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SHOOT Digital PDF Version, Volume 59, Number 1, February 2018 www.SHOOTonline.com Winter 2018 Super Bowl Feedback 12 Films’ titles & photo credits on page 3 credits titles & photo Films’ The DGA Awards 22 Road To Oscar 4 ASC Awards Preview 24 VES Awards Preview 26 Production Outlook 15 Sundance Film Festival 27 How Do Talented S I New Directors N C E E E 2 2 2 0 0 0 0 0 0 2 2 Take Their Careers 2 To The Next Level? They enter SHOOT’s Annual NEW DIRECTORS SEARCH Visit EnterNDS.SHOOTonline.com to enter. See page 31 for details. BAFTA WINNER WINNER WINNER DGA NOMINEE SUNDANCE FILM FESTIVAL SUNDANCE FILM FESTIVAL CRITICS’ CHOICE DOCUMENTARY AWARDS NOMINEE DOCUMENTARY SPECIAL JURY PRIZE LONDON BEST SPORTS BEST DIRECTOR (THE ORWELL AWARD) AUDIENCE AWARD DOCUMENTARY BRYAN FOGEL “THERE WERE INSTANCES OF DOPING USE, TRUE. BUT NO ONE IS MAKING A BIG SHOW OF IT.” – VLADIMIR PUTIN JANUARY 30, 2018 “AN EXTRAORDINARY SPORT MEETS ESPIONAGE THRILLER. ICARUS LAYS OUT THE FULL ABHORRENT SCALE OF RUSSIA’S SYSTEMATIC CHEATING AUTHORISED FROM THE VERY TOP. THE ULTIMATE HUMILIATION FOR ANTI-DOPING, AND THE OLYMPIC MOVEMENT.” “A TRULY ABSORBING PIECE OF FILMMAKING. COULDN’T BE MORE TIMELY.” CONSIDER T UTH THE THRILLER THAT TOOK DOWN AN EMPIRE SHOOT MAGAZINE, COVER 2 REVISION 1 NETFLIX ICARUS PUB DATE: 02/16/17 TRIM: 9”X10.875” BLEED: 9.25”X11.125” LIVE: 8.5”X10.375” Perspectives The Leading Publication For Commercial, Branded Content & Entertainment Production February 2018/March 2018 By Robert Goldrich Volume 59 • Number 1 spot.com.mentary www.SHOOTonline.com EDITORIAL Publisher & Editorial Director Director/Healer Roberta Griefer 203.227.1699 ext. 13 [email protected] Editor Robert Goldrich Groucho Marx famous- rytellers are healers and I am so honored The Sentence won the U.S. Documen- 323.445.6818 [email protected] ly played havoc with to be included among you.” tary Audience Award at Sundance. Jackie ADVERTISING Digital & Print Rates & Information the old adage “time Storytelling can indeed be healing--by Kelman Bisbee, one of the producers of [email protected] heals all wounds,” raising awareness of injustices, fostering The Sentence and a founder of both Park 203.227.1699 ext. 13 www.shootonline.com/go/advertise concluding instead that “time wounds empathy for others, even helping us to Pictures and Park Pictures Features, de- Advertising Production all heels.” While I’m not convinced as to look at ourselves differently. On all these scribed the experience of making this film Gerald Giannone [email protected] the absolute truth of either statement,it fronts, consider our Sundance Film Fest as “a highlight of my career.” She affirmed 203.227.1699 ext. 12 would seem that today we have plenty of coverage which includes The Sentence, that Park Pictures Features will be doing OFFICES heels in prominent places whose currency the first documentary from Park Pictures more documentaries. Main Office 256 Post Road East #206 is divisiveness at Westport, CT 06880 USA the expense of the Peele said that the stories being told by DGA members can 203.227.1699 Fax: 203.227.2787 greater good. And West spark empathy and push back against hate and bigotry. 323.445.6818 their behavior needs Circulation to be addressed with some sort of healing Features, the feature division of spot/ Jordan Peele, in accepting the DGA 203.227.1699 ext 12 [email protected] process that reaffirms our shared human- branded content house Park Pictures. Award for Outstanding Achievement of a Editorial Production Manager/Custom Reprints Michael Morgera ity which transcends any differences we The Sentence shows us how the family of First-Time Feature Film Director for Get 203.227.1699 ext. 11 [email protected] may have. Cindy Shank is impacted by her imprison- Out, said that the stories being told by SHOOT Publicity Wire In covering events and penning stories ment for a mandatory sentence of 15 years. Guild members can shed light on human- 203.227.1699 ext12 [email protected] for this edition of SHOOT, these concepts Directed by Shank’s brother, Rudy Valdez, ity, spark empathy for others and push © 2018 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered U.S. trademarks. came to the fore, a prime example surfac- The Sentence calls our justice system into back against hate and bigotry. Peele called No part of this publication may be reproduced, stored in any ing at the DGA Awards ceremony when question while putting us in the shoes of on the filmmakers in the DGA audience retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, Greta Gerwig went on stage to accept her not only Shank but also her three young to continue to “use your voice,” which without the prior written permission of the publisher. nomination medallion for Lady Bird. Ger- daughters and how they coped with their is “the most powerful weapon we have Print Issues Subscription Service wig said to her peers in the audience, “Sto- mother's absence. against evil.” [email protected] SHOOT (ISSN# 1055-9825) printed edition is published bimonthly for members by DCA Business Media LLC, 256 Post Road East, #206, Westport, CT 06880. Printed periodicals by Celine Tricart postage paid at Westport, CT and at additional mailing offices. POV POSTMASTER: Send address changes to SHOOT, P.O. Box 184, Lowell, MA 01853 USPS (06-234) Directing VR in a War Zone–“The Sun Ladies” SHOOT ePubs The SHOOT >e.dition weekly ePub is published on Friday. The SHOOT Dailies are published daily Mon.-Fri. Brand New[s] weekly ePub is published Wednesdays. I was teaching VR in also looked like an improvised explosive women, to understand their state of mind, SHOOT Screenwork published Mondays. San Francisco when I device, making every checkpoint crossing their longing for peace, honor and dignity. www.shootonline.com/subscribe received an unforget- stressful. When I met the Sun Ladies, I was VR is about “being there” and empathy. It SHOOTmobile Get the SHOOTonline Mobile app table call. It was Maria blown away by their incredible strength is vital to take in the environment and cap- App Store: iPhone.SHOOTonline.com Bello, trying to produce a documen- and beauty. I also noticed how similar we ture the emotion. This is done by finding Google Play: Android.SHOOTonline.com Mobile Web Version: m.SHOOTonline.com tary on the Sun Ladies; women fighting were. If not for the uniform and machine the best camera placement and the right SHOOT is printed in the U.S.A. against ISIS. She asked me if I could be in guns, they were like other women, braid- pace through editing. VR is a completely Iraq next week to shoot and direct. I said ing each other’s hair. That’s why our film different type of filmmaking. It can be yes, hung up and cried. makes people emotional: It’s not about transcendent. We must abandon the total Days later in Erbil inside Iraqi Kurd- victims of war, it’s not about unattainable control we love as filmmakers and let each SHOOT is a member of: istan, my heart was pounding. I met one movie super-heroines. It’s about you and viewer see slightly different scenes. of our producers, Dylan Roberts, and me. The Sun Ladies and us are the same, Premiering at the Sundance Film Fes- co-director Christian Stephen, both film- just the world around us is different. tival, we offered our audience the choice makers and war journalists. We spent six We were able to tell the story of these to write letters to the Sun Ladies. An emo- Follow SHOOT at: #SHOOTONLINE days in Iraq, from the Syrian border to women in an immersive, intense way. tional crowd gathered around the table, refugee camps in Dohuk, interviewing Guided by the voiceover of Sun Ladie picking up pens and paper to write. The Yazidi women who had been taken as sex Captain Xate Shingali, we explore her life, day we left, Xate’s second in command, Cover photo credits (from top left, clockwise) for The Road slaves when ISIS invaded Iraq. They are from famous singer in Kurdistan to the Fahima, came to me and whispered in my To Oscar: Darkest Hour (photo by Jack English/courtesy now fighting back with AK-47s and sheer frontlines. We mix footage of breathtaking ear: “I love you.” I cannot wait to get back of Focus Features); The Shape of Water (photo courtesy of Fox Searchlight); Get Out (photo courtesy of Universal determination to free their captive sisters. Iraqi landscapes and their military train- to deliver the letters and tell her “me too.” Pictures); Lady Bird (photo by Merie Wallace/courtesy Shooting 360 isn’t easy, even more true ing compound with VR animation and Celine Tricart recently signed with The of A24); Call Me by Your Name (photo courtesy of Sony ° Pictures Classics); and Dunkirk (photo courtesy of Warner in Iraq. Our camera (generously supplied news footage. The most important thing: Cavalry Productions and SPECTACLE to Bros. Studios). by Google) was the best VR camera but it we bring our audience close to these direct spots and branded content. February 2018 SHOOT 3 ROAD TO OSCAR Perspectives From Different Filmmaking Disciplines Reflections on The Shape of Water, Dunkirk, Get Out, Lady Bird, Call Me by Bros Warner courtesy of Your Name, Beauty Searchlight courtesy of Fox and the Beast, of A24 Wallace/courtesy Merie by Photo Darkest Hour By Robert Goldrich, Road To Oscar Series, Part 14 Photo by Jack English/courtesy of Focus Features Jack English/courtesy by Photo of Focus courtesy Pictures of Universal courtesy of Sony Pictures Classics courtesy Pictures of Sony Along The Road To Oscar is a significant moderated by director Jeremy Kagan.
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