Chapter One: Introduction 1 Part One: Background and Research Questions 1
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Social Media Activity in the Context of Free-To-Air Broadcast Television
FACULTY OF HUMANITIES AND SOCIAL SCIENCES Beatrice Züll SOCIAL MEDIA ACTIVITY IN THE CONTEXT OF FREE-TO-AIR BROADCAST TELEVISION DOCTORAL DISSERTATION Zagreb, 2017 FACULTY OF HUMANITIES AND SOCIAL SCIENCES Beatrice Züll SOCIAL MEDIA ACTIVITY IN THE CONTEXT OF FREE-TO-AIR BROADCAST TELEVISION DOCTORAL DISSERTATION Zagreb, 2017 FILOSOFSKI FAKULTET Beatrice Züll ULOGA DRUŠTVENIH MEDIJA U MJERENJU TV GLEDANOSTI DOKTORSKI RAD Zagreb, 2017. FACULTY OF HUMANITIES AND SOCIAL SCIENCES Beatrice Züll SOCIAL MEDIA ACTIVITY IN THE CONTEXT OF FREE-TO-AIR BROADCAST TELEVISION DOCTORAL DISSERTATION Mentor: MiHaela Banek Zorica, PH.D. Zagreb, 2017 FILOSOFSKI FAKULTET Beatrice Züll ULOGA DRUŠTVENIH MEDIJA U MJERENJU TV GLEDANOSTI DOKTORSKI RAD Mentor: izv. prof. dr. sc. MiHaela Banek Zorica Zagreb, 2017. Acknowledgements This doctoral thesis was supported by the members and colleagues of the Faculty of Information and Communication Sciences of the University of Zagreb who provided insight and expertise and greatly assisted the research. I would like to express my sincere gratitude to my supervisor Mihaela Banek Zorica, Ph.D., for her guidance, encouragement and expertise. Thanks to my advisor Stephan Malović, Ph.D., for his encouragement and great support. Alida Zorz Miketek from Nielsen supported this research work as an expert in television audience research. Guillaume Antoine Rabi and his team at RTL Televizija Hrvatska endured the challenges of the empirical part of this project by giving advice and insights into empirical data. Poslovna Inteligencija, Dražen Oreščanin and his team supported this project with staff and server capacity. Fremantle Production and Ana Habajec provided insights into the strategic approach of television production companies to integrating social media in their daily work and building up social media audiences. -
Joan Kirner Social Justice Oration 2020
Joan Kirner Social Justice Oration 2020 Presentation by Paul Bongiorno, AM Journalist, Social Justice Advocate Communities in Control Conference Online, Monday/Tuesday, November 17, 2020 Video and audio versions of this speech are available at www.communitiesincontrol.com.au About the presentation: Paul Bongiorno is a veteran political journalist and commentator. After leaving the priesthood in 1974, he began working in television, winning four Walkley Awards for his investigative journalism. He hosted Ten’s national Sunday morning show, Meet the Press, from 1996 to 2012, and in more recent times has been a regular contributor to The Saturday Paper and commentator on ABC Radio National Breakfast. Bongiorno was made a Member of the Order of Australia (AM) for his service to the print and broadcast media as a journalist, political commentator and editor. Paul Bongiorno: I must say I am no fan of this brave new world of virtual conferences. It robs you of the ability to read the room and feel the vibe. But at the outset the fact that you are all here with me, virtually, means we are at least at the same departure point – the one outlined by Joan Kirner herself in her 2012 oration: “We are ready; we are passionate; we are brave enough to continue to work together to shape a socially just nation.” I last saw Joan Kirner in person in 1991 when she attended a Premier’s Conference in Canberra. I was there covering it as a political correspondent for Network Ten. The conference coincided with the launching of Paul Keating’s lunge at Bob Hawke for the leadership of the Labor Party and therefore the Prime Ministership of Australia. -
Lamenting Digital TV Embarrassed and Furious
Friends of the ABC (NSW) Inc. qu a rt e r ly news l e t t e r Jun e - Ju l y 2003 Vol 14, No. 6 in c o rp o ra ti n g ba ck g round briefing national magazine up d at e friends of the abc On Sentry Go Th e Bias Barricades Where the ABC is concerned, you can never afford to lower your guard. Its 70th birthday had been celebrated appro- priately, the Shier era of bad memory was over, Russell Balding was confirmed successor, the Government seemed to be toning down its sometimes strident attacks on the Corporation, outstanding issues were basic, not tumultuous and amongst those of us ‘heaving a sigh of relief’ there was a widespread feeling that we could also draw breath. Wrong! The ‘peace’ was disrupted in May. The ‘rough winds shook’ but for the ABC there was nothing merry or darling about it: With no increase in ABC funding, Cartoon courtesy Clement and The Sydney Morning Herald Russell Balding, with no dilly-dallying, disman- tled ABC Digital TV. The government was Lamenting Digital TV embarrassed and furious. So no sooner had Balding cut, then Senator “The ABC is very disappoint- Santoro (Qld.) launched into a tirade about ed. We argued in a logical, con- “Hard decision” were con- instances of ‘ABC editorial bias’, a proposition sistent and candid manner, th a t fronted swiftly: within days, quantified with his ministerial colleague, Senator without a modest increase in Russell Balding had announced Alston, as a list of 68 allegations of anti- our budget, programs would the closure of ABC Digital TV. -
EDITORIAL REVIEW No.3 TOPIC: Story/Issue Choices
EDITORIAL REVIEW No.3 TOPIC: Story/issue choices on selected ABC Radio programs SCOPE: The Morning programs on a range of selected capital city and regional Local Radio stations and Radio National. The programs: 702 ABC Sydney – Linda Mottram 774 ABC Melbourne – Jon Faine 612 ABC Brisbane – Steve Austin 891 ABC Adelaide – Ian Henschke 720 ABC Perth – Geoff Hutchison 95.9 ABC Western Plains (Dubbo) – Dugald Saunders/Kelly Fuller 630 North Queensland (Townsville) – Paula Tapiolas 684 The South West (Bunbury) – Naomi Christensen Radio National – Natasha Mitchell TIMEFRAME: One day a week for a four week period (collected retrospectively, with no advance notice to program teams) Week 1: Monday’s program Week 2: Tuesday’s program Week 3: Wednesday’s program Week 4: Thursday’s program APPROACH: ABC Editorial Policy Information will collect the material in the form of program rundowns and audio files of the entire programs for the relevant timeframes. For each edition of each program, the top three subjects of discussion will be identified, based on the time spent discussing each topic/issue. In other words, the top three items will be those to which the program devoted the most amount of time. This may include a range of different items under one topic (for example, an interview with a Minister on a specific policy followed by a reaction from a stakeholder and then followed by talkback from listeners, all on the same subject, would together count as one item). The reviewer will also be provided with a summary of the top issues/topics that Australians consider most relevant and important to them. -
Report of the Independent Inquiry Into the Media and Media Regulation Is Protected by Copyright
REPORT OF THE INDEPENDENT INQUIRY INTO THE MEDIA AND MEDIA REGULATION BY THE HON R FINKELSTEIN QC ASSISTED BY PROF M RICKETSON REPORT TO THE MINISTER FOR BROADBAND, COMMUNICATIONS AND THE DIGITAL ECONOMY 28 FEBRUARY 2012 © Commonwealth of Australia 2012 ISBN: 978-0-642-75424-0 (PDF version) 978-0-642-75425-7 (DOC version 978-0-642-75426-4 (printed version) The Report of the Independent Inquiry into the Media and Media Regulation is protected by copyright. With the exception of the Commonwealth Coat of Arms and where otherwise noted, all material included this report is licensed under a Creative Commons Attribution 3.0 Australia licence (http://creativecommons.org/licenses/by/3.0/au/). The details of the relevant licence conditions are available on the Creative Commons website, as is the full legal code for CC BY 3.0 AU licence (http://creativecommons.org/licenses/by/3.0/au/legalcode). The document must be attributed as the ‘Report of the Independent Inquiry into the Media and Media Regulation’. Using the Commonwealth Coat of Arms The terms of use for the Coat of Arms are available from www.itsanhonour.gov.au Other use The use of any material in this report in a way not permitted or otherwise allowed under the Copyright Act 1968 may be an infringement of copyright. Where you wish to use the material on this in a way that is beyond the scope of the terms of use that apply to it, you must lodge a request for further authorisation with the department. Authorisation Please address requests and enquiries concerning further authorisation to: The Media Inquiry Secretariat Department of Broadband, Communications and the Digital Economy PO Box 2154 CANBERRA ACT 2601 [email protected] Letter of transmittal Contents Executive summary—conclusions and recommendations 7 Media codes of ethics and accountability 7 Changing business models and quality journalism 10 1. -
Social Media Thought Leaders Updated for the 45Th Parliament 31 August 2016 This Barton Deakin Brief Lists
Barton Deakin Brief: Social Media Thought Leaders Updated for the 45th Parliament 31 August 2016 This Barton Deakin Brief lists individuals and institutions on Twitter relevant to policy and political developments in the federal government domain. These institutions and individuals either break policy-political news or contribute in some form to “the conversation” at national level. Being on this list does not, of course, imply endorsement from Barton Deakin. This Brief is organised by categories that correspond generally to portfolio areas, followed by categories such as media, industry groups and political/policy commentators. This is a “living” document, and will be amended online to ensure ongoing relevance. We recognise that we will have missed relevant entities, so suggestions for inclusions are welcome, and will be assessed for suitability. How to use: If you are a Twitter user, you can either click on the link to take you to the author’s Twitter page (where you can choose to Follow), or if you would like to follow multiple people in a category you can click on the category “List”, and then click “Subscribe” to import that list as a whole. If you are not a Twitter user, you can still observe an author’s Tweets by simply clicking the link on this page. To jump a particular List, click the link in the Table of Contents. Barton Deakin Pty. Ltd. Suite 17, Level 2, 16 National Cct, Barton, ACT, 2600. T: +61 2 6108 4535 www.bartondeakin.com ACN 140 067 287. An STW Group Company. SYDNEY/MELBOURNE/CANBERRA/BRISBANE/PERTH/WELLINGTON/HOBART/DARWIN -
KENNEDY AWARDS Excellence in Australian Journalism
KENNEDY AWARDS Excellence in Australian Journalism 10th Anniversary Sponsorship Prospectus DIMITY CLANCEY AND LAURA MANGHAM OF A CURRENT AFFAIR WIN THE 2020 MIKE WILLESEE AWARD FOR OUTSTANDING NIGHTLY CURRENT AFFAIRS THE HISTORY OF THE KENNEDY AWARDS NAMED after the trailblazing indigenous journalist Les Kennedy, the Kennedy Awards were initially conceived in 2011 to recognise excellence in New South Wales journalism. Almost immediately the Kennedys were shaped by the nature of the entrants - attracting journalists from the likes of Four Corners, 60 Minutes, The Australian, A Current Affair, 730 Report, SBS and the Financial Review to become a truly independent, national celebration of Australian journalism. The awards were created by journalists for journalists - open to all-comers with no agendas or historical obligation to affiliation. A decade later the Kennedys have become the Australian media's night of nights - celebrated for their inclusiveness, independence, respect for the past and the value of fostering the next generation of the nation's finest journalists. SANDRA SALLY (RIGHT) PRESENTS THE HARRY POTTER AWARD FOR OUTSTANDING TV NEWS REPORTING J U N E 2 0 2 0 . Les Kennedy THE INSPIRATION OF THE KENNEDY AWARDS Les Kennedy was never in the officers' mess of journalism - and nor did he want to be. He loved nothing better than excelling on the road as a leader of other "shoe leather" journalists. Proud of his indigenous heritage, Les' awareness of his past and the pride he took in it were the twin chambers of a big, generous heart. It was his fabled generosity that fuelled a selfless devotion to a long list of protégés. -
Canberra Writers Festival Program 2018
Power Politics Passion | The Annual 1canberrawritersfestival.com.au | 23-26 August 2018 “ And so your story is imperfect, Sandra, but it is here, made complete, and it is my love letter to you. — Sarah Krasnostein, The Trauma Cleaner Photography: Martin Ollman SPECIAL EVENT SUNDAY 26 AUGUST 6.00PM – 7.30PM LLEWELLYN HALL, ANU Girls’ Tearing up the stage is five outrageously Night In funny, smart and talented women to mark the Festival’s closing event – Girls’ Kathy Lette, Night In! Bringing their unique brand of humour and whip-smart observations on Annabel Crabb, the whimsy of life – and the meagre role Nikki Gemmell, played by men of all ages – these dames Bridie Jabour and will have you in stitches as they chew the fat and share their love of literature, moderated by fine art, music and aged cognac. Kick Jean Kittson off your heels (boys too), laugh with gusto and celebrate the end of the 2018 SPECIAL EVENT Canberra Writers Festival! One on One Matthew Reilly In Conversation with Emma Alberici SUNDAY 26 AUGUST over 7.5 million copies of his books 1.OOPM – 2.00PM based on self-belief, self-publishing and LLEWELLYN HALL, ANU a passion action thrilling plots. His story is also one of great personal pain and the Exclusive to the Canberra Writers courage and strength required to move Festival, Matthew Reilly flies in and out forward. Matthew talks with highly of the country for one session only One respected ABC journalist and television on One in Canberra. Matthew’s story presenter, Emma Alberici. is one of extraordinary success selling 2 Power Politics Passion | The Annual canberrawritersfestival.com.au | 23-26 August 2018 WELCOME They join an incredible Australian ACT Chief Festival line-up including US-based action- thriller writer Matthew Reilly, who is Minister Directors flying in from LA for an exclusive with the CWF; former Prime Minister John by ANDREW BARR by JENNY BOTT and Howard will speak to his new book The PAUL DONOHOE Art of Persuasion while Annabel Crabb elcome to the 3rd Canberra joins UK-based writer Kathy Lette on Writers Festival. -
Must-Carry Rules, and Access to Free-DTT
Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT -
NEWSLETTER ISSN 1443-4962 No
Colac, Victoria, celebrated 150 years of newspaper publication this year. Four newspapers had been started there by 1902 when its first and only daily appeared. With the financial backing of a local medical practitioner, Joseph Gillis Wynne, the Colac Daily News was launched on 24 March 1902, with journalist James Cleary Roach as printer and publisher (see colophon below). The paper ceased publication on 20 October 1903, after the plant and machinery had been seized by the bailiffs. The only available files of the paper are in hard copy in six packages (see above) held at the Ballarat stores depot of the State Library of Victoria. Each issue is folded and so fragile it threatens to disintegrate with even the gentlest handling, making it extremely difficult to study them in detail. Your editor viewed them in the Heritage Collection Room of SLV, Melbourne. The Colac Herald, the town’s second paper, was launched on 22 October 1869 and is still published. AUSTRALIAN NEWSPAPER HISTORY GROUP NEWSLETTER ISSN 1443-4962 No. 90 December 2016 Publication details Compiled for the Australian Newspaper History Group by Rod Kirkpatrick, U 337, 55 Linkwood Drive, Ferny Hills, Qld, 4055. Ph. +61-7-3351 6175. Email: [email protected] Contributing editor and founder: Victor Isaacs, of Canberra, is at [email protected] Back copies of the Newsletter and some ANHG publications can be viewed online at: http://www.amhd.info/anhg/index.php Deadline for the next Newsletter: 25 February 2017. Subscription details appear at end of Newsletter. [Number 1 appeared October 1999.] Ten issues had appeared by December 2000 and the Newsletter has since appeared five times a year. -
Drama Directory 2014
2014 UPDATE CONTENTS Acknowlegements ..................................................... 2 Latvia .......................................................................... 122 Introduction ................................................................. 3 Lithuania ................................................................... 125 Luxembourg ............................................................ 131 Austria .......................................................................... 4 Malta .......................................................................... 133 Belgium ...................................................................... 10 Netherlands ............................................................. 135 Bulgaria ....................................................................... 21 Norway ..................................................................... 145 Cyprus ......................................................................... 26 Poland ........................................................................ 151 Czech Republic ......................................................... 31 Portugal .................................................................... 157 Denmark .................................................................... 36 Romania ................................................................... 160 Estonia ........................................................................ 42 Slovakia ................................................................... -
Convergence 2011: Australian Content State of Play
Screen Australia AUSTRALIAN CONTENT STATE OF PLAY informing debate AUGUST 2011 CONVERGENCE 2011: AUSTRALIAN CONTENT STATE OF PLAY © Screen Australia 2011 ISBN 978-1-920998-15-8 This report draws from a number of sources. Screen Australia has undertaken all reasonable measures to ensure its accuracy and therefore cannot accept responsibility for inaccuracies and omissions. First released 25 August 2011; this edition 26 August 2011 www.screenaustralia.gov.au/research Screen Australia – August 2011 2 CONVERGENCE 2011: AUSTRALIAN CONTENT STATE OF PLAY CONTENTS 1 INTRODUCTION .......................................................................................................... 4 1.1 Executive summary ............................................................................................................ 5 1.2 Mapping the media environment ................................................................................ 11 2 CREATING AUSTRALIAN CONTENT ................................................................... 20 2.1 The economics of screen content production ...................................................... 20 2.2 How Australian narrative content gets made ....................................................... 27 2.3 Value to the economy of narrative content production .................................... 39 3 DELIVERING AUSTRALIAN CONTENT .............................................................. 41 3.1 Commercial free-to-air television .............................................................................