12 Things You Didn't Know About Frank Lloyd Wright's Hollyhock House

Total Page:16

File Type:pdf, Size:1020Kb

12 Things You Didn't Know About Frank Lloyd Wright's Hollyhock House 12 Things You Didn’t Know about Frank Lloyd Wright’s Hollyhock House By: Tristan Bravinder http://blogs.getty.edu/iris/12-things-you-didnt-know-about-frank-lloyd-wrights- hollyhock-house/ The Getty Iris Says: Cannibal women, psychic intuition, Rudolf Schindler, and more must-know facts about the recently restored L.A. landmark One of Los Angeles’s architectural gems is back! After a six-year extensive restoration, you can once again tour Frank Lloyd Wright’s first commission in this city. Hollyhock House is a gorgeous Mayan Revival style house with 17 rooms and 7 bathrooms. Oil heiress, theater producer, single mother, and social activist Aline Barnsdall commissioned the house, and it was originally intended to be part of an avant-garde arts and theater complex known as Olive Hill, now known as Barnsdall Art Park. Barnsdall tapped Wright for the job when she bought Olive Hill in 1919. Wright was hired to design multiple buildings, but he only finished the plans for Hollyhock House before being fired. He wasn’t on the job long enough to see the house completed in 1921. This project marked a transitional moment for Wright, as it heralded the end of his prairie style home period. It also marked a turning point in the history of modern architecture in Los Angeles; the house’s construction brought three seminal architects—Wright, Rudolph Schindler, and Richard Neutra—to the city. All three went on to create iconic buildings throughout Los Angeles, defining California modernism in the process. It’s one of the many L.A. treasures listed on HistoricPlacesLA.org, a historic preservation resource from the City of L.A. and the Getty Conservation Institute. Here are 12 facts about this newly reopened historic landmark. 1. Hollyhock is Not Someone’s Last Name Hollyhock flower against the Hollyhock motif. Photo: Lily Spitz Unlike Wright’s other Los Angeles commissions, “Hollyhock” is not someone’s last name. Before it was even designed, Barnsdall decided to name the house after her favorite flower—hollyhock. Wright used the name as inspiration, implementing an abstract hollyhock motif throughout the house’s façade and interiors. Actual hollyhock flowers are located in the central courtyard and the exterior spaces. 2. Project Restore Came to Its Rescue Hollyhock receiving fresh concrete in September 2013. Photo: Project Restore Hollyhock House is almost 100 years old, and with age comes much need conservation work. Due to financial limitations, Wright used hollow clay tile and plaster instead of poured concrete to build the house. These materials made the structure susceptible to water and seismic damage. Over the years, the house has confronted intense leakage problems, sagging concrete beams, distorted paint color, cracks in the pool, soil settling, and the impact of some pesky trees. In 2005, a restoration team fixed damage caused by the 1994 Northridge earthquake, but many other problems remained. Their work lead to a ton of discoveries about the original 1921 house, as well as previous conservation efforts in the 1940s, 1950s, 1970s, and early 2000s. Luckily for the preservation of Wright’s work, Project Restore assembled a team of experts to spearhead the conservation and restoration of Hollyhock House. Initial funding was provided by the California Cultural and Historical Endowment and grants from Save Americas Treasures. Additional support was provided by the City of Los Angeles and the National Parks Service. Project Restore was awarded the 2014 California Restoration Award for their work on Hollyhock House. Full slideshows of the whole conservation process can be seen on Project Restore’s website. 3. タチアオイハウス Japanese Kwon Yen sculpture. Photo: Sarah Waldorf During the construction of Hollyhock House, Wright was also working on the Japanese Imperial Hotel. The Japanese project became a source of inspiration for the Los Angeles home. The inclusion of Kwon Yen Buddhist sculpture, screen paintings, and an open floor plan, which allows visitors to flow from room to room, are all nods to Japanese art and architectural traditions. Wright also incorporated the idea of “compression and release” in Hollyhock House. When you walk through the main entrance, the roof and walls are low and narrow, leading to an overwhelming sense of release once you move into the living room with its expansive high ceilings and lowered floors. 4. It Includes Symbols for Earth, Water, Fire, and Air Frank Lloyd Wright’s concrete sculpture. Photo: jwpictures.com Another Japanese-inspired idea is the metaphorical inclusion of the four elements—earth, water, fire and air—in the house. The concrete bas-relief of the fireplace represents earth, the fireplace itself and the torchiere lamps allude to fire, the skylight references air, and the entire home is surround by a moat representing water. The concrete bas-relief, considered one of Wright’s greatest works of art, is said by some to be an abstract representation of Barnsdall as an “Indian Princess” on a hill overlooking the city. 5. Some Furniture Pieces Are Original—And Some Are replicas Original dining room chairs. Photo: Sarah Waldorf After a century of use, it is understandable that some of the furniture had to be replaced. The curator of Hollyhock House, Jeffrey Herr, used old photos to find or reconstruct exact replicas of objects and furniture in the house. But many of the pieces are original, including the dining room chairs from 1921. The chairs feature a hollyhock motif along with what looks to be a human spine—perhaps an expression of Wright’s macabre sense of humor. When touring the house, visitors can guess which objects are original and which are exact replicas. **Spoiler Alert** Speaking of replicas, one item known to be a copy is the grand couch located in the living room. At some point during the house’s life, the original couch mysteriously disappeared. 6. Rudolph Schindler Left His Mark on the House Hollyhock staffer Lily Spitz demonstrating a Rudolph Schindler camouflaged lock Due to time restraints, budget decisions, the architect’s preoccupation with projects in Japan, and tensions with Barnsdall, Wright did not finish construction of the house. Rudolf Schindler came to Los Angeles to work as project manager for Hollyhock House under Wright, and he was hired to finish the remainder of the home after Wright was fired by Barnsdall. Schindler contributed several architectural features to Hollyhock House, including the camouflaged locks and Barnsdall’s bedroom. After developing his own successful body of work in the city, Schindler urged Richard Neutra to follow. Through the Hollyhock commission, three important architects wound up in Los Angeles. 7. …And So Did Wright’s Son, Lloyd Wright Wright’s eldest son, Lloyd Wright, was an architect in his own right, and he also worked extensively on Hollyhock House. Lloyd was his father’s right hand man during the early stages of construction when Wright was in Japan and Rudolf Schindler had yet to be brought on as project manager. In the 1940s, Lloyd spearheaded a restoration of the house while simultaneously taking some creative liberties and adding several new design elements such as cabinets. These cabinets remain today, even though the rest of Hollyhock House stays true to its original 1921 state. 8. Aline Barnsdall Was Drought Savvy The house includes an underground plumbing system to allow water to flow from the central courtyard into an interior moat and then out again to the main pool outside. Due to its impracticality and wastefulness, Barnsdall discontinued the water flow to the fireplace moat shortly after its completion. Was Aline a water conservation pioneer? 9. It’s Had Killer Views from the Beginning View of the Hollywood Sign (left) and Griffith Observatory (right) from the Hollyhock House Hollyhock House offers exceptional views of many of the city’s landmarks, including the Hollywood sign and the Griffith Observatory. However, completion of Hollyhock House predated both famous sites—the sign went up in 1922 and the Observatory opened in 1935. Did Wright have a psychic intuition of what lay ahead? 10. Watch Out for the Piranhas! Promotional image from Cannibal Women in the Avocado Jungle of Death Being in Los Angeles, it was only a matter of time before Hollyhock House was repurposed as a movie set. In 1989, the building was used as the Piranha Temple in the cult classic Cannibal Women in the Avocado Jungle of Death. Many people often confuse Hollyhock House with a different Wright home, Ennis House, which is located two miles away. Ennis House has had more screen time, starring in Blade Runner, Buffy the Vampire Slayer, Twin Peaks, Rush Hour, and House on Haunted Hill. 11. Its Bookshelves Are Historically Accurate Hollyhock Library. Photo credit: Sarah Waldorf To be 100% true to the period, the Hollyhock House library contains historically appropriate books that have been donated by Angelenos. If you have any books in good condition from the 1920s and 1930s, you can donate them to the house. For more information, check out Barnsdall.org. 12. The House Once Belonged to a Girl Named Sugartop Portrait of Sugartop found in the Hollyhock House Barnsdall was infamously a single mother by choice, for she wanted a child but not a husband. In 1917 she gave birth to a daughter named Betty, also known as “Sugartop” because of her white blonde hair. Photographs and paintings of Sugartop are displayed throughout Hollyhock House. Wright planned with Sugartop’s needs in mind, particularly in the designs for her bedroom and the outside areas of the home. Mayor Eric Garcetti speaking at the grand reopening of the Hollyhock House, February 13, 2015. Photo: Lily Spitz Hollyhock House is located at 4800 Hollywood Blvd, Los Angeles, CA, 90027, and the house is open from Thursday to Sunday, 11am–3pm.
Recommended publications
  • Historic-Cultural Monument (HCM) List City Declared Monuments
    Historic-Cultural Monument (HCM) List City Declared Monuments No. Name Address CHC No. CF No. Adopted Community Plan Area CD Notes 1 Leonis Adobe 23537 Calabasas Road 08/06/1962 Canoga Park - Winnetka - 3 Woodland Hills - West Hills 2 Bolton Hall 10116 Commerce Avenue & 7157 08/06/1962 Sunland - Tujunga - Lake View 7 Valmont Street Terrace - Shadow Hills - East La Tuna Canyon 3 Plaza Church 535 North Main Street and 100-110 08/06/1962 Central City 14 La Iglesia de Nuestra Cesar Chavez Avenue Señora la Reina de Los Angeles (The Church of Our Lady the Queen of Angels) 4 Angel's Flight 4th Street & Hill Street 08/06/1962 Central City 14 Dismantled May 1969; Moved to Hill Street between 3rd Street and 4th Street, February 1996 5 The Salt Box 339 South Bunker Hill Avenue (Now 08/06/1962 Central City 14 Moved from 339 Hope Street) South Bunker Hill Avenue (now Hope Street) to Heritage Square; destroyed by fire 1969 6 Bradbury Building 300-310 South Broadway and 216- 09/21/1962 Central City 14 224 West 3rd Street 7 Romulo Pico Adobe (Rancho 10940 North Sepulveda Boulevard 09/21/1962 Mission Hills - Panorama City - 7 Romulo) North Hills 8 Foy House 1335-1341 1/2 Carroll Avenue 09/21/1962 Silver Lake - Echo Park - 1 Elysian Valley 9 Shadow Ranch House 22633 Vanowen Street 11/02/1962 Canoga Park - Winnetka - 12 Woodland Hills - West Hills 10 Eagle Rock Eagle Rock View Drive, North 11/16/1962 Northeast Los Angeles 14 Figueroa (Terminus), 72-77 Patrician Way, and 7650-7694 Scholl Canyon Road 11 The Rochester (West Temple 1012 West Temple Street 01/04/1963 Westlake 1 Demolished February Apartments) 14, 1979 12 Hollyhock House 4800 Hollywood Boulevard 01/04/1963 Hollywood 13 13 Rocha House 2400 Shenandoah Street 01/28/1963 West Adams - Baldwin Hills - 10 Leimert City of Los Angeles May 5, 2021 Page 1 of 60 Department of City Planning No.
    [Show full text]
  • 339623 1 En Bookbackmatter 401..420
    References Alexander, Christopher, Sara Ishikawa, and Murray Silverstein. 1977. A pattern language: Towns, buildings, construction. New York: Oxford University Press. Allen, Gary L. 2004. Human spatial memory: Remembering where. New Jersey: Lawrence Erlbaum. Amidon, E.L. and G.H. Elsner. 1968. Delineating landscape view areas: A computer approach. In Forest Research Note PSW–180, ed. US Department of Agriculture. Washington DC. Amini Behbahani, Peiman, Michael J. Ostwald, and Ning Gu. 2016. A syntactical comparative analysis of the spatial properties of Prairie style and Victorian domestic architecture. The Journal of Architecture 21 (3): 348–374. Amini Behbahani, Peiman, Ning Gu, and Michael J. Ostwald. 2017. Viraph: Exploring the potentials of visibility graphs and their analysis. Visualization in Engineering 5 (17). https:// doi.org/10.1186/s40327-017-0056-z. Amorim, Luiz. 1999. The sectors paradigm: A study of the spatial and functional nature of modernist housing in northeast Brazil. London: University of London. Antonakaki, Theodora. 2007. Lighting and spatial structure in religious architecture: A comparative study of a Byzantine church and an early Ottoman mosque in the city of Thessaloniki. In Proceedings 6th International Space Syntax Symposium, 057.02–057.14. Istanbul. Appleton, Jay. 1975. The experience of landscape. London: John Wiley and Sons. Asami, Yasushi, Ayse Sema Kubat, Kensuke Kitagawa, and Shin-ichi Iida. 2003. Introducing the third dimension on Space Syntax: Application on the historical Istanbul. In Proceedings 4th International Space Syntax Symposium, 48.1–48.18. London. Aspinall, Peter. 1993. Aspects of spatial experience and structure. In Companion to contemporary architectural thought, ed. Ben Farmer, and Hentie Louw, 334–341.
    [Show full text]
  • Collaborations: the Private Life of Modern Architecture Author(S): Beatriz Colomina Source: Journal of the Society of Architectural Historians, Vol
    Collaborations: The Private Life of Modern Architecture Author(s): Beatriz Colomina Source: Journal of the Society of Architectural Historians, Vol. 58, No. 3, Architectural History 1999/2000 (Sep., 1999), pp. 462-471 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/991540 Accessed: 25-09-2016 19:05 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Society of Architectural Historians, University of California Press are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Society of Architectural Historians This content downloaded from 204.168.144.216 on Sun, 25 Sep 2016 19:05:51 UTC All use subject to http://about.jstor.org/terms Collaborations The Private Life of Modern Architecture BEATRIZ COLOMINA Princeton University bout a year ago, I gave a lecture form in the Madrid, space-and how the there city is nothing in Mies's work, where I was born. The lecture was on the work of prior to his collaboration with Reich, that would suggest Charles and Ray Eames and, to my surprise, most such a radical approach to defining space by suspended sen- of the discussion at the dinner afterward centered around suous surfaces, which would become his trademark, as the role of Ray, her background as a painter, her studies with exemplified in his Barcelona Pavilion of 1929.
    [Show full text]
  • Individual Artist Fellowships C.O.L.A
    INDIVIDUAL ARTIST FELLOWSHIPS C.O.L.A. 2013 C.O.L.A. 2013 INDIVIDUAL ARTIST FELLOWSHIPS Department of Cultural Affairs City of Los Angeles This catalog accompanies an exhibition and performance series sponsored by the City of Los CITY OF Angeles Department of Cultural Affairs featuring LOS ANGELES its C.O.L.A. 2013 Individual Artist Fellowship recipients in the visual and performing arts. 2013 INDIVIDUAL Exhibition: May 19 to July 7, 2013 ARTIST Los Angeles Municipal Art Gallery FELLOWSHIPS Barnsdall Park Opening Reception: May 19, 2013, 2 to 5 p.m. Performances: June 28, 2013 Grand Performances 2 Antonio R. Villaraigosa LOS ANGELES CITY COUNCIL CULTURAL AFFAIRS COMMISSION Department of Cultural Affairs DEPARTMENT OF CULTURAL AffaiRS Mayor City of Los Angeles City of Los Angeles City of Los Angeles Ed P. Reyes, District 1 York Chang Paul Krekorian, District 2 President Olga Garay-English Aileen Adams Dennis P. Zine, District 3 The Department of Cultural Affairs (DCA) generates and supports high-quality Executive Director Deputy Mayor Tom LaBonge, District 4 Josephine Ramirez arts and cultural experiences for Los Angeles’s 4 million residents and 40 million Strategic Partnerships Paul Koretz, District 5 Vice President Senior Staff Tony Cardenas, District 6 annual overnight and day visitors. DCA advances the social and economic impact of the arts and ensures access to diverse and enriching cultural activities through Richard Alarcon, District 7 Maria Bell Matthew Rudnick Bernard C. Parks, District 8 Annie Chu grant making, marketing, public art, community arts programming, arts education, Assistant General Manager Jan Perry, District 9 Charmaine Jefferson and building partnerships with artists and arts and cultural organizations in Herb J.
    [Show full text]
  • The Kaufmann House, a Seminal Modernist Masterpiece, to Be Offered for Sale at Christie’S
    For Immediate Release October 31, 2007 Contact: Rik Pike 212.636.2680 [email protected] THE KAUFMANN HOUSE, A SEMINAL MODERNIST MASTERPIECE, TO BE OFFERED FOR SALE AT CHRISTIE’S © J. Paul Getty Trust. Used with permission The Kaufmann House May 13, 2008 New York - Christie’s Realty International, Inc. is delighted to announce the sale of Richard Neutra’s seminal Kaufmann House on the night of Christie’s New York May 13 Spring 2008 Post- War and Contemporary Art Evening sale. Along with Mies van der Rohe’s Farnsworth House and Philip Johnson’s Glass House, Neutra’s Kaufmann House is one the most important examples of modernist residential architecture in the Americas and remains singular as the most important example of mid-century modernist architecture in the Americas to remain in private hands. It carries an estimate of $15,000,000 to $25,000,000. Christie’s Realty International Inc. 20 Rockefeller Plaza, New York, NY 10020 phone 212.478.7118 www.christies.com In 1946, the Pittsburgh department store magnate, Edgar J. Kaufmann Sr., who had previously commissioned Frank Lloyd Wright to build Fallingwater, engaged Richard Neutra to build a house in the Palm Springs desert as a winter retreat for his wife and him. Representing the purest realization of Neutra's modernist ideals, the Kaufmann House's rigorously disciplined design scheme integrates horizontal planes of cantilevered roofs under which blocks of glass floor-to-ceiling sliding walls shimmer. Set against the rugged backdrop of a mountainous landscape in the Palm Springs desert and positioned in an equally minimalist paradise of manicured lawns, placed boulders and plantings, this modernist icon represents the culmination of Neutra's highly influential achievement and contribution to architectural history.
    [Show full text]
  • CHUEY RESIDENCE 2380-2460 Sunset Plaza Drive; 9058-9060 Crescent Drive CHC-2017-4333-HCM ENV-2017-4334-CE
    CHUEY RESIDENCE 2380-2460 Sunset Plaza Drive; 9058-9060 Crescent Drive CHC-2017-4333-HCM ENV-2017-4334-CE Agenda packet includes: 1. Final Determination Staff Recommendation Report 2. Categorical Exemption 3. Under Consideration Staff Recommendation Report 4. Historic-Cultural Monument Application 5. Letters from Owners’ Representatives 6. Letters from Members of the Public Please click on each document to be directly taken to the corresponding page of the PDF. Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2017-4333-HCM ENV-2017-4334-CE HEARING DATE: January 18, 2018 Location: 2380-2460 Sunset Plaza Drive; TIME: 10:00 AM 9058-9060 Crescent Drive PLACE: City Hall, Room 1010 Council District: 4 - Ryu 200 N. Spring Street Community Plan Area: Hollywood Los Angeles, CA 90012 Area Planning Commission: Central Neighborhood Council: Bel Air – Beverly Crest EXPIRATION DATE: January 30, 2018 Legal Description: Lookout Mountain Park Tract, Lot PT D PROJECT: Historic-Cultural Monument Application for the CHUEY RESIDENCE REQUEST: Declare the property a Historic-Cultural Monument OWNERS: Paul and Gigi Shepherd 2460 Sunset Plaza Drive Los Angeles, CA 90069 APPLICANT: Adrian Scott Fine Los Angeles Conservancy 523 West 6th Street, Suite 826 Los Angeles, CA 90014 PREPARER: Jenna Snow PO Box 352297 Los Angeles, CA 90035 RECOMMENDATION That the Cultural Heritage Commission: 1. Declare the subject property a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7. 2. Adopt the staff report and findings. VINCENT P. BERTONI, AICP Director of Planning [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M.
    [Show full text]
  • Richard Neutra Powerpoint.Key
    RICHARD NEUTRA Jonathan Marshall Richard Neutra was born April 8th, 1892 in Vienna, Austria. He studied under Adolf Loos at the Technical University of Vienna. In 1923, at the age of 31, Neutra moved to the United States and settled in Southern California. Neutra introduced the International Style to America and (newer) Los Angeles Design to Europe. Briefly worked under Frank Lloyd Wright before accepting work in California. His innovative ideas of the time were well received in Southern California. The Lovell House (The Health House) The Lovell House, built in Los Angeles in 1920, was Neutra’s most influential work. Located on a steeply landscaped hill, it has views of the Pacific Ocean, the Santa Monica mountains, and the city of Los Angeles. The Lovell House The Lovell House was nicknamed the Health House because the interior is brought into harmony with nature as well as having outdoor play and recreation areas. It was similar to of Mies van der Rohe and Le Corbusier’s work in Europe. Comparison Kaufmann Desert House. Barcelona Pavilion. Richard Neutra. Mies Van Der Rohe. -Palm Springs, CA -Barcelona, Spain -was made for 1929 International Exposition German section Richard Neutra Mies van der Rohe Neutra believed in houses that have patios or porches that make the outdoors seem part of the house. He said that “architecture should be a means of bringing man back into harmony with nature”. “As an architect, my life has been governed by the goal of building environmental harmony, functional efficiency, and human enhancement into the experience of everyday living.
    [Show full text]
  • Los Angeles Department of City Planning RECOMMENDATION REPORT
    Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC -2009 -1304 -HCM ENV-2009-1305-CE HEARING DATE: May 21, 2009 Location: 2123 N. Valentine Street TIME: 10:00 AM Council District: 13 PLACE : City Hall, Room 1010 Community Plan Area: Silver Lake - Echo Park 200 N. Spring Street - Elysian Valley Los Angeles, CA Area Planning Commission: East Los Angeles 90012 Neighborhood Council: Greater Echo Park Elysian Legal Description: Lot FR 19 of M R 59-13, Park Manor Tract PROJECT: Historic-Cultural Monument Application for the ROSS HOUSE REQUEST: Declare the property a Historic-Cultural Monument APPLICANT/ Gareth and Christine Kantner OWNER: 2123 Valentine Street Los Angeles, CA 90026 RECOMMENDATION That the Cultural Heritage Commission: 1. Take the property under consideration as a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation suggest the submittal may warrant further investigation. 2. Adopt the report findings. S. GAIL GOLDBERG, AICP Director of Planning [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources Prepared by: [SIGNED ORIGINAL IN FILE] ________________________ Edgar Garcia, Preservation Planner Office of Historic Resources Attachments: April, 2009 Historic-Cultural Monument Application 2123 N Valentine Street CHC-2009-1304-HCM Page 2 of 2 SUMMARY Built in 1938 and located in the Elysian Heights/Echo Park area, this L-shaped, two-story residence exhibits character-defining features of International Style architecture. The proposed Ross House historic monument has a flat roof with wide overhangs and a rooftop patio on the second level.
    [Show full text]
  • Digital Photo Proof Pages
    F cover 42 summer14:ToC 4/9/14 12:30 PM Page 1 john entenza house 12 texas & florida updates 34, 60 the past perfected 46 SUMMER 2014 $6.95 us/can On sale until August 31, 2014 AtomicRanch 42 3/19/14 6:21 PM Page 1 AUDREY DINING made to order made in america made to last KYOTO DINING SOHO BEDROOM FUSION END TABLE Available near you at: California Benicia - Ironhorse Home Furnishings (707) 747-1383, Capitola - Hannah’s Home Furnishings (831) 462-3270, Long Beach - Metropolitan Living (562) 733-4030, Monterey - Europa Designs (831) 372-5044, San Diego - Lawrance Contemporary Furniture (800) 598-4605, San Francisco - Mscape (415) 543-1771, Santa Barbara - Michael Kate Interiors (805) 963-1411, Studio City - Bedfellows (818) 985-0500, Torrance - Contemporary Lifestyles (310) 214-2600, Thousand Oakes - PTS (805) 496-4804, Colorado Fort Collins - Forma Furniture (970) 204-9700, Connecticut New Haven - Fairhaven (203) 776-3099, District of Columbia Washington - Urban Essentials (202) 299-0640, Florida Sarasota - Copenhagen Imports (941) 923-2569, Georgia Atlanta - Direct Furniture (404) 477-0038, Illinois Chicago - Eurofurniture (800) 243-1955, Indiana Indianapolis - Houseworks (317) 578-7000, Iowa Cedar Falls - Home Interiors (319) 266-1501, Manitoba Winnipeg - Bella Moda (204) 783-4000, Maryland Columbia - Indoor Furniture (410) 381-7577, Massachusetts Acton - Circle Furniture (978) 263-7268, Boston - Circle Furniture (617) 778-0887, Cambridge - Circle Furniture (617) 876-3988, Danvers - Circle Furniture (978) 777-2690, Framingham - Circle
    [Show full text]
  • APA Conf Planners Guide.Indd
    2012 National Planning Conference Los Angeles Planner’s Guide Sponsors of the 2012 Planner’s Guide Conference Co-Chairs: Marissa Aho, AICP Generosity in the form of in-kind and monetary contributions from the following fi rms: Vince Bertoni, AICP Kurt Christiansen, AICP Anne McIntosh, AICP California Chapter President: Kevin Keller, AICP Los Angeles Section Director: Marissa Aho, AICP This guide book was prepared as a service to those attending the American Planning Association’s 2012 National Planning Conference in Los Angeles. Los Angeles Past Section Director: Special Thanks Kristen Asp, AICP The Planner’s Guide committee would like to extend special thanks to: Local Host Committee: Jessie Barkley – Local Host Events Jeanette Cappiello, Assistant Art Director, RBF Consulting, a company of Michael Baker Corporation, for her creative graphic design and layout of the Planners Guide. Francisco Contreras, AICP – Marketing and Merchandise Steve Gerhardt, AICP – Mobile Workshops Kate Gillespie, AICP, Owner and Principal, 3D Visions, for creating maps that allow us William Hoose – Local Host Events to navigate easily throughout the Los Angeles proper region. Susan Healy Keene, AICP - Local Host Events Ira Brown, Planner, City of Long Beach, for his outstanding photographs to John Keho, AICP - Local Host Events showcase the unique places, spaces, and buildings of the Los Angeles area. Jeff rey Lambert, AICP - AICP Workshop Ioana Ciurariu, City of Los Angeles, and Francisco Contreras, AICP, City of West Michael Laughlin, AICP – Mobile Workshops Hollywood, for their artistic inspiration and creation of the iconic Reimagine LA Nicholas Maricich – Orientation Tours 2012 Cover Artwork that captures the fun, spirit, and variety Los Angeles has to Collette Morse, AICP – AICP Workshop off er.
    [Show full text]
  • Download Latest Issue
    BEVERLYPRESS.COM INSIDE • Suspect in police pursuit dies by Sunny, with suicide pg. 4 highs around • Update on mixed 70 use in BH pg. 6 Volume 31 No. 20 Serving the Beverly Hills, West Hollywood, Hanock Park and Wilshire Communities May 20, 2021 BH council allocates La Cienega restaurant attack millions for recovery n Funding intended to help businesses rebound investigated as a hate crime n Officials widely BY CAMERON KISZLA Beverly Hills Chamber of Commerce, was unanimously condemned local Beverly Hills plans to continue to approved as part of the council’s assaults against Jews make big investments in tourism consent calendar. The other two and hospitality to help restore the contracts, awarding more than BY EDWIN FOLVEN city’s tax base, which was ham- $158,000 to the Rodeo Drive Committee and more than $3.4 mil- pered by the pandemic. The Los Angeles Police lion to the Beverly Hills Conference On May 13, the City Council Department is investigating an and Visitors Bureau, were met with unanimously supported three sepa- attack on May 18 against Jewish support from the council members, rate funding requests related to patrons at a restaurant on La though they will return for formal helping the city’s businesses and Cienega Boulevard as a hate adoption next month. attracting new companies. crime. One of the contracts, which pro- LAPD spokesman Jeff Lee said See Beverly page 26 vides nearly $489,000 to the police responded to a 911 call about the attack at approximately 9:50 p.m. and found five victims who had sustained minor injuries outside Sushi Fumi, located at 359 N.
    [Show full text]
  • Historic Structure Report
    HISTORIC STRUCTURE REPORT RESIDENCE A AT BARNSDALL PARK CITY OF LOS ANGELES LOS ANGELES COUNTY, CALIFORNIA TASK I, II, AND III FINAL July 13, 2009 HISTORIC STRUCTURE REPORT RESIDENCE A AT BARNSDALL PARK CITY OF LOS ANGELES LOS ANGELES COUNTY, CALIFORNIA Prepared for: City of Los Angeles Department of Public Works Bureau of Engineering 1149 South Broadway, Suite 810 Los Angeles, California 90015 Prepared by: Tanya Sorrell LSA Associates, Inc. 1500 Iowa Avenue, Suite 200 Riverside, California 92507 (951) 781-9310 and Gabrielle Harlan and Justin Greving Chattel Architecture, Planning, and Preservation Contributors: CK Arts Melvyn Green and Associates LSA Project No. CLO0601E July 13, 2009 LSA ASSOCIATES, INC. HISTORIC STRUCTURE REPORT JULY 2009 RESIDENCE A AT BARNSDALL PARK TASK I, II, AND III FINAL MANAGEMENT SUMMARY Under contract to the City of Los Angeles, Department of Public Works, Bureau of Engineering (BOE), LSA Associates, Inc. (LSA) has prepared this Historic Structure Report (HSR) for Residence A of the Aline Barnsdall Complex, one of two extant residential buildings designed on the Barnsdall Park site by Frank Lloyd Wright for Aline Barnsdall in 1921. The purpose of this HSR is to study potential treatment strategies and future uses for Residence A in the context of historical uses, alterations, and the current physical condition of the building. Residence A is a significant building within the Aline Barnsdall Complex. It is one of two residential buildings (the other is Hollyhock House) that today represent the first work in
    [Show full text]