Winds of Joy - Programs Manual Sydney
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Response to Research Design
ARCHAEOLOGICAL INVESTIGATION CONSERVATORIUM SITE MACQUARIE STREET, SYDNEY VOLUME 2 : RESPONSE TO RESEARCH DESIGN for NSW DEPARTMENT OF PUBLIC WORKS & SERVICES JULY 2002 CASEY & LOWE Pty Ltd Archaeology & Heritage _________________________________________________________________ 420 Marrickville Road, Marrickville NSW 2204 Tel: (02) 9568 5375 • Fax: (02) 9572 8409 • E-mail: [email protected] 1 Chapter 11: Research Design 11.0 Research Design The Meaning of the Archaeological Evidence The detailed interpretation of the archaeological evidence is found in the following chapters 12 to 16. This is where the research significance of the archaeology is explored and revealed, giving its meaning within a theoretical and social context. The main research questions that the archaeological evidence allows us to address are:1 1. Pre-European environment (Chapter 12) Evidence pertaining to the topography, geomorphology, vegetation etc. of this site prior to colonisation may contribute to research in the environmental history of the Sydney region, Aboriginal land management practices, historical ecology etc. 2. Remaking the landscape (Chapter 13) The Conservatorium site is located within one of the most significant historic and symbolic landscapes created by European settlers in Australia. The area is located between the sites of the original and replacement Government Houses, on a prominent ridge. While the utility of this ridge was first exploited by a group of windmills, utilitarian purposes soon became secondary to the Macquaries’ grandiose vision for Sydney and the Governor’s Domain in particular. The later creations of the Botanic Gardens, The Garden Palace and the Conservatorium itself, re-used, re-interpreted and created new vistas, paths and plantings to reflect the growing urban and economic importance of Sydney within the context of the British empire. -
Some Aspects of Defence in the Eighteen Fifties in New South Wales
SOME ASPECTS OF DEFENCE IN THE EIGHTEEN FIFTIES IN NEW SOUTH WALES By DUNCAN MACCALLUM THIS paper is confined to some of the political aspects of Colonial and Imperial defence, and does not discuss technical strategy; nor are even the political aspects of naval defence discussed. The paper suggests that the activity of Sir William Denison in New South Wales, coming after the attempts by Earl Grey to reduce Imperial military expenditure, and the activity of John Robert Godley in the War Office, and of his friends, were important factors in the ending of the British garrison system in colonies which had achieved some measure of responsible government. The views of all three men took account of the growth of the Australian colonies, and those of Grey and Godley were part of separate strands of thought which formed a pattern of opinion in favour of reducing British military expenditure. Trends and events elsewhere in the Empire were observed and influenced opinion. In fact, New South Wales and Victoria were less obviously open to criticisms of their military contribution than were the more complicated societies of South Africa and New Zealand. The eighteen fifties and eighteen sixties in the Australasian group generally saw the occasional war scares, such as the Crimean War, the fear of the French, and the American scares of 1859 and 1861, the Polish scare of 1864. The colonies, aware of their growing pastoral wealth and gold, developed some transitory interest in building fortification and in having available some military forces with which to man them. More significantly the period also saw the culmination of the attempts to relieve British military pressure and to lessen the dispersion of garrisons abroad. -
Kirribilli House Bathing Pool and Early Harbourside Pools in Sydney
THE AUSTRALIAN SOCIETY FOR HISTORICAL ARCHAEOLOGY INCORPORATED RESEARCH BULLETIN Registered for posting as a Box J20 HoI•• BuildlnC publication Catagory B NBG8545. Unl.eratt7 or B7dne7 2006 ISSN 0819-4076. Telephone (02) 6i2 2163 Winter, 1987 Number 2 KIRRIBILLI HOUSE BATHING POOL AND EARLY HARBOURS IDE POOLS IN SYDNEY :A BRIEF SURVEY Grace Karskens Introduction I was commissioned in 1986 to assess the cultural signifi cance of the stone harbourside pool at Kirribilli House, Kirribilli, N.S.W .• The pool was presumably built by merchant Adolph Feez, of Rabonne Feez and Co., who purchased a portion of the adjoining Wotonga (now Admiralty House) in 1854, and built the twin gabled house on it in ~he following year. To make this assessment it was necessary first to ascertain the popularity of recreational bathing' during the 1850s, and hence the likely number of private bathing pools built; and second to determine the present-day survival of such pools. Historical Outline A brief overview of the history of nineteenth-century bathing indicates four stages in the growth of this past-timers popularity: Stage 1: During the early period (1788-c1820) bathing for recreation occurred informally - convicts and ordinary settlers bathed in the sea and the rivers. Stage 2: From c1825-1850 bathing for ordinary people was formalised by the establishment of pUblic baths in the Domain in Woolloomooloo Bay by order of Governor Darling in 1829. 2. Bathers also swam in Darling Harbour. By 1853 the Surveyor General's map of Sydney Harbour shows four public baths in Woolloomooloo Bay, as well as the Governor's Bath House (see M.L. -
From Track to Tarmac
Federation Faces and Introduction A guided walk around the streets and laneways Places of North Sydney focusing on our Federation connections, including the former residences of A walking tour of Federation Sir Joseph Palmer Abbott, Sir Edmund Barton faces and places in North and Dugald Thomson. Along the walk, view the Sydney changes in the North Sydney landscape since th Federation and the turn of the 20 century. Distance: 6 Km Approximate time: 4 hours At the turn of the year 1900 to 1901 the city of Grading: medium to high Sydney went mad with joy. For a few days hope ran so high that poets and prophets declared Australia to be on the threshold of a golden age… from early morning on the first of January 1901 trams, trains and ferry boats carried thousands of people into the city for the greatest day of their history: the inauguration of the Commonwealth of Australia. It was to be a people‟s festival. Manning Clark, Historian It was also a people‟s movement and 1901 was the culmination of many years of discussions, community activism, heated public debates, vibrant speeches and consolidated actions. In 1890 the Australasian Federal Conference was held in Melbourne and the following year in Sydney. In 1893 a meeting of the various federation groups, including the Australian Native Association was held at Corowa. A plan was developed for the election of delegates to a convention. In the mid to late 1890s it was very much a peoples‟ movement gathering groundswell support. In 1896 a People‟s Convention with 220 delegates and invited guests from all of the colonies took place at Bathurst - an important link in the Federation chain. -
2015 Anne Summers Issue 11 2015
Number 11 February 2015 America’s Lesbian-in-Chief Guide to Oz crime fiction Harlem redux Special Report Australia’s think tanks Sane Factual Relevant General Morrison’s revelation “This was not the Army that I loved and thought I knew.” #11 February 2015 I HOPE YOU ENJOY our first issue for 2015, and our eleventh since we started our digital voyage just over two years ago. We introduce Explore, a new section dealing with ideas, science, social issues and movements, and travel, a topic many of you said, via our readers’ survey late last year, you wanted us to cover. (Read the full results of the survey on page 85.) I am so pleased to be able to welcome to our pages the exceptional mrandmrsamos, the husband-and-wife team of writer Lee Tulloch and photographer Tony Amos, whose piece on the Harlem revival is just a taste of the treats that lie ahead. No ordinary travel writing, I can assure you. Anne Summers We are very proud to publish our first investigative special EDITOR & PUBLISHER report on Australia’s think tanks. Who are they? Who runs them? Who funds them? How accountable are they and how Stephen Clark much influence do they really have? In this landmark piece ART DIRECTOR of reporting, Robert Milliken uncovers how thinks tanks are Foong Ling Kong increasingly setting the agenda for the government. MANAGING EDITOR In other reports, you will meet Merryn Johns, the Australian woman making a splash as a magazine editor Wendy Farley in New York and who happens to be known as America’s Get Anne Summers DESIGNER Lesbian-in-Chief. -
Sydney Opera House (SOH) – Attended Construction Noise Measurements – 27Th November 2020
Sydney Opera House (SOH) – Attended Construction Noise Measurements – 27th November 2020 Sydney Opera House Bennelong Point Report Reference: 20164 Sydney Opera House – Attended Construction Noise Measurements – 2020-11-27 - Revision 1 8 December 2020 Project Number: 20164 Version: Revision 1 Sydney Opera House 8 December 2020 Bennelong Point Revision 1 Sydney Opera House (SOH) – Attended Construction Noise Measurements – 27th November 2020 PREPARED BY: Pulse Acoustic Consultancy Pty Ltd ABN 61 614 634 525 Level 5, 73 Walker Street, North Sydney, 2060 Alex Danon Mob: +61 452 578 573 E: [email protected] www.pulseacoustics.com.au This report has been prepared by Pulse Acoustic Consultancy Pty Ltd with all reasonable skill, care and diligence, and taking account of the timescale and resources allocated to it by agreement with the Client. Information reported herein is based on the interpretation of data collected, which has been accepted in good faith as being accurate and valid. This report is for the exclusive use of Sydney Opera House No warranties or guarantees are expressed or should be inferred by any third parties. This report may not be relied upon by other parties without written consent from Pulse Acoustic. Pulse Acoustic disclaims any responsibility to the Client and others in respect of any matters outside the agreed scope of the work. DOCUMENT CONTROL Reference Status Date Prepared Checked Authorised 20164 Sydney Opera House – Attended Construction Final 8th December Alex Danon Alex Danon Matthew Harrison Noise Measurements – 2020-11-27 - Revision 1 2020 Pulse Acoustic Consultancy Pty Ltd Page 2 of 21 Sydney Opera House 8 December 2020 Bennelong Point Revision 1 TABLE OF CONTENTS 1 INTRODUCTION ........................................................................................................................... -
Official Hansard No
COMMONWEALTH OF AUSTRALIA PARLIAMENTARY DEBATES SENATE Official Hansard No. 15, 2002 MONDAY, 2 DECEMBER 2002 FORTIETH PARLIAMENT FIRST SESSION—THIRD PERIOD BY AUTHORITY OF THE SENATE INTERNET The Journals for the Senate are available at: http://www.aph.gov.au/senate/work/journals/index.htm Proof and Official Hansards for the House of Representatives, the Senate and committee hearings are available at: http://www.aph.gov.au/hansard SITTING DAYS—2002 Month Date February 12, 13, 14 March 11, 12, 13, 14, 19, 20, 21 May 14, 15, 16 June 17, 18, 19, 20, 24, 25, 26, 27 August 19, 20, 21, 22, 26, 27, 28, 29 September 16, 17, 18, 19, 23, 24, 25, 26 October 14, 15, 16, 17, 21, 22, 23, 24 November 11, 12, 13, 14, 15, 18, 19, 20, 21 December 2, 3, 4, 5, 9, 10, 11, 12 RADIO BROADCASTS Broadcasts of proceedings of the Parliament can be heard on the following Parliamentary and News Network radio stations, in the areas identified. CANBERRA 1440 AM SYDNEY 630 AM NEWCASTLE 1458 AM BRISBANE 936 AM MELBOURNE 1026 AM ADELAIDE 972 AM PERTH 585 AM HOBART 729 AM DARWIN 102.5 FM FORTIETH PARLIAMENT FIRST SESSION—THIRD PERIOD Governor-General His Excellency the Right Reverend Dr Peter Hollingworth, Companion of the Order of Australia, Officer of the Order of the British Empire Senate Officeholders President—Senator the Hon. Paul Henry Calvert Deputy President and Chairman of Committees—Senator John Joseph Hogg Temporary Chairmen of Committees—Senators Hon. Nick Bolkus, George Henry Brandis, Hedley Grant Pearson Chapman, John Clifford Cherry, Jacinta Mary Ann Collins, Hon. -
Historians, Tasmania
QUEEN VICTORIA MUSEUM AND ART GALLERY CHS 72 THE VON STIEGLITZ COLLECTION Historians, Tasmania INTRODUCTION THE RECORDS 1.von Stieglitz Family Papers 2.Correspondence 3.Financial Records 4.Typescripts 5.Miscellaneous Records 6.Newspaper Cuttings 7.Historical Documents 8.Historical Files 9.Miscellaneous Items 10.Ephemera 11.Photographs OTHER SOURCES INTRODUCTION Karl Rawdon von Stieglitz was born on 19 August 1893 at Evandale, the son of John Charles and Lillian Brooke Vere (nee Stead) von Stieglitz. The first members of his family to come to Van Diemen’s Land were Frederick Lewis von Stieglitz and two of his brothers who arrived in 1829. Henry Lewis, another brother, and the father of John Charles and grandfather of Karl, arrived the following year. John Charles von Stieglitz, after qualifying as a surveyor in Tasmania, moved to Northern Queensland in 1868, where he worked as a surveyor with the Queensland Government, later acquiring properties near Townsville. In 1883, at Townsville he married Mary Mackenzie, who died in 1883. Later he went to England where he married Lillian Stead in London in 1886. On his return to Tasmania he purchased “Andora”, Evandale: the impressive house on the property was built for him in 1888. He was the MHA for Evandale from 1891 to 1903. Karl von Stieglitz visited England with his father during 1913-1914. After his father’s death in 1916, he took possession of “Andora”. He enlisted in the First World War in 1916, but after nearly a year in the AIF (AMC branch) was unable to proceed overseas due to rheumatic fever. -
Attended Construction Noise Measurements – 25Th June 2021
Sydney Opera House (SOH) – Attended Construction Noise Measurements – 25th June 2021 Sydney Opera House Bennelong Point Report Reference: 20164 Sydney Opera House – Attended Construction Noise Measurements – 2021-06-25 - Revision 1 28 June 2021 Project Number: 20164 Version: Revision 1 Sydney Opera House 28 June 2021 Bennelong Point Revision 1 Sydney Opera House (SOH) – Attended Construction Noise Measurements – 25th June 2021 PREPARED BY: Pulse Acoustic Consultancy Pty Ltd ABN 61 614 634 525 Level 5, 73 Walker Street, North Sydney, 2060 This report has been prepared by Pulse Acoustic Consultancy Pty Ltd with all reasonable skill, care and diligence, and taking account of the timescale and resources allocated to it by agreement with the Client. Information reported herein is based on the interpretation of data collected, which has been accepted in good faith as being accurate and valid. This report is for the exclusive use of Sydney Opera House No warranties or guarantees are expressed or should be inferred by any third parties. This report may not be relied upon by other parties without written consent from Pulse Acoustic. Pulse Acoustic disclaims any responsibility to the Client and others in respect of any matters outside the agreed scope of the work. DOCUMENT CONTROL Reference Status Date Prepared Checked Authorised 20164 Sydney Opera House – Attended Construction Final 28th June 2021 Douglass Alex Danon Matthew Harrison Noise Measurements – 2021-06-25 - Revision 1 Harrison Pulse Acoustic Consultancy Pty Ltd Page 2 of 16 Sydney Opera House 28 June 2021 Bennelong Point Revision 1 TABLE OF CONTENTS 1 INTRODUCTION ............................................................................................................................ 4 2 SITE DESCRIPTION ..................................................................................................................... -
Attended Construction Noise Measurements – 2Nd February 2021
Sydney Opera House (SOH) – Attended Construction Noise Measurements – 2nd February 2021 Sydney Opera House Bennelong Point Report Reference: 20164 Sydney Opera House – Attended Construction Noise Measurements – 2021-02-02 - Revision 1 11 February 2021 Project Number: 20164 Version: Revision 1 Sydney Opera House 11 February 2021 Bennelong Point Revision 1 Sydney Opera House (SOH) – Attended Construction Noise Measurements – 2nd February 2021 PREPARED BY: Pulse Acoustic Consultancy Pty Ltd ABN 61 614 634 525 Level 5, 73 Walker Street, North Sydney, 2060 Alex Danon Mob: +61 452 578 573 E: [email protected] www.pulseacoustics.com.au This report has been prepared by Pulse Acoustic Consultancy Pty Ltd with all reasonable skill, care and diligence, and taking account of the timescale and resources allocated to it by agreement with the Client. Information reported herein is based on the interpretation of data collected, which has been accepted in good faith as being accurate and valid. This report is for the exclusive use of Sydney Opera House No warranties or guarantees are expressed or should be inferred by any third parties. This report may not be relied upon by other parties without written consent from Pulse Acoustic. Pulse Acoustic disclaims any responsibility to the Client and others in respect of any matters outside the agreed scope of the work. DOCUMENT CONTROL Reference Status Date Prepared Checked Authorised 20164 Sydney Opera House – Attended Construction Final 11th February Alex Danon Matthew Furlong Matthew Harrison Noise Measurements – 2021-02-02 - Revision 1 2021 Pulse Acoustic Consultancy Pty Ltd Page 2 of 21 Sydney Opera House 11 February 2021 Bennelong Point Revision 1 TABLE OF CONTENTS 1 INTRODUCTION ........................................................................................................................... -
Developing the West Head of Sydney Cove
GUNS, MAPS, RATS AND SHIPS Developing the West Head of Sydney Cove Davina Jackson PhD Travellers Club, Geographical Society of NSW 9 September 2018 Eora coastal culture depicted by First Fleet artists. Top: Paintings by the Port Jackson Painter (perhaps Thomas Watling). Bottom: Paintings by Philip Gidley King c1790. Watercolour map of the First Fleet settlement around Sydney Cove, sketched by convict artist Francis Fowkes, 1788 (SLNSW). William Bradley’s map of Sydney Cove, 1788 (SLNSW). ‘Sydney Cove Port Jackson 1788’, watercolour by William Bradley (SLNSW). Sketch of Sydney Cove drawn by Lt. William Dawes (top) using water depth soundings by Capt. John Hunter, 1788. Left: Sketches of Sydney’s first observatory, from William Dawes’s notebooks at Cambridge University Library. Right: Retrospective sketch of the cottage, drawn by Rod Bashford for Robert J. McAfee’s book, Dawes’s Meteorological Journal, 1981. Sydney Cove looking south from Dawes Point, painted by Thomas Watling, published 1794-96 (SLNSW). Looking west across Sydney Cove, engraving by James Heath, 1798. Charles Alexandre Lesueur’s ‘Plan de la ville de Sydney’, and ‘Plan de Port Jackson’, 1802. ‘View of a part of Sydney’, two sketches by Charles Alexandre Lesueur, 1802. Sydney from the north shore (detail), painting by Joseph Lycett, 1817. ‘A view of the cove and part of Sydney, New South Wales, taken from Dawe’s Battery’, sketch by James Wallis, engraving by Walter Preston 1817-18 (SLM). ‘A view of the cove and part of Sydney’ (from Dawes Battery), attributed to Joseph Lycett, 1819-20. Watercolour sketch looking west from Farm Cove (Woolloomooloo) to Fort Macquarie (Opera House site) and Fort Phillip, early 1820s. -
Eastern CBD Cable Project, Sydney Heritage Impact Assessment
Eastern CBD Cable Project, Sydney Heritage Impact Assessment Prepared for Ausgrid October 2018 Document Control Page CLIENT: Ausgrid PROJECT: SYD18168 Eastern CBD Cable Project—Heritage Impact Assessment SITE NAME: Eastern CBD: Wentworth Avenue, College Street and Macquarie Street between Elizabeth Street and Shakespeare Place, Sydney EXTENT HERITAGE PTY LTD INTERNAL REVIEW/SIGN OFF WRITTEN BY DATE VERSION REVIEWED APPROVED Lorna Cooper Peter Douglas Ben Calvert 22 Aug 2018 Draft 22 Aug 2018 Anita Yousif Bridget San Miguel Lorna Cooper 24 Oct 2018 Final Anita Yousif 24 Oct 2018 Copyright and moral rights Historical sources and reference materials used in the preparation of this report are acknowledged and referenced in figure captions or in text citations. Reasonable effort has been made to identify, contact, acknowledge and obtain permission to use material from the relevant copyright owners. Unless otherwise specified in the contract terms for this, project Extent Heritage Pty Ltd: ° vests copyright of all material produced by Extent Heritage Pty Ltd (but excluding pre- existing material and material in which copyright is held by a third party) in the client for this project (and the client’s successors in title) ° retains the use of all material produced by Extent Heritage Pty Ltd for this project, for Extent Heritage Pty Ltd's ongoing business, and for professional presentations, academic papers, or publications. Contents 1. INTRODUCTION ........................................................................................................