MARIAN GOODMAN GALLERY STEVE Mcqueen
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The New Hollywood Films
The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d. -
American Director Jonathan Demme to Receive Visionary Award Venice Film Festival
Beat: Entertainment AMERICAN DIRECTOR JONATHAN DEMME TO RECEIVE VISIONARY AWARD VENICE FILM FESTIVAL AND CHAIRMAN JURY ORIZZONTI SECTION PARIS - LOS ANGELES - VENICE, 04.09.2015, 17:33 Time USPA NEWS - Also a Jury President on the Lido this year, the famous Director received a career-spanning Prize. He released this year "Ricki and the Flash" starring Mery Streep as a rocker mom who lets down her kids... Also a Jury President on the Lido this year, the famous Director received a career-spanning Prize. He released this year "Ricki and the Flash" starring Meryl Streep as a rocker mom who lets down her kids. The American director is famous for the films : "The silence of the Lambs", "Philadelphia", "Rachel Getting Married"... The International Jury of Orizzonti section chaired by Jonathan Demme, composed of five members, will award the following prizes, with no ax-aequo awards allowed : Orizzonti Award for Best films ; Orizzonti Award for Best Director ; Special Orizzonti Jury Prize ; Orizzonti Award for Best Actor or Actress ; Orizzonti Award for Best Short film. Jonahan Demme's long story career goes all the way back to the 1970s, through "Carzed Mama", "Melvin and Howard"... and into the 1980s comedy "Something Wild", 1991 Best Picture winner "The Silence of the Lambs", "Philadelphia", remakes "The Truth About Charlie" and "the Manchurian Candidate" and his more late-career efforts, including "Rachel Getting Married", "A Master Builder" and this year "Ricki and the Flash". His films have long been staples of the Venice Film Festival. It was announced August 28 by La Biennale Di Venezia and Persol that Jonathan Demme will receive the Persol Tribute to Visionary Talent Award. -
World Cinema Amsterd Am 2
WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival. -
Yorgos Mavropsaridis, Ace Editor
YORGOS MAVROPSARIDIS, ACE EDITOR FILM & TELEVISION THE SILENCE OF MERCY Director: Floria Sigismondi Production Company: Luma Pictures EIGHT FOR SILVER Director: Sean Ellis Production Company: LD Entertainment Official Selection, Sundance Film Festival (2021) THE FAVOURITE Director: Yorgos Lanthimos Production Company: Fox Searchlight Pictures Nominated, Best Editing, Best Picture, Best Director, Academy Awards (2019) Nominated, Best Editing, BAFTA Awards (2019) Nominated, Best Motion Picture, Musical or Comedy and Best Screenplay, Golden Globes (2019) Nominated, Best Edited Feature Film Comedy, Eddie Awards (2019) Winner, Grand Jury and Volpi Cup for Best Actress Venice Film Festival (2018) Official Selection, Toronto Film Festival (2018) Official Selection, London Film Festival (2018) MONOS Director: Alejandro Landes Production Company: No Franja, Mutante Cine, Lemming Films & Le Pacte Nominated, Best International Independent Film, BIFA Awards (2019) Official Selection, Sundance Film Festival (2019) Official Selection, Berlin Film Festival (2019) Official Selection, London Film Festival (2019) THE KILLING OF A SACRED DEER Director: Yorgos Lanthimos Production Company: Element Pictures Winner, Best Screenplay, Cannes Film Festival (2017) Official Selection, Toronto Film Festival (2017) Official Selection, London Film Festival (2017) LUX ARTISTS | 1 PARK Director: Sofia Exarchou Production Company: Faliro House Productions Official Selection, Toronto Film Festival (2016) Official Selection, London Film Festival (2016) MELLOW MUD Director: -
The Jewel Eng PB
NICOLA GIULIANO FRANCESCA CIMA present THE JEWEL A FILM BY ANDREA MOLAIOLI An italo-french coproduction INDIGO FILM . BABE FILMS in collaboration with RAI CINEMA in collaboration with BIM DISTRIBUZIONE Italian release: march 4th 2011 ✎✎✎ world sales INTRAMOVIES SRL Via E. Manfredi 15, 00197 Rome, Italy +39 06 807 61 57 [email protected] press material www.intramovies.com - www.kinoweb.it - www.bimfilm.com credits not contractual THE JEWEL . Technical cast director ANDREA MOLAIOLI story and screenplay LUDOVICA RAMPOLDI GABRIELE ROMAGNOLI ANDREA MOLAIOLI Director of Photography LUCA BIGAZZI editor GIOGIO’ FRANCHINI art director ALESSANDRA MURA costume designer ROSSANO MARCHI music TEHO TEARDO music edited by INDIGO FILM srl fonico di presa diretta MARIO IAQUONE sound editor SILVIA MORAES first assistant director CINZIA CASTANIA casting ANNAMARIA SAMBUCCO organisation LUIGI LAGRASTA executive producers CARLOTTA CALORI VIOLA PRESTIERI Coproduced by FABIO CONVERSI Produced by NICOLA GIULIANO . FRANCESCA CIMA an italo - french coproduction INDIGO FILM . BABE FILMS in collaboration with RAI CINEMA in collaboration with BIM DISTRIBUZIONE with the support of the MINISTERO per i BENI e le ATTIVITÀ CULTURALI . DIREZIONE GENERALE PER IL CINEMA with the support of the EURIMAGES with the support of the FILM COMMISSION TORINO PIEMONTE with the participation CANAL+ e CINECINEMA Italian distribution International distribution nazionality ITALIAN year of production 2010 lenght 110’ format 35mm 1:2,35 credits not contractual THE JEWEL . Artistic cast TONI SERVILLO Ernesto Botta REMO GIRONE Amanzio Rastelli SARAH FELBERBAUM Laura Aliprandi LINO GUANCIALE Filippo Magnaghi FAUSTO MARIA SCIARAPPA Franco Schianchi LISA GALANTINI Secretary Carla VANESSA COMPAGNUCCI Barbara Magnaghi MAURIZIO MARCHETTI Giulio Fontana IGOR CHERNEVICH Igor Yashenko JAY O. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
The EU Film Industry in the Spotlight at the Venice International Film Festival
The EU film industry in the spotlight at the Venice International Film Festival Five films which have been awarded EU funding are competing in the prestigious 72nd Venice International Film Festival between 2 and 9 September. The European Commission has invested around €260,000 through the Creative Europe MEDIA programme to support the development and distribution of these films, which are taking part in the Official Selection and Orizzonti competitions. Venice Film Festival Films in the Official selection Three EU-supported films will be shown as world premieres in the Venezia 72 competition for feature films: Marguerite, 1921, a big castle not far from Paris. Marguerite, the owner, is affluent and devotes all of her time to her passion: music. Loosely based on the life of the American soprano Florence Foster Jenkins, who became famous between 1930 and 1940 thanks to her poor singing skills, the film is a French, Czech and Belgian co-production, directed by Xavier Giannoli. It stars Catherine Frot, André Marcon, Michel Fau, Christa Théret, Denis Mpunga, Sylvain Dieuaide. A Bigger Splash, this thriller feature the rock star Marianne Lane and Paul, her film director fiancé, who are on holiday in Pantelleria. The sudden visit of Harry, and his daughter Penelope, will drag all the characters into a whirlpool of passion and jealousy. A remake of the French detective film La piscine (1968), this is an Italian, French production starring Tilda Swinton, Ralph Fiennes, Matthias Schoenaerts, Dakota Johnson, Corrado Guzzanti, directed by Luca Guadagnino. L’Hermine, the story starts the day before a trial: during the hearing, something extraordinary will happen and will change everything. -
The New Morphology of European Film Festivals (Case Study: Transilvania
The 2017 WEI International Academic Conference Proceedings Barcelona, Spain THE NEW MORPHOLOGY OF EUROPEAN FILM FESTIVALS (CASE STUDY: TRANSILVANIA INTERNATIONAL FILM FESTIVAL) lecturer Ileana Nicoleta Sălcudean Cinematography and Media Department Faculty of Theater and Television Babes-Bolyai University, Cluj-Napoca Abstract: The international film festivals are nevertheless ”inherently linked to societal and cultural concerns” (Elsaesser 2005, 27). The new morphology of film festivals brings a new light on film festivals and the theory of culture, especially with the new reconfiguration of festivals Europe, the insertion of new technologies and new opportunities to create networks. The research approach is defined at the intersection of cultural studies, sociology of culture and cultural anthropology, seeking a new vocabulary of film culture in the new socio-political context. In terms of cultural studies I analyze the social and political context of creative industries (mainly film production); an important contribution of cultural studies and sociology of culture refers to the tension between citizenship and consumerism. From the point of view of cultural anthropology, I analyze the new film festival rendering the distinction space/ place; mapping/ tracking (Elsaesser, 2004, pp. 185-188) replacing universal/ particular; local/ global, following contemporary approaches of convergence and network as more efficient in the globalization context. European film festivals shift away from the stereotyped category of nation and auteur as connected to Europe towards the global economy and the city (Valck, 2007, p. 30). The case study of Transilvania International Film Festival is bringing forth questions regarding the Western European vs. Eastern European film festival models and how are the Eastern and Central European festivals incorporating the traits of the Western European film festival. -
Job Ter Burg, Ace, Nce Film Editor
JOB TER BURG, ACE, NCE FILM EDITOR Short Biography Job ter Burg (1972, Maarn, The Netherlands) graduated from The Netherlands Film and Television Academy as a film editor (1992-1996), after two years of studying Film and Television at the University of Utrecht (1990-1992), which were preceded by grammar school in Doorn (1984-1990). He started out as an editor for mostly television documentaries, but after his continued collaboration with film school class mate Martin Koolhoven on DARK LIGHT (1997) and the much awarded SUZY Q (1999), he focused on editing feature films. After two nominations for Best Film Editing (at the yearly Dutch Film Festival in Utrecht) for his work on GODFORSAKEN (Pieter Kuijpers, 2003) and SCHNITZEL PARADISE (Martin Koolhoven, 2005), he got to be the lead film editor on the prestigious BLACK BOOK (2006), Paul Verhoeven’s first Dutch film in 20 years. Ter Burg was awarded with the ICS Award for Best Editing for Paul Verhoeven’s ELLE (2016) and with the Golden Calf for Best Film Editing for his work on Rudolf van den Berg’s TIRZA (2010). ELLE (2016) won more than 60 awards, including two Golden Globes (Best Foreign Language Film 2017 & Best Actress 2017) and was nominated for an Academy Award in the Best Actress category (Isabelle Huppert). BORGMAN (2013) and ELLE (2016) were selected for the Competition at the Festival de Cannes, BRIMSTONE (2016) and BLACK BOOK (2006) were selected for the Competition in at the Venice Film Festival. THE LAST DAYS OF EMMA BLANK (2009) won the Europa Cinemas Award at Venice Days. -
Course Summary
PRELIMINARY COURSE SYLLABUS Course Title: THE NEW HOLLYWOOD: Revolution in American Cinema, 1967 - 1975 Course Code: FLM 146 Instructor: Elliot Lavine Course Summary: This course is designed to provide an overview of the dramatically and often radically reinvigorated American film industry that emerged in the mid-1960s as both an answer to the draconian censorship laws still being applied to films, as well as the rapidly changing political and social landscape occurring at this time. We will watch and discuss some of the more influential films from this exciting period. *Please see course page for full description and additional details. Note About Live Attendance and Recording: These class sessions will be recorded. Live attendance is required to earn Credit. Grade Options and Requirements: • No Grade Requested (NGR) o This is the default option. No work will be required; no credit shall be received; no proof of attendance can be provided. • Credit/No Credit (CR/NC) *Please Note: If you require proof that you completed a Continuing Studies course for any reason (for example, employer reimbursement), you must the Credit/No Credit option. Courses taken for NGR will not appear on official transcripts or grade reports. Tentative Weekly Outline: Please watch the listed films before the class session that week. They can be purchased or rented via YouTube Movies or Amazon, and some might be on services such as Hulu or Netflix. Typically, if you do a Google search for a title, it will display the various streaming options. Here is the tentative list of films we’ll be watching and discussing… Week 1: BONNIE & CLYDE (1967) Arthur Penn’s seminal retelling of the lives of these two desperados was a brash introduction of a new sensibility revolving around sex and violence and the Cinema. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
THE INTERNATIONAL LATINO CULTURAL CENTER of CHICAGO UNVEILS the FIRST ROUND of TITLES for the 35Th CHICAGO LATINO FILM FESTIVAL, MARCH 28-APRIL 11
Contact: Alejandro A. Riera [email protected] (312) 431-1330 www.latinoculturalcenter.org THE INTERNATIONAL LATINO CULTURAL CENTER OF CHICAGO UNVEILS THE FIRST ROUND OF TITLES FOR THE 35th CHICAGO LATINO FILM FESTIVAL, MARCH 28-APRIL 11 The critically acclaimed political thrillers “The Realm” and “Rojo”; “José,” winner of the Queer Lion Award at last year’s Venice Film Festival; “Belmonte,” Federico Veiroj’s latest film; and Argentinian actress Valeria Bertuccelli’s directorial debut “The Queen of Fear” are among the high profile titles announced today. CHICAGO (February 19, 2019) - The International Latino Cultural Center of Chicago is proud to announce the first confirmed titles out of the more than 100 features & shorts that will be screened during the 35th Chicago Latino Film Festival to be held March 28-April 11 at the AMC River East 21 Theatres, 322 E. Illinois St. Opening and Closing Night selections will be announced in the next couple of weeks; the full lineup will be announced in mid March. This first round of fifteen titles include Rodrigo Soroyen’s exciting political thriller The Realm (winner of seven Goyas, including Best Director and Best Actor), Benjamín Naishtat’s equally tense thriller Rojo starring Darío Grandinetti (Talk to Her, Wild Tales) and Alfredo Castro (Tony Manero, The Club), Cheng Li’s José, winner of the Queer Lion Award at last year’s Venice Film Festival, actress Valeria Bertuccelli’s directorial debut “The Queen of Fear” and the latest films by acclaimed directors Silvio Caiozzi, Jorge Pérez Solano and Federico Veiroj. “From exciting new voices to edge-of-your-seat thrillers, from documentaries to feature films that explore the Afro-Latino experience, this first taste of our Festival is a representative sample of the great work that is coming out of Latin American, Spain and Portugal and the U.S.