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会報 Groovy 48号 2009年 4月25日発行

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ＫＪＦＣ (九谷ジャズファンクラブ )会報 www.kjfc.info ＧＲＯＯＶＹ VOL. 48 2009.4.25 ＣＯＮＴＥＮＴＳ 〔女性ヴォーカルの美味しいところを〕 JOANIEJOANIE----S.T.S.T. 1 喫茶茶会記レコードコンサートより 〔連載〕 ハービー・ハンコック研究・第１５回 高木 信哉 ６６６ 楽曲分析～解説 田中 裕士 ハービー・ハンコック研究 第３回補足－ 唐沢 寧寧寧 ＳＯＵＬ ＴＬＡＩＮ Ｖｏｌ．１０ Ｍ．Ｔ． 15 気まぐれジャズマン第２８回 水戸守敬一郎 161616 エジプト・レポート M.S.M.S.17171717 ＫＪＦＣ ＴＯＰＩＣＳ 171717 ＲＥＤ ＧＡＲＬＡＮＤの魅力について 第第第 282828 回回回 紅紅紅 我蘭堂 181818 例会レポート 202020 JOANIEJOANIE----S.T.S.T. T.S. 他他他 表紙及び本文中イラスト制作（一部ロゴマーク除く）・・・・・水戸守敬一郎 ※無断転載はかたくお断りいたします。 印刷・製本：文京堂 東京都文京区本駒込 111－1－－－10101010－－－－4444 電電電話電話話話030303－ 03 －－－394139413941－－－－45084508 H20.9.7 喫茶茶会記レコードコンサート JOANIEJOANIE----ST.ST. Vol.3 「女性ヴォーカルの美味しいところを」 本日は私の女性ヴォーカルレコード遍歴をたっぷり聞 James に嵌ったことが、大きな転機となりました。この いてください。 ジョニの蒐集過程で梅が丘「ノスタルジアレコード」金 この道にのめり込んだきっかけは、大学時代よく遊び 子玄太郎氏と知り合いました。彼のヴォーカルの好みと に押しかけていた札幌のコレクター「中村公彦さん」の は相通じるところが多々あり、色々と秘蔵の盤を紹介し ALTEC A7 ハウスにて。夏の真夜中 Julie London の て貰いました。（店で話に花が咲き過ぎて、傍に停めてい Liberty 盤「All Through The Night 」を聞かせてもらい、 た車をレッカーされたこともありました。４年ほど前に ジュリーの声と、絡みつく Bud Shank のアルトに痺れた 忽然と店を閉めて業界を去った時はショックでしたね。） ことを、はっきり覚えています。また、オリジナル盤と また、西荻窪（その後中野）にあった「PAL 」にもよ 云うものの存在を認識したのもこの盤で、今になって考 く通い、Tina Louise の Concert Hall 盤はここで仕入れ えてみると私にとって非常に罪作りな（？）瞬間だった ました。（因みにヴォーカルに滅茶苦茶詳しいこの店長、 のかも知れません。 本業は太鼓たたき。何と今をトキメク松尾明氏です。こ （ちなみに彼は私より４歳年上、C.McRae ・F.Sinatra の縁で MAYA ちゃんのＣＤはインディーズ時代から愛聴 を中心としたヴォーカル全般のコレクターとして、その しています） 筋では著名でした。またチューンナップされたオーディ 本格的にヴォーカルを集め始めたのは、Ｈ５故郷札幌 オシステムの音も素晴らしく、当時群雄割拠していた札 へ転勤と同時に自宅（自室）を建ててからです。専用の 幌市内のジャズ喫茶のレベルを大幅に凌駕し、部屋には レコード棚を造付けたこともありますが、この年発売さ 多くの人が入替り出入りしてまさにサロンの様相。ジャ れたジャズ批評誌 No.77 ・78 [ 女性シンガー大百科 ズ批評誌 No.59 [ジャズ・レコード蒐集学] では Vol.1/2] の影響が甚大で、この本片手に札幌「 Disc F.Astaire ・F.Sinatra 紹介に健筆を奮っています。ポリド Evans 」「Beverly Records 」を徘徊するだけでは飽き足 ールの B.Holiday ・Verve 盤 10 枚組 Box セット発売時に らなくなり、Tarragon. Mole JAZZ. Jeff Barr. Sally も資料を提供、担当の岡村融さんが大通西 13 丁目の中村 Warner. そして L.Leavitt 等の海外オークションに手を ハウスを訪れたこともあった様です。彼は残念ながら病 出し始める始末。コレクションの骨格はこの 5 年間の札 に倒れ、H13 若くして亡くなりましたが、遺品の ortofon 幌勤務時代に出来上がりました。（その後、Ｈ10 以降は 「SPU-AE 」カートリッジ・レコードの一部は、某店経 家族を自宅に残して、都合 11 年間 単身赴任の旅烏生活 由私が受け継いで大切にしています。本日持参の です….( 涙)） C.Shepherd / Vanilla は彼が当時新譜で購入していたも 現在「ＬＰ盤」をほぼ蒐集終わった、私の愛する歌姫 のです） たちは 私が初めて買ったオリジナル廃盤は、Ｓ54 入社後７年 Joanie Sommers /// Julie London /// Joni James 間を過した大阪勤務時代、今は閉店した梅田・阪急東通 Ann Burton /// Rita Reys /// Carol SloanSloanee /// 「ＬＰコーナー」にて。Julie London の傑作「Julie is Her Beverly Kenney Name 」モノラル盤が第１号。元の所有者がジャケット Doris Day /// Rosemary Clooney /// Helen Merrill を恋人へのラブレター代わりに使ったらしく、彼女への Irene Kral /// Abbe Lane / Connie Stevens / イラストが裏面に書き込みされていました。 Sue Rainy その後仕事が忙しくなりまた狭い社宅暮しも相俟って、 そ の 他 Nara Leao / Francoise Hardy / VIDEO/LD/ ＣＤに現を抜かしていた暗黒の時代が長く Sissel Kyrkjebo 続き、ヴォーカルにもご無沙汰でしたが、平成になった Gitte Haenning / Sachiko Nishida 等々 頃の東京勤務時代「吉祥寺某氏の著作」の影響で Joni ＣＤ時代の新しいところでは 1 Janet Seidel / Carol Kidd / CClairelaire Martin / Rigmor 1.1.1. Lynn Taylor Gustafsson / Stacy Kent Ernie Kovacs presents Buddy Weed and introduces Laura Fygi / Lisa Ekdahl / EmilieEmilie----ClaireClaire Barlow / Lynn Taylor(Coral CRL57043) Connie Evingson 等の新譜も常に追いかけています。 AAA-A---22 Warm Kiss And Cool Heart この名前を通観していただくと、私の好みは大体お察 AAA-A---55 I5 I’I ’’’veve Got An Invitation To A しいただけるかな？と思います。明るく、しっとり、そ dance して囁くような「声質」の歌い手が大好きです。いがら BBB-B---22 Was That The Human Thing To Do っぽい声、クドクド持って回る、シャウト・スキャット BBB-B---44 ItIt’’’’ss Funny To Everyone But Me 中心の駕鳴りたてる歌い方の人は、白人であっても好み からは外れます。その意味で、黒人の歌手は不得意です。 Lynn Taylor singsingss I see your face before me （しかし Ethel Ennis / Carmen McRae / Natalie Cole (Grand Award G.A.33G.A.33----367)367) / Marge Dodson / Barbara McNair 等は好きです） AAA-A---11 I See Your Face Before Me そして、このレコードを包むジャケットにも強い思い AAA-A---22 Then II’’’’llll Be Tired of You 入れを持っています。三人の「Ｊ様」は Mono 盤/Stereo AAA-A---33 ItIt’’’’ss All Yours 盤両方のみならず、10 吋・７吋・シングル・ＳＰ・ジャ BBB-B---11 Thief In The Night ケ違い（日本プレス）・オープンリールテープ・ミュージ BBB-B---22 High And Low ックシートに至るまでも蒐集の対象にしています。特に 可憐な美声に魅せられた親爺様方が昔から騒いでいた 私のハンドルネーム「愛しの Joanie Sommers 」は数多 人です。コーラル盤は４曲のみ参加。十数年前日本盤が くある日本盤別ジャケＬＰ／シングルの入手は完了し、 特典レコードとして復刻されました。グランアワード盤 米盤シングルがあと４枚残すのみ。しかし最近全く見た は素晴らしい内容ですが、録音レベルが高すぎるのか、 ことがないショット写真スリーブ付スペイン盤シングル 歪が感じられるトラックがあります。これも 15 年程前に を、懇意にさせてもらっている「ふらんすのおっちゃん」 多分 Fresh Sound 系列からＬＰ／ＣＤが復刻され、最近 (澤野商会の弟さん)経由で２種類入手し、また一人で興奮 は話題の LP Time より紙ジャケＣＤが発売されてます。 しています。 Billy Butterfield (tp) のソロも秀逸です。 さて、前置きが異常に長くなりました。今日のプログ 2.2.2. Ilene Woods ラムはご案内の通り、前記「三人のＪ様」他の Big Name Walt DisneyDisney’’’’ss Cinderella (Disneyland Records （？）ではなく、あくまでも私の好みの盤を集めてみま WDLWDL----4007)4007) した。ひとりひとりの歌手の情報はジャズ批評等の内容 AAA-A---11 Main Title “““Cinderella“CinderellaCinderella”””” 以上のものは持ち合わせていませんし、英語の歌詞もほ BBB-B---22 So This Is Love とんど判りません。また、所謂「ジャズ・ヴォーカル」 の範疇からは外れることもあるかもしれませんし、白人 ItItIt’It ’’’ss Late (Jubilee JLP 1046) ヴォーカルの大物、アニタ・オデイ、クリス・コナー、 AAA-A---11 ItIt’’’’ss a Blue World ペギー・リー、リー・ワイリー辺りも余り持ち合わせが BBB-B---11 While We ‘‘‘re‘re Young 無く、出てきません。しかし、私がこよなく愛する「蒼」 BBB-B---22 If You Were Mine 「赤」の Rosemary Squires 究極の女性ヴォーカル BBB-B---33 I3 I’I ’’’mm Old Fashioned Lynn Taylor シンデレラ ヴォイス Ilene Woods （さ ディズニーのアニメ映画「シンデレラ」の主人公の声 てこのフレーズのネタは……）を中心に、素敵な歌姫た 優を務めた女性で、サントラの中で大活躍しています。 ちのヴォーカルに時間の許す限りお付き合いください。 自己名義のジュビリー盤はジャケットが素敵で人気盤で すが、ジュビリー特有のノイジーな「砂盤」が多く、要 2 注意です。因みに東芝の特典レコード国内盤はこの粗悪 4.4.4. ApriAprillll Stevens な盤からレコードダビングしている様です。本日持参の Teach Me Tiger! (Imperial ジュビリー盤のコンディションはまずまずです。（梅が丘 LP9118) にて入手しました） AAA-A---11 Do It Again AAA-A---22 Teach Me Tiger 3.3.3. Rosemary Squires My Love Is a Wanderer (MGM E3597) A Very Special Time ( センチュリー 20EL6001 ・・・Pink AAA-A---11 My Love Is a Wanderer Vynil) BBB-B---44 Lazy Moon AAA-A---11 Once Upon A Very BBB-B---55 My Wayward Heart Special Time BBB-B---66 I6 I’I ’’’llll Get By AAA-A---22 I Remember AAA-A---33 With You II’’’’mm Born Again/Could It Be Magic Something to Remember Me By (EMI CLP1832) 十代よりお色気路線でスマッシュヒットを放っていた AAA-A---44 If I Had You 彼女、なかなか悩ましい声です。しかし四十路後半に突 AAA-A---55 EverythingEverything’’’’ss Coming Up 然現れた日本企画のセンチュリー盤は、解説の大滝譲司 Roses 氏も熱筆を揮われていますが、疲れた親爺たちへの最高 BBB-B---11 What a Little Moonlight の「癒しヴォーカル」です。私はこのピンクのカラーレ Can Do コードをターンテーブルに乗せるだけで、疲労回復の特 BBB-B---22 All Too Soon 効薬になります。兄貴ニーノ・テンポのテナーもいい味 BBB-B---33 The End of Love Affair を出していますよ。絶対お勧め、大好きなレコードで す！！ EverythingEverything’’’’ss Coming Up Rosy (EMI CLP1669) BBB-B---11 Day In,Day Out 5.5.5. Connie Stevens BBB-B---22 I Proud My Heart Into a Conchetta (Warner Bros. W1208) Song BBB-B---44 On A Slow Boat To China BBB-B---33 Have You Met Miss Jones BBB-B---55 Too Young AAA-A---11 Carioca BBB-B---66 Spring Is Here 50 年代から活躍を続けているイギリスの歌手です。70 歳を越えた今も現役で、ＣＤも発売され、クラブ等で歌 Hilight of Connie Stevens っている様子が彼女のＨＰに載っています。私はジャズ (((東芝音楽工業 BRBRBR-BR ---71417141 ・赤盤))) 批評の巻頭カラーページに魅せられ、八方手を尽くして BBB-B---22 Too Young(Another Version) 自分のものにしました。三枚のＬＰはジャケの背景の色 BBB-B---33 Hey,Good LookinLookin’’’’ をとって「蒼のローズマリー」・「金?」・「赤のローズマリ BBB-B---44 LetLet’’’’ss Do It ー」と呼ばれています。特に「赤」は一旦 Beverly にて BBB-B---55 I CanCan’’’’tt Help It 手に入れたステレオ盤から、Tarragon のオークションに BBB-B---66 Dancing In The Dark てモノラル盤に買い替え、長年の愛聴盤となっています。 テレビ映画「ハワイアン・アイズ」出演等、女優とし MGM 盤はポリドール国内盤が、EMI の２枚は抜粋盤が ての活躍が日本では知られています。マリリン・モンロ C5 レコードから再発されています。 ーの晩年をモチーフにした映画の主役もしていました。 とろけるようなハニーヴォイスは何ともいえない趣があ ります。東芝ベスト盤の素晴らしいジャケは、中野 3 Broadway にあった「ＰＡＬ」の奥座敷に掲げてあり、 AAA-A---88 Anything Gose いつも指を咥えて眺めていました。ヤフオクで一度見か もう一人 女優が本業の歌手、最近もＣＤが出ていま けましたが、とんでもない値段になり、半ば諦めかけて す。 いた一昨年のとある夕暮れの日、今は閉店した高田馬場 8.8.8. Diana Trask DISK FUN の壁に発見！即座に剥ぎ取って、苦節十数年 Diana Trask (Columbia CL1601) やっとこ入手しました。嬉しさの余りジャケをコピーし AAA-A---11 It Might As Well Be Spring て、なんと自作の紙ジャケＣＤまで作ってしまい、松尾 AAA-A---22 Little Girl Blue さんと MAYA ちゃんにも奉納しました。Nat King Cole の十八番「Too Young 」の台詞入り Version の囁きにも痺 Diana Trask on TV (Colu(Columbiambia れます。 CS8505) AAA-A---33 Love Is The Sweetest Thing 6.6.6. Debbie Reynolds ややシャウト気味の唄い方が鼻 Debbie (Dot DLP3191) につくトラックもあります。まずは AAA-A---11 Love is a Simple Thing ジャケ写真を堪能してください。オ AAA-A---22 S2 S’S ’’’posinposinposin’’’’ ーストラリア出身の彼女、同郷のラナ カントレル・そ AAA-A---33 You WonWon’’’’tt Be Satisfied してジャネット サイデルも好きです。 Tammy and 11 other great folk hits (Dot DLP3492) 9.9.9. Priscilla Paris AAA-A---11 Tammy Priscilla loves Billy (Happy Tiger あの名作映画「雨に唄えば」のキ HT1002) ャシー・セルダン嬢です。パーティ AAA-A---11 Just Friends ーへの出張踊り子として大きなケー AAA-A---22 HeHe’’’’ss Funny That Way キの中から飛び出してくるシーンは何度観ても素敵です。 北京オリンピック開会式の口パクではありませんが、映 The Paris Sisters sings everything under the 画の最後でキャシーが影武者から真のスターになるシー sun!!!(reprise RR----6259)6259) ンもウルウル。 究極の金髪ジャケ！ 甘い声も魅 力です。 以下の歌手はジャケット中心にアットランダムに札幌よ り空輸して来ました。短時間で、さわりを出来るだけご 10.10.10. Sandy Stewart 紹介します。（レコードは札幌にて保管し、定年後にたっ My Coloring Book (Colpix CP441) ぷり聴くことにしています・東京ではＣＤ中心の生活） BBB-B---55 Ivy Rose BBB-B---66 Red Sails in the Sunset 7.7.7. Cybill Shepherd 人気若手ピアニスト Bill Charlap Vanilla (Peabody PSPS----102)102) のお母さん。最近２人のデュエットＣＤが発表されまし BBB-B---11 ’’’S’S Woderful た。清らかな歌声が好きな盤です。 メンフィスのローカルレーベルから。 ピアノは地元の大物 F.Newborn 。 11.11.11. Lucy AnnAnnAnn Pork Lucy Ann Pork with Dave Pell Octet Cybill does itit………… ………to…to Cole Porter (Trend TL1008) (Paramount PASPAS----1018)1018) AAA-A---22 Imagination 4 AAA-A---33 But Beautiful 16. Carole Simpson SinginSingin’’’’ and SwinginSwingin’’’’ Lucky Lucy Ann (Mode MOD LPLP----115)115) (TOPS Mayfair 9732 Yellow Vynil) BBB-B---44 Time After Time AAA-A---55 This Could Be the Start of ストレートな唄い方が魅力。 Something Big Eva Diana の描いたジャケット AAA-A---66 A Ship Sailed も素敵です。 ピアノ弾き語りの小粋なねえさんです。 12. Erin OOO’O’’’BrienBrien 17. Helen Ward Songs from the heart of Erin OO’’’’BrienBrien ItItIt’It ’’’ss Been So Long (Columbia (Coral CRL57194) CL6271) AAA-A---11 My Foolish Heart AAA-A---11 ItIt’’’’ss Been So Long AAA-A---44 LoLoveve Letters AAA-A---22 You Brought a New Kind of 国立「Sings 」の壁にも飾ってあ Love to ME りました。 バンドシンガーです。バックはパーシー・ヒース楽団。 13. Carly Simon 18. Peggy King My Romance (ARISTA ALAL----8582)8582) Wish Upon a Star BBB-B---44 Bewitched (Columbia House Party series CL2549) BBB-B---55 Danny Boy BBB-B---11
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    Sonny Criss This Is Criss! (Prestige) This Is Criss! Sonny Criss, alto sax; Walter Davis, Jr., piano; Paul Chambers, bass; Alan Dawson, drums. 1. Black Coffee (Burke-Webster) 7:45 2. Days of Wine and Roses (Mancini) 3:15 3. When Sunny Gets Blue (Fisher-Segal) 5:38 Produced by DON SCHLITTEN 4. Greasy (Walter Davis) 2:24 Recording by RUDY VAN GELDER 5. Sunrise, Sunset (Bock-Harnick) 2:46 Recorded on October 21, 1966; 6. Steve's Blues (Sonny Criss) 6:18 Englewood Cliffs, NJ. 7. Skylark (Carmichael-Mercer) 4:59 8. Love For Sale (Cole Porter) 6:23 I once wrote that Sonny Criss seemed to be influenced by Charlie Parker in the specific period Bird spent in California in 1946, especially his appearances with JATP. I'm sure he was, but he had heard Parker long before on the records Bird made with Jay McShann. Sonny's mother had these Deccas in her record collection. Wherever the inception of the influence, it was there, in the playing of countless others in the '40s. But, even then, when closeness to Bird was considered the highest achievement, Sonny was clearly his own man. His sound was more "legitimate," perhaps a reflection of his liking for Benny Carter, and the way he played the Bird-like figurations was marked by personal turns of phrase. However, then he was in his teens. The fire and the swing were there but many of the edges were rough. Sometimes the "time" was unsteady. Now we hear a Sonny Criss who is a complete saxophone artist.
  • The Singing Guitar

    The Singing Guitar

    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
  • ELEVATION Songs from Afar

    ELEVATION Songs from Afar

    ELEVATION Songs from Afar Transylvanian expat pianist & composer Lucian Ban and ELEVATION celebrate their 2 n d album for Sunnyside records - Songs from Afar . Released in 2016 the album immediately garnered rave reviews and honors – DOWNBEAT BEST ALBUM OF THE YEAR , a 5* review in DB march 2016 issue, ALL ABOUT JAZZ calls it “a triumph of emotional and musical communication” and New York City Jazz Record talks of an “Inspiring and touching journey, that seamlessly blends the traditions of jazz and folk songs”. ”Alluring timelessness . a strong life-force that seems to flow through this music . like many of the great masters, pianist Lucian Ban makes personal art that feels universal” 5* STARS! “Songs From Afar is a triumph of emotional and musical communication, and is not to be missed” Streams of influence from the past and cultural identities sometimes merge with one’s quest for forms of expression. Songs From Afar represents two traditions, two musical worlds, and many musical elements coming together to fashion a unique identity that truly spans continents and styles. "Songs from afar is very personal for me because the album is intimately tied to my Romanian cultural heritage and to the jazz influences that help me find out more about where I come from – and where I’m going. It's not only the ancient Transylvanian folk songs that we approach in this recording, it's also how the other pieces and improvisations reflect the constant search for musical meaning" notes Transylvanian expat pianist and composer Lucian Ban talking about his 2 n d album with Elevation quartet in his 3 r d appearance for Sunnyside.
  • JELLY ROLL MORTON's

    JELLY ROLL MORTON's

    1 The TENORSAX of WARDELL GRAY Solographers: Jan Evensmo & James Accardi Last update: June 8, 2014 2 Born: Oklahoma City, Oklahoma, Feb. 13, 1921 Died: Las Vegas, Nevada, May 25, 1955 Introduction: Wardell Gray was the natural candidate to transfer Lester Young’s tenorsax playing to the bebop era. His elegant artistry lasted only a few years, but he was one of the greatest! History: First musical studies on clarinet in Detroit where he attended Cass Tech. First engagements with Jimmy Raschel and Benny Carew. Joined Earl Hines in 1943 and stayed over two years with the band before settling on the West Coast. Came into prominence through his performances and recordings with the concert promoter Gene Norman and his playing in jam sessions with Dexter Gordon.; his famous recording with Gordon, “The Chase” (1947), resulted from these sessions as did an opportunity to record with Charlie Parker (1947). As a member of Benny Goodman’s small group WG was an important figure in Goodman’s first experiments with bop (1948). He moved to New York with Goodman and in 1948 worked at the Royal Roost, first with Count Basie, then with the resident band led by Tadd Dameron; he made recordings with both leaders. After playing with Goodman’s bigband (1948-49) and recording in Basie’s small group (1950-51), WG returned to freelance work on the West Coast and Las Vegas. He took part in many recorded jam sessions and also recorded with Louie Bellson in 1952-53). The circumstances around his untimely death (1955) is unclear (ref.
  • Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
  • International Jazz News Festival Reviews Concert

    International Jazz News Festival Reviews Concert

    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC INTERNATIONAL JAZZ NEWS TOP 10 ALBUMS - CADENCE CRITIC'S PICKS, 2019 TOP 10 CONCERTS - PHILADEPLHIA, 2019 FESTIVAL REVIEWS CONCERT REVIEWS CHARLIE BALLANTINE JAZZ STORIES ED SCHULLER INTERVIEWS FRED FRITH TED VINING PAUL JACKSON COLUMNS BOOK LOOK NEW ISSUES - REISSUES PAPATAMUS - CD Reviews OBITURARIES Volume 46 Number 1 Jan Feb Mar Edition 2020 CADENCE Mainstream Extensions; Music from a Passionate Time; How’s the Horn Treating You?; Untying the Standard. Cadence CD’s are available through Cadence. JOEL PRESS His robust and burnished tone is as warm as the man....simply, one of the meanest tickets in town. “ — Katie Bull, The New York City Jazz Record, December 10, 2013 PREZERVATION Clockwise from left: Live at Small’s; JP Soprano Sax/Michael Kanan Piano; JP Quartet; Return to the Apple; First Set at Small‘s. Prezervation CD’s: Contact [email protected] WWW.JOELPRESS.COM Harbinger Records scores THREE OF THE TEN BEST in the Cadence Top Ten Critics’ Poll Albums of 2019! Let’s Go In Sissle and Blake Sing Shuffl e Along of 1950 to a Picture Show Shuffl e Along “This material that is nearly “A 32-page liner booklet GRAMMY AWARD WINNER 100 years old is excellent. If you with printed lyrics and have any interest in American wonderful photos are included. musical theater, get these discs Wonderfully done.” and settle down for an afternoon —Cadence of good listening and reading.”—Cadence More great jazz and vocal artists on Harbinger Records... Barbara Carroll, Eric Comstock, Spiros Exaras,
  • Prestige Label Discography

    Prestige Label Discography

    Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
  • Primary Sources: an Examination of Ira Gitler's

    Primary Sources: an Examination of Ira Gitler's

    PRIMARY SOURCES: AN EXAMINATION OF IRA GITLER’S SWING TO BOP AND ORAL HISTORY’S ROLE IN THE STORY OF BEBOP By CHRISTOPHER DENNISON A thesis submitted to the Graduate School-Newark Rutgers University, The State University of New Jersey In partial fulfillment of the requirements of Master of Arts M.A. Program in Jazz History and Research Written under the direction of Dr. Lewis Porter And approved by ___________________________ _____________________________ Newark, New Jersey May, 2015 ABSTRACT OF THE THESIS Primary Sources: An Examination of Ira Gitler’s Swing to Bop and Oral History’s Role in the Story of Bebop By CHRISTOPHER DENNISON Thesis director: Dr. Lewis Porter This study is a close reading of the influential Swing to Bop: An Oral History of the Transition of Jazz in the 1940s by Ira Gitler. The first section addresses the large role oral history plays in the dominant bebop narrative, the reasons the history of bebop has been constructed this way, and the issues that arise from allowing oral history to play such a large role in writing bebop’s history. The following chapters address specific instances from Gitler’s oral history and from the relevant recordings from this transitionary period of jazz, with musical transcription and analysis that elucidate the often vague words of the significant musicians. The aim of this study is to illustratethe smoothness of the transition from swing to bebop and to encourage a sense of skepticism in jazz historians’ consumption of oral history. ii Acknowledgments The biggest thanks go to Dr. Lewis Porter and Dr.
  • The Avant-Garde 15

    The Avant-Garde 15

    CURRENT A HEAD ■ 407 ORNETTE COLEMAN lonely woman CECIL TAYLOR bulbs CECIL TAYLOR willisau concert, part 3 ALBERT AYLER ghosts DAVID MURRAY el matador THE AVANT-GARDE 15 Forward March T e word “avant-garde” originated in the French military to denote the advanced guard: troops sent ahead of the regular army to scout unknown territory. In English, the word was adapted to describe innovative composers, writers, painters, and other artists whose work was so pioneering that it was believed to be in the vanguard of contemporary thinking. Avant-gardism represented a movement to liberate artists from the restraints of tradition, and it often went hand-in-hand with progressive social thinking. T ose who championed avant-garde art tended to applaud social change. T ose who criticized it for rejecting prevailing standards couched their dismay in warnings against moral laxity or political anarchy. In the end, however, all art, traditional or avant-garde, must stand on its merit, inde- pendent of historic infl uences. T e art that outrages one generation often becomes the tradition and homework assignments of the next: the paintings of Paul Cézanne and Pablo Picasso, music of Gustav Mahler and Claude Debussy, and writings of Marcel Proust and James Joyce were all initially considered avant-garde. Two especially promi- nent twentieth-century avant-garde movements gathered steam in the decades follow- ing the world wars, and jazz was vital to both. Sonny Rollins combined the harmonic progressions of bop with the freedom of the avant-garde and sustained an international following. He appeared with percussionist Victor See Yuen and trombonist Clifton © HERMAN LEONARD PHOTOGRAPHY LLC/CTS IMAGES.COM Anderson at a stadium in Louisiana, 1995.