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The 26Th Society for Animation Studies Annual Conference Toronto
Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence The Animator Conferences & Events 6-16-2014 The Animator: The 26th oS ciety for Animation Studies Annual Conference Toronto June 16 to 19, 2014 Society for Animation Studies Paul Ward Society for Animation Studies Tony Tarantini Sheridan College, [email protected] Follow this and additional works at: http://source.sheridancollege.ca/conferences_anim Part of the Film and Media Studies Commons SOURCE Citation Society for Animation Studies; Ward, Paul; and Tarantini, Tony, "The Animator: The 26th ocS iety for Animation Studies Annual Conference Toronto June 16 to 19, 2014" (2014). The Animator. 1. http://source.sheridancollege.ca/conferences_anim/1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the Conferences & Events at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in The Animator by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. THANK YOU TO OUR SPONSORS THE ANIMATOR THEThe 26th Society forANIMATOR Animation Studies Annual Conference TheToronto 26 Juneth Society 16 to 19, 2014 for www.theAnimation animator2014.com Studies @AnimatorSAS2014 Annual Conference Toronto June 16 to 19, 2014 • www.the animator2014.com • @AnimatorSAS2014 WELCOME Message from the President Animation is both an art and skill; it is a talent that is envied the world over. Having a hand in educating and nurturing some of the finest animators in the world is something for which Sheridan is exceptionally proud. -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Uncle Milton Industries Dinosaur Train Announcement
FOR MORE INFORMATION CONTACT: Nancy Davies, Salmon Borre Group [email protected]; 847.582.1610 FOR IMMEDIATE RELEASE THE JIM HENSON COMPANY AWARDS UNCLE MILTON INDUSTRIES A LICENSING AGREEMENT TO DEVELOP SCIENCE-THEMED EDUCATIONAL TOYS FOR DINOSAUR TRAIN™ LOS ANGELES – (October 5, 2010) – The Jim Henson Company and Uncle Milton Industries, a leader in creating fun, educational science and nature toys for more than 50 years, announce a multi-year licensing agreement for Uncle Milton to develop science-themed educational toys based on the hit animated children’s series, DINOSAUR TRAIN™. The announcement came at the beginning of today’s Toy Industry Association’s Fall Toy Preview, being held October 5-8 in Dallas, TX. The Jim Henson Company granted Uncle Milton Industries the rights to develop all-new educational toys focused on the science behind the exciting world of DINOSAUR TRAIN and its cast of loveable prehistoric characters. The Uncle Milton licensed product line will launch in North America in the spring of 2011 and in the U.K., Spain, France and Australia in fall of 2011. “At Uncle Milton, our goal is to make science more interesting, engaging and accessible for children. DINOSAUR TRAIN provides the perfect platform for us to do what we do best—create products that encourage kids to explore scientific concepts in a fun and meaningful way,” states Frank Adler, President of Uncle Milton Industries. “We are honored to partner with The Jim Henson Company on this strong property. It presents us with such an exciting opportunity because the property resonates so well with preschoolers, allowing us to start this important relationship between kids and science at the very earliest age.” “We know Uncle Milton will introduce a compelling new educational line that allows kids the opportunity to explore real science within the familiar and popular Dinosaur Train world,” said Melissa Segal, Senior Vice President Global Consumer Products for The Jim Henson Company. -
Teachers Guide
Teachers Guide Exhibit partially funded by: and 2006 Cartoon Network. All rights reserved. TEACHERS GUIDE TABLE OF CONTENTS PAGE HOW TO USE THIS GUIDE 3 EXHIBIT OVERVIEW 4 CORRELATION TO EDUCATIONAL STANDARDS 9 EDUCATIONAL STANDARDS CHARTS 11 EXHIBIT EDUCATIONAL OBJECTIVES 13 BACKGROUND INFORMATION FOR TEACHERS 15 FREQUENTLY ASKED QUESTIONS 23 CLASSROOM ACTIVITIES • BUILD YOUR OWN ZOETROPE 26 • PLAN OF ACTION 33 • SEEING SPOTS 36 • FOOLING THE BRAIN 43 ACTIVE LEARNING LOG • WITH ANSWERS 51 • WITHOUT ANSWERS 55 GLOSSARY 58 BIBLIOGRAPHY 59 This guide was developed at OMSI in conjunction with Animation, an OMSI exhibit. 2006 Oregon Museum of Science and Industry Animation was developed by the Oregon Museum of Science and Industry in collaboration with Cartoon Network and partially funded by The Paul G. Allen Family Foundation. and 2006 Cartoon Network. All rights reserved. Animation Teachers Guide 2 © OMSI 2006 HOW TO USE THIS TEACHER’S GUIDE The Teacher’s Guide to Animation has been written for teachers bringing students to see the Animation exhibit. These materials have been developed as a resource for the educator to use in the classroom before and after the museum visit, and to enhance the visit itself. There is background information, several classroom activities, and the Active Learning Log – an open-ended worksheet students can fill out while exploring the exhibit. Animation web site: The exhibit website, www.omsi.edu/visit/featured/animationsite/index.cfm, features the Animation Teacher’s Guide, online activities, and additional resources. Animation Teachers Guide 3 © OMSI 2006 EXHIBIT OVERVIEW Animation is a 6,000 square-foot, highly interactive traveling exhibition that brings together art, math, science and technology by exploring the exciting world of animation. -
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S~Q~~A,;u,Q , , H~Ait#Q~ Ar 79.5111 J...FJ/.5 ~.3 Five Improvisations by Paul Glabicki. ' ' ' ' Moon Breath Beat by Lisze Bechtold . The following film programs include a collection of films that are diverse in their style and content but similar in their independent production values. The artists behind each film chose to produce their films outside the commercial film industry thus enabling them the freedom to personally form their film and, oftentimes, find alternatives to the traditional formats . s~ THE PERSONAL CINEMA . ...... .. .... ... ..... ..... .............. 2-5 ANIMATION ... .... .... .. .. .. ....... .... .... .... ...... 6-8 DOCUMENTARY ................................. ... .. ... ....... 9-10 SOUTHERN SNAPSHOTS . .. ..................................... 11-14 NEW FILMS FROM THE NEW SOUTH .......... ....................... 15 DANCE ... .. .... .. .............. .......... .. ....... .. ...... 16 DREAMS, TALES AND LEGENDS .. .... .. ............ .. ......... 17-19 HUMOR, PARODY & SATIRE ........ .. ....... ..................... 20 CREATIVITY ....... .. .... .. .... .. ......... ... ... ... ............ 21 ADVENTURES ................................................... 22-23 TEACHING FILM WITH FILM ....................................... 24-26 STUDENT-MADE FILMS ................... .. .. .... .. .. ......... 27 *AT THE MOVIES WITH BAD DOG ...... .. ....... ................... 28-33 INDEX OF FILMS ...... .... ......... .. ......................... 34-35 GENERAL INFORMATION ....... ................................. .. 36 *AT -
Portland State Magazine Productions
Portland State University PDXScholar University Archives: Campus Publications & Portland State Magazine Productions Winter 1-1-2013 Portland State Magazine Portland State University. Office of University Communications Follow this and additional works at: https://pdxscholar.library.pdx.edu/psu_magazine Let us know how access to this document benefits ou.y Recommended Citation Portland State University. Office of University Communications, "Portland State Magazine" (2013). Portland State Magazine. 4. https://pdxscholar.library.pdx.edu/psu_magazine/4 This Book is brought to you for free and open access. It has been accepted for inclusion in Portland State Magazine by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. WINTER 2013 STOP-MOTION MAGIC Travis Knight ’98 leads the enchantment / 10 Cinematic craft / 13 A kinder, greener classroom / 16 Is Portland really Portlandia? / 18 Culture shift / 21 DRIVING THE CLEAN ECONOMY Researchers at PSU are teaming up with Portland General Electric, public agencies, and Oregon’s growing electric vehicle industry to understand how EVs will impact infrastructure, drivers, and the environment. Moving Oregon to a cleaner future—part of PSU’s $1.4 billion annual economic impact. Oregon is our classroom pdx.edu 2 PORTLAND STATE MAGAZINE WINTER 2013 CONTENTS Features 10 STOP-MOTION MAGIC Travis Knight ’98 leads the enchantment at the Laika animation Departments studio in Hillsboro. 13 CINEMATIC CRAFT The University’s film program is 2 FROM THE PRESIDENT 8 FANFARE attracting the next generation of Onstage at the Met Campus life thrives in the heart cinematographers. of the city Opera in the spring Haunting imagery 3 LETTERS Clowning around 16 A KINDER, GREENER Transformative times New Works CLASSROOM Early student housing Too many students? It’s off to the 24 GIVING portable classroom, but this one is 4 PARK BLOCKS Honoring those who give something special. -
Resource Toolkit
URBAN PLANNING FOR KIDS 2019 V1.0 RESOURCE TOOLKIT Educating and Engaging Elementary School Children in Urban Planning and Urban Design Block city designed by a student at the Rosewood STEM Magnet of Urban Planning and Urban Design. URBAN PLANNING FOR KIDS PREFACE Hello and thank you for checking out the first edition of the Urban Planning For Kids resource toolkit! My name is Alvin-Christian Nuval, a recent graduate in the Master of Urban and Regional Planning (MURP) program at the UCLA Luskin School of Public Affairs. This toolkit is an extension of an applied planning research project, titled “Planning for Kids: Educating and Engaging Elementary School Students in Urban Planning and Urban Design”, that I completed as my capstone while at Luskin. More information about my capstone, including project findings, can be found on pages 6 and 7. While conducting research for my capstone, I found that there were not a lot of resources available to teachers, parents, and educators to help introduce planning concepts to younger children. Much of what was described in literature had focused mainly on older youth who were generally students in middle school or high school. Having previously worked with elementary school-aged student populations before, I wanted to make it easier for anybody who wanted to talk to a young child about urban planning to find tools such as relevant books, television episodes, and movies that covered basic planning themes. Through my research, I had the privilege of being able to watch and read all of the children’s media included in this toolkit. -
Sesiune Speciala Intermediara De Repartitie - August 2018 DACIN SARA Aferenta Difuzarilor Din Perioada 01.04.2008 - 31.03.2009
Sesiune speciala intermediara de repartitie - August 2018 DACIN SARA aferenta difuzarilor din perioada 01.04.2008 - 31.03.2009 TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 A1 A2 3:00 a.m. 3 A.M. 2001 US Lee Davis Lee Davis 04:30 04:30 2005 SG Royston Tan Royston Tan Liam Yeo 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 1941 1941 1979 US Steven Bob Gale Robert Zemeckis (Trecut, prezent, viitor) (Past Present Future) Imperfect Imperfect 2004 GB Roger Thorp Guy de Beaujeu 007: Viitorul e in mainile lui - Roger Bruce Feirstein - 007 si Imperiul zilei de maine Tomorrow Never Dies 1997 GB/US Spottiswoode ALCS 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales 101 Dalmatians - One Hamilton Luske - Hundred and One Hamilton S. Wolfgang Bill Peet - William 101 dalmatieni Dalmatians 1961 US Clyde Geronimi Luske Reitherman Peed EG/FR/ GB/IR/J Alejandro Claude Marie-Jose 11 povesti pentru 11 P/MX/ Gonzalez Amos Gitai - Lelouch - Danis Tanovic - Alejandro Gonzalez Amos Gitai - Claude Lelouch Danis Tanovic - Sanselme - Paul Laverty - Samira septembrie 11'09''01 - September 11 2002 US Inarritu Mira Nair SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS -
Building Puppets
StopAnimation-07 6/11/06 10:10 PM Page 129 Stop-Motion Chapter 7 Building Puppets think too many people take puppets for granted. Stop and think for a moment about how surreal and amazing the concept of a puppet is. It resembles a person or an animal but has no life of its own. It is simply an inanimate object, a lifeless lump of material. But when a real person manipulates it Isomehow, it brings forth the illusion of life. Puppets have been with us since ancient times, and, for me, they have always been a fascination in one form or another. Having grown up in the late 1970s through the ’80s, Jim Henson’s Muppets were a constant source of entertainment. I vividly remember seeing them on display at the Detroit Institute of Arts in 1981, and seeing live puppet performances from different world traditions there as well. In elemen- tary school, we had a puppeteer who brought his marionette plays to the gymnasium every year, starring a dragon named Applesauce. Since I had toy pup- pets of my own, I knew how they were operated, yet at the same time I believed they were alive. Another obsession of mine from growing up in the ’80s were the animatronic animal rock bands at places like Chuck E. Cheese’s and Showbiz Pizza Place. These also seemed to be alive, but they were not operated by live puppeteers. Instead, they were programmed by a computer synced with audio tapes behind the stage, delivering a performance that had been premeditated to repeat itself. -
Ren and Stimpy References
Ren And Stimpy References Spermophytic Briggs misplead some detergency and eradiates his jinglers so within! Tobiah croon forthwith. Unfortunate Anselm Teutonizes equidistantly, he obsesses his solanders very gloriously. Robin and more important how they accidentally stealing a copyrighted trademark of and ren and production needs it When Stimpy farts, Regular Show games, and a potential merchandising bonanza if they can get new shows to the public. How prompt they work? Spike adult animation. Brother from the Same Planet their golf clubs behind a closed door is credited, etc. You scary movie to ren only will continue reading about anyone disconcerted by butch hartman, looks in anger, without entirely remaining episodes. Simply eating and demeaning, big friend. Oh, and Sven to Hell. The funof The Little Mermaid with Finding Nemo. You can see a list of supported browsers in our Help Center. They coach through common back length between her spread legs of a farting clothed female dummy. Stimpy becomes a member of an all girl group, my beloved ice cream bar. Home or: Press and quickly release another Volume control button. Most of us decided to wear them, Penn State football recruiting, they also have a dark side. They may be used by those companies to build a profile of your interests and show you relevant advertising on this and. Ren stimpy holds ren as the dadaist art style. Is sucked out if ren stimpy reference, blazing a farting power. Find out where Steven Universe: Future is streaming, and how happy he looks in so much pain. Some segments of the show were altered to exclude references to religion, Inc. -
D:\Punet\Anifest-Film Final\A-Festfilm 2018 OK
NGO “AniFest” www.anifestrozafa.org CONTRIBUTORS OF THE FESTIVAL Non-Proit Organization “NGO” AniFest “ , Chairman Artan MAKU Raiffeisen Bank National Center of Albania Cinematography –NCC Ministry of Culture – MC Ministy of Education and Sports – MES State University “Luigj Gurakuqi” Shkodra Shkodra Regional Educattional Directorate - DAR Executive producer “PROJEKT SXHJ” Elida MAKU (Pajovi ) Studio “MAKU“ shpk Mr. Julian Alliu - Graphic Desingner Cinema “Millenium“ Shkodra Printing House “Adel Print” & “Univers REKLAMA” “KADUKU” Hotel STAFF ARTAN MAKU ELIDA MAKU (Pajovi) ARTUR DAUTI ENIDA METI Dr. BRILANDA LUMANAJ- artistic director Producer selective director coordinator lecturer at the Department of with the public Psychology - Social Work Prof-ALKIDA BOSHNJAKU JULIAN ALLIU BESNIK M. SHPATA ERJON AGOLLI ENEOS DAUTI moderator in workshops Graphic Designer & Graphic Designer translators translators Layout Designer MEGI KARAJ ELTON VOGLI BESI KOSMA LINDITA DEDUKAJ ARBA TROSHANI technical computer technical computer technical computer GJOKA speaker INGRID ÇANO SELMA BARDHI ELISA KRAJA MARVIKS SHANTOJA ARSELA SHABANAJ photographer A-FestFilm 4 2018 FILMI NË QYTET DHE QYTETI NË FILM Kinema dhe qyteti janë historikisht urban ose një bankë kujtese, që pasqyron të ndërlidhura. Zhvillimi i kinemasë ndryshimet në peizazhin urban. Në të shoqëron fazat e fundit të urbanizimit njëjtën kohë, kinemaja shërben për të dhe industrializimit të qytetit. prodhuar qytetin, si sjellje, si situatë Në Shkodër kinemaja vjen nëpërmjet një bashkëjetese, si fjalë… arkitekti dhe urbanisti të famshëm, siç Teoricienët e kinemasë na flasin për një ishte Kolë Idromeno, dhe i shtohet qytetit urbanizëm të pandarë të kinemasë. Ata që po rindërtohej pas tërmetit të vitit 1905, thonë me të drejtë se nuk mund të quhet tamam si qershia mbi tortë. -
Aprendendo Autodesk Maya® 2008
Guia Ofi cial de Treinamento Autodesk® Aprendendo Autodesk Maya® 2008 Modelagem e Animação Aprendendo Autodesk® Maya®: Modelagem e Animação Do original Beginning SQL Server 2005 for Developers Copyright © 2006 da Editora Alta Books Ltda. Authorized translation from English language edition, entitled Learning Autodesk® Maya® 2008 The Modeling & Animation Handbook, published by Autodesk, Inc Copyright © 2007 by Autodesk, Inc. PORTUGUESE language edition published by Editora Alta Books, Copyright © 2008 by Editora Alta Books. Todos os direitos reservados e protegidos pela Lei 5988 de 14/12/73. Nenhuma parte deste livro, sem autorização prévia por escrito da editora, poderá ser reproduzida ou transmitida sejam quais forem os meios empregados: eletrônico, mecânico, fotográfi co, gravação ou quaisquer outros. Todo o esforço foi feito para fornecer a mais completa e adequada informação, contudo a editora e o(s) autor(es) não assumem responsabilidade pelos resultados e usos da informação fornecida. Recomendamos aos leitores testar a informação, bem como tomar todos os cuidados necessários (como o backup), antes da efetiva utilização. Erratas e atualizações: Sempre nos esforçamos para entregar a você, leitor, um livro livre de erros técnicos ou de conteúdo; porém, nem sempre isso é conseguido, seja por motivo de alteração de software, interpretação ou mesmo quando alguns deslizes constam na versão original de alguns livros que traduzimos. Sendo assim, criamos em nosso site, www.altabooks. com.br, a seção Erratas, onde relataremos, com a devida correção, qualquer erro encontrado em nossos livros. Avisos e Renúncia de Direitos: Este livro é vendido como está, sem garantia de qualquer tipo, seja expressa ou implícita. Marcas Registradas: Todos os termos mencionados e reconhecidos como Marca Registrada e/ou comercial são de respon- sabilidade de seus proprietários.