Danza: Addio All'étoile Carla Fracci
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The Ajkun Ballet Theatre Artists
THE AJKUN BALLET THEATRE ARTISTS LUIGI MARTELLETTA - Ballet Master Mr. Martelletta is the Artistic Director of the National Ballet Company of Rome, a leadership he shares with Raffaele Paganini, where he first met Dr. Chiara Ajkun in the capacity of guest ballet mistress and choreographer in residence. Luigi’s leadership is extended to the role of producer for Almatanz, a production and presenting company that tours ballet and modern dance performances throughout Europe, with main distribution in the major theaters of Italy, Germany, France, Spain and Russia since 1992, e.g. Spoleto Festival dei due mondi, Versiliana Festival, Terme di Caracalla. Almatanz has often engaged the Artists of the Ajkun Ballet Theatre, to include Dr. Chiara Ajkun, for his performing tours. As a choreographer, Luigi has created original ballets for the Teatro dell’ Opera di Roma, Opera House del Cairo, Macedonia National Balletto, among others. Luigi Martelletta’s performing career was entirerly dedicated to the company of the Teatro dell’Opera di Roma where, as principal dancer, he shared the stage with dancers of the likes of Roberto Bolle, Alessandra Ferri, Ethan Stiefel, Rudolf Nureyev, Carla Fracci, Vladimir Vassiliev, Ekaterina Maximova, Fernando Bujones, Maja Plisseskaja, Eva Edmokimova. Luigi performed repertory ballets and creations by Rolan Petit, Leonide Massine, and Ben Stevenson and was formally educated at the Ballet School of the Teatro dell’Opera di Roma. The Ajkun Ballet Theatre Company, The Ajkun Ballet Theatre Organization and its authorized Agents exclusively represent all AjkunBT Artists, worldwide. Their name, photos, videos and likeness are copyrighted and require written consent from The Ajkun Ballet Theatre’s Press and Communication Division for any use. -
A Talented Boy Called Roberto
ITALY A talented boy called Roberto Alessandro Gandolfi Vercelli Dance Academy, pupils listen during a lesson. Vercelli is a small town in Italy with a ballet academy that discovered the international star Roberto Bolle The most talented ballet dancers often come from the provinces. And, in the case of Italy, schools (there are more than 20,000) are genuine incubators for talent. They introduce children to music and rhythm, teaching them classical techniques and nudging the best – at the ages of 11 and 12 – towards the most prestigious academies. This is precisely what happened to Roberto Bolle, who went on to become the primo ballerino, or first dancer, at Milan’s La Scala in 1996, at the age of 20. Since then he has had leading roles with the Royal Ballet in London and has been the Principal Dancer with the American Ballet Theatre in New York, in addition to performing with the Bolshoi Theatre in Moscow and numerous other companies around the world. He is an international star and a UNICEF goodwill ambassador. And yet the seeds of this glorious career were sown in a small provincial town in Northern Italy in the 1980s when Roberto was still a child. The name of the town is Vercelli and it was here that a young Spanish ballerina, Pilar Sampietro, moved after falling in love with an Italian. She set up a ballet academy where her pupils included Roberto. Sadly, Pilar is no longer with us, having passed away in 2015, but the Vercelli Dance Academy lives on and it continues to produce talented youngsters. -
How Cuba Produces Some of the Best Ballet Dancers in the World by Noël Duan December 14, 2015 9:01 PM
http://news.yahoo.com/how-cuba-produces-some-of-the-best-ballet-dancers-020100947.html How Cuba Produces Some of the Best Ballet Dancers in the World By Noël Duan December 14, 2015 9:01 PM Recent graduates of the Ballet Nacional de Cuba School performing at the National Theater of Cuba in Havana in February 2015. (Photo: Getty Images) This story is part of a weeklong Yahoo series marking one year since the opening of relations between the United States and Cuba. Cuba is well known for many forms of dance, from the mambo and the tango to salsa, the cha- cha and the rumba. But only ballet enthusiasts know that the dance form is one of the country’s biggest cultural exports. In Cuba, ballet is just as popular as baseball, a sport where players from the Cuban national team regularly defect to the major leagues in the United States. Unlike in the United States, where ballet is generally considered highbrow art and Misty Copeland is the only ballerina with a household name, the Cuban government funds ballet training and subsidizes tickets to ballet performances. “Taxi drivers know who the principal dancers are,” Lester Tomé, a dance professor at Smith College and former dance critic in Cuba and Chile, tells Yahoo Beauty. Like Cuban baseball players, Cuban ballet dancers have made international marks around the world, from Xiomara Reyes, the recently retired principal dancer at New York City’s American Ballet Theatre to London’s English National Ballet ballet master Loipa Araújo, regarded as one of the “four jewels of Cuban ballet.” In September 2005, Erika Kinetz wrote in the New York Times that “training, especially Cuban training, has been a key driver of the Latinization of ballet,” an important note, considering that European ballet companies dominated the dance world for decades. -
Premieres on the Cover People
PDL_REGISTRATION_210x297_2017_Mise en page 1 01.06.17 10:52 Page1 Premieres 18 Bertaud, Valastro, Bouché, BE PART OF Paul FRANÇOIS FARGUE weighs up four new THIS UNIQUE ballets by four Paris Opera dancers EXPERIENCE! 22 The Boy in the Striped Pyjamas MIKE DIXON considers Daniel de Andrade's take on John Boyne's wartime novel 34 Swan Lake DEBORAH WEISS on Krzysztof Pastor's new production that marries a slice of history with Reece Clarke. Photo: Emma Kauldhar the traditional story P RIX 38 Ballet of Difference On the Cover ALISON KENT appraises Richard Siegal's new 56 venture and catches other highlights at Dance INTERNATIONAL BALLET COMPETITION 2017 in Munich 10 Ashton JAN. 28 TH – FEB. 4TH, 2018 AMANDA JENNINGS reviews The Royal DE Ballet's last programme in London this Whipped Cream 42 season AMANDA JENNINGS savours the New York premiere of ABT's sweet confection People L A U S ANNE 58 Dangerous Liaisons ROBERT PENMAN reviews Cathy Marston's 16 Zenaida's Farewell new ballet in Copenhagen MIKE DIXON catches the live relay from the Royal Opera House 66 Odessa/The Decalogue TRINA MANNINO considers world premieres 28 Reece Clarke by Alexei Ratmansky and Justin Peck EMMA KAULDHAR meets up with The Royal Ballet’s Scottish first artist dancing 70 Preljocaj & Pite principal roles MIKE DIXON appraises Scottish Ballet's bill at Sadler's Wells 49 Bethany Kingsley-Garner GERARD DAVIS catches up with the Consort and Dream in Oakland 84 Scottish Ballet principal dancer CARLA ESCODA catches a world premiere and Graham Lustig’s take on the Bard’s play 69 Obituary Sergei Vikharev remembered 6 ENTRE NOUS Passing on the Flame: 83 AUDITIONS AND JOBS 78 Luca Masala 101 WHAT’S ON AMANDA JENNINGS meets the REGISTRATION DEADLINE contents 106 PEOPLE PAGE director of Academie de Danse Princesse Grace in Monaco Front cover: The Royal Ballet - Zenaida Yanowsky and Roberto Bolle in Ashton's Marguerite and Armand. -
English.Pages
KRISTIAN CELLINI BIOGRAPHY Born in Chieti (Italy), Kristian Cellini creator and artistic director of "Peccioli in Danza" (Tuscany-Italy), is now an established freelance teacher and choreographer. In 1989, Kristian Cellini graduated as a classical and modern dancer and began his 20-year career working as principal dancer with Carla Fracci and George Iancu in "Five Events of Medea" and "Romeo and Juliet", with Vladimir Derevjanko, Luciana Savignano, Daniel Ezralow, Micha Van Hoecke, Renato Greco. During this time, Kristian has been invited as guest dancer and as choreographer in the most important TV shows in Italy and abroad, as well as in Istanbul for the Turkish Television "Canal D”. He received multiple awards as a dancer:"Premio Paride” (1993) and "Ballerino d’Argento"(2004) Equipped with a suggestive choreographic talent, he develops his style by putting into practice all his professional experiences in different artistic fields and developing a personal choreographic idea that combines technical language, expressive musical language and the personality of each dancer, taking care of the choreographic direction in all its aspects. In 2014 he received awards as a choreographer "Aurel Milloss" and "Napoli Cultural Classic" for choreographic talent with the following motivation "Choreographer and teacher of recognized artistic depth. Innovative in language, thanks to his bursting creative energy and on the basis of a consolidated technique and effective musical choices, creates masterly interpretations. Among the latest most important choreographic creations "La Mietitura" (2018) for Laura Rosillo Ramirez of HET and Casey L.Herd, while at the Teatro San Carlo in Naples in honor of the "Gala Nureyev", Giuseppe Picone and Candida Sorrentino danced his pas de deux "Albinoni". -
8 Giugno 2007 «Così, Perfetto, Lasciati Andare, Danza Col Cuore. Sei Così Bello, Bellissimo, Dai Libertà Alle Tue Emozioni!
8 giugno 2007 «Così, perfetto, lasciati andare, danza col cuore. Sei così bello, bellissimo, dai libertà alle tue emozioni!». Georgina Parkinson, la bravissima maîtresse dell'American Ballet Theatre, incoraggia Roberto Bolle. Sembra quasi rapita dal fascino del nostro ballerino scaligero, l'anziana insegnante dell'Abt, mentre segue lui e Alessandra Ferri nel pas de deux che i due ballerini italiani provano ogni giorno, per almeno un'ora, in una delle sale del Metropolitan di New York. Lunedì e giovedì, l'erede di Nureyev, nato a Casale Monferrato salirà sul palco del leggendario teatro newyorchese come primo ballerino e si esibirà nella Histoire de Manon. Poi, il 23, avrà New York in lacrime, quando accompagnerà la Ferri, ballerina dell'Abt da molti anni, nel suo addio alla danza. Dopo 22 anni di danza la Ferri ha scelto proprio lui per dare l'addio al Metropolitan, in un Romeo e Giulietta i cui biglietti sono da tempo introvabili. «Mi mancherà molto Alessandra», ha spiegato Roberto Bolle con un'ombra di tristezza negli occhi. «Questa è la stagione delle ballerine che danno l'addio e lei è una grande artista. Ma mi tolgo tanto di cappello di fronte ad una ballerina che ha capito che, vista la sua età, è il momento di lasciare le scene e lo fa con coraggio». La sua grande passione per la Ferri traspare dai suoi occhi dolci e dal suo modo di danzare potente, nella geometria classica e perfetta dei movimenti ma anche rispettoso e pieno di amore, quando durante le prove la sollevava nel pas de deux e la lascia scivolare delicatamente sul pavimento della sala americana. -
Ballet, Culture and Elite in the Soviet Union on Agrippina Vaganova’S Ideas, Teaching Methods, and Legacy
Ballet, culture and elite in the Soviet Union On Agrippina Vaganova’s Ideas, Teaching Methods, and Legacy Magdalena L. Midtgaard Magdalena Midtgaard VT 2016 Examensarbete, 15 hp Master program, Idéhistoria 120 hp Balett, kultur och elit i Sovjetunionen Om Agrippina Vaganovas idéer, undervisningsmetoder och arv Magdalena Midtgaard vt. 2016 Abstract. Balettutbildning har varit auktoritär och elitistisk i århundraden. Med utgångspunkt i Agrippina Vaganova och hennes metodiska systematisering av balettundervisning diskuteras frågor om elit, lärande och tradition inom balettundervisning. Vaganova var en länk mellan tsartidens Ryssland och det nya Sovjet och bidrog aktivt till att balett som konstform, trots sin aristokratiska bakgrund, fördes vidare och blev en viktig kulturpolitiskt aktivitet i Sovjet. Med underlag i texter av Bourdieu och Said diskuteras elit, kulturellt kapital och elitutbildning för att förklara några av de politiska och samhällsmässiga mekanismer som bidragit till balettens unika position i Sovjet. För att placera Vaganova som pedagog i förhållande till balettundervisning och balett genom tiden, presenteras korta informativa kapitel om baletthistoria, och utveckling och spridning av Vaganovas metod, både i Sovjet/Ryssland och i andra länder. Key words: Classical ballet, Vaganova, ballet education, elite education, cultural politics in the Soviet Union My sincere thanks to Sharon Clark Chang for proof reading and correcting my English, and to Louise Midtgaard and Sofia Linnea Berglund for valuable thoughts on Vaganova and ballet pedagogy and education in general. 2 Contents 1. Introduction p. 5 1.1 Sources and method p. 6 1.2 Theoretical perspectives on elite culture p. 7 2. Background p. 8 2.1 A short history of ballet p. -
Premieres People on the Cover
Premieres 22 Robbins, Preljocaj & Ekman BRUCE MICHELSON observes Eleonora Abbagnato's influence at the Rome Opera Ballet 30 Dream of Swan Lake GERARD DAVIS strives gallantly to take on a complex plot in Stockholm 34 Chouinard & Horecna AMANDA JENNINGS catches two creations in Monte Carlo 42 Le Corsaire in Budapest GERARD DAVIS reviews the Hungarian 56 National Ballet in the swashbuckling ballet 66 Night Pieces LUCY VAN CLEEF weighs up ballets by Clug, Kylián and Stiens in Stuttgart Polina Semionova and Roberto Bolle in rehearsal for Cinderella. Photo: Marco Brescia and Rudy Amisano/Teatro alla Scala. Ballet Festival Mariinsky 68 People CATHERINE PAWLICK on some of the highlights in this year's international festival 10 Roberto Bolle EMMA KAULDHAR catches up with the Don Quixote in Nürnberg 70 Italian étoile ALISON KENT considers Goyo Montero's innovative take on Cervantes' tome 56 Marco Goecke 72 The Open Door DEBORAH WEISS touches base with CARLA ESCODA considers Paul Taylor's Stuttgart Ballet's choreographer in new work to Elgar's Enigma Variations residence 74 Ghost Dances 82 Passing on the Flame: ROBERT PENMAN on a Christopher Bruce Samira Saidi classic and two 'Other Works' AMANDA JENNINGS meets English National Ballet School's director NTRE OUS 6 E N On the Cover 89 AUDITIONS AND JOBS Symphonic Dances HAT S N 38 100 W ’ O DEBORAH WEISS contemplates Liam 106 PEOPLE PAGE Scarlett's new work in a bill with ballets by Forsythe, Balanchine and Wheeldon contents Front cover: The Royal Ballet - Marcelino Sambé in George Balanchine's Tarantella.Photo: Emma Kauldhar by courtesy of the ROH → Dance Europe - June 2017 3 DANCE EUROPE Founded in 1995 ISSN: 1359-9798 P.O. -
Features Obituary
Features 10 Classical Ballet Princes MIKE DIXON defines the criteria of a true ballet prince and appraises some of today's most striking exemplars 16 Jason Reilly LUCY VAN CLEEF has a virtual rendezvous with the Stuttgart Ballet principal 22 Christopher Powney The artistic director of The Royal Ballet School talks about the challenges of leading one of the world's top ballet schools 32 Marcelino Sambé The Royal Ballet's Portuguese principal shares his story from Paço de Arcos to Covent Garden with ANDREJ USPENSKI and 28 EMMA KAULDHAR 32 42 Carla Fracci and Giselle VALENTINA BONELLI watches an informative masterclass with the 65 Emily Suzuki Italian ballerina The English National Ballet dancer talks about her career to date Arthur Pita 46 ts ANDREJ USPENSKI and EMMA KAULDHAR 66 Dismissed follow the career of the Portuguese ALISON KENT considers the plight dancer turned choreographer of 12 dancers whose contracts have been brutally terminated in Schwerin 52 Benoit Swan Pouffer Rambert's artistic director on his journey from Paris to London via New York 70 Prix de Lausanne AMANDA JENNINGS applauds the outstanding young dancers in this year's competition 74 Henny Jurriens Studio VIKI WESTALL catches up with the movers and shakers behind Amsterdam's haven for professional dancers 80 Summer 2021 A round-up of some of the summer schools and programmes scheduled to take place this year 82 Inside New York City Ballet Prodigal Son conten AMANDA JENNINGS follows a fascinating insight on the Balanchine classic Obituary 60 Patrick Dupond 16 FRANÇOIS FARGUE laments the premature passing of the incomparable French étoile Front cover: Prix de Lausanne - António Casalinho, Conservatório Internacional de 6 ENTRE NOUS 79 AUDITIONS & JOBS 96 WHAT'S ON 98 PEOPLE Ballet e Dança Annarella Sanchez. -
Actors Centered on a Parade of fl Ying fi Sh, Cat-Taming Mice and Circus Animals
ARAB TIMES, SUNDAY, MAY 30, 2021 NEWS/FEATURES 13 People & Places Obits Italy’s Carla Fracci dies Classic ‘Caterpillar’ author Carle dead NEW YORK, May 29, (AP): Eric Carle, the beloved children’s author and illustrator whose classic “The Very Hungry Caterpillar” and other works gave mil- lions of kids some of their earliest and most cherished literary memories, has died at age 91. Carle’s family says he died last Sunday at his sum- mer studio in Northampton, Massachusetts, with fam- ily members at his side. The family’s announcement was issued by Penguin Young Leaders. Through books like “Brown Bear, Brown Bear, What Do You See?” “Do You Want to Be My Friend?” and “From Head to Toe,” Carle introduced universal themes in simple words and bright colors. “The unknown often brings fear with it,” he once observed. “In my books I try to counteract this fear, to replace it with a positive message. I be- lieve that children are naturally creative and eager to learn. I want to show them that learn- ing is really both fascinating and fun.” “The Very Hungry Caterpil- lar,” published in 1969, was welcomed by parents and de- lighted kids with its story of the metamorphosis of a green and Carle red caterpillar with a touch of blue and brown to a proudly multi-colored butterfl y. Originally conceived as a book about a bookworm - called “A Week with Willi the Worm” - the hero, who eats through 26 different foods, was changed to a caterpillar on the advice of his editor. It has sold some 40 million copies and has been translated into 60 lan- guages, spawned stuffed animal caterpillars and has been turned into a stage play. -
The Royal Opera House Announces Full Details of the 2021/22 Season
Tuesday 1 June 2021 The Royal Opera House announces full details of the 2021/22 Season • 11 new productions, including 5 world premieres, and 20 revivals. • An exciting roster of UK and international talent with many debuts The Royal Opera House today confirms details for its 2021/22 Season, the first full Season since 2019. Opening on Monday 13 September, the Season includes five world premieres from The Royal Ballet and The Royal Opera, classic revivals and an exciting roster of international and UK talent performing across the two stages of the Royal Opera House. In its 90th anniversary year, The Royal Ballet presents a Season that respects the past and heralds the future. Three world premieres, including Wayne McGregor’s The Dante Project, Christopher Wheeldon’s Like Water for Chocolate and a new work by American choreographer Kyle Abraham, are performed alongside much-loved 19th-century classics and heritage ballets by Frederick Ashton and Kenneth MacMillan. The Linbury Theatre hosts a raft of partnerships and co-productions including with Ballet Black, Alessandra Ferri, Yorke Dance Project and a world premiere from Company Wayne McGregor. Creative opportunities for emerging talent will also feature with Draft Works and the Next Generation Festival. The Season culminates in July 2022 with The Royal Ballet 1 making a welcome return to international touring with a three-week tour of Japan where the Company will perform Kenneth MacMillan’s Manon and Peter Wright’s Giselle. The Royal Opera Season will open with a new production of Verdi’s Rigoletto, directed by Oliver Mears – his first production since becoming The Royal Opera’s Director of Opera in 2017. -
Read the 2009 Romeo and Juliet Ballet Notes
Ballet Notes Romeo and Juliet March 11-22, 2009 Aleksandar Antonijevic and Sonia Rodriguez Photo by Cylla von Tiedemann. 2008/09 Souvenir Book On Sale Now in the Lobby Featuring beautiful new images by Canadian photographer Sian Richards Tina Pereira Photo by Sian Richards. Orchestra Violins Trumpets Fujiko Imajishi, Richard Sandals, Principal Concertmaster • Mark Dharmaratnam Lynn Kuo, Raymond Tizzard Assistant Concertmaster Dominique Laplante, Trombones Principal Second Violin David Archer, Principal James Aylesworth Robert Ferguson Celia Franca, C.C., Founder Jennie Baccante David Pell, Bass Trombone George Crum, Music Director Emeritus • Sheldon Grabke Xiao Grabke Tuba Karen Kain, C.C. Kevin Garland • Nancy Kershaw Sasha Johnson Artistic Director Executive Director Sonia Klimasko-Leheniuk Csaba Koczó Harp • Lucie Parent, Principal David Briskin Rex Harrington, O.C. Yakov Lerner Music Director and Artist-in-Residence • Jayne Maddison Timpany Principal Conductor Ron Mah Michael Perry, Principal Aya Miyagawa Magdalena Popa Lindsay Fischer Wendy Rogers Percussion Principal Artistic Coach Artistic Director, • Filip Tomov Robert Comber, Principal YOU dance / Ballet Master Joanna Zabrowarna Mark Mazur Paul Zevenhuizen Keyboards Aleksandar Antonijevic, Guillaume Côté, Violas Janis Neilson Chan Hon Goh, Greta Hodgkinson, Angela Rudden, Principal Orchestra Personnel Nehemiah Kish, Zdenek Konvalina, Theresa Rudolph Koczó, Manager and Music Heather Ogden, Sonia Rodriguez, Assistant Pincipal Administrator Piotr Stanczyk, Xiao Nan Yu Valerie Kuinka