207 Years of Living
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Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
America Radio Archive Broadcasting Books
ARA Broadcasting Books EXHIBIT A-1 COLLECTION LISTING CALL # AUTHOR TITLE Description Local Note MBookT TYPELocation Second copy location 001.901 K91b [Broadcasting Collection] Krauss, Lawrence Beyond Star Trek : physics from alien xii, 190 p.; 22 cm. Book Reading Room Maxwell. invasions to the end of time / Lawrence M. Krauss. 011.502 M976c [Broadcasting Collection] Murgio, Matthew P. Communications graphics Matthew P. 240 p. : ill. (part Book Reading Room Murgio. col.) ; 29 cm. 016.38454 P976g [Broadcasting Collection] Public Archives of Guide to CBC sources at the Public viii, 125, 141, viii p. Book Reading Room Canada. Archives / Ernest J. Dick. ; 28 cm. 016.7817296073 S628b [Broadcasting Skowronski, JoAnn. Black music in America : a ix, 723 p. ; 23 cm. Book Reading Room Collection] bibliography / by JoAnn Skowronski. 016.791 M498m [Broadcasting Collection] Mehr, Linda Harris. Motion pictures, television and radio : a xxvii, 201 p. ; 25 Book Reading Room union catalogue of manuscript and cm. special collections in the Western United States / compiled and edited by Linda Harris Mehr ; sponsored by the Film and Television Study Center, inc. 016.7914 R797r [Broadcasting Collection] Rose, Oscar. Radio broadcasting and television, an 120 p. 24 cm. Book Reading Room annotated bibliography / edited by Oscar Rose ... 016.79145 J17t [Broadcasting Collection] Television research : a directory of vi, 138 p. ; 23 cm. Book Reading Room conceptual categories, topic suggestions, and selected sources / compiled by Ronald L. Jacobson. 051 [Broadcasting Collection] TV guide index. 3 copies Book Archive Bldg 070.1 B583n [Broadcasting Collection] Bickel, Karl A. (Karl New empires : the newspaper and the 112 p. -
Adam C. Nedeff¶S Game Show Collection 5,358 Episodes Strong As of 3/23/2010
Adam C. Nedeff¶s Game Show Collection 5,358 Episodes Strong as of 3/23/2010 I: Game Shows II: Game Show Specials III: Unsold Game Show Pilots IV: My Game Show Box Games I: Game Shows ABOUT FACES {1 episode} Tom Kennedy¶s big break as announcer/substitute host. -Episode with Tom Kennedy filling in for Ben Alexander (End segment missing) [AF-1.1/KIN] ALL-STAR BLITZ {2 episodes} You might as well call it ³Hollywood Square of Fortune.´ -Sherlyn Walters, Ted Shackleford, Betty White, Robert Woods (Dark picture but watchable) [ASB- 1.1/OB] -Madge Sinclair, Christopher Hewitt, Abby Dalton, Peter Scolari [ASB-1.2/OB] ALL-STAR SECRETS {3 episodes} Overly-chatty celebrity guessing game. -Conrad Bain, Robert Gulliame, Robert Pine, Dodie Goodman, Ann Lockhart [AlStS-1.1/OC] -David Landsberg, Eva Gabor, Arnold Schwarzenegger(!), Barbara Feldon, David Huddleston (First two minutes missing) [AlStS-1.2/OC] -Bill Cullen, Nanette Fabray, John Schuck, Della Reese, Arte Johnson [AlStS-1.3/OC] BABY GAME {1 episode} Question: On Match Game, you had to make a match to win. On Dating Game, you had to make a date to win. How did you win on a show called Baby Game? -George & Carolyn vs. Gloria & Lloyd [BG-1.1/KIN] BANK ON THE STARS {2 episodes} A pretty nifty memory test with the master emcee. -Johnny Dark, Mr. Hulot¶s Holiday, The Caine Mutiny; Roger Price appears to plug ³Droodles´ [BOTS- 1.1/KIN] -The Long Wait, Knock on Wood, Johnny Dark [BOTS-1.2/KIN] BATTLESTARS {6 episodes} Alex Trebek just isn¶t right for a ³Hollywood Squares´-type show. -
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Cox Family INDEX CAMPBELL, BALLARD. BOND, BOYD, C47,A49 WiUiam"Gca" A36 Aaron B41 Benjamin(Elizabeth) cl 788 A54 Cook (Mallte) A27 CARLSON, Betty Arm(Watson) A44 Donald Eugene(Maisie) " Amos (Jane) 1770 B41 Raymond Leroy C33 Byrom cl745 Cecil Calvert (Ruth) A43A44 Eli"Cook" (Mallie) CARNEFDC, Byrom,II Edith Elouise(Tunnan) D45,A47 Phyllis HoUwdsworth A40 BOYER see B0WYER30YERS, Benjamin Franklin 1825 P46 Eleanor Edward 1640 C49 Bessie (Cox) cl850 B42 I>elia Alice(Boone) JohnK. Edward 1697 John Jackson(Mar^) Elizabeth (Marshall) B51 Lucy (Mink-Cox) cl845 " William B41 William(Nancy) c1800 BANDY, CHadis Pauline SmiA B43 BRADY, CARROL or CARROLL, A49 Ardith Delores(Mitchell) A30 Ike (Julina) 1873 A47 Abner(Mary Arm)cl 820 A54 John (Margaret) cl770 A53 BANE see BAIN, C48,A49 Isaac (Nancy) 1790NC P46 Martiia Virginia(Marshall- Mary Arm(Cock) 1822 A53 BANKS, Isaac (Lucinda)cl 820 A47 -Strange)cl 847 A54 CARTER, Abigail(Quesenbeny)1819 B54 Isaac Shafter(Julina) 1873 Mary Arm(Brady) cl 820 A54 Frances R.(Martin) cl837 B39 Maty "Abigail" James"Arthur" (Virginia) BRANSCOM/BRANSCOME, Henry (Malinda)cl810 C39 (Quesenbeny) I8I9 B54 Jeames 1692 C49 C47,B48,A49 Isaac N.(Elizabeth) cl 834 BARTON, Jocie Isabelle(Smith) 1888 P46 Anna (Dalton) 1836 BS3 John (Frances) cl780 B39 John 1701 C49 Byrd (NatKty) 1813 A34,B53 Sarah Jane(Proffit)cI8I5 C39 John B.(Rozina) cl815 BASKELorBASTEL, C29 Joseph 1704 Gladys Jetty(Quesenberry) A30 CARY, BECKNER see BUCKNER, Mary 1698 Harbert "Byrd"(Nancy) Elizabeth Hannah(Cox) BELCHER, C47,A49 Mary Lee(Berry) A43 1813 A34,BS3 -
Mitchell, Alexander 2018
BEHIND THE BIG DESK: HOW NEWS PARODY RESTRUCTURED THE NETWORK LATE NIGHT TALK SHOW AND REINVENTED AN AMERICAN ART FORM A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Alexander Mitchell Washington, D.C. April 19, 2018 Copyright © 2018 Alexander Mitchell All rights reserved ii BEHIND THE BIG DESK: HOW NEWS PARODY RESTRUCTURED THE NETWORK LATE NIGHT TALK SHOW AND REINVENTED AN AMERICAN ART FORM Alexander Mitchell Thesis Adviser: Brian Hochman, Ph.D. ABSTRACT On June 16, 1960, Senator John F. Kennedy bounded into Studio 6B in 30 Rockefeller Plaza in New York City. Tonight Show host Jack Paar had invited Kennedy onto his program as the first presidential candidate to appear on late night television. Paar treated Kennedy with deference and worked to keep his program largely apolitical, focusing mostly on charming banter with the candidate and questions about his personal life. However, despite Paar’s best efforts, the press slammed him for being too political by even having a politician on his program. Fast- forward fifty-six years to 2016. In the exact same studio, Tonight Show host Jimmy Fallon conducts a similarly friendly interview with controversial presidential candidate, Donald Trump. Once again the host is widely attacked by the presses. But this time the criticism isn’t that Fallon was being too political, it was that he wasn’t being political enough. In this senior thesis I explore what changes occurred over this six-decade span to make Americans expect more from our late night talk show hosts. -
Local Professional Dancer Offers Free Classes to Youth
C M Y K www.newssun.com EWS UN NHighlands County’s Hometown-S Newspaper Since 1927 Heart health MAKER Tri-meet 30 minutes a day is Hillary Swain to be Blue Streak lifters all it takes featured on show take win LIVING, 12B INSIDE, 2A SPORTS, 1B Friday-Saturday, March 1-2, 2013 www.newssun.com Volume 94/Number 26 | 50 cents Forecast Community debates Swamp Hammock: Is it a benefit or a curse By CHRISTOPHER TUFFLEY Cool with times of The issue of whether or not owners to provide a venue for [email protected] to allow Swamp Hammock to off-road vehicle racing and clouds and sun SEBRING — Although no go forward in an area where mud bogging, along with 42 action was taken at the coun- High Low livestock are raised and the other suggested activities. ty commission’s quasi-judi- environment is sensitive has A sign of the interest in cial public hearing Tuesday been going on for about a Swamp Hammock was the 68 44 night, the meeting provided year. size of the audience, which Complete Forecast supporters and critics of the The commissioners’ task filled the commission cham- PAGE 12A proposed Swamp Hammock Tuesday was to make the ber and spilled out into the Outdoor Recreation Club an final decision, amending the lobby. Despite its size, the Online opportunity to directly county’s official zoning atlas audience was generally address expected benefits and to include a Planned respectful, although there problems of the project one News-Sun photo by CHRISTOPHER TUFFLEY Development District for the were muted waves of sarcas- Jan Grove is one of many individuals speaking in favor of last time. -
AUGUST 2 - 8, 1952 and SYRACUSE PHOTO DEVELOPING TV LIFE SPEED UNIT Western New York's Official TV - Radio and Entertainment Magazine DEVELOPED for TV
COMPLETE DAY BY DAY SCHEDULES for ROCHESTER, BUFFALO AUGUST 2 - 8, 1952 and SYRACUSE PHOTO DEVELOPING TV LIFE SPEED UNIT Western New York's Official TV - Radio and Entertainment Magazine DEVELOPED FOR TV Vol. 2 ~12 No. 21 The fastest motion picture film developing unit ever built is now being used by the Owned and Published by National Broadcasting Company. It was de ROBERT H. PEIFFER ASSOCIATES veloped for the coverage of the Republican 16 State St., Rochester 14, N. Y. and Democratic conventions. Phone BAker 0513 A radical departure in the field, the de Editor ------------- __ __ ___________ Bob Peiffer veloping unit can turn out 1,220 feet of Asst. Editor __ _ _ _____ H. V. Kipp negative film an hour, 300 feet in 15 min Photographer Len Campagno utes. It takes roughly two minutes to de velop one minute's worth of film. The or dinary film de~1oping machine takes six AUGUST 2- 8, 1952 times as long to develop an equivalent amount. Not only is the NBC-TV unit the speed TV Life is published weekly at Rochester, iest method of developing 16-millimeter New York. Subscription price $5.00 per films ever devvised, but the machine itself year, in advance. is the smallest commercial developer in use. It measures half the size of a home refrig erator, weighs 225 pounds, and is made of IF YOURS IS A TV HOME stainles steel. The fast developer is 26 inches long, 20 inches wide and stands 20 YOU NEED nyy LIFE11 inches high. NBC television began research on the fast film developer in October, 1951, with a view of having compact and rapid film equipment available for the disaster unit, a mobile TV studio on wheels. -
The Origins and Earliest Surviving Live Tv Broadcast Recordings
Television Recording Origins: Oldest Surviving Live TV Broadcast – R. Shagawat TELEVISION RECORDING – THE ORIGINS AND EARLIEST SURVIVING LIVE TV BROADCAST RECORDINGS By Robert Shagawat E Mail: [email protected] Abstract Of Information as of October 4, 2004 updated October 2010 – April 2011 1947 DuMont RA-103 TV Set Early Kinescope Recording Machine Called the Chatham (or “Doghouse”) model Introduction - Oldest Surviving Record of Live Television Program: What is the earliest surviving live television broadcast recording? It is surprising how little definitive research and solid information is available on this topic. This article seeks to answer this question, based on what we know today. Lack of Prior Research: While there has been a significant amount of research done on the oldest surviving live radio broadcast airchecks (from 1925 or earlier), there is a scarcity of comprehensive research on the earliest live TV transmission recordings that are still in existence. This dearth of information on what remains of the formative years of television was not anticipated, given the vital importance of the TV legacy to the “baby boomers” raised on the media. It is also amazing, given the relatively recent appearance of television during the 20th century (where more documentation of its earliest records would be thought to exist). Historic Means of Capturing Live Television: First of all, we must understand how early TV broadcasts could be captured in the days before videotape and later analog and digital recording methods (as will be further elaborated below). The kinescope recording was filmed from the kinescope or cathode ray tube TV receiver, where these films of live television as taken from the kinescope device were soon themselves just called “kinescopes”. -
JACK CARSON SHOW Point) Burlesque House Tradition
the leads, Jeannie Carson as Heidi and Wally the viewers on a short tour of Fox studios, and 11V picture. Fea- NE Cox as Peter, too grownup for the parts of the shows a short preview of a Fox little pigtailed waif and her goatherd friend. tured opening night was "The Tall Men," FACTS & FIGURES adequately, with particular kudos starring Clark Gable, Jane Russell and Robert But both did ON to Miss Carson's singing. Ryan. Undoubtedly the highlight of this Max Lieb- Future shows probably will not be as emo- man color production was the music. We shall tional as "Cavalcade," but with the format of tv be hearing more of "I Love to Ramble," "An- adaptations of famous movies, plus Mr. Cotton, "Heidi," and "Oudt 20th Cenutry-Fox Hour should secure and hold TÎVTVJ) tiques," "Table Manners," Comes Oom-Pah -Pah." Generally the music - its share of the tv audience. with credits to Clay Warnick and Carolyn Production cost: $90.000. DURHAM -RALEIGH Leigh (out of Robert Schumann)-made the Sponsored by General Electric Co. through production, with a notable assist from the color Young & Rubicam, alternating with United cameras. There is no question that Heidi with- States Steel Hour (CBS-TV Wed., 10 -11 p.m. out color would not have been the same. EDT). POWER Stars of Oct. 5 premiere: Michael Wilding and Production cost: $200,000. NOW Sponsored by Oldsmobile Division of General Merle Oberon, with English cast. Motors, through D. P. Brother, on NBC -TV, Host: Joseph Cotten. 316,000 Watts Oct. I, 9 -10:30 p.m., EDT, in color and Producer: Jules Bricken; director: various; in black -and- white. -
A Cuban in Mayberry THIS PAGE INTENTIONALLY LEFT BLANK a Cuban in Mayberry Looking Back at America’S Hometown
A Cuban in Mayberry THIS PAGE INTENTIONALLY LEFT BLANK A Cuban in Mayberry Looking Back at america’s Hometown Gustavo Pérez Firmat University of Texas Press Austin Copyright © 2014 by Gustavo Pérez Firmat All rights reserved Printed in the United States of America First edition, 2014 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713- 7819 http://utpress.utexas.edu/index.php/rp- form ♾ The paper used in this book meets the minimum requirements of ANSI/niso Z39.48- 1992 (r1997) (Permanence of Paper). LiBrary of congress cataLoging- in- Publication Data Pérez Firmat, Gustavo, 1949– A Cuban in Mayberry : looking back at America's hometown / Gustavo Pérez Firmat. — First edition. pages cm Includes bibliographical references and index. isBn 978-0-292-73905-5 (cloth : alk. paper) 1. Andy Griffith show (Television program) 2. City and town life on television. I. Title. Pn1992.77.a573P39 2014 791.45′72—dc23 2014007098 doi:10.7560/759251 For Jen and Chris Holloway Tell me a story of deep delight. roBert Penn warren Contents Acknowledgments ix introDuction. To the Fishing Hole 1 Part One: tHe PLace cHaPter one. A World unto Itself 21 cHaPter two. Against Change 35 cHaPter tHree. Stopping the Story 47 cHaPter four. Great Pages in History 56 cHaPter five. From R.F.D. to R.I.P. 67 interLuDe: The Road to Mayberry 79 Part Two: tHe People cHaPter one. Sheriff without a Gun (Andy) 89 cHaPter two. Imagination (Mr. McBeevee) 97 cHaPter tHree. -
Ralph Edwards Productions Production Records PASC.0336
http://oac.cdlib.org/findaid/ark:/13030/kt767nf2nr No online items Finding Aid for the Ralph Edwards Productions production records PASC.0336 UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2020 July 27. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Ralph Edwards PASC.0336 1 Productions production records PASC.0336 Contributing Institution: UCLA Library Special Collections Title: Ralph Edwards Productions production records Creator: Ralph Edwards Productions Identifier/Call Number: PASC.0336 Physical Description: 156.5 Linear Feet(313 boxes) Date (inclusive): 1940-circa 2001 Abstract: The collection consists of materials pertaining to the various Ralph Edwards Productions projects such as Truth or Consequences , This is Your Life, and Name That Tune . Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Radio TV Mirror
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