Global Entertainment and Media Outlook 2018-2022
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Film Industry in the Russian Federation
THE FILM INDUSTRY IN THE RUSSIAN FEDERATION November 2012 Set up in December 1992, the European Audiovisual Observatory’s mission is to gather and diffuse information on the audiovisual industry in Europe. The Observatory is a Euro pean public service body comprised of 39 member states and the European Union, represented by the European Commission. It operates within the legal framework of the Council of Europe and works alongside a number of partner and professional organisations from within the industry and with a network of correspondents. In addition to contributions to conferences, other major activities are the publication of a Yearbook, newsletters and reports, and the provision of information through the Observatory’s Internet site (http://www.obs.coe.int). The Observatory also makes available four free‑access databases, including LUMIERE on admissions to films released in Europe (http://lumiere.obs.coe.int) and KORDA on public support for film and audiovisual works in Europe (http://korda.obs.coe.int). Nevafilm was founded in 1992 and has a wide range of experience in the film industry. The group has modern sound and dubbing studios in Moscow and St. NEVAFILM Petersburg (Nevafilm Studios); is aleader on the Russian market in cinema design, film and digital cinema equipment supply and installation (Nevafilm Cinemas); became Russia’s first digital cinema laboratory for digital mastering and comprehensive DCP creation (Nevafilm Digital); distributes alternative A REPORT FOR THE content for digital screens (Nevafilm Emotion); has undertaken independent monitoring of the Russian cinema market in the cinema exhibition domain since EUROPEAN AUDIOVISUAL OBSERVATORY 2003, and is a regular partner of international research organizations providing data on the development of the Russian cinema market (Nevafilm Research). -
Culture and Cultural Industries in Russia, 2017–2019
CULTURE AND CULTURAL INDUSTRIES IN RUSSIA, 2017–2019 • Financial metrics of cultural industries • Ratings of the largest organizations of cultural industries in Russia and the world • Basic flow chart for the cultural sector CULTURE AND CULTURAL INDUSTRIES IN RUSSIA, 2017–2019 InterMedia Communications Intellectual Property Council of the Chamber of Commerce and Industry of the Russian Federation CULTURE AND CULTURAL INDUSTRIES IN RUSSIA, 2017–2019 Comprehensive Research Results (5th edition, revised and supplemented) Moscow, 2019 2 1 CULTURE AND CULTURAL INDUSTRIES IN RUSSIA, 2017–2019 Contents 1. Introduction________________________________3 11. Cultural industries in Russia__________________ 23 1. INTRODUCTION 2. The definition of ‘Culture’_____________________ 4 ● Largest of the world’s organizations of the cultural industry in Russia______________________________26 The study of the cultural sector and cultural industries The Group's work started with a comparative analysis of 3. Creative activity and fine arts as the basis of the in the Russian Federation has largely been confined to approaches to assessment of the economy of culture in cultural sector________________________________ 4 12. Financial indicator evaluation techniques of the academic audiences until recently – despite a considerable developed and emerging countries (see fig. 18 'Differences cultural industries_____________________________ 32 amount of authoritative work on this topic having been in approaches to assessment of the economy of culture 4. The Cultural Sector in Russia__________________ 6 done; and, in practice state regulation and statistics still in different countries' on page 41). The key points of ● Financial indicators of cultural industries of Russia in use the terminology and approaches of 1930s and 1940s. the cultural sector were determined and taken into 5. -
Qualitative Evaluation
RECMA RUSSIA MARCH 2015 Domestic report Media Agencies Qualitative Evaluation Russia RECMA report – March 2015 Copyright © 2015 RECMA Reports | All Rights Reserved | Content Cannot Be Reproduced Without Written Permission RECMA SA Paris [email protected] •[email protected] - [email protected] – www.recma.com – March26, 2015 CONTENTS -T0- Structure of the industry in Russia A. THE QUALITATIVE EVALUATION C. MOMENTUM Methodology - T21a/b- Client portfolio values (CPV) at February 2015 (buying billings) Latest Qualitative Evaluation March 2015 - T21Gr- Client portfolio values (CPV) by Group - Key Findings an executive summary - T6a/Short- Industry shares growth as at February 2015 vs. - T100a- Short- Qualitative Evaluation 2011 (overall billings) Profile Assessment based on 18 criteria - T16- New Business Activity 3 years wins and unsuccessful participation (excl. retentions) - T100a- Qualitative Evaluation by Network - T40 - Changes to the top management over 18 months - T100b- Qualitative Evaluation by Group November 2014 - T41- Awards Benchmark – a 2 year comparison - T95a- Benchmark - March 2015 vs. Aug. 2013 D. RESOURCES - T95b- Benchmark – ranking by growth in points - short term - Specialized resources: methodology & process / definitions March 2015 vs. November 2014 - T32b - Digital staff spread Previous Qualitative Evaluations - T32 - Digital Resources & staff including Display and Search (upd Febr 15) - T100a- Qualitative Evaluation Nov. 2014 rest. March 15 - T33b – Diversified Services staff spread - T100a- Qualitative Evaluation Jan. 2014 rest. March 15 - T33 - Diversified Services resources & staff (upd Febr 15) - T34- International coordination (upd Febr15) - T100a- Qualitative Evaluation August 2013 - T8 – Share of non-traditional Activity - T100a- Qualitative Evaluation Dec 2012 - rest. March 13 - T36- Geographical coverage: number of offices - T100a- Qualitative Evaluation Dec 2011 - rest. -
Company Name Website Business Field Presentation Company Desciption Company Products B2B Wishes 1 AGROTECH HUMATE
Company Website Business field Presentation Company desciption Company products B2B wishes name 1 AGROTECH http://humate.ru/ Agricultural https://cloud.mail. Established in the year 1996, we " Humate Baikal Varieties: Humate Baikal Sodium, "Distributors: HUMATE en/ sector (humic ru/public/E6PJ/b AgroTeсh Humate " are the leading Humate Baikal Potassium, Humate Baikal 1.1. Companies, selling fertilizers and crop products, GZi8cfCB/AGRO manufacturer in Russia of a wide range Sodium/Potassium protection agents fertilizers) TECH%20HUMA of organic fertilizers based on natural ✔Reduces plant stress after pesticide treatment 1.2. Companies that provide consulting TE/ humic substances. We offer local ✔Stimulates growth of soil microbiota and therefore services in the field of agriculture for agricultural producers in India our products can be used for decomposition of stubble and crop agricultural producers – HumateBaikalÒPotassium, Humate+7Ò, residue 1.3. Companies, promoting agricultural Humate+7Òfor Grains/Oilseeds, and technologies and organic farming products. ✔Boosts plant immunity against fungi, bacteria and HumelÒLux – have shown excellent 2. Cooperatives and Agricultural Poducers' vermin insects performance both in and outside Russia. Associations that buy fertilizers and crop ✔Improves plant tolerance to droughts and frosts protection agents, organic farming products Humate+7 for the members of the cooperative A humate-based product containing a set of chelated associations. micro- and macronutrients N, P, K, S, Ca, Mg, Na, Si, 3. End users: 3.1. Agricultural producers Fe, Mn, Mo, Co, Zn, B, Cu whose main activity is crop farming, ✔Ensures yield growth up to 35% in areas with cultivation of crops. medium and high agricultural risks and 5–7% in fertile 3.2. -
Russian Film Studios
CISCONTENT:CONTENTRREPORTEPORT C ReviewОбзор of новостей audiovisual рынка content производства production и дистрибуции and distribution аудиовизуального in the CIS countries контента Media«»«МЕДИ ResourcesА РЕСУРСЫ МManagementЕНЕДЖМЕНТ» № 1(9)№7№2 13 27 января,1 April,June, 20122011 тема номераFOCUS DEARслово COLLEAGUESредакции WeУже are в happyпервые to presentдни нового you the года June нам, issue редакof the цCISии AndПервый one moreномер thing Content we’d like Report to remind выходит you. Planningв канун КRИНОТЕАТРАЛЬНЫussian filmЙ Content Report,Report where сразу weстало tried понятно, to gather что the в most 2011 inм- youСтарого business Нового calendar года, for который 2012 do (наконецто)not forget to book за РЫН О К В УКРАИН Е : terestingвсе мы будем up-to-date усердно information и неустанно about трудиться. rapidly devel За- вершаетtime to visit череду the major праздников, event for television поэтому and еще media раз studios: opingнимаясь content подготовкой production первого and выпускаdistribution обзора markets но хотимprofessionals пожелать in the нашиCIS regionм подписчик - KIEV MEDIAам в WEEK2011 ЦИФРОВИЗАЦИ Я КА К ofвостей the CIS рынка region. производства As far as most и аудиовизуальног of the locally proо- году2012 ,найти September свой верный11-14, 2012. путь Organizedи следовать by Mediaему с ducedконтента series в этом and год TVу ,movies мы с радостью are further обнаружили distributed, упорством,Resources Management трудясь не покладая company, руthisк. uniqueУ каждог meо- tОСНОВНОeteЙ R ТРЕНsbuДR g s . P andчто дажеbroadcast в новогодние mainly inside праздники the CIS р аterritories,бота во мн weо свояdia industry дорога, project, но цель one уand нас only одн ofа a– kind развивать in the CIS и РАЗВИТИandЯ (25) pickedгих продакшнах up the most идет interesting полным хо andдом, original а дальше, projects как улучшатьand Central отечественный and Eastern Europe рынок. -
Bric Report Brazil Russia India China
BRIC REPORT BRAZIL RUSSIA INDIA CHINA Summary of key film/TV information per country Current status on importation of existing Nordic productions Recommendations on potential sales & promotional initiatives by Annika Pham, October 2012 2 BRIC REPORT BRIC REPORT CONTENTS PAGE 1 Introduction 5 2 Executive Summary 6 2.1 Challenges 2.2 Opportunities 2.3 Key Industry Recommendations 3 BRIC territory profiles 10 3.1 Brazil 3.2 Russia 3.3 India 3.4 China 4 Key Film Festivals in BRIC Territories 25 5 Promotion of Nordic Films and Talent in BRIC Territories 28 6 The Unifrance Approach 30 7 Acknowledgements 32 BRIC REPORT 3 4 BRIC REPORT 1 Introduction The emerging ‘BRIC’ nations of Brazil, Russia, India and China with their combined population of 2.9 billion people (approximately 40% of the global demographics), their geographical sizes and fast-growing economies hold a formidable potential for Nordic film and television exporters. China and Brazil are currently the second and sixth largest economies in the world and are set to keep their positions by the year 2020. Russia and India - currently number 9 and 10 respectively - are expected to become the fourth and fifth biggest economies by 2020, according to the Centre for Economics and Business Research (Source: CEBR, December 2011). In the global film and media industries, professionals are carefully monitoring the rapid socio-economic and cultural developments in these emerging markets where rising middle classes keen to spend their money on filmed entertainment and stimulated by a wider access of content on digital platforms and cinemas are a vast new audience on which to tap. -
The Film Distribution Market in Russia
THE FILM DISTRIBUTION MARKET IN RUSSIA Research group: Xenia Leontieva, Senior Analyst at Nevafilm Research. Analysts at Nevafilm Research: Eleonora Kolyenen-Ivanova Valeria Boyko Svetlana Mudrova Anton Makarov Translation: Eclectic Translations http://eclectictranslations.co.uk Nevafilm Nevafilm Group was founded in 1992 and boasts a wide range of expertise in the film industry. Nevafilm Studios has sophisticated sound and dubbing studios in Moscow and St. Petersburg. Nevafilm Cinemas has become a leader on the Russian market in cinema design, film and digital cinema equipment supply and installation. Nevafilm Digital was Russia’s first digital cinema laboratory for digital mastering and comprehensive DCP creation. Nevafilm Emotion distributes alternative content for digital screens. Nevafilm Research has undertaken independent monitoring of the Russian cinema market in the cinema exhibition domain since 2003, and is a regular partner of international research organizations providing data on the development of the Russian cinema market. 33-2B Korablestroiteley Street, St. Petersburg, 199397, Russia Tel.: +7 812 449 70 70, Fax: +7 812 352 69 69 E-mail: [email protected] http://www.nevafilm.ru http://www.digitalcinema.ru This report was prepared by Nevafilm Research strictly for informational purposes. The information contained in this report was obtained from sources that Nevafilm Research considers reliable. However, Nevafilm Research does not guarantee the accuracy nor the completeness of the information presented here for any purposes. The information contained in this report should not be presented to clients as information directly or indirectly recommending investment. All opinions and appraisals contained in this survey represent the opinions of the authors at the time of publication and can change without warning. -
The Film Industry in the Russian Federation
THE FILM INDUSTRY IN THE RUSSIAN FEDERATION A report for the European Audiovisual Observatory by Nevafilm with contributions from RFilms, Groteck September 2010 The Film Industry in the Russian Federation Research by Nevafilm, with the collaboration of RFilms (Invest Collegium) for the European Audiovisual Observatory. Director of Publication: Wolfgang Closs, Executive Director of the European Audiovisual Observatory Supervising Editor: André Lange (European Audiovisual Observatory) Study carried out by: Oleg Berezin, Xenia Leontyeva, Svetlana Mudrova, Eleonora Kolyenen-Ivanova (Nevafilm Research); Konstantin Nafikov, Anastasia Tchudakova, Anastasia Bitkova, Tatiana Beliaeva (RFilms); Aleksander Vlasov, Anna Zavarzina, Daria Minakova (Groteck); with the participation of Alexei Sokhnev (Ministry of Culture, RF) Chief Editor: Xenia Leontyeva (Nevafilm Research) Translation, editing and proofreading of the English text: Eclectic Translations, [email protected] Publisher: European Audiovisual Observatory 76 Allee de la Robertsau – F – 67000 Strasbourg, France Tel.: +33(0)3 90 21 60 00, Fax: +33(0)3 90 21 60 19 E-mail: [email protected] URL: http://www.obs.coe.int Research Companies: Nevafilm 33-2B Korablestroiteley Street, St. Petersburg, 199397, Russia Phone: +7 812 449 70 70, Fax: +7 812 352 69 69 “Tsvetnoy, 30” Business Center, office 307, bld.1 30, Tsvetnoy Boulevard, 127051, Moscow, Russian Federation Phone / Fax: +7 495 694 2615 E-mail: [email protected] Web: http://www.nevafilm.ru http://www.digitalcinema.ru RFilms (Invest Collegium) Kalashny pereulok 14, Moscow, 125009, Russia Phone / Fax: +7 495 690 37 06 E-mail: [email protected] Web: http://www.rfilms.org Groteck 30 3-ya Magistralnaya st., Moscow, 123007. Russia Phone / Fax: +7 495 609-32-31 E-mail: [email protected] Web: http://www.groteck.ru The analyses presented in these articles are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members or of the Council of Europe. -
The Film Industry in the Federation of Russia
THE FILM INDUSTRY IN THE FEDERATION OF RUSSIA A report for the European Audiovisual Observatory by Nevafilm with contributions from RFilms November 2009 The Film Industry in the Federation of Russia Research by Nevafilm, with the collaboration of RFilms (Invest Collegium) for the European Audiovisual Observatory. Director of Publication: Wolfgang Closs, Executive Director of the European Audiovisual Observatory. Supervising Editor: André Lange (European Audiovisual Observatory). Study carried out by: Oleg Berezin, Xenia Leontyeva, Svetlana Mudrova (Nevafilm Research); Konstantin Nafikov, Anastasia Tchudakova, Anastasia Bitkova (RFilms); with the participation of Alexei Sokhnev (Ministry of Culture, RF). Chief Editor: Xenia Leontyeva (Nevafilm Research). Translation: Michael Prokofiev. Editing and proofreading of the English text: Eclectic Translations and Susan Newman-Baudais (European Audiovisual Observatory) Publisher: European Audiovisual Observatory 76 Allee de la Robertsau – F – 67000 Strasbourg, France Tel.: +33(0)3 90 21 60 00, Fax: +33(0)3 90 21 60 19 E-mail: [email protected] URL: http://www.obs.coe.int Research Companies: Nevafilm JSC 33-2B Korablestroiteley Street, St. Petersburg, 199397, Federation of Russia Phone: +7 812 449 70 70, Fax: +7 812 352 69 69 “Tsvetnoy, 30” Business Center, office 307, bld.1 30, Tsvetnoy Boulevard, 127051, Moscow, Federation of Russia Phone / Fax: +7 495 694 2615 E-mail: [email protected] Web: http://www.nevafilm.ru http://www.digitalcinema.ru RFilms (Invest Collegium Ltd) Kalashny pereulok 14, Moscow, 125009, Russia Phone / Fax: +7 495 690 37 06 E-mail: [email protected] Web: http://www.rfilms.org The analyses presented in these articles are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members or of the Council of Europe.