GOVERNMENTAL UNIT REFERENCE MAP (2015): Mohave County, AZ 113.928198W
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Butch Cassidy Roamed Incognito in Southwest New Mexico
Nancy Coggeshall I For The New Mexican Hideout in the Gila Butch Cassidy roamed incognito in southwest New Mexico. Hideout in the Gila utch Cassidy’s presence in southwestern New Mexico is barely noted today. Notorious for his successful bank Butch Cassidy roamed and train robberies at the turn of the 20th century, incognito in southwest Cassidy was idealized and idolized as a “gentleman out- New Mexico wilderness Blaw” and leader of the Wild Bunch. He and various members of the • gang worked incognito at the WS Ranch — set between Arizona’s Blue Range and San Carlos Apache Reservation to the west and the Nancy Coggeshall rugged Mogollon Mountains to the east — from February 1899 For The New Mexican until May 1900. Descendants of pioneers and ranchers acquainted with Cassidy tell stories about the man their ancestors knew as “Jim Lowe.” Nancy Thomas grew up hearing from her grandfather Clarence Tipton and others that Cassidy was a “man of his word.” Tipton was the foreman at the WS immediately before Cassidy’s arrival. The ranch sits at the southern end of the Outlaw Trail, a string of accommodating ranches and Wild Bunch hideouts stretching from Montana and the Canadian border into Mexico. The country surrounding the WS Ranch is forbidding; volcanic terrain cleft with precipitously angled, crenelated canyon walls defies access. A “pretty hard layout,” local old-timer Robert Bell told Lou Blachly, whose collection of interviews with pioneers — conducted PROMIENT PLACES - between 1942 and 1953 — are housed at the University of New OUTLAW TRAIL Mexico. What better place to dodge the law? 1. -
Hill's Butch Cassidy and the Sundance
1 Butch Cassidy and the Sundance Kid Poster by Tom Beauvais Courtesy Wikipedia Reviewed by Garry Victor Hill Directed by George Roy Hill. Produced by John Foreman. Screenplay by William Goldman. Cinematography by Conrad Hall. Art Direction by Jack Martin Smith & Philip M. Jefferies. Music by Burt Bacharach. Edited by John C. Howard & Richard C. Meyer. Sound George R. Edmondson. Costume designs: Edith Head. Cinematic length: 110 minutes. Distributed by 20TH Century Fox. Companies: Campanile Productions and the Newman–Foreman Company. Cinematic release: October 1969. DVD release 2006 2 disc edition. Check for ratings. Rating 90%. 2 All images are taken from the Public Domain, The Red List, Wikimedia Commons and Wiki derivatives with permission. Written Without Prejudice Cast Paul Newman as Butch Cassidy Robert Redford as the Sundance Kid Katharine Ross as Etta Place Strother Martin as Percy Garris Henry Jones as Bike Salesman Jeff Corey as Sheriff Ray Bledsoe George Furth as Woodcock Cloris Leachman as Agnes Ted Cassidy as Harvey Logan Kenneth Mars as the town marshal Donnelly Rhodes as Macon Timothy Scott as News Carver Jody Gilbert as the Large Woman on the train Don Keefer as a Fireman Charles Dierkop as Flat Nose Curry Pancho Córdova as a Bank Manager Paul Bryar as Card Player No. 1 Sam Elliott as Card Player No. 2 Charles Akins as a Bank Teller Percy Helton as Sweetface Review In the second half of the 1960s westerns about the twilight of the Wild West suddenly became popular, as if both filmmakers and audiences wanted to keep the West within living memory. -
The Mormon Pioneer National Heritage Area
Museums M 191 MPNHA Absorb the Old West through anti, U hundreds of interactive N displays of pioneer history, orth Mormon heritage, outlaw T 84642 stories, and nature and UNDER THE RIM M Artists, Artisans, Crafters wildlife. Experience a new Big Water ain understanding of the settlers Big Water Visitor Center Museum/Grand Inspired by this rugged who shaped the social, Staircase Escalante National Monument Pal landscape, the artists and cultural and historic life crafters of the area are and lore of the American Kanab Grand Staircase Escalante National winners of the Best of West. Museum hours vary His Monument Geo Arc State Award. Handmade Kanab Heritage House by season. Call ahead His treasures include porcelain for schedule (See Visitor Kanab Heritage Museum Mt. Carmel dolls and carved wooden Information box at right). Kanab Visitor Center Museum The Old Rock Church Gallery Art caricatures, antique HEADWatERS BOULDER LOOP / furniture reproductions, Circleville HEADWatERS contemporary woodcraft, LittlE DEnmarK Butch Cassidy’s Childhood Home His HEritagE AREA MARKERS pottery, appliqued western Fairview Mormon Pioneer National Heritage Old Rock Schoolhouse, Marysvale clothing, hand tooled boots Art Hatch Fairview Museum and Art His Area Markers showing local travel Escalante Tithing Office, 1884 William Derby Johnson, Jr., House and saddles, unique jewelry, Daughters of Utah Pioneers Museum His maps and historic sites. Historic Red Brick Homes (Cole’s Hotel), 1884, Kanab Native American crafts, Fountain Green Open by appointment M. Parker (Butch Cassidy), Perry Lodge, Home to the Move Stars fine art and more. Beautiful Mt. Pleasant, corner of Main Street and Hwy 89 objects and memorable Fountain Green Daughters of Utah Pioneers Marysvale Cabin, c. -
Marc Simmons; Historian of the Southwest
New Mexico Historical Review Volume 80 Number 3 Article 11 7-1-2005 Review Essay: Marc Simmons; Historian of the Southwest Richard W. Etulain Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Etulain, Richard W.. "Review Essay: Marc Simmons; Historian of the Southwest." New Mexico Historical Review 80, 3 (2005). https://digitalrepository.unm.edu/nmhr/vol80/iss3/11 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. Review Essay MARC SIMMONS: MAVERICK HISTORIAN OF THE SOUTHWEST Richard W. Etulain arc Simmons, New Mexico's leading historian, has always ridden a Mhorse ofanother kind. Freed from aCCiclemic turfsquabbles, working primarily outside the classroom, and writing most often for newspaper and other lay historians, Simmons remains his own historian. Launched as a doctoral graduate in the mid-196os from the University of New Mexico (UNM), Simmons's subsequent historiographical journey, although indi vidualistic, followed more closely the paths ofFrance V. Scholes and Herbert Eugene Bolton than the newer revisionist writings of scholars like Ramon Gutierrez. But to be more precise, Simmons is sui generis, a historian ofhis " own stripe, different from most other historians of New Mexico and the Southwest. The volume under review, librarian Phyllis Morgan's exceptionally use ful bio-bibliography, thoroughly displays the extraordinary dimensions of Marc Simmons ofNew Mexico: Maverick Historian. By Phyllis Morgan. -
Settlement of the West
Settlement of the West The Western Career of Wild Bill Hickok James Butler Hickok was born in Troy Grove, Illinois on 27 May 1837, the fourth of six children born to William and Polly Butler Hickok. Like his father, Wild Bill was a supporter of abolition. He often helped his father in the risky business of running their "station" on the Underground Railroad. He learned his shooting skills protecting the farm with his father from slave catchers. Hickok was a good shot from a very young age, especially an outstanding marksman with a pistol. He went west in 1857, first trying his hand at farming in Kansas. The next year he was elected constable. In 1859, he got a job with the Pony Express Company. Later that year he was badly mauled by a bear. On 12 July 1861, still convalescing from his injuries at an express station in Nebraska, he got into a disagreement with Dave McCanles over business and a shared woman, Sarah Shull. McCanles "called out" Wild Bill from the Station House. Wild Bill emerged onto the street, immediately drew one of his .36 caliber revolvers, and at a 75 yard distance, fired a single shot into McCanlesʼ chest, killing him instantly. Hickok was tried for the killing but judged to have acted in self-defense. The McCanles incident propelled Hickock to fame as a gunslinger. By the time he was a scout for the Union Army during the Civil War, his reputation with a gun was already well known. Sometime during his Army days, he backed down a lynch mob, and a woman shouted, "Good for you, Wild Bill!" It was a name which has stuck for all eternity. -
Ways of Life Continuing Ways of Life
BOUNDLESS LANDSCAPES & SPIRITED PEOPLE NORTHWEST COLORADO CULTUR A L HER ITAGE ways of life The remoteness of northwest Colorado has always attracted self-determined and resilient explorers. There is a legacy of connection here—between spirited people and boundless landscapes. SURVEYORS MINERS RANCHERS LOGGERS Photo courtesy of Library of Congress Photo courtesy of Tracks and Trails Museum Photo courtesy of Tread of Pioneers Museum Photo courtesy of U.S. Forest Service Vast and diverse, the region offered rich Fortieth Parallel The Miner’s Life Time Honored Life Gould, Colorado yet rugged ways of life. Here, people created John Wesley Powell: Argo Mine & Haybro Mine: Working the Land: Bockman Lumber Camp: strong traditions and cultures that were In 1869 the Powell Expedition ran the Green Mining booms—coal ore, gold, and silver— Abundant grasses and water lured early cattle One hundred men and their families once lived sustained by the land. River and camped at its convergence with the brought men and their families to the region to and sheep men to the region. Cowboys trailed in Colorado’s largest logging camp. Tie hacks Yampa River (Echo Park). Two years later, at the labor in the open cut and underground mines. large herds into the mountains during summer felled trees, cut them to length, and flattened top of Harpers Corner, the expedition penned, After the bust times, many stayed to ranch and back to the valleys before winter snowfall. four sides with a broadax to make railroad ties. “We could look over Echo Wall [Steamboat Rock] and build northwest Colorado communities. -
Lehi Historic Archive File Categories Achievements of Lehi Citizens
Lehi Historic Archive File Categories Achievements of Lehi Citizens AdobeLehi Plant Airplane Flights in Lehi Alex ChristoffersonChampion Wrestler Alex Loveridge Home All About Food and Fuel/Sinclair Allred Park Alma Peterson Construction/Kent Peterson Alpine Fireplaces Alpine School BoardThomas Powers Alpine School District Alpine Soil/Water Conservation District Alpine Stake Alpine Stake Tabernacle Alpine, Utah American Dream Labs American Football LeagueDick Felt (Titans/Patriots) American Fork Canyon American Fork Canyon Flour Mill American Fork Canyon Mining District American Fork Canyon Power Plant American Fork Cooperative Institution American Fork Hospital American Fork, Utah American Fork, UtahMayors American Fork, UtahSteel Days American Legion/Veterans American Legion/VeteransBoys State American Patriotic League American Red Cross Ancient Order of United Workmen (AOUW) Ancient Utah Fossils and Rock Art Andrew Fjeld Animal Life of Utah Annie Oakley Antiquities Act Arcade Dance Hall Arches National Park Arctic Circle Ashley and Virlie Nelson Home (153 West 200 North) Assembly Hall Athenian Club Auctus Club Aunt Libby’s Dog Cemetery Austin Brothers Companies AuthorFred Hardy AuthorJohn Rockwell, Historian AuthorKay Cox AuthorLinda Bethers: Christmas Orange AuthorLinda JefferiesPoet AuthorReg Christensen AuthorRichard Van Wagoner Auto Repair Shop2005 North Railroad Street Azer Southwick Home 90 South Center B&K Auto Parts Bank of American Fork Bates Service Station Bathhouses in Utah Beal Meat Packing Plant Bear -
Butch Cassidy & the Sundance
Name:_____________________________________ Date:________________ Period:________ Film Study 2 – Ms. Jones Butch Cassidy & the Sundance Kid 1. How does the film call attention to the fact that we’re watching a period film in cinematography, editing, and sound? What prologue is provided in the opening credits? 2. Why do the filmmakers open with sepia cinematography? 3. How is Butch Cassidy indirectly characterized by the close-ups that are cut in montage when he visits a bank? 4. How is the Sundance Kid indirectly characterized? Why do the filmmakers only focus on him with a long take and not film the face of the person he’s gambling with for so long? 5. Why do the filmmakers fade into color after Butch and Sundance leave? 6. What do Butch and Sundance both desire? What are their dreams? Why? Where do they envision living their lives? Why? 7. How and why does Harvey challenge Butch as leader? How does Butch outsmart and beat him? What idea does Butch steal from Harvey? 8. How is Butch indirectly characterized by this angle and his actions in the heist? 9. Who tries to recruit men to fight the Hole in the Wall Gang, and how is it received? Why? Who overhears him, and how do the filmmakers reveal this with camera movement? 10. What does the Sundance Kid desire from a woman? Is he picky? How do the filmmakers build suspense when we first meet Etta Place, and when is this suspense released? 11. What is the relationship like between Butch and Etta? What is the purpose of the “Raindrops Keep Fallin’ on my Head” scene? How does it affect characterization and mood? 12. -
Bears Ears National Monument Proclamation
THE WHITE HOUSE Office of the Press Secretary For Immediate Release December 28, 2016 ESTABLISHMENT OF THE BEARS EARS NATIONAL MONUMENT - - - - - - - BY THE PRESIDENT OF THE UNITED STATES OF AMERICA A PROCLAMATION Rising from the center of the southeastern Utah landscape and visible from every direction are twin buttes so distinctive that in each of the native languages of the region their name is the same: Hoon'Naqvut, Shash Jáa, Kwiyagatu Nukavachi, Ansh An Lashokdiwe, or "Bears Ears." For hundreds of generations, native peoples lived in the surrounding deep sandstone canyons, desert mesas, and meadow mountaintops, which constitute one of the densest and most significant cultural landscapes in the United States. Abundant rock art, ancient cliff dwellings, ceremonial sites, and countless other artifacts provide an extraordinary archaeological and cultural record that is important to us all, but most notably the land is profoundly sacred to many Native American tribes, including the Ute Mountain Ute Tribe, Navajo Nation, Ute Indian Tribe of the Uintah Ouray, Hopi Nation, and Zuni Tribe. The area's human history is as vibrant and diverse as the ruggedly beautiful landscape. From the earliest occupation, native peoples left traces of their presence. Clovis people hunted among the cliffs and canyons of Cedar Mesa as early as 13,000 years ago, leaving behind tools and projectile points in places like the Lime Ridge Clovis Site, one of the oldest known archaeological sites in Utah. Archaeologists believe that these early people hunted mammoths, ground sloths, and other now-extinct megafauna, a narrative echoed by native creation stories. Hunters and gatherers continued to live in this region in the Archaic Period, with sites dating as far back as 8,500 years ago. -
Federal Writers' Project Guy Rader March 20, 1939 Calamity Jane Lived
·~~ Federal Wri t ers' Project Guy Rader March 20, 1939 CALAMI TY JANE Calamity Jane lived i n the we st when it was newly s ettled country. There were many hardships for t he people. Gold dis- coveries made pioneer life exciting. Indian wars sometimes mad e it dangerous . There was much hostility from the Indians to whom the white settlers were intruders . On both sides there was bravery and courage. Long afterward these became the basis of frontier Ill.. rtfj sto.Aes. Many stories have been told about Calamity Jane . Not all of them are true. But even those t hat ar e legends tell us something of her adventurous life on the frontier. Martha Jane Canary, born i n Princeton, Mi ssouri, May 1, 1852, was the oldest of seven children of whom five were girls and two bo ys. She was fond of adventure and liked to r ide horses from · the time she was able to walk. People called her a tomboy. When she was 13 years old the f amily moved to Montana. They came in a covered wagon from Missouri to Virginia City. The j ourney took five months . There were many other people traveling . in wagons to the rich mining fields , and they banded together to help one another over the rough roads and bridgeless rivers . I n this way they were also safer f rom hostile I ndians who often attack ed 'small parties, but were less li ke~y to attack large parties . During the long journey Martha Jane rode ahead with the me n. -
Cowboy Up: the American Cowboy in Fact and Fiction Syllabus
FSEM 100 Cowboy Up: The American Cowboy in Fact and Fiction Syllabus Semester Spring 2011 Lecturer Dr. Ron Scheer Email [email protected] Section 34604 Office JEF 261 Phone 213-740-1980 Time Mon 2:00 Office hours TTh 2:00 Fax 213-740-4100 Classroom WPH 201 and by appointment Course description The western has been a genre of American movies and popular literature for over a century. The stories told in this genre reflect values that are embedded in American culture. They are typically about men of strong character who represent a certain kind of moral order, and the story being told is about how they confront and overcome villains, outlaws, and other “bad guys” who are enemies of that order. It can be a black-and-white world of good vs. evil, or it can be a world where there are many shades of gray, so that it’s less easy to tell the difference. This conflict is typically played out on the American frontier, in the late 19th century (1865-1900), during the decades after the American Civil War. It is the era of cowboys, the growth of the cattle industry, the fencing of the open range, the demise of the buffalo herds, the final displacement of the Native American tribes, the building of cross- continental railroads, and rapid settlement of the frontier territories fed by waves of immigration and the availability of free land made possible by the Homestead Acts. The conflict in a western typically involves and is eventually resolved by violence – fistfights, gunfire, sometimes even explosives. -
Gunplay Maxwell
Gunplay Maxwell James Otis Bliss, AKA “Clarence L. Maxwell”, “Gunplay Maxwell” (1860 to August 23, 1909) was a late 19th-century Old West gunfighter and businessman from Boston, Massachusetts. Born the son of a hotel manager (Alfonso Bliss), he received a good education, but in 1875 he was involved in a bar room brawl that resulted in him shooting and killing a friend of his. Maxwell fled to Texas, and later Montana, to avoid being arrested for the murder. While in Montana and working as a cowboy, he began selling his gunman skills during the cattle-sheep wars. He later became involved in a cattle rustling in Wyoming and Utah, resulting in his being arrested and sentenced to 3 years in the Wyoming State Prison in 1893. While in prison, he became associated with Butch Cassidy, and the two were released within a week of one another. It was later said that he attempted to join Cassidy’s gang “The Wild Bunch”, but was rejected. In 1898 he and another man robbed the Springville, Utah bank, taking $3,000. More than 200 posse members pursued them, killing Maxwell’s partner, and capturing Maxwell after a brief shootout. He was taken to the Provo, Utah jail, but never revealed the identity of his partner, but that he was dead. Maxwell was convicted of robbery and was sent to the Utah State Prison. Five years later, after he helped stop a prison escape, his sentence was commuted. He worked as a mine guard and discovered the ozokerite near Colton, Utah and filed a claim, then started the mining company “Utah Ozokerite Company”.