Port Wine Characterisation and Positioning in Portugal
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Influence of Sweetness and Ethanol Content on Mead Acceptability
Pol. J. Food Nutr. Sci., 2015, Vol. 65, No. 2, pp. 137–142 DOI: 10.1515/pjfns-2015-0006 http://journal.pan.olsztyn.pl Original article Section: Food Quality and Functionality Infl uence of Sweetness and Ethanol Content on Mead Acceptability Teresa Gomes, Teresa Dias, Vasco Cadavez, João Verdial, Jorge Sá Morais, Elsa Ramalhosa*, Letícia M. Estevinho Mountain Research Centre (CIMO), ESA - Polytechnic Institute of Bragança, Campus de Stª Apolónia, Apartado 1172, 5301–855 Bragança, Bragança, Portugal Key words: mead, sweetness, ethanol content, fermentations, sensory analysis Mead is a traditional alcoholic beverage obtained by fermenting mead wort; however, its production still remains frequently an empirical exercise. Different meads can be produced, depending on fermentation conditions. Nevertheless, to date few studies have been developed on factors that may infl uence mead quality. The main objective of this work was to study the infl uence of sweetness and ethanol content on mead acceptability. Different meads were produced with two sweetness levels (sweet and dry meads) and three ethanol contents (18, 20, 22% (v/v)), adjusted by brandy addition. Afterwards, meads acceptability was evaluated by sensory analysis through a consumers’ panel (n=108) along with chemical analysis by HPLC-RID of glucose, fructose, ethanol, glycerol and acetic acid. The sweet (75 gglucose+fructose/L) and dry (23 gglucose+fructose/L) meads presented glycerol contents equal to 5.10±0.54 and 5.96±0.95 g/L, respectively, that were desirable since glycerol improves mead quality. Low concentrations of acetic acid were determined (0.46±0.08 and 0.57±0.09 g/L), avoiding the vinegar off-character. -
Proposition of a Marketing Plan to Export Portuguese Still Wines to France
PROPOSITION OF A MARKETING PLAN TO EXPORT PORTUGUESE STILL WINES TO FRANCE Robin Nathan JULLIEN Project submitted as partial requirement for the conferral of Master in International Management Supervisor: Prof. António Robalo, ISCTE Business School, Departamento de Marketing, Operações e Gestão Geral September 2015 - Spine - S Robin Nathan JULLIEN Nathan Robin MARKETING PLAN TO EXPORT PORTUGUESE WINE PORTUGUESE EXPORT TO PLAN MARKETING Abstract The purpose of this thesis is to design a marketing plan to promote Portuguese qualitative still wines in France. Portugal is an old and traditional winemaker. The country has started a vast plan of restructuration of its vineyards and wine production toward quality over the last decades. Portuguese wines do have nowadays very interesting price/quality ratios and are grabbing more and more medals at international wine competitions. In the meanwhile, the French consumption of wine is shifting from traditional and local-oriented habits to a more opened and diversified consumption. Despite the success of many foreign wine regions in France, and the strong links existing between France and Portugal, the Portuguese still wines still have not succeeded to reach the French market. The purpose of this thesis is to outline the strengths and the advantages of the Portuguese wine production according to the characteristics of the French wine market, in order to design a marketing plan to promote qualitative still Portuguese wines to the French customers. Keywords Portuguese wine exportation ; French wine market ; French imports of wine ; Wine marketing I Resumo O objetivo desta tese é, desenvolver um plano de marketing de vinhos tranquilos portugueses de qualidade, em França. -
Leacock's Rainwater
RAINWATER Leacock’s Madeira was established in 1760 and in 1925 formed the original Madeira Wine Association in partnership with Blandy’s Madeira. In 1989, the Symington family, renowned fourth generation Port producers, entered a partnership with Leacock’s in what had then become the Madeira Wine Company, which also represents Blandy’s, Cossart Gordon and Miles. The Blandy's family have continued to run Leacock's in the 21st century. THE WINEMAKING Fermentation off the skins with natural yeast at temperatures between 75°F and 78°F, in temperature controlled stainless steel tanks; fortification with grape brandy after approximately four days, arresting fermentation at the desired degree of sweetness. Leacock’s Rainwater was transferred to ‘estufa’ tanks where the wine underwent a cyclic heating and cooling process between 113°F and 122°F over a period of 3 months. After ‘estufagem’ the wine was aged for three years in American oak casks. The wine then underwent racking and fining before the blend was assembled and bottled. TASTING NOTE Topaz color with golden reflections. Characteristic Madeira bouquet of dried fruits, orange peels and notes of wood. Medium dry at first, followed by an attractive freshness of citrus flavors, with a long, luxurious finish. WINEMAKER STORAGE & SERVING Francisco Albuquerque Leacock’s Rainwater is excellent as an after dinner drink and also very GRAPE VARIETAL good with fruit, chocolate, cakes and Tinta Negra hard cheeses. WINE SPECIFICATION Alcohol: 18% vol Total acidity: 6.0 g/l tartaric acid Residual Sugar: 70 g/l SCORES UPC: 094799040019 90 Points, Wine Spectator, 2005 04.2021 Imported by Premium Port Wines Inc. -
Tutored Wine Tasting
Tutored Wine Tasting PORT Speaker: Eric LAGRE Sommelier Port is the classic fortified wine from the Douro, the name of which derives from Oporto (Porto), the second largest city in Portugal, whence the wine has been shipped for over 300 years. Remains of stone troughs for the fermentation of foot-trodden grapes dating back to at least the 3 rd and 4 th centuries can be found throughout the Douro Valley, upstream from Oporto. But the denomination “Porto/Port”, however, only appeared during the second half of the 17 th century, coinciding with a boom in viticulture and wine export initiated by English merchants. Port has actually often been described as the archetypal wine of the British, and the reason for that is not difficult to discover: Port was created by the British for the British market. HISTORY The 1386 Treaty of Windsor was the first of a series of treaties to build strong and active links between Portuguese coastal cities and London. By the time of the reign of Henry VII, the English had established businesses and trade associations benefiting from certain diplomatic privileges in the ports of Lisbon, Oporto, and most importantly, as far as the wine trade was concerned, Viana do Castelo, in the Minho, right to the north of the county. Portuguese wines were often traded for woollen goods from England or dried, salted cod from Newfoundland, bacalhau thus becoming a staple of Portuguese cuisine. Since the thin and astringent Vinho Verde of the Minho was not a wine to the liking of the English consumer, English merchants would rely on Portugal only when needed, mostly because it was the easiest option in terms of shipment. -
Port Wine: Production and Ageing Juliana Milheiro, Fernanda Cosme, Luís Filipe-Ribeiro and Fernando M
Chapter Port Wine: Production and Ageing Juliana Milheiro, Fernanda Cosme, Luís Filipe-Ribeiro and Fernando M. Nunes Abstract Port wine is a traditional and worldwide renowned fortified wine produced in the Douro Demarcated Region (DDR) Northeast of Portugal by specific and tradi- tional winemaking practices. The final quality and uniqueness of the different Port wine styles are highly dependent on the ageing process, namely time, temperature and oxygen levels that will ultimately dictate the type and extension of the chemical changes that occur during this process. These chemical changes occurring during the Port wine ageing process results in significant changes in colour and aroma according to the different ageing conditions employed for the different Port wine styles. This chapter intends to give a broad and generic overview of the known and potential chemical changes occurring during ageing of Port wine that are respon- sible for the changes in the sensory profile observed during the ageing process. Also, the known chromatic and aromatic characteristics of the different Port wine styles and the specific ageing processes, reductive or oxidative, are reviewed. Keywords: Port wine, Douro Demarcated Region, ageing process, colour, aroma 1. Introduction Port wine is a traditional fortified wine produced in the Douro Demarcated Region (Northeast of Portugal in the Douro Valley, Figure 1) under very specific conditions. There are several Port wine styles being related to the winemaking and ageing process and also to the ageing time, which enhances uniqueness to the wines and recognition throughout the world. The Douro Demarcated Region is located within the Douro River basin, surrounded by mountains, having a total area of approximately 250,000 hectares. -
Copyright New York World-Tele;Ram October, 1933 OUTLINE
WINES . AFTER REPEAL t Copyright New York World-Tele;ram October, 1933 OUTLINE Foreword 1. Definition of Wine 2. Classifications of Wlinos a. By Color b. By Activity C. By Taste d. By Content e. By Alcoholic Percentage 3. Styles or Kinds of Wines 4. Origin of Wine Names 5. Uses of Wines 6. Wine Consumption in The United States 7. Imports of Wines 8. Sources of Supplies 9. Supplies from Abroad 10. The Wines of France French Bordeaux Wines French Burgundy Wines French Champagne Wines French Hermitage Wines 11. The Wines of Italy 12. The Wines of Spain 13. The Wines of Germany 14. The Wines of Portugal 15. The Wines of Hungary and taustria 16. The Wines of Switzerland 17. The Wines of Greece 18. The Wines of the United States Foreword Before prohibition, in the best years of wine production and importation, the United States was not a wine-drinking nation. In 1914, the last normal year, before the war and prohibition, while France was consuming 32 gallons per person, Italy 25, and Spain 18.5, the per capita wine consumption of the United States was less than one-half gallon. It has been said that many more people in the United States are wine-drinkers now because prohibition did not forbid wine making in homes and, that given ten more years of prohibition enforcement we would have become prolific users of wine. If this is only partially true, United States wineries and importers will find our people increasingly good customers when prohibition is repealed, and it seems probable that a sizable volume of newspaper advertising will gradually deve lop. -
Portugal's Wine Globalization Waves, 1750-2015
European Historical Economics Society EHES WORKING PAPERS IN ECONOMIC HISTORY | NO. 113 Portugal’s wine globalization waves, 1750-2015 Pedro Lains Institute of Social Sciences, University of Lisbon MAY 2017 EHES Working Paper | No. 113 |May 2017 Portugal’s wine globalization waves, 1750-2015* Pedro Lains Institute of Social Sciences, University of Lisbon Abstract From 1750 to 2015 we may detect three waves of globalization of wines produced in Portugal, namely, port wine exports for the British market in the 18th century, common wines exports to France in the second half of the 19th century, and finally the growth of exports to European markets from the last decade of the 20th century up to the present times. This chapter explores the fundamentals of such waves looking at trends in output, productivity, domestic and foreign consumption, commercial agreements and economic policies. The first two waves came to halt as conditions in the foreign markets changed, because they did not have a solid domestic base of production and commercialization. The chapter argues that the third wave is of a different kind as it developed from a more solid domestic base of the wine sector that had developed for decades based on domestic consumption. Thus we may conclude that wine globalization is also about changing domestic economic conditions. The process was however long and painful, as the sector had a very irregular performance throughout the 20th century which is however related to the overall backwardness of the Portuguese economy in the European context. JEL classification: N53, N54, O13, Q11, Q17 Keywords: Portugal; Agriculture; Wine; Globalization; Domestic markets; Competitiveness. -
Making Port Wine
Making Port Wine Authentic red port may be made from many grapes, mainly Tinta Barroca, Tina Cao, Bastardo, Tempranillo and others. In California Zinfandel or even Syrah make fine ports. The technique below is universal, and may produce a Ruby port (aged in steel, glass or oak for two to 4 years), or a Tawny port (aged in oak, without topping for several years). Tawny port will lose color and may be blended with other ports to suit the winemaker. Technique: 1. Harvest late at an elevated brix (26 to 30 will do). This is to augment the short primary fermentation time and to maximize the fruit’s natural alcohol production. Fruit should be overripe, but no raisins. 2. Aerate the must well prior to and during inoculation. Choose the yeast carefully; select a yeast that is easy to kill with alcohol. Consider reducing yeast nutrients. Sulfite as normal. But bear in mind that the late harvest fruit is probably at a high pH which can will greatly reduce the effectiveness of sulfites. Color extraction can be a problem, so consider cold soaking (after sulfiting) and/or supplementing the must with OptiRED or pectic enzyme. 3. At 10 to 12 brix, juice should be at 9.5 to 10.5% abv (Alcohol by Volume). Once the juice reaches the target brix; say 11°, fortify the must or juice per formula below. Final alcohol content fo the finished port should be 18.5 to 20% abv. 4. Fortify with grape neutral spirits (GNS) at 190-proof (95% abv), or use aged or unaged brandy at 140-proof (70% abv) or above. -
Jancis Robinson
The Great Island Madeira Tasting 5 May 2010 by Jancis Robinson These pictures show just part of the archive of sales ledgers bequeathed to the Madeira Wine Company by Noel Cossart, author of one of the most authoritative books on the wine (along with Alex Liddell's more recent work). They date from 1774, 21 years before the oldest wine we tasted was made, and seem to me to illustrate most appropriately the historic nature of this extraordinary drink. The notes below on 43 of the finest madeiras back to 1795 were taken at an extraordinary tasting on the island last week described in The miracle of madeira and What a tasting! The notes are presented in the order the wines were served, which was dictated strictly by age rather than sweetness level. In fact one of the more extraordinary things about these wines was how few of them tasted particularly sweet. Presumably the explanation lies in these wines' exceptionally high levels of acidity. Most of the wines were labelled with the names of the four best-known classic grapes of Madeira - Sercial, Verdelho, Boal and Malvasia - but we also tasted four Terrantez, which demonstrated just how very firm and long-lived wines made from this variety are, and a Bastardo. One of the younger Blandys is planting Terrantez once more. Barbeito made a few hundred litres of Bastardo in 2007 but in 2008 yields were almost non existent. 'I'm learning', said Ricardo Diogo Freitas. 'At the beginning, everything is bad with Bastardo.' My suggested drinking dates are even more speculative than usual in these tasting notes, not least because madeira lasts so many decades, and many of the wines are just so old. -
The Name Sangria Comes from Sangre, Portuguese for Blood
The Name Sangria Comes From Sangre, Portuguese for Blood Across the nation each year on December 20, National Sangria Day is observed by enjoying a well-mixed sangria. Sangria is a beverage made with wine and sweetened with fresh fruit and fruit juices. Other ingredients can include herbs, spices, carbonation, and liquor. The combinations are endless, giving sangria a place at in the cocktail rotation year round. Refreshing and light during hot summer months, bright and sparkling during the winter ones, this fruity punch is quite versatile. Sangria made with white wine is called Sangria Blanca. Use fresh fruit in season for the best flavors. Once mixed, sangria should be chilled and the fruits allowed to marinate a few hours or overnight. Sangria is a wine punch typical of Spain and Portugal, which is also consumed in Argentina and Uruguay. This spiked punch usually mixes in red wine, simple syrup, a few drops of brandy and chopped fruit. The wine can be any inexpensive type that is light, dry and young, but red is preferred. The name sangria comes from sangre, the Portuguese word for blood. Although sangria was originally made with Rioja wine, you can use just about any dry red wine. Other good choices include Beaujolais, Pinot Noir, and Sangiovese. Sangria was introduced to the United States when it was brought to the 1964 world’s fair in New York City by Alberto Heras. Mangria is a version of sangria created by comedian Adam Carolla. The recipe calls for 3 parts red wine, 1 part vodka, and 1 part orange juice. -
The New Wines of Portugal
The International Wine Review Double Issue Report # 24: The New Wines of Portugal Introduction In this Issue Portugal has made dramatic progress in producing world class red and white table wines Introduction ........................................................ Cover over the past decade. We’ve monitored its The Geography and Wines of Portugal ........................3 progress in red wines in two previous reports. In this, our third report on this country, we traveled Portugal’s Wine History ..............................................4 to Portugal to assess both red and white table The Pioneers of Wine..................................................4 wines throughout all the major wine-producing regions. What Portugal’s Consulting Winemakers ...............................5 we found was an unusually dynamic country producing a very The Vines and Wines of Portugal .................................6 wide array of high quality, distinctive wines not just in the Douro Portugal’s Regions and Their Wines .............................7 but throughout the country from the Minho River in the north to Portuguese Food and Wine Pairing ...........................15 well past the Tagus River in the south. Economics and the Market ........................................17 On our trip five years ago, we found many rich, balanced Tasting Notes and Ratings by Region .........................19 wines, especially in the Douro, but we also encountered some Vinho Verde ....................................................19 rustic wines that were -
Portuguese Vines and Wines: Heritage, Quality Symbol, Tourism Asset
Ciência Téc. Vitiv. 33(1) 31-46. 2018 PORTUGUESE VINES AND WINES: HERITAGE, QUALITY SYMBOL, TOURISM ASSET A VINHA: UM PATRIMÓNIO, UM SÍMBOLO DE QUALIDADE, UM TRUNFO TURÍSTICO A. Lavrador da Silva1,*, M. João Fernão-Pires2, F. Bianchi-de-Aguiar3 1 Universidade Nova de Lisboa and Universidade de Lisboa, Avenida de Berna, 26-C / 1069-061 Lisboa 2 Instituto da Vinha e do Vinho, I.P. (Portugal), R. Mouzinho da Silveira 5, 1250-165 Lisboa 3 Universidade de Trás-os-Montes e Alto Douro and Honorary President of the OIV, Quinta de Prados5000-801 Vila Real *corresponding author: Tel: +00351 962383275, email: [email protected] (Received 06.08.2017. Accepted 28.02.2018) SUMMARY This paper aims to showcase the value and uniqueness of Portuguese wines and wine regions. It has three independent but related parts. The first part focuses the millenary history of vines in Portugal and stresses their value for the regional and national economy. The second part focuses on the role of brands in the wine regions and wine marketing, highlighting the importance of the landscape in promotion. It is claimed that the use of landmarks can help create an identity image, useful for attracting tourism and wine advertising, being also a major asset for the Portuguese world trade of wines. Landmarks identification and promotional suggestions with landmarks related to Portuguese wine regions are presented. The third part presents a short revision of the panorama of wine tourism in Portugal and stresses the role of landscapes in its promotion. A literary route in the Douro Demarcated Region is presented by way of example.