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ANNUAL REPORT 2014-2015 School of Sciences and Mathematics Annual Report 2014‐2015
ANNUAL REPORT 2014-2015 School of Sciences and Mathematics Annual Report 2014‐2015 Executive Summary The 2014 – 2015 academic year was a very successful one for the School of Sciences and Mathematics (SSM). Our faculty continued their stellar record of publication and securing extramural funding, and we were able to significantly advance several capital projects. In addition, the number of majors in SSM remained very high and we continued to provide research experiences for a significant number of our students. We welcomed four new faculty members to our ranks. These individuals and their colleagues published 187 papers in peer‐reviewed scientific journals, many with undergraduate co‐authors. Faculty also secured $6.4M in new extramural grant awards to go with the $24.8M of continuing awards. During the 2013‐14 AY, ground was broken for two 3,000 sq. ft. field stations at Dixie Plantation, with construction slated for completion in Fall 2014. These stations were ultimately competed in June 2015, and will begin to serve students for the Fall 2015 semester. The 2014‐2015 academic year, marked the first year of residence of Computer Science faculty, as well as some Biology and Physics faculty, in Harbor Walk. In addition, nine Biology faculty had offices and/or research space at SCRA, and some biology instruction occurred at MUSC. In general, the displacement of a large number of students to Harbor Walk went very smoothly. Temporary astronomy viewing space was secured on the roof of one of the College’s garages. The SSM dean’s office expended tremendous effort this year to secure a contract for completion of the Rita Hollings Science Center renovation, with no success to date. -
Plusinside Senti18 Cmufilmfest15
Pittsburgh Opera stages one of the great war horses 12 PLUSINSIDE SENTI 18 CMU FILM FEST 15 ‘BLOODLINE’ 23 WE-2 +=??B/<C(@ +,B?*(2.)??) & THURSDAY, MARCH 19, 2015 & WWW.POST-GAZETTE.COM Weekend Editor: Scott Mervis How to get listed in the Weekend Guide: Information should be sent to us two weeks prior to publication. [email protected] Send a press release, letter or flier that includes the type of event, date, address, time and phone num- Associate Editor: Karen Carlin ber of venue to: Weekend Guide, Pittsburgh Post-Gazette, 34 Blvd. of the Allies, Pittsburgh 15222. Or fax THE HOT LIST [email protected] to: 412-263-1313. Sorry, we can’t take listings by phone. Email: [email protected] If you cannot send your event two weeks before publication or have late material to submit, you can post Cover design by Dan Marsula your information directly to the Post-Gazette website at http://events.post-gazette.com. » 10 Music » 14 On the Stage » 15 On Film » 18 On the Table » 23 On the Tube Jeff Mattson of Dark Star City Theatre presents the Review of “Master Review of Senti; Munch Rob Owen reviews the new Orchestra gets on board for comedy “Oblivion” by Carly Builder,”opening CMU’s film goes to Circolo. Netflix drama “Bloodline.” the annual D-Jam show. Mensch. festival; festival schedule. ALL WEEKEND SUNDAY Baroque Coffee House Big Trace Johann Sebastian Bach used to spend his Friday evenings Trace Adkins, who has done many a gig opening for Toby at Zimmermann’s Coffee House in Leipzig, Germany, where he Keith, headlines the Palace Theatre in Greensburg Sunday. -
WTC SUMMER HOMEWORK Read Charting the History of British Music Video (MM66), by Emily Caston. (BELOW) Answer the Following Quest
WTC SUMMER HOMEWORK Read Charting the History of British Music Video (MM66), by Emily Caston. (BELOW) Answer the following questions, drawing on the article for information and ideas. 1. According to the article’s writer, Emily Caston, how significant was MTV in the development of British music video production? 2. What criteria did Emily Caston and her team use for selecting music videos for their 6-DVD box set? What are your thoughts about the criteria? What music videos do you know that you would include in such a selection? 3. Bohemian Rhapsody is often quoted as being the first British music video. The article argues otherwise. Why is that? Why was ‘Bo-Rhap’ not included in the box set? 4. The box set is made up of six different categories: performance; concept; dance; stories; wit; portraits. If you were putting together a selection of videos, what categories would you choose to use? 5. The article ends by noting that videos are now consumed by millions globally, ‘uncurated on mobile platforms’. What might be the significance of a curated collection in light of these consumption patterns? Curating your own collection Imagine that you have been given the chance to curate a selection of music videos to represent your experience of secondary school, from the moment you joined until the end of Year 11. Select five videos that you want to include in your selection. Outline in writing what is significant about each video, both as an art form in its own right, and in relation to your time at secondary school. -
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Program Notes
NSEME 2018 Installations (ongoing throughout festival) Four4 (1991, arr. 2017) - room 2009 Anthony T. Marasco, Eric Sheffield, Landon Viator, Brian Elizondo ///Weave/// (2017) - room 2008 Alejandro Sosa Carrillo (1993) Virtual Reality Ambisonic Toolkit (2018) - room 2011 Michael Smith (1983) Within, Outside, and Beside Itself:The Architecture of the CFA - room 2013 Jordan Dykstra (1985) Installations Program Notes: Alejandro Carrillo “///Weave///” A generative system of both random and fixed values that cycle over a period of 6 minutes. By merging light and sound sine waves, parameters such as frequency, amplitude and spatialization have been mapped into three sound wave generators or voices (bass line, harmonies and lead) and three waveforms from a modular video synthesizer on MaxMSP aiming to audiovisual synchronicity and equivalence. Jordan Dykstra “Within, Outside, and Beside Itself: The Architecture of the CFA” A performance which plays not only with the idea of lecture-performance as a musicological extension of history, narrative, and academic performance-composition Within, Outside, and Beside Itself: The Architecture of the CFA also addresses how the presenta- tion of knowledge is linked to the production of knowledge through performance. I believe that creating space for new connections through creative presentation and alternative methodologies can both foster new arenas for discussion and coordinate existing relationships between academia and the outside world. A critique regarding how the Center for the Arts at Wesleyan University func- tions as an academic institution, as well as its physical role as the third teacher, my lecture performance playfully harmonizes texts from art historians at Wesleyan University, archaeologists, critical theorists, YouTube transcriptions, quotes from the founder of the Reggio Emilia school, and medical journal articles about mirror neurons. -
A RESOLUTION to Honor Bill Anderson for His Considerable Contributions to Country Music
Filed for intro on 05/21/2001 HOUSE JOINT RESOLUTION 432 By West A RESOLUTION To honor Bill Anderson for his considerable contributions to country music. WHEREAS, It is fitting that the members of this General Assembly should pause to pay tribute to those individuals, who through their talent and dedication, have made lasting contributions to their respective fields; and WHEREAS, Bill Anderson is most assuredly one such person, who, in over thirty years of performing and composing country music, has become one of the most enduring and popular entertainers of our time; and WHEREAS, Lovingly dubbed “Whispering Bill” for his breathy voice and his soft, warm approach to music, he is one of the most honored songwriters in the history of country music; his back-up group, The Po’ Folks Band, has long been considered one of the finest instrumental and vocal groups in the music business; and WHEREAS, Born in Columbia, South Carolina, Mr. Anderson was raised in Atlanta, Georgia; a sterling scholar, he graduated from the University of Georgia with a degree in Journalism; and HJR0432 00737483 -1- WHEREAS, While working his way through school as a disc jockey, Bill Anderson first started to write and perform songs; at only nineteen years of age, he composed the country classic, City Lights; and WHEREAS, He then moved to Nashville and secured a record contract with Decca Records; with hit songs like, Po' Folks, Mama Sang A Song, The Tips Of My Fingers, and 8 X 10, he began establishing his place in music history; and WHEREAS, Mr. Anderson’s stirring -
And Advocate
C THOLIC rll ELEGR PH" AND ADVOCATE. " INN E G E S SA R lIS UNIT AS, IN DUB I IS LIB E R T A S, IN 0 ffI NIB US GAR I l' AS." VOL. XXIX. CINCINNATI, OHIO, SATURDAY, JULY ~8} 1860. NO. 30. macy with any of the young girls of Piovela; "Clarita is already very clever," objected Itown. I ani going to return there, and shall and yet ftl lioved her for her virt ues and gentle Madame Loncini; "she reads and writes like a be most happy to show you tbe way if you will ness. Her only wish had been fIJI' her brother's sc hoolmaster. and I do not think it possible to allow me." Pltl :-.''l'ED .\ ND P UnLI S rIED l:VETIY SA'fUltD.H :'IIORNI:-iG BY return; and now that t.h e wish had been hap find her equal on the whole island." "Ybu will O'reatly obliO'e me," said Loncini, JOHN P. WALSH, pily accompli:;hed, nothing appe.ued wfll1ting "My goou mother," repl ied Theobald, gently, much surpris~d to find a ~ketcher in the wood .. to her perfect felicilY. The mOrtiing walk was "yollng men in these da.ys learn much more of Vescovato. So leading his horse by tht ,(f the Ca,lhnlic Td'![l l'aph Print in!! and Publish illfJ E stablish1n en interrllpted by the church bell, which announced than ther formerly did; consequently, the edu- bridle, he began to examine the young artist, 170 Sycamore Street, Cincinnati, Ohio, the nine o'clock Mass . -
Minimum Bod = 6 1.00 / Us$ 1.15 = Minimum
45 rpm single records, unless otherwise noted 6085 Desert Rose Band Darkness on the Playground | Story of Love MCA-C 79052 N 6086 ~ One That Got Away | He’s Back and I’m Blue MCA-Curb 53274 N * = picture cover · pr = promo with special label 6087 ~ Ashes of Love | One Step Forward MCA-Curb 53531 N US releases, if not noted otherwise 45's 6088 Ann Diamond & the Nashville Playboys You Make Me Feel Like a Woman | I Think I’m Going to Make It Now Marilyn 7063 N 6089* Neil Diamond Walk on Water | High Rolling Man Uni 6073045\D Zg MINIMUM BOD = € 1.00 / US$ 1.15 = MINIMUM BID 6090 The Dillards Love Has Gone Away | Hot Rod Banjo United Artists 35660\UK Z Some of these 45’s come from radio stations and have writing and/or stickers on labels. 6091* Joe Dolan Love of the Common People | Pretty Brown Eyes Pye 11088\D Zg If you do not want those, let me know! - Een aantal van deze singles komt van radio sta- 6092* Joe Dolce Music Theatre Shaddap You Face|Ain’t in No HurryAriola102947\D Zz tions, waar men op labels schreef en/of stickers plakte. Wilt u die niet, laat het me weten! 6093 Donovan Atlantis | To Susan on the West Coast Waiting Epic 5-9967\D G 6233 Roy Acuff & Charlie Louvin The Precious Jewel (gold vinyl) Hal Kat 63058 Z 6094 Rusty Draper Mystery Train | Shifting Whispering Sands Monument 944 pr N 6001 Bill Anderson & Mary Lou Turner Way Ahead | Just Enough MCA 40852 Z 6095 ~ California Sunshine | The Gypsy Monument 1044 N 6002 Liz Anderson Cry, Cry Again | Me, Me, Me, Me, Me RCA 47-9586 Z 6096 ~ Puppeteer | My Baby’s Not Here Monument -
149 | 2019 13.-26.6
V Poslední večery na Zemi 13—26/6/2019 #149 Beats 13/6 18:00 Rocketman Čtvrtek 20:30 Neviditelné 21:00 Filmový kvíz #10 Velké finále – repríza 14/6 14:00 Pašerák Pátek 18:00 Beats 20:30 Rocketman 23:00 John Wick 3 15/6 13:00 Neviditelné Sobota 15:30 TvMiniUni: Zloděj otázek JUNIOR 18:00 Genesis 20:30 Tři blízcí neznámí 23:00 Beats 16/6 13:00 Rocketman Neděle 15:30 Pokémon: Detektiv Pikachu JUNIOR 18:00 Rocketman 20:30 Bolest a sláva 21:00 Westwood: Punk, Icon, Activist 17/6 18:00 Spitfire Pondělí 20:30 Genesis 21:00 4:48 18/6 18:00 Tři blízcí neznámí Úterý 20:30 Neviditelné 19/6 18:00 Free Solo Středa 20:30 Naslepo 20/6 18:00 Genesis Čtvrtek 20:30 Brankář 21:00 Central Bus Station 21/6 14:00 Tři blízcí neznámí Pátek 18:00 Rocketman 20:30 Beats 23:00 Bolest a sláva 22/6 13:00 Genesis Sobota 15:30 TvMiniUni: Zloděj otázek JUNIOR 18:00 Beats 20:30 Brankář 23:00 Rocketman 23/6 13:00 Brankář Neděle 15:30 Tajný život mazlíčků 2 JUNIOR 18:00 Neviditelné 20:30 Genesis 21:00 Punk je hned! 24/6 18:00 Tři blízcí neznámí Pondělí 20:30 Beats 25/6 18:00 Bolest a sláva Úterý 20:30 Hitler vs. Picasso 26/6 18:00 Brankář Středa 20:30 Neviditelné 21:00 Chvilky Program v baru Scala Kino pro rodiče s dětmi Noční jízda Bio Senior Na první pohled Scala naslepo Pokladna je otevřena denně od 17 do 21 hodin Vstupné je na běžné a 3D projekce 130 Kč (neplatí Univerzitní kino Scala nebo 1 hodinu před každou projekcí. -
PURE PRAIRIE LEAGUE/THE SHOE FIT Simon, Capt
March 13, 1976 >T1 CD (t) SD es '21 D (-3 CD C) "Nee. PURE PRAIRIE LEAGUE/THE SHOE FIT Simon, Capt. & Tennille, Ian, Sondheim - Grammy Winners WB Demonstrates R&B Credentials With California Soul Concerts In N.Y. Fire Destroys One -Stop In Chicago k MCA Earnings And Sales Set Records In 1975 Music & Dollars - The Happy Medium (Ed) www.americanradiohistory.com *Also available on Tape. "Livin'forZs458- the Weekend"is the blistering new O'Jays single with"monster"written all over it.It's the follow-up single to their million-seller,"I Love Music;'and it's from their platinum plus album,"Family Reunion'."`Livin'for the Weekend"is hot off the presses, and it's already hitbound on Top 40 stations all over. The OJays Family Reunion /Love Music/Leviincluding:ForThe And Weekend She's OnlyOn/ Unity/youWoman/Stairway Me To Heaven "Livin'for the Weekend'. Thank God it's The O'Jays. On Philadelphia Records. DIS-RIBUTED BY CBS RECORDS ® 1976 CBS INC. www.americanradiohistory.com THE INTERNATIONAL MUSIC -RECORD WEEKLY CASHVOLUME XXXVII BOXNUMBER 43 -- March 13. 1976 7CM1-1VC PeLOGIII I President and Publisher MARTY OSTROW Executive Vice President cash box editorial Editorial DAVID BUDGE Editor In Chief IAN DOVE East Coast Editorial Director New York GARY COHEN BOB KAUS PHIL DIMAURO Music & Dollars --- The Happy Medium ERIC RUDOLPH Hollywood The sales and earnings reports of companies involved in the JESS LEVITT MARC SHAPIRO record industry are important news to For record STEPHEN FUCHS everyone. the J B. CARMICLE JOHN MANKIEWICZ business, like any other business, is a money making enterprise. -
Member Directory - Presenting Organization '62 Center for Theatre and Dance at Williams 92Nd St Y Harkness Dance Center College 1395 Lexington Ave
Member Directory - Presenting Organization '62 Center for Theatre and Dance at Williams 92nd St Y Harkness Dance Center College 1395 Lexington Ave. New York, NY 10128 Williams College, 1000 Main Street Tel: (212) 415-5555 Williamstown, MA 01267 http://www.92y.org Tel: (413) 597-4808 Sevilla, John-Mario, Director Fax: (413) 597-4815 [email protected] http://62center.williams.edu/62center/ Fippinger, Randal, Visiting Artist Producer and Outreach Manager [email protected] Academy Center of the Arts ACANSA Arts Festival 600 Main Street 621 East Capitol Avenue Lynchburg, VA 24504 Little Rock, AR 72202 US US Tel: (434) 528-3256 Tel: (501) 663-2287 http://www.academycenter.org http://acansa.org Wilson, Corey, Programming Manager Helms, Donna, Office Manager [email protected] [email protected] Adelphi University Performing Arts Center Admiral Theatre Foundation One South Avenue, PAC 237 515 Pacific Ave Garden City, NY 11530 Bremerton, WA 98337-1916 Tel: (576) 877-4927 Tel: (360) 373-6810 Fax: (576) 877-4134 Fax: (360) 405-0673 http://pac.adelphi.edu http://https://www.admiraltheatre.org/ Daylong, Blyth, Executive Director Johnson, Brian, Executive Director [email protected] [email protected] Admission Nation LLC Adrienne Arsht Center for the Performing Arts of 41 Watchung Plaza, Suite #82 Miami-Dade County Montclair, NJ 07042 1300 Biscayne Blvd US Miami, FL 33132-1430 Tel: (973) 567-0712 Tel: (786) 468-2000 http://admission-nation.com/ Fax: (786) 468-2003 Minars, Ami, Producer & Founder http://arshtcenter.org [email protected] Zietsman, Johann, President and CEO [email protected] Al Larson Prairie Center for the Arts Alabama Center for the Arts 201 Schaumburg Ct.