Master Builder" and this year "Ricki and the Flash". His films have long been staples of the Venice Film Festival. It was announced August 28 by La Biennale Di Venezia and Persol that Jonathan Demme will receive the Persol Tribute to Visionary Talent Award. -
Yorgos Mavropsaridis, Ace Editor
YORGOS MAVROPSARIDIS, ACE EDITOR FILM & TELEVISION THE SILENCE OF MERCY Director: Floria Sigismondi Production Company: Luma Pictures EIGHT FOR SILVER Director: Sean Ellis Production Company: LD Entertainment Official Selection, Sundance Film Festival (2021) THE FAVOURITE Director: Yorgos Lanthimos Production Company: Fox Searchlight Pictures Nominated, Best Editing, Best Picture, Best Director, Academy Awards (2019) Nominated, Best Editing, BAFTA Awards (2019) Nominated, Best Motion Picture, Musical or Comedy and Best Screenplay, Golden Globes (2019) Nominated, Best Edited Feature Film Comedy, Eddie Awards (2019) Winner, Grand Jury and Volpi Cup for Best Actress Venice Film Festival (2018) Official Selection, Toronto Film Festival (2018) Official Selection, London Film Festival (2018) MONOS Director: Alejandro Landes Production Company: No Franja, Mutante Cine, Lemming Films & Le Pacte Nominated, Best International Independent Film, BIFA Awards (2019) Official Selection, Sundance Film Festival (2019) Official Selection, Berlin Film Festival (2019) Official Selection, London Film Festival (2019) THE KILLING OF A SACRED DEER Director: Yorgos Lanthimos Production Company: Element Pictures Winner, Best Screenplay, Cannes Film Festival (2017) Official Selection, Toronto Film Festival (2017) Official Selection, London Film Festival (2017) LUX ARTISTS | 1 PARK Director: Sofia Exarchou Production Company: Faliro House Productions Official Selection, Toronto Film Festival (2016) Official Selection, London Film Festival (2016) MELLOW MUD Director: -
French Cinema Saw International Box Office Receipts Shrink, but Retained Its Place in Foreign Markets and Festivals
23 rd RENDEZ-VOUS WITH FRENCH FILMS ON THE INTERNATIONAL MARKETPLACE FRENCH AND AT FESTIVALS CINEMA IN 2020 PARIS / JANUARY 13 - 15 2021 RESULTS FOR FRENCH FILMS ON THE INTERNATIONAL MARKET PLACE IN 2020 13.7* 86.6* MILLION MILLION ADMISSIONS EUROS down 69.8%* compared to 2019 IN RECEIPTS Note: In France, French films generated down 68.6%* compared to 2019 29.2** million admissions in 2020, down 60.7%** compared to 2019 IN 2020, FRENCH CINEMA SAW INTERNATIONAL BOX OFFICE RECEIPTS SHRINK, BUT RETAINED ITS PLACE IN FOREIGN MARKETS AND FESTIVALS » 9.5* million admissions (69.5%* of the total) for majority-French productions (38 million in 2019, down 75%*) » 10.6* million admissions (77.6%* of the total) for French-language films (26.9 million in 2019, down 60.6%*) » 611* French films on release in foreign theaters (869 in 2019, down 29.7%*) » 1,398* releases of French films (2,836 in 2019, down 50.7%*) » 2* French films sold more than 1 million tickets abroad (7 in 2019) » 28* French films drew more than 100,000 spectators abroad (68 in 2019) » Russia becomes the leading territory in terms of admissions for French films in 2020, ahead of Spain and Italy* » 163 French films were selected across 8 major international film festivals*** and accounted for 19.5% of the films presented (199 and 19% in 2019, down 18.1% and up 2.6%) Note: *The figures given in this brochure are provisional and non-exhaustive. The definitive figures will be available in the fall and will inevitably be higher. -
The EU Film Industry in the Spotlight at the Venice International Film Festival
The EU film industry in the spotlight at the Venice International Film Festival Five films which have been awarded EU funding are competing in the prestigious 72nd Venice International Film Festival between 2 and 9 September. The European Commission has invested around €260,000 through the Creative Europe MEDIA programme to support the development and distribution of these films, which are taking part in the Official Selection and Orizzonti competitions. Venice Film Festival Films in the Official selection Three EU-supported films will be shown as world premieres in the Venezia 72 competition for feature films: Marguerite, 1921, a big castle not far from Paris. Marguerite, the owner, is affluent and devotes all of her time to her passion: music. Loosely based on the life of the American soprano Florence Foster Jenkins, who became famous between 1930 and 1940 thanks to her poor singing skills, the film is a French, Czech and Belgian co-production, directed by Xavier Giannoli. It stars Catherine Frot, André Marcon, Michel Fau, Christa Théret, Denis Mpunga, Sylvain Dieuaide. A Bigger Splash, this thriller feature the rock star Marianne Lane and Paul, her film director fiancé, who are on holiday in Pantelleria. The sudden visit of Harry, and his daughter Penelope, will drag all the characters into a whirlpool of passion and jealousy. A remake of the French detective film La piscine (1968), this is an Italian, French production starring Tilda Swinton, Ralph Fiennes, Matthias Schoenaerts, Dakota Johnson, Corrado Guzzanti, directed by Luca Guadagnino. L’Hermine, the story starts the day before a trial: during the hearing, something extraordinary will happen and will change everything. -
View , 82, (Winter 2002): 191-207
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Collegiate Symbols and Mascots of the American Landscape: Identity, Iconography, and Marketing Gary Gennar DeSantis Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES COLLEGIATE SYMBOLS AND MASCOTS OF THE AMERICAN LANDSCAPE: IDENTITY, ICONOGRAPHY, AND MARKETING By GARY GENNAR DeSANTIS A Dissertation submitted to the Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2018 ©2018 Gary Gennar DeSantis Gary Gennar DeSantis defended this dissertation on November 2, 2018. The members of the committee were: Andrew Frank Professor Directing Dissertation Robert Crew University Representative Jonathan Grant Committee Member Jennifer Koslow Committee Member Edward Gray Committee Member The Graduate School has verified and approved the above-named committee members and certifies that the dissertation has been approved in accordance with university requirements. ii I dedicate this dissertation to the memory of my beloved father, Gennar DeSantis, an avid fan of American history, who instilled in me the same admiration and fascination of the subject. iii TABLE OF CONTENTS Abstract ............................................................................................................................................v 1. FITNESS, BACK-TO-NATURE, AND COLLEGE MASCOTS -
The New Morphology of European Film Festivals (Case Study: Transilvania
The 2017 WEI International Academic Conference Proceedings Barcelona, Spain THE NEW MORPHOLOGY OF EUROPEAN FILM FESTIVALS (CASE STUDY: TRANSILVANIA INTERNATIONAL FILM FESTIVAL) lecturer Ileana Nicoleta Sălcudean Cinematography and Media Department Faculty of Theater and Television Babes-Bolyai University, Cluj-Napoca Abstract: The international film festivals are nevertheless ”inherently linked to societal and cultural concerns” (Elsaesser 2005, 27). The new morphology of film festivals brings a new light on film festivals and the theory of culture, especially with the new reconfiguration of festivals Europe, the insertion of new technologies and new opportunities to create networks. The research approach is defined at the intersection of cultural studies, sociology of culture and cultural anthropology, seeking a new vocabulary of film culture in the new socio-political context. In terms of cultural studies I analyze the social and political context of creative industries (mainly film production); an important contribution of cultural studies and sociology of culture refers to the tension between citizenship and consumerism. From the point of view of cultural anthropology, I analyze the new film festival rendering the distinction space/ place; mapping/ tracking (Elsaesser, 2004, pp. 185-188) replacing universal/ particular; local/ global, following contemporary approaches of convergence and network as more efficient in the globalization context. European film festivals shift away from the stereotyped category of nation and auteur as connected to Europe towards the global economy and the city (Valck, 2007, p. 30). The case study of Transilvania International Film Festival is bringing forth questions regarding the Western European vs. Eastern European film festival models and how are the Eastern and Central European festivals incorporating the traits of the Western European film festival. -
Saints, Signs Symbols
\ SAINTS, SIGNS and SYMBOLS by W. ELLWOOD POST Illustrated and revised by the author FOREWORD BY EDWARD N. WEST SECOND EDITION CHRIST THE KING A symbol composed of the Chi Rho and crown. The crown and Chi are gold with Rho of silver on a blue field. First published in Great Britain in 1964 Fourteenth impression 1999 SPCK Holy Trinity Church Acknowledgements Marylebone Road London NW1 4DU To the Rev. Dr. Edward N. West, Canon Sacrist of the Cathedral Church of St. John the Divine, New York, who has © 1962, 1974 by Morehouse-Barlow Co. graciously given of his scholarly knowledge and fatherly encouragement, I express my sincere gratitude. Also, 1 wish to ISBN 0 281 02894 X tender my thanks to the Rev. Frank V. H. Carthy, Rector of Christ Church, New Brunswick, New Jersey, who initiated my Printed in Great Britain by interest in the drama of the Church; and to my wife, Bette, for Hart-Talbot Printers Ltd her loyal co-operation. Saffron Walden, Essex The research material used has been invaluable, and I am indebted to writers, past and contemporary. They are: E. E. Dorling, Heraldry of the Church; Arthur Charles Fox-Davies, Guide to Heraldry; Shirley C. Hughson of the Order of the Holy Cross, Athletes of God; Dr. F. C. Husenbeth Emblems of Saints; C. Wilfrid Scott-Giles, The Romance of Heraldry; and F. R. Webber, Church Symbolism. W. ELLWOOD POST Foreword Contents Ellwood Post's book is a genuine addition to the ecclesiological library. It contains a monumental mass of material which is not Page ordinarily available in one book - particularly if the reader must depend in general on the English language. -
Russian Intelligentsia at the Crossroads* by Dmitri N. Shalin In
Russian Intelligentsia at the Crossroads* By Dmitri N. Shalin In 57 B.C.E., Marcus Tullius Cicero, a Roman consul and leading public intellectual, ran into heavy political headwinds. After turning down Caesar’s invitation to join the antirepublican forces, he was driven into exile where he brooded about the duty he owed to himself, his family and his country. In a letter to his friend Atticus, Cicero outlined the stark moral choices committed citizens face when the fate of the republic hangs in the balance. The question is “Whether one should remain in one’s country, even under a tyranny. Whether any means are lawful to abolish a tyranny, even if they endanger the existence of the State. Whether one ought to take care that one who tries to abolish it may not rise too high himself. Whether one ought to assist one’s country, when under a tyranny, by seizing the opportunities and by arguments rather than by war . Whether one who has done good service for his country, and by it won ill-treatment and envy, should voluntarily put himself into danger for that country, or may at length take thought for himself and his dear ones and avoid struggles against the powers that be.” Caesar’s Rome and Putin’s Russia are vastly different polities, yet the dilemmas Russian intellectuals and political activists face nowadays bear more than a fleeting resemblance to those that ultimately cost Cicero his life. Ever since the collapse of the Soviet Union, emigration has been on its citizens’ minds. An estimated 10 million Russians left the country since the mid-1990s. -
THE INTERNATIONAL LATINO CULTURAL CENTER of CHICAGO UNVEILS the FIRST ROUND of TITLES for the 35Th CHICAGO LATINO FILM FESTIVAL, MARCH 28-APRIL 11
Contact: Alejandro A. Riera [email protected] (312) 431-1330 www.latinoculturalcenter.org THE INTERNATIONAL LATINO CULTURAL CENTER OF CHICAGO UNVEILS THE FIRST ROUND OF TITLES FOR THE 35th CHICAGO LATINO FILM FESTIVAL, MARCH 28-APRIL 11 The critically acclaimed political thrillers “The Realm” and “Rojo”; “José,” winner of the Queer Lion Award at last year’s Venice Film Festival; “Belmonte,” Federico Veiroj’s latest film; and Argentinian actress Valeria Bertuccelli’s directorial debut “The Queen of Fear” are among the high profile titles announced today. CHICAGO (February 19, 2019) - The International Latino Cultural Center of Chicago is proud to announce the first confirmed titles out of the more than 100 features & shorts that will be screened during the 35th Chicago Latino Film Festival to be held March 28-April 11 at the AMC River East 21 Theatres, 322 E. Illinois St. Opening and Closing Night selections will be announced in the next couple of weeks; the full lineup will be announced in mid March. This first round of fifteen titles include Rodrigo Soroyen’s exciting political thriller The Realm (winner of seven Goyas, including Best Director and Best Actor), Benjamín Naishtat’s equally tense thriller Rojo starring Darío Grandinetti (Talk to Her, Wild Tales) and Alfredo Castro (Tony Manero, The Club), Cheng Li’s José, winner of the Queer Lion Award at last year’s Venice Film Festival, actress Valeria Bertuccelli’s directorial debut “The Queen of Fear” and the latest films by acclaimed directors Silvio Caiozzi, Jorge Pérez Solano and Federico Veiroj. “From exciting new voices to edge-of-your-seat thrillers, from documentaries to feature films that explore the Afro-Latino experience, this first taste of our Festival is a representative sample of the great work that is coming out of Latin American, Spain and Portugal and the U.S. -
ISAAC Julien
ISAAC JUlIEN Born 1960, London, UK 1987-1989 Post-Doctoral, Les Entrepreneurs de L’Audiovisuel Europeen (EAVE), Brussels, Belgium 1980-1984 BA Fine Art, Film, Central St. Martin’s School of Art, London, UK Lives and works in London, UK and Santa Cruz, CA Selected Solo Exhibitions 2020 ‘Isaac Julien: Western Union: Small Boats’, Neuberger Museum, New York, USA ‘Isaac Julien’s America’, Jessica Silverman, San Francisco, California, USA ‘Isaac Julien: A Marvellous Entanglement’, MAXXI - National Museum of the 21st Century Art, Rome, Italy ‘Isaac Julien: Frederick Douglass: Lessons of the Hour’, McEvoy Foundation for the Arts, San Francisco, USA 2019 ‘Isaac Julien: Frederick Douglass: Lessons of the Hour’, SCAD Museum of Art, Savannah, GA ‘Isaac Julien: Playtime’, The Linda Pace Foundation Gallery / Ruby City, San Antonio, TX ‘Isaac Julien: Lina Bo Bardi – A Marvellous Entanglement’, Victoria Miro, London, UK ‘Looking for Langston’, Tate Britain, London, UK ‘Isaac Julien: Playtime’, LACMA, Resnick Pavillion, Los Angeles, CA ‘The Leopard (Western Union: Small Boats)’, Block Museum of Art, Northwestern University, Chicago, IL ‘Looking for Langston’, The Linda Pace Foundation Gallery / Ruby City, San Antonio, TX ‘Lessons of the Hour’, Memorial Art Gallery, University of Rochester, Rochester, NY ‘Lessons of the Hour - Frederick Douglass’, Metro Pictures Gallery, New York, NY ‘Stones against Diamonds’, Paco Des Artes, Sao Paul, Brazil ‘Love and Ethnology’, Haus der Kulturen der Welt, Berlin, Germany ‘Lina Bo Bardi – A Marvellous Entanglement’, -
Winners (Print & Publishing Lions)
Winners (Print & Publishing Lions) Cat. No Entry Title Client Product Entrant Company Country Agency Prize No A01 (Savoury Foods) A01/014 02554 BABY BEL MINI BABYBEL YOUNG & RUBICAM PARIS FRANCE YOUNG & RUBICAM Silver Lion PARIS Campaign A01/015 02570 MILKMAN BEL MINI BABYBEL YOUNG & RUBICAM PARIS FRANCE YOUNG & RUBICAM Silver Lion PARIS Campaign A01/016 02584 FISH BEL MINI BABYBEL YOUNG & RUBICAM PARIS FRANCE YOUNG & RUBICAM Silver Lion PARIS Campaign A01/017 02598 CARDINAL BEL MINI BABYBEL YOUNG & RUBICAM PARIS FRANCE YOUNG & RUBICAM Silver Lion PARIS Campaign A01/025 02460 PUG CHEZ OSCAR INSTITUTIONAL Y&R SÃO PAULO BRAZIL Y&R SÃO PAULO Bronze Lion Campaign A01/026 02468 LABRADOR CHEZ OSCAR INSTITUTIONAL Y&R SÃO PAULO BRAZIL Y&R SÃO PAULO Bronze Lion Campaign A01/027 02464 MUTT CHEZ OSCAR INSTITUTIONAL Y&R SÃO PAULO BRAZIL Y&R SÃO PAULO Bronze Lion Campaign A02 (Sweet Foods & Snacks) A02/012 00220 "MOBY-DICK" WRIGLEY WRIGLEY'S BBDO GROUP GERMANY GERMANY BBDO GROUP Silver Lion SPEARMINT Dusseldorf GERMANY Dusseldorf Campaign A02/013 00223 "SHERLOCK WRIGLEY WRIGLEY'S BBDO GROUP GERMANY GERMANY BBDO GROUP Silver Lion HOLMES" SPEARMINT Dusseldorf GERMANY Dusseldorf Campaign A02/014 00226 "LITTLE RED WRIGLEY WRIGLEY'S BBDO GROUP GERMANY GERMANY BBDO GROUP Silver Lion RIDING HOOD" SPEARMINT Dusseldorf GERMANY Dusseldorf Campaign A02/022 02803 HUNGER TRAP 1 MARS SNICKERS IMPACT BBDO Dubai UNITED ARAB IMPACT BBDO Dubai Bronze Lion EMIRATES Campaign A02/023 02804 HUNGER TRAP 2 MARS SNICKERS IMPACT BBDO Dubai UNITED ARAB IMPACT BBDO Dubai Bronze