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2008, WDA Global Summit
World Dance Alliance Global Summit 13 – 18 July 2008 Brisbane, Australia Australian Guidebook A4:Aust Guide book 3 5/6/08 17:00 Page 1 THE MARIINSKY BALLET AND HARLEQUIN DANCE FLOORS “From the Eighteenth century When we come to choosing a floor St. Petersburg and the Mariinsky for our dancers, we dare not Ballet have become synonymous compromise: we insist on with the highest standards in Harlequin Studio. Harlequin - classical ballet. Generations of our a dependable company which famous dancers have revealed the shares the high standards of the glory of Russian choreographic art Mariinsky.” to a delighted world. And this proud tradition continues into the Twenty-First century. Call us now for information & sample Harlequin Australasia Pty Ltd P.O.Box 1028, 36A Langston Place, Epping, NSW 1710, Australia Tel: +61 (02) 9869 4566 Fax: +61 (02) 9869 4547 Email: [email protected] THE WORLD DANCES ON HARLEQUIN FLOORS® SYDNEY LONDON LUXEMBOURG LOS ANGELES PHILADELPHIA FORT WORTH Ausdance Queensland and the World Dance Alliance Asia-Pacific in partnership with QUT Creative Industries, QPAC and Ausdance National and in association with the Brisbane Festival 2008 present World Dance Alliance Global Summit Dance Dialogues: Conversations across cultures, artforms and practices Brisbane 13 – 18 July 2008 A Message from the Minister On behalf of our Government I extend a warm Queensland welcome to all our local, national and international participants and guests gathered in Brisbane for the 2008 World Dance Alliance Global Summit. This is a seminal event on Queensland’s cultural calendar. Our Government acknowledges the value that dance, the most physical of the creative forms, plays in communicating humanity’s concerns. -
A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild
ESSAYS IN HONOUR OF STEPHEN A. WILD Stephen A. Wild Source: Kim Woo, 2015 ESSAYS IN HONOUR OF STEPHEN A. WILD EDITED BY KIRSTY GILLESPIE, SALLY TRELOYN AND DON NILES Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: A distinctive voice in the antipodes : essays in honour of Stephen A. Wild / editors: Kirsty Gillespie ; Sally Treloyn ; Don Niles. ISBN: 9781760461119 (paperback) 9781760461126 (ebook) Subjects: Wild, Stephen. Essays. Festschriften. Music--Oceania. Dance--Oceania. Aboriginal Australian--Songs and music. Other Creators/Contributors: Gillespie, Kirsty, editor. Treloyn, Sally, editor. Niles, Don, editor. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press. Cover photograph: ‘Stephen making a presentation to Anbarra people at a rom ceremony in Canberra, 1995’ (Australian Institute of Aboriginal and Torres Strait Islander Studies). This edition © 2017 ANU Press A publication of the International Council for Traditional Music Study Group on Music and Dance of Oceania. Aboriginal and Torres Strait Islander people are advised that this book contains images and names of deceased persons. Care should be taken while reading and viewing. Contents Acknowledgements . vii Foreword . xi Svanibor Pettan Preface . xv Brian Diettrich Stephen A . Wild: A Distinctive Voice in the Antipodes . 1 Kirsty Gillespie, Sally Treloyn, Kim Woo and Don Niles Festschrift Background and Contents . -
Ausdance Queensland Inc. Annual Report 2017
AUSTRALIAN DANCE COUNCIL – AUSDANCE (QLD) INC Ausdance Queensland Inc. Annual Report 2017 Australian Dance Council Ausdance (Qld) Inc. 420 Brunswick Street Fortitude Valley Qld 40066 [email protected] www.ausdanceqld.org.au ABN 46 089 780 388 1 AUSTRALIAN DANCE COUNCIL – AUSDANCE (QLD) INC CONTENTS ABOUT AUSDANCE QUEENSLAND pg 3 FROM THE CHAIR/PRESIDENT pg 4 EXECUTIVE DIRECTORS REPORT pg 6 AUSDANCE EDUCATORS QUEENSLAND pg 9 THANK YOU pg 11 ATTACHMENT – AUDITED FINANICAL REPORT YEAR END 2017 2 AUSTRALIAN DANCE COUNCIL – AUSDANCE (QLD) INC ABOUT AUSDANCE QUEENSLAND Mission Ausdance Queensland supports, informs and connects dance professionals, and inspires participation that enriches communities with dance. Vision The Queensland dance sector develops and thrives within an environment where artists can explore, excel and enjoy sustainable careers; communities can see and participate in dance; and where dance is Background The association was established in 1992 and provides professional advocacy and industry development for Queensland dance through strong local, regional, national and international networks. We work to bring recognition to the many roles that dance plays in the cultural life of Queensland and to maximise opportunities for practitioners. Our services and programs address the needs of dance artists at any stage of their careers, community dance practitioners, educators and the broader community in relation to dance. We are the state dance industry's primary advocate and advisory representative in regards to government policy, sector planning and industry initiatives. Ausdance Queensland is supported by the Queensland Government through Arts Queensland, part of the Department of Premier and Cabinet with four year organization funding for 2017 – 2019. -
Figure Skating and the Anthropology of Dance: the Case of Oksana Domnina and Maxim Shabalin
Andrée Grau: Figure Skating and the Anthropology of Dance: The Case of Oksana Domnina and Maxim Shabalin Figure Skating and the Anthropology of Dance: The Case of Oksana Domnina and Maxim Shabalin Andrée Grau Roehampton University, [email protected] Abstract In this paper, I address a number of topics relevant to anthropology generally and to the anthropology of dance specifically. I consider issues of classification and taxonomies; of interculturalism and transnationalism; of representation, exoticisation and internalised racism. I examine dance, hierarchies and discrimination, and discuss boundaries between dance and non-dance. For example, dance scholars, with a few exceptions, rarely write about figure skating, although it is cognate to Western theatre dance genres, especially ballet. Figure skating is sport, even in its ice dancing incarnation, whilst dance is art even in its ballet competition incarnations. I use as a case study the Russian skaters Oksana Domnina and Maxim Shabalin, who choreographed an ‘Australian Aboriginal Dance’ for their original routine for the 2010 European skating championships and Olympics. This offended Aboriginal elders who made a complaint to the Russian ambassador. I examine the controversy around the routine, how it was reported in the press and how the audience responded in Internet forums, focusing especially on the way Australian Aborigines con- tinue to be portrayed as stone age in popular media. KEY WORDS: aesthetics, Australian Aborigines, ballet, Internet forums, dance, ice ska- ting, taxonomies Introduction One of the premises of the anthropology of dance, is that the term ‘dance’ is problematic as it carries preconceptions of what this activity engages with, which is rooted into a Western way of understanding the body in space and time, situating it in a particular relationship to a soundscape. -
RE-OPENING DANCE in NSW COVID-19 GUIDANCE NOTES 26 June 2020 RE-OPENING DANCE in NSW COVID-19 GUIDANCE NOTES
RE-OPENING DANCE IN NSW COVID-19 GUIDANCE NOTES 26 June 2020 www.ausdancensw.com.au RE-OPENING DANCE in NSW COVID-19 GUIDANCE NOTES Published by Ausdance NSW The Arts Exchange Building Level 3, 10 Hickson Road The Rocks, 2000, NSW Australia Ph. 02 9689 2055 [email protected] Text and illustrations © Ausdance NSW, unless otherwise indicated. First published 2020. Ausdance NSW respectfully acknowledges the Traditional Owners of the land on which we work and dance. We pay our respects to Elders past, present and emerging. Use permitted under the Copyright Act 1968 (the Copyright Act). This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the Australian Dance Council Pty Ltd, 2020. Acknowledgements and Disclaimer This Plan has been adapted from the Dance and Physical Performing Arts Industry COVID Safe Plan (DPPA) written by Ausdance Queensland and has been developed in conjunction with Ausdance National and Ausdance Network (VIC, NSW, WA,SA,QLD) ‘Return to Dance: Principles and frameworks for restarting dance post COVID-19’. The Principles and Framework for Restarting Dance Activities Post COVID-19 directly references the Framework for Rebooting Sport in a COVID-19 Environment developed by the Australian Institute of Sport. Ausdance NSW acknowledges all the AIS Framework Project Team and contributors to the AIS Framework which can be found in full here The DPPA Plan and the DCIP acknowledges and reflects information and questions raised by the dance sector. -
Professor Shirley Mckechnie
Award of Honorary Degree of Doctor of Visual and Performing Arts Professor Shirley McKechnie Shirley McKechnie is a pioneer of contemporary dance in Australia and continues to be regarded as a seminal leader and scholar in dance and dance education. Educated for a career in science she chose to pursue an artistic practice over several decades. Her long experience as a choreographer, performer, teacher and artistic director led her to dance scholarship and critical writing and eventually to her recent role as a pioneer in Australian dance research at the Victorian College of the Arts. Shirley founded the Australian Contemporary Dance Theatre in 1963 and was its Artistic Director until 1973. She subsequently founded the first degree course in dance studies in Australia at Rusden State College (now Deakin University) and was Head of the Dance Program between 1975-1984. With Dame Peggy van Praagh she was a founder of the Australian Dance Council (Ausdance) in 1977. She played a significant role in the establishment of tertiary courses in dance studies in Australia and was Founding Chair of the Tertiary Dance Council of Australia (TDCA) in 1986. She has served on national and international panels for the advancement of arts education; for symposiums on research in dance and as a consultant to State and Federal government on policies for the arts and arts education. In 1990 the Australia Council for the Arts funded her to undertake extensive research into the development of choreographers throughout Australia in association with the National Library of Australia. In 1992 she led a delegation of Dance Artists to China for the Department of Foreign affairs and Trade. -
Annual Report
ANNUAL REPORT 2016Australian Dance Council – Ausdance Inc. The Australian Dance Council—Ausdance Inc. (Ausdance National) is Australia's peak body for dance: educating, inspiring and supporting the dance community in reaching its potential as a dynamic force within local, national and international communities. As part of a network of Ausdance organisations working across Australia, we design and deliver accessible and sustainable services and integrated programs to support Australian dance professionals. Published by Ausdance National PO Box 45, Braddon ACT 2612 ABN: 95 977 271 106 Telephone: (02) 6248 8992 Website: ausdance.org.au Annual reports: ausdance.org.au/about-us © Australian Dance Council—Ausdance Inc. Ausdance National 2016 ISSN 1328-6579. Report year ends 31 December 2016. Coordinated by Rachael Jennings, Communications and Publications Manager, Ausdance National p.2 Ausdance National Annual Report 2016 CONTENTS About Us 4 Our Mission 4 Our Vision 4 Overview 4 President's report 5 Goal 1 Industry development: support and sustain professional dance practice in Australia 7 1.1 Exchange information, ideas, expertise and resources in all areas of dance 7 1.2 Increase access to career development opportunities 8 1.5 Increase understanding and best practice in dance education 12 GOAL 2 Information Services: Be a recognised advocate in promoting dialogue and the value and purpose of dance 14 2.1 Increase the quality and relevance of Ausdance National’s information 14 2.2 Profile advocacy campaigns for dance 16 Goal 3 Ensure the sustainability and growth of Ausdance National 17 3.1 Build the Capacity of Ausdance National 17 3.2 Build the strength of the Ausdance network 18 Our members 19 Founding Life Members 19 Our partners, sponsors and supporters 20 National Council 22 Staff and volunteers 23 Audited financial statements 24 p.3 Ausdance National Annual Report 2016 ABOUT US OUR MISSION Ausdance National is the peak professional organisation for dance in Australia. -
Arts Management Newsletter Content Overview
Arts Management Newsletter No. 63 (October 2006) ARTS MANAGEMENT NEWSLETTER Monthly information service by Arts Management Network ISSN 1610-238X | Issue No. 63 - October 2006 CONTENT OVERVIEW Special Topic: Dance 1. Interview: Janet Archer, CEO/Artistic Director of Dance City (UK) 2. Background: The Current Perspectives of Contemporary Dance in Finland 3. Portrait: National Ballet School of Canada 4. Study: The IS Framework for Preservation Dance Heritage 5. Background: Dance in Australia 6. Study: Shall We Dance. Dancing and Copyright Law 7. Call for Papers: The Congress on Research in Dance 8. Book: Managing Dance. Current Issues and Future Strategies 9. Education: Dance Management at the Oklahoma City University 10. Web Resources for Dance General Topics 11. The Cultural Influence of Pierre de Coubertin. A Contemporary Context 12. Canadian Association of Arts Administration Educators Graduate Survey 13. Mentorship Strategy for Managers and Administrators of Cultural Organizations 14. Performing Arts Management in a Climate of Adjustment 15. Book: Performers' Rights (3rd Edition) 16. Education: Training of cultural managers in Guatemala 17. Magazine: International Journal of Arts Management (IJAM) 18. Magazine: Journal of Cultural Economics 19. Review: International Creative Cities Conference, Berlin 20. Preview: Cultural Management in Changing Environment, Tartu 21. Preview: The 10th World Conference of Historical Cities Network on Tour • October 20-22 Expert Meeting for Cultural Portal Providers, Dubrovnik (Croatia) • October 26 3rd Conference for German Cultural Industries, Berlin (Germany) • November 2-3 Arts Sponsoring Congress, Cologne (Germany) • November 4-5 Arts Management Correspondent Meeting, Basel (Switzerland) • November 16 Viaduct Job Fair, University Viadrina Frankfurt/Oder (Germany) • December 7-9 Arts Management Expert Meeting, Rendsburg (Germany) Tours planned for 2007: London, Hong Kong and Taiwan 1 Arts Management Newsletter No. -
Ausdance Victoria Annual Report 2017
ausdance victoria annual report ausdance victoria 2017 annual report 2017 1 Stephanie Lake’s Pile of Bones, Image by Bryony Jackson Performed at the 2017 Australian Dance Awards AUSDANCE VICTORIA 2017 ANNUAL REPORT CONTENTS FOREWORD FROM THE CHAIR - 4 FOREWORD FROM THE EXECUTIVE DIRECTOR - 5 AUSDANCE NETWORK - 6 AUSDANCE STRATEGIC FRAMEWORK - 7 BOARD AND STAFF - 8-12 2017 IN REVIEW - 14-15 2017 IN REVIEW - AUSTRALIAN DANCE AWARDS - 16-17 EDUCATION - 18-19 ADVOCACY - 20-21 PROFESSIONAL LEARNING FOR MEMBERS - 22 MEMBERSHIP, MEDIA AND MARKETING - 23 2 ausdance victoria 2017 annual report ausdance victoria 2017 annual report 3 Foreword from the Chair Foreword from the Executive Director On behalf of the Ausdance Victoria Board, I am excited to welcome you to our 2017 Annual Report. 2017 saw a A new strategic plan for 2017-20 year of achievement and consolidation at Ausdance Victoria, as we embarked on the first year of our Strategic Plan 2017-2020. In the 40th year of Ausdance, we continued to lead, support and champion all things dance What an extraordinary year for the organisation and the sector resulting in: through increased advocacy, program delivery and production of key events, engaging our members at all Renewed core funding through Creative Victoria, for four years with a 10% increase. Which coupled with our income generated levels. The organisation is truly flourishing under the leadership of Executive Director Michelle Silby and her through other avenues, enabled us to slightly grow our team for a huge year of activity and development for future years. dedicated team. A snapshot of activities: •Piloted, DAIR, Dance Artists in Residency Program A new governance structure for Ausdance National signaled a time of change and renewal. -
Differences in the Occurrence and Characteristics of Injuries Between Full- Time and Part-Time Dancers
BMJ Open Sport Exerc Med: first published as 10.1136/bmjsem-2017-000324 on 21 March 2018. Downloaded from Open Access Original article Differences in the occurrence and characteristics of injuries between full- time and part-time dancers Amy Jo Vassallo,1,2,3 Evangelos Pappas,1 Emmanuel Stamatakis,2,3 Claire E Hiller1 To cite: Vassallo AJ, Pappas E, ABSTRACT What are the new findings? Stamatakis E, et al. Differences Background Professional dancers are at significant in the occurrence and risk of injury due to the physical demands of their career. characteristics of injuries ► A substantial proportion of part-time dancers Despite their high numbers, the experience of injury in between full-time and part- experience injuries, despite a relatively low load of freelance or part-time dancers is not well understood. time dancers. BMJ Open dance compared with full-time dancers. Sport & Exercise Medicine Therefore, the aim of this study was to examine the ► Fatigue is the most commonly cited contributor to 2018;4:e000324. doi:10.1136/ occurrence and characteristics of injury in part-time injury by both full-time and part-time dancers. bmjsem-2017-000324 compared with full-time Australian professional dancers. ► A typical week of dance activity (or dance exposure) Methods Data were collected using a cross-sectional Additional material is was difficult for part-time and freelance dancers to ► survey distributed to employees of small and large dance published online only. To view report on, and this must be taken into consideration companies and freelance dancers in Australia. Statistical please visit the journal online when designing future studies for the standardisation comparisons between full-time and part-time dancer (http:// dx. -
Brolga, an Australian Journal About Dance
BROLGA An Australian journal about dance December 2015 40 BROLGA An Australian journal about dance Number 40 December 2015 Editor: Olivia Millard Founding editor: Michelle Potter Advisory Board: Sally Clarke, Lee Christofis, Rita Clarke, Cheryl Stock, Kim Vincs Digital production and design: Rachael Jennings Brolga is committed to providing a space for the publication of current research, critical thinking and creative activities relating to, and impinging on, dance in a cultural context in Australia and elsewhere. Articles can be refereed if requested by the author. Please see 'Notes for contributors' for further details. Peer reviewed articles are marked on the contents page with an asterisk. Correspondence and submissions are welcome and should be emailed to Publications Manager Rachael Jennings <[email protected]>. Contributions should conform to the guidelines published in this journal (also available from the Ausdance National website.) Hardcopy back issues are available for purchase from Ausdance National. Brolga articles are available for purchase on the Ausdance National website. © 2015 Brolga and individual contributors. Copyright photographs/ illustration, respective copyright owners. ISSN: 1322-76545 Published by Australian Dance Council—Ausdance Inc. The views expressed in Brolga are those of the individual contributors and are not necessarily those of the editor, the advisory board, or the publisher. 2 Contents Editorial 4 OLIVIA MILLARD Dance improvisation: Why warm up at all? * 7 JASON MARCHANT Improcinemaniac * 16 DIANNE REID Improvisation in visual art practice using a photographic process * 30 ANNE SCOTT WILSON What’s the score? Using scores in dance improvisation.* 45 OLIVIA MILLARD The ethos of the mover/witness dyad: an experimental frame for participatory performance * 57 SHAUN MCLEOD Gaps in the body: Attention and improvisation * 73 PETER FRASER Contributors 85 Notes for contributors 87 * Peer reviewed articles. -
2018 ANNUAL REPORT Australian Dance Council – Ausdance Inc
2018 ANNUAL REPORT Australian Dance Council – Ausdance Inc. Image - Ahmad Odeh The Australian Dance Council—Ausdance Inc. (Ausdance National) is Australia's peak body for dance: educating, inspiring and supporting the dance community in reaching its potential as a dynamic force within local, national and international communities. As part of a network of Ausdance organisations working across Australia, we design and deliver accessible and sustainable services and integrated programs to support Australian dance professionals. Published by Ausdance National ABN: 95 977 271 106 Website: ausdance.org.au Annual reports: ausdance.org.au/about-us © Australian Dance Council—Ausdance Inc. Ausdance National 2018 ISSN 1328-6579. Report year ends 31 December 2018. Prepared by Kathy Baykitch, Executive Director Ausdance National p.2 Ausdance National Annual Report 2018 CONTENTS About Us Mission 4 Vision 4 Goals 4 President's report 5 Advocacy & policy 4 Engagement with key federal politicians and government funding agencies 7 Submissions 7 Consultation with professional dance artists & sector organisations 8 Advocacy through Joint Alliances 8 Advocacy through National Advocates for Arts Education 8 Advocacy for Tertiary Dance Council Australia members 8 Active membership of World Dance Alliance 8 Projects & partnerships Australian Dance Awards nominations & sponsorship program 10 National Dance Forum 10 AON Australia partnership 11 Choreographic fellowships 11 Sector support Online information services & publications 12 Funding applications for sector-supported