Dermot Gleeson

Total Page:16

File Type:pdf, Size:1020Kb

Dermot Gleeson Optima issue 4 • spring / summer 2003 CONTENTS The Master’s message 2 Varsity News the current state of play in For me, as a member of the immediate post-45 war Fitz and University sport generation, tertiary education offered a highly At last! attractive and positive way forward. Attractive A Fund for Modern Languages because it represented a free-thinking, less restrictive 3 Special Feature lifestyle and an opportunity to do so many of the Katy Watson spends a year in things seemingly denied to my parents. Positive Mexico, and muses on more because it provided the opportunity to extend my than Mariachi Bands knowledge, my capabilities and vision; essential (at least it seemed to be) to the gateway for a better 4 Topped Out Fitz’s building programme future. Provided my O-level and A-level standards reaches a pinnacle were up-to-scratch, I was safe in the knowledge that a maintenance grant would be available and 6 Views from the top sufficient to support my day-to-day living expenses. Dermot Gleeson and his views (Tuition fees were provided by government!) on political thought I suppose my vision of the University lifestyle 7 The Master, Tony Steadman and the Bursar celebrate A Vision of the Future came primarily from my exposure to the films of the the Topping Out of Gatehouse court with a beer Michael Frantzis re-traces his time and certainly “Doctor in the House” with Dirk path from Fitz to architectural Bogarde and Kenneth More, had a strong influence photography in Brasil on my innocent mind. Despite the restrictions of the Certainly “Doctor in the House” had a 8 Take a Bow! time – a nation recovering from the War and all that strong influence on my innocent mind. Alan George from the – there was an enormous optimism. Newsreels were Fitzwilliam Quartet, and why full of exciting new inventions and discoveries – of body. Students really don’t change, they are as good they keep coming back to Fitz. the type – Dunlop announces a tubeless tyre! Rover as ever and in some ways better. Certainly, their 9 Richard Hooley develops a gas-turbine! End of tuberculosis in sight! concern for the less privileged, their love of art, Fitzwilliam’s Director of Law And all this national optimism helped to propel us drama and music, their participation in sport and leaves for London, but not with- forward. Films such as “Lucky Jim” with Ian other College activities, and their attitude towards out a little nostalgia Carmichael, “I’m all right Jack” again with Ian academic work surpasses that of my generation. 10 Ray Kelly, Carmichael and Peter Sellers, “Room at the Top” with But, I see the need for greater support and care than who’s forgotten more than most Lawrence Harvey and the divine Simone Signoret we required. The modern undergraduate has far of us know about Fitzwilliam, parodied the status quo and led us to believe – dare I greater financial burdens to bear and is certainly opens a window on his memories say it – in the Brave New World just around the more aware of the stress imposed by the modern 11 Sur-prize! corner. We were confident that Science and academic approach. I would like our College to take The highs and highs of teaching Technology would support this change; we were heed of these pressures and find ways to reduce in Nepal, by Steve Farndon enamoured with the academic process and all the them. We have always been the College of access. advances that a degree would provide, not only to For us, the current Government castigation is Rear View the Journal of yesteryear the individual but also to national prosperity. meaningless. I believe from what I hear from our I remind you, I began with “for me” because this Members over an extensive period, that we have a 12 Events at Fitzwilliam very rosy view is very much a personal recollection, reputation as a College that truly cares about its Emma Camps gives us a taste of but one I know resonates with my friends from the students and offers support when it is most needed the delights to come same period. Of course we were aware of the misery – the vulnerable years. It is my wish to sustain that and despair so obvious throughout reputation and enhance it. much of the world but somehow we My very best wishes to you all and I look forward felt that the rapid progress in to seeing many of you (and your families?) in Science, Technology and Political College for one of those unforgettable dinners or Thought would solve these lunches (Saturday lunch is highly recommended). problems. Nevertheless, when I am Why not e-mail me with your views and let me know asked – as I frequently am by a how you are getting along. I guarantee a reply. member “Why should I support the College?” (and rightly so too) my thoughts return to my earlier days The Master with some lucky ladies (or is it the other way around?) and my own experiences. The life at the Valentine’s Dinner in February blood of the College is the student [email protected] Varsity News To visit the Cambridge University Sport Website, go to: www.sport.cam.ac.uk To visit one of the Fitzwilliam College Sports Websites, go to the Student Tony Jorden (1967) at Twickenham in 1968 in the Varsity Rugby Team varsity news / varsity mml fund • 2 Societies Page at: Tony Jorden at Twickenham in 1968, pictured) shows www.fitz.cam.ac.uk/ no signs of waning! students Records of Blues achieved at Fitzwilliam are very good until the mid 1980’s. If you obtained a Blue after that Martin Purdy and Jason Reilly (lifting Martin) at Twickenham in 2002 time, or know someone who does, please e-mail Carol To participate in one Cambridge was the overall victor in the Annual Varsity on [email protected] Games in February this year – the University defeated of the Past versus Oxford 33-18. The win was obtained with the help of Present matches/rows more than a dozen Fitzwilliam students who played on at the Reunion this Varsity teams. Chee Tung Leon played Varsity year, e-mail Emma at Badminton, Claire Foister competed in Netball (pictured) and Duncan Sharp captained the University’s [email protected] Small Bore team. This capped off an excellent year for (mixed hockey, Fitz students in Varsity, as Martin Purdy (pictured being women’s and lifted by Jason Reilly) clearly shows. The image of his men’s football, catch in the Varsity Men’s Rugby Match warranted a two-page spread in the Cambridge Evening News (both he men’s rugby, women’s and Claire also competed in the Varsity athletics Claire Foister (top left) and the Varsity Netball and men’s rowing) match). Clearly, the tradition of sport at Fitz (such as Team after their win against Oxford At Last! A Fund for Modern Languages In April 2003 over 110 Modern and Medieval Linguists Dr John Leigh, Director of Studies in Modern and descended on Fitzwilliam for the biggest MML function Medieval Languages said: “This Fund is a wonderful Fitzwilliam had seen for a decade. Guests came from development for Linguists at Fitz. The students all over the world to catch up with old friends over appreciate enormously the assistance they’ll receive as dinner, and view the changes (or lack thereof!) in the a result. I do hope our former Linguists will do College since their time as undergraduates. whatever they can to support us”. They also had the opportunity to hear first-hand of the launch of the new Modern and Medieval Linguists You can make a significant difference to the success Fund. The Fund is the first at Fitzwilliam to be of the MML Fund by filling out the relevant section in Dr John Leigh at the MML Dinner specifically intended for Linguist students. the centre pages. in April this year Although more than two dozen Linguists study at Fitzwilliam every year, neither the College nor the Cost of a Linguist’s textbook: students themselves receive any financial support from £50 the Faculty. This is despite the fact that many Linguists Cost of a study trip abroad: are unable to finance the minimum £500 necessary to £500 fund a study trip to the country of their chosen language, in preparation for their aural exams. In All students for one year to order to ensure that this vital aspect of students’ take a study trip abroad: studies is not overlooked, the College aims (by the £5,000 start of the academic year in 2004) to raise enough A quarter of the College’s goal: money to fund a short course abroad for every Linguist £25,000 at Fitzwilliam prior to their aural. This means raising a minimum £100,000. The split of languages amongst current MML students Fitzwilliam College is an Exempt and Statutory Charity (Inland Revenue No. x11732) Special Feature A World Away In 2002-3, three MML students at Fitzwilliam have had the opportunity to spend ‘a year abroad’ – a year studying at a University, or finding full-time employment in a country where the language is one of those they have been reading at Fitz. Katy Watson is studying Spanish and Italian and is currently spending her year abroad in Mexico. She writes about how she has found the location, the language, and the latino approach to life … Sangria versus Sol and it is the speed, the music or the décor of the bus, it tortillas versus tacos, always brightens my day! touristy Benidorm versus Talking of travelling, Mexico offers an abundance tropical beaches – faced of beauty.
Recommended publications
  • Virginia Woolf & String Quartets Concert
    Virginia Woolf & String Quartets Robinson College Chapel Cambridge 3 November 2016, 7.45pm Kreutzer Quartet Peter Sheppard Skærved – Violin Mihailo Trandafilovski – Violin Clifton Harrison – Viola Neil Heyde – Cello Kindly supported by PREFACE Welcome to the third concert of ‘Virginia Woolf & Music’. The project explores the role of music in Woolf’s life and afterlives: it includes new commissions, world premieres and little-known music by women composers. Outreach activities and educational resources have been central to the project since it began in 2015. Concerts on Woolf and Bloomsbury continue throughout 2016- 17. For further details see: http://virginiawoolfmusic.wp.st-andrews.ac.uk Woolf (1882-1941) was a knowledgeable, almost daily, listener to ‘classical’ music, fascinated by the cultural practice of music and by the relationships between music and writing. Towards the end of her life she famously remarked, ‘I always think of my books as music before I write them’. Her writing continues to inspire composers who have set her words or responded more obliquely to her work. This concert takes its cue from Woolf’s extraordinary experimental short fiction, ‘The String Quartet’ (1921). The work explores the pleasures and frustrations of ‘capturing’ music in language. Juxtaposing the banal remarks that frame the performance with the exuberant flights of fancy that unfold during the playing, Woolf’s work celebrates music’s capacity to stimulate memories and associations. And it celebrates too music’s own ‘weaving’ into a formal ‘pattern’ and ‘consummation’. On 7 March 1920, Woolf attended a concert that included a Schubert quintet ‘to take notes for my story’.
    [Show full text]
  • Current Review
    Current Review Dmitri Shostakovich: The Complete String Quartets aud 21.411 EAN: 4022143214119 4022143214119 www.amazon.de (J Scott Morrison - 2011.05.15) source: https://www.amazon.de/product-reviews/B0... The Mandelring Quartet Throw Their Hats in the Ring There are two sets of string quartets written in the twentieth century that can be counted among the greatest ever written: the six Bartók and the fifteen Shostakovich quartets. The Bartóks have been considered masterpieces for many years; it took longer for the Shostakovich set to be acknowledged as such outside Russia. But such they are and will surely remain. Still, they figure less often on concert programs than one might expect. That is at least partly because, with the exception of the popular Eighth and the more accessible and brief (15') First, they are rather more difficult to 'get' on one hearing. But they certainly repay repeated hearings and it is no surprise that the complete set has been recorded numerous times since the first complete set recorded by the Beethoven Quartet in the 1950s and 1960s. Many of the quartets had been dedicated to and premiered by them and some feel their recordings are definitive. Shostakovich: The 15 String Quartets Following that was the first of two complete sets by the Borodin String Quartet. I still remember the delight of discovery when a student of mine lent me the first Borodin set (of Qts 1-13) and I heard the quartets for the first time. I still have a strong emotional preference for those recordings, long since available on CD.
    [Show full text]
  • Alex Ross: the Rest Is Noise: Ruined Choirs: Shostakovich Pagina 1 Van 6
    Alex Ross: The Rest Is Noise: Ruined Choirs: Shostakovich pagina 1 van 6 Alex Ross: The Rest Is Noise Articles, a blog, and a book by the music critic of The New Yorker Ruined Choirs: Shostakovich by Alex Ross The New Yorker, March 20, 2000. Addendum 2004: This article contains quotations from Testimony, the purported memoirs of Dmitri Shostakovich. In light of Laurel E. Fay's latest researches, published in The Shostakovich Casebook, it is no longer possible to place any faith in Solomon Volkov's book. Writing in 2000, I stated that the composer's signature appeared on the first page of the manuscript. This, it turns out, is not the case. On a January evening in 1936, Joseph Stalin entered a box at the Bolshoi Theatre, in Moscow. His custom was to take a seat in the back, just before the curtain rose. He had become interested that month in new operas by Soviet composers: a week earlier, he had seen Ivan Dzerzhinsky’s “The Quiet Don,” and liked it enough to summon the composer for a conversation. On this night, the Bolshoi was presenting “Lady Macbeth of Mtsensk,” a dark, violent, sexually explicit opera by Dmitri Shostakovich. Stalin enjoyed himself less. After the third act—in which tsarist policemen are depicted as buffoons who arrest people on hastily fabricated pretexts—the Leader conspicuously walked out. Shostakovich, who had been expecting the same reception that Stalin gave to Dzerzhinsky, went away feeling, he said, “sick at heart.” Two days later, Pravda published an editorial under the headline “muddle instead of music,” which condemned Shostakovich’s opera outright.
    [Show full text]
  • Download Booklet
    Quartet in A minor, D.804 (Op.29, February/March 1824) 38:03 1 I Allegro ma non troppo 14:23 2 II Andante 7:51 3 III Minuetto:- Allegretto 7:12 4 IV Allegro moderato 8:37 Quartet in D minor, D.810 (Op.posth, March 1824) 44:11 Der Tod und das Mädchen 5 I Allegro 16:47 6 II Andante con moto 13:28 7 III Scherzo:- Allegro molto 3:58 8 IV Presto – Prestissimo 9:58 Total playing time: 82:15 Performed on period instruments with gut strings Lucy Russell violin Marcus Barcham Stevens violin Alan George viola Sally Pendlebury cello On 31st March 1824 Schubert wrote to his friend, the writer Leopold Kupelwieser, that he had recently completed two string quartets – the A minor and the D minor (“Death and the Maiden”) offered here. But the tone of much of the letter is uncomfortably gloomy, often despairing; and he actually quotes two lines of Goethe which he had set ten years earlier in Gretchen am Spinnrade: “My peace is gone, my heart is heavy; never, never again will I find rest”. Is it a coincidence that the haunting accompaniment figure with which the second violin opens the A minor quartet bears a striking resemblance to that which (at a quicker pace) begins this same song? And the first few bars of its Minuetto must surely be a direct quotation from another song, Die Gotter Griechenlands, where the relevant words (by Schiller) are “Fair world, where have you gone?” However, the familiarity of the Andante’s principal theme really is genuine, since it is identical to that in the B flat Entr’acte from his (virtually contemporary) incidental music to Rosamunde (so which came first? Our leading Schubert scholar, Brian Newbould, has his theories……).
    [Show full text]
  • Autumn Season • Sep-Dec 2019 from Our Audience
    Autumn Season • Sep-Dec 2019 from our audience: "the Conway Hall Welcometo the Autumn 2019 Season of Conway Hall's Sunday Concerts It is an absolute delight to be able to present our Autumn series of concerts, which features an enticing variety of music played by some concerts are a lovely, of the finest musicians from the UK and abroad. Alongside a hearty helping of core repertoire by Beethoven, Schubert, Brahms, Haydn and others, I am particularly pleased that this season we will have the relaxing way to end chance to hear a real rarity: the clarinet quintet by Benjamin Durrant, written in 1940 as the prizewinning entry of the Albert Clements competition, held right here at Conway Hall. the weekend. The The Arcis Saxophone Quartet, based in Germany, will give their Conway Hall début performance, combining original works for saxophone ensemble with arrangements including Dvořák’s evergreen music selection is wide American quartet - which we will also have the chance to hear in its original version a few weeks earlier. Further highlights include Camerata Alma Viva in a concert featuring and the musicians are all the Mozart Divertimenti and other works from their recent CD, and the Linos Piano Trio who will offer a prelude to Beethoven’s anniversary year in the form of intimate, chamber arrangements of very high quality." his works. I am sure you will agree that we have a truly exciting season of music in store, and I look forward to welcoming you to our concerts. Please do remember to follow us on our social media pages, subscribe to The Sunday Concerts trace their history back to 1878 when the People’s our mailing list, and if you feel able to make a donation towards our Concert Society was formed for the purpose of “increasing the popularity work, look at the centre pages for more information on how to do this.
    [Show full text]
  • Musicweb International February 2020 Second Thoughts and Short Reviews
    Second Thoughts and Short Reviews - Winter 2019-20/3 By Brian Wilson, Dan Morgan, Simon Thompson and Johan van Veen. Winter #1 is here and Winter #2 is here. Earlier editions are archived here. Reviews are by Brian Wilson unless otherwise stated. Concurrently with this edition I have embarked on a summary, due soon, of some of the new releases and reissues for the Beethoven 2020 celebration of his 250th birthday. I mentioned some of these in Winter #2, but the trickle has since become a flood. My task has been made much easier by Mark Zimmer’s very detailed survey of the three bumper box sets from DG, Warner and Naxos, which allows me to concentrate on single albums and some of the individual releases associated with those box sets, especially the smaller download selections from the DG box. I’ve dealt with some of these in my article and hope to include the rest in forthcoming editions of these regular Second Thoughts and Short Reviews. Index [page numbers in brackets] BARBER Violin Concerto – Dalene/Blendulf_BIS (with TCHAIKOVSKY) [10] BEETHOVEN String Quartet No.14 in c-sharp minor, Op.131 – Allegri Quartet_Naim (with BRITTEN) [9] BRAHMS Piano Concerto No.1 – Arrau; Philharmonia/Giulini_Beulah (with BOCCHERINI, HAYDN) [6] BRITTEN String Quartet No.3 – Allegri Quartet_Naim (with BEETHOVEN) [9] BRUCKNER Symphony No.6 – Rattle_LSO Live [10] DEBUSSY Nocturnes, etc. – Elder_Hallé [12] DVOŘÁK Quartet No.9; MESSIAEN Quatuor_Vermeer Quartet_NAIM [19] ELGAR; VAUGHAN WILLIAMS Symphony No.5 – Philharmonia/Barbirolli_Beulah [11] EŠENVALDS There Will Come Soft Rains and other works – Pacific Lutheran Choir_Signum [17] HAYDN String Quartet Op.50/5 – Allegri Quartet (see SCHUBERT) [7] LOSY Note d’Oro (Lute Music) – Jakob Lindberg_BIS [6] MACMILLAN Tuireadh – Allegri Quartet (see SCHUBERT) [7] MOZART Haffner Serenade, Musical Joke – Kölner Akademie/Willens_BIS [8] - Piano Concertos 5-6, 8-9, Overtures – Jean-Efflam Bavouzet; Manchester Camerata/ Gábor Takács-Nagy_Chandos [8] PALESTRINA Lamentations Bk.
    [Show full text]
  • Teaching Chamber Music to Young String Players at Chetham's School of Music, Manchester
    Teaching Chamber Music to Young String Players at Chetham’s School of Music, Manchester By Graham Oppenheimer I was 12 years old, at a Summer School and I can still vividly recall my first experience of chamber music. The Finale of Mozart Quartet in G major K 387 amazed me with its ingenious construction, and the freedom and brilliance of my own voice. I realised that my part mattered in this wonderful new medium. This was a real “Lightbulb Moment” that has remained with me always. Since that day, I feel privileged to have had a career dedicated to chamber music and as Senior Chamber Music Tutor at Chetham’s School of Music in Manchester, I am now able to create such opportunities for others. Together with our team of dedicated teachers, we feel passionately about the importance of chamber music for young string players and recognise that one of our very important tasks is overseeing Lightbulb Moments for our own students. Many students arrive at Chets having never played chamber music before, and we introduce them to experiences which can be among the most dynamic and exciting available to string players. While researching this article, I spoke with many of our former students about their chamber music experiences at Chetham’s. Russian cellist Mikhail Nemstov (Chetham’s student 2005-07, International Soloist and Chamber Musician) remembers “I came from a background where my learning was almost entirely based on the relationship with my cello. At Chetham’s a whole new beautiful world of chamber music opened before me, I really learnt about making music as a team”.
    [Show full text]
  • Buffalo Chamber Music Society 1924-2019 Ensembles – Artists
    BUFFALO CHAMBER MUSIC SOCIETY 1924-2019 ENSEMBLES – ARTISTS ACADEMY OF ST. MARTIN IN THE FIELDS, IONA BROWN, Director and violin soloist ACADEMY OF ST. MARTIN IN THE FIELDS OCTET Kenneth Sillito, violin, leader; Harvey de Souza, violin; Mark Butler, violin; Paul Ezergailis, violin Robert Smissen, viola; Duncan Ferguson, viola; Stephen Orton, cello; John Heley, cello AIZURI QUARTET Emma Frucht & Miho Saegusa, violins; Ayane Kozasa, viola; Karen Ouzounian, cello ; ALBENERI TRIO Alexander Schneider, violin; Benar Heifetz, cello; Erich Itor Kahn, piano – 1945, 1948 Giorgio Ciompi, violin; Benar Heifetz, cello; Erich Itor Kahn, piano 1951, 1952,1955 Giorgio Ciompi, violin; Benar Heifetz, cello, Ward Davenny, piano 1956, 1958 Giorgio Ciompi, violn; Benar Heifetz, cello; Arthur Balsam, piano 1961 ALEXANDER SCHNEIDER AND FRIENDS Alexander Schneider, violin; Ruth Laredo, piano; Walter Trampler, viola, Leslie Parnas, cello 1973 Alexander Schneider, violin; Walter Trampler, viola; Laurence Lesser, cello; Lee Luvisi, piano 1980 ALEXANDER STRING QUARTET Eric Pritchard, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 1988 Ge-Fang Yang, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 1994 Zakarias Grafilo, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 2006 ALMA TRIO Andor Toth, violin; Gabor Rejto, cello; Adolph Baller, piano 1967 Andor Toth, violin; Gabor Rejto, cello; William Corbett Jones, piano 1970 ALTENBERG TRIO Claus-Christian Schuster, piano; Amiram Ganz,
    [Show full text]
  • 24151Booklet.Pdf
    Composés par Mr. Hayden The Fitzwilliam String Quartet Lucy Russell & Jonathan Sparey (violins), Alan George (viola), Jonathan Cohen (cello) (playing on period instruments) Franz Joseph Haydn (1732-1809) Divertimento (Cassatio) in C major, Op. 1 No. 6 (Hob.III:6) 17.07 1 Presto assai 2.13 2 Minuet 3.58 3 Adagio 4.39 4 Minuet 3.58 5 Finale: Allegro 2.19 String Quartet in D major, Op. 71 No. 2 (Hob.III:70) 20.22 6 Adagio – Allegro 8.58 7 Adagio 4.56 8 Menuet: Allegro 2.30 9 Finale: Allegretto – Allegro 3.58 String Quartet in F major, Op. 77 No. 2 (Hob.III:82) 25.16 10 Allegro moderato 7.24 11 Menuet: Presto 4.41 12 Andante 7.09 13 Finale: Vivace assai 6.01 (including foreshortened applause) Total CD duration 62.45 The Music 1 On March 2nd 1969 the Fitzwilliam String Quartet made its first ever public appearance – for Fitzwilliam College Music Society in Cambridge (hence its name). By a happy coincidence this forty-year milestone for the FSQ also coincided with the 200th anniversary of arguably the greatest of all composers for string quartet, Franz Joseph Haydn (1732–1809). This man’s reputation has for too long suffered beyond the horizons he himself broadened; his achievements have too often been eclipsed by those of his successors. It was only natural that, as one of the great innovators, he should create not just a magnificent treasury of music himself but also limitless possibilities on which others might build. While he may never equal the popular appeal of his young friend Mozart, it is to be hoped that 2009 will have gone some way towards reminding us of his towering presence in our musical history and heritage.
    [Show full text]
  • Celebrating 30 Years of Fitzwilliam Women | Publishing in Zimbabwe | the Science of Personality Master’S Message College News
    Optima Fitzwilliam College Newsletter | Issue 16 | Spring 2010 Celebrating 30 years of Fitzwilliam women | Publishing in Zimbabwe | The Science of Personality Master’s message College News This issue of Optima registers two key moments in the development of Fitzwilliam. As its cover foregrounds, it The Library is now open celebrates the admission of the first cohort of women students in 1979. For this represented a huge advance for the College. Its life and work have been immeasurably enhanced by them and generations of their successors. Another historic event is the recent opening of the new Library and IT Centre. Many readers will remember the constraints of the library here, though it was rightly positioned in the very centre of the original Lasdun buildings, testimony to the importance of such a resource at the heart of an academic institution. The magnificent new Library is on a different scale altogether. It provides our students with the most modern facilities in collegiate Cambridge. They have said that the College itself feels ‘rejuvenated’ as a result! What is certain is that this is the last great project within our beautiful grounds. Revd Jesse Jackson visits Fitzwilliam In every sense, it completes Fitzwilliam. But the completed site evd Jesse Jackson, a leading civil rights, remains merely the context in, and gender equality, social justice and beyond, which the values of the place peace campaigner over several are reaffirmed. This issue of Optima is R decades, visited the College on 1 March. another snapshot, its articles and images offering perspectives on the He met Fellows, JMA representatives and College past and present as well as College members of the Cambridge University encouraging all of us to contribute, in varied ways, to sustaining Fitzwilliam African-Caribbean Society, discussing US and into the future.
    [Show full text]
  • November 2017 List
    November 2017 Catalogue Issue 18 Prices valid until Friday 15 December 2017 0115 982 7500 ‘Cadenabbia on Lake Como’ by Felix Mendelssohn (1837) [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, Picking out our favourites from the new releases this month has been a challenge, to say the least. Not that we’re complaining - being surrounded by glorious new recordings week in, week out is one of the perks of the job! Warner Classics (with Erato) is a good place to start. All four of the highlights we have picked on p.4 are wonderful discs from some of today’s brightest talents. Violinist Vilde Frang, soprano Sabine Devieilhe, mezzo Natalie Stutzmann and choral conductor Laurence Equilbey all offer us fascinating recitals, each artist very much at home in the repertoire they have chosen. Chandos are another label that have a particularly strong selection of new titles for November - see p.6 for Elgar from Sir Andrew Davis, Bartok from Edward Gardner and Richard Rodney Bennett from John Wilson. It is also good to see them boxing together Jean-Efflam Bavouzet’s recent traversal of the Beethoven Piano Sonatas. Alpha present us with the latest offering from Vox Luminis in the form of Handel and Bach, alongside the next instalment in the Haydn 2032 series (the previous volume having won a Gramophone Award this year). Decca’s priority for the month is a magnificent album of baroque works featuring both Cecilia Bartoli and Sol Gabetta (’Dolce Duello’); our pick from Sony is Teodor Currentzis’s interpretation of Tchaikovsky 6 with MusicAeterna; and Naxos entice us with the third instalment of their superb Ring Cycle from Hong Kong.
    [Show full text]
  • Spring Bank Holiday Quartet Coaching by the Sea 2018
    SPRING BANK HOLIDAY QUARTET COACHING BY THE SEA 2018 Join the Victoria String Quartet: photo:Kevin Laitak Benedict Holland and Catherine Yates, violins Susie Mészáros, viola Jennifer Langridge, cello Bring your quartet to the pretty village of Overstrand, from Friday 4th May 2018 – Monday 7th May inclusive, for three days of intensive coaching and an optional performance showcase. This is designed to be a small and friendly course for existing string quartets of all standards, with opportunities for relaxation and sightseeing. Who are we? The Victoria String Quartet unites some of the most experienced chamber musicians in the UK: All four of us have performed together in different ensembles for many years, and between us we can boast an impressive pedigree: The Chilingirian Quartet, The Sorrel Quartet and Psappha Ensemble, naming just a few. We are thrilled to join together in our new formation to explore and perform the rich and varied string quartet repertoire. We are based in Manchester and all four of us teach at the Royal Northern College of Music and give masterclasses both in the UK and internationally. Why Overstrand for the location of the course? The course will take place in the beautiful setting of the North Norfolk coast. Although it's a peaceful and relaxing place, the village also has good amenities, a cosy pub and great walks from the doorstep (which is just 5 minutes on foot from a lovely beach). The seaside town of Cromer with its pier and beaches is in easy reach by a short bus ride or a scenic cliff/beach walk where there are supermarkets etc., and there are many places of interest to visit close at hand.
    [Show full text]