Pointer of Interest $82,500 to Buy the House and Ing the Program for More Than Mann So That She Could Have a Ants in the Old Home
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103 the Music Library of the Warsaw Theatre in The
A. ŻÓRAWSKA-WITKOWSKA, MUSIC LIBRARY OF THE WARSAW..., ARMUD6 47/1-2 (2016) 103-116 103 THE MUSIC LIBRARY OF THE WARSAW THEATRE IN THE YEARS 1788 AND 1797: AN EXPRESSION OF THE MIGRATION OF EUROPEAN REPERTOIRE ALINA ŻÓRAWSKA-WITKOWSKA UDK / UDC: 78.089.62”17”WARSAW University of Warsaw, Institute of Musicology, Izvorni znanstveni rad / Research Paper ul. Krakowskie Przedmieście 32, Primljeno / Received: 31. 8. 2016. 00-325 WARSAW, Poland Prihvaćeno / Accepted: 29. 9. 2016. Abstract In the Polish–Lithuanian Common- number of works is impressive: it included 245 wealth’s fi rst public theatre, operating in War- staged Italian, French, German, and Polish saw during the reign of Stanislaus Augustus operas and a further 61 operas listed in the cata- Poniatowski, numerous stage works were logues, as well as 106 documented ballets and perform ed in the years 1765-1767 and 1774-1794: another 47 catalogued ones. Amongst operas, Italian, French, German, and Polish operas as Italian ones were most popular with 102 docu- well ballets, while public concerts, organised at mented and 20 archived titles (totalling 122 the Warsaw theatre from the mid-1770s, featured works), followed by Polish (including transla- dozens of instrumental works including sym- tions of foreign works) with 58 and 1 titles phonies, overtures, concertos, variations as well respectively; French with 44 and 34 (totalling 78 as vocal-instrumental works - oratorios, opera compositions), and German operas with 41 and arias and ensembles, cantatas, and so forth. The 6 works, respectively. author analyses the manuscript catalogues of those scores (sheet music did not survive) held Keywords: music library, Warsaw, 18th at the Archiwum Główne Akt Dawnych in War- century, Stanislaus Augustus Poniatowski, saw (Pl-Wagad), in the Archive of Prince Joseph musical repertoire, musical theatre, music mi- Poniatowski and Maria Teresa Tyszkiewicz- gration Poniatowska. -
Stanisław Moniuszko String Quartets 1 & 2 Juliusz Zarębski: Piano Quintet Op
Stanisław Moniuszko String Quartets 1 & 2 Juliusz Zarębski: Piano Quintet op. 34 Plawner Quintet Stanisław Moniuszko (1819–1872) String Quartet No. 1 in D minor 16'12 1 Allegro agitato 4'59 2 Andantino 3'57 3 Scherzo. Vivo 4'04 4 Finale. Un ballo campestre e sue consequenze. Allegro assai 3'12 String Quartet No. 2 in F major 15'12 5 Allegro moderato 5'50 6 Andante 4'43 7 Scherzo. Baccanale monacale. Allegretto – Trio 2'06 8 Finale. Allegro 2'33 Juliusz Zarębski (1854–1885) Piano Quintet op. 34 34'55 9 Allegro 9'46 10 Adagio 10'28 11 Scherzo. Presto 5'57 12 Finale. Presto 8'44 T.T.: 66'27 Plawner Quintet Piotr Plawner, violin Sibylla Leuenberger, violin Elżbieta Mrożek-Loska, viola Isabella Klim, violoncello Stanisław Moniuszko Piotr Sałajczyk, piano [9] All rights of the producer and of the owner of the work reserved. Unauthorized copying, hiring, renting, public performance and broadcasting of this record prohibited. cpo 555 124–2 Co-Production: cpo/Deutschlandfunk Kultur Recording: Andreaskirche Berlin/Wannsee, September 22–24, 2018 Recording Producer, Editing & Mastering: Michael Havenstein Executive Producers: Burkhard Schmilgun/Bettina C. Schmidt Cover Painting: Wladyslaw Podkowinski, »Un campo de Lupin«, 1891. Galería de Arte Polaco del siglo XIX (Lonja de los Paños, Sukiennice). Museo Nacional de Cracovia. Polonia. Ⓒ Photo: akg-images, 2019; Design: Lothar Bruweleit cpo, Lübecker Str. 9, D–49124 Georgsmarienhütte Juliusz Zarębski Ⓟ 2019 – Deutschlandradio – Made in Germany Anziehend in ihren Gegensätzen: sich der genius populi mitsamt seinem Temperament, jahrelang an der Schwindsucht dahin, Stanisław Moniu- Stanisław Moniuszko und Juliusz Zarębski seinem Melos und Rhythmus, seiner Geschichte und sei- szko wird ohne Vorwarnung aus seiner Tätigkeit heraus- nen Hoffnungen spontan wiedererkannte. -
Gustav Klimt's Lady in Gold2
Nr. 13/2013 HERMENEIA Journal of Hermeneutics, Art Theory and Criticism Topic: Critical Discourse in Philosophy and Art Editura Fundaţiei Academice AXIS IAŞI, 2013 Advisory board Ştefan AFLOROAEI, Prof. Dr., Al. I. Cuza University, Iasi, Romania Sorin ALEXANDRESCU, Prof. Dr., University of Bucarest, Romania Aurel CODOBAN, Prof. Dr., Babeş-Bolyai University, Cluj-Napoca, Romania Denis CUNNINGHAM, Secretary General, Fédération Internationale des Professeurs de Langues Vivantes (FIPLV) Ioanna KUÇURADI, Prof. Dr., Maltepe University, Turkey Roger POUIVET, Prof. Dr., Nancy 2 University, France Constantin SĂLĂVĂSTRU, Prof. Dr., Al. I. Cuza University, Iasi, Romania Jean-Jacques WUNENBURGER , Prof. Dr., Jean Moulin University, Lyon, France Editor Petru BEJAN, Prof. Dr., Al. I. Cuza University, Iasi, Romania Editorial board Cristian CIOCAN, Postdoctoral Researcher, Al. I. Cuza University, Iasi, Romania Antonela CORBAN, Postdoctoral Researcher, Al. I. Cuza University, Iasi, Romania Florin CRISMAREANU, Postdoctoral Researcher, Al. I. Cuza University, Iasi, Romania Ciprian JELER, Postdoctoral Researcher, Al. I. Cuza University, Iasi, Romania Horia-Vincenţiu PATRASCU, Postdoctoral Researcher, Al. I. Cuza University, Iasi, Romania Dana ŢABREA, Postdoctoral Researcher, Al. I. Cuza University, Iasi, Romania Address Alexandru Ioan Cuza University, Iasi, Romania The Department of Philosophy and Social-Political Sciences Hermeneia 11, Carol I, Blvd., 700506, Iasi, Romania email: [email protected] http://www.fssp.uaic.ro/hermeneia/ Edited by Axis Academic Foundation Tel./fax: 0232/201653 email: [email protected] ISSN: 1453-9047 TOPIC: CRITICAL DISCOURSE IN PHILOSOPHY AND ART Summary I. ARTISTICAL INTERPRETATION Petru BEJAN What is art criticism (any longer)? .......................................................................................... 7 Rolland QUILLIOT L’ambiguïté de l’échec artistique: réflexions sur Le chef d’œuvre inconnu de Balzac ..... -
Modern Moparmopar ER CAR SL C Y L R U H B
HRYSLE R C O C A F R S C O L U U T B H A U A STR ALI Modern Mopar ER CAR SL C Y L R U H B C O F A I S L O A GHFHPEHURPDUFKR U R TH AUST President Iain Carlin General monthly meetings are held on the FIRST Tuesday of every month at: Vice President Hugh Mortimer The West Adelaide Football Club, 57 Milner Rd, Richmond. Secretary Di Hastwell Treasurer Greg Helbig Events Coordinator Damian Tripodi ACF Coordinator Jason Rowley Regular - $40.00 per year (& quarterly magazine) Events Organisers John Leach Historic Registration - $50 per year (& quarterly magazine) Chris Taylor Historic Registrar Stuart Croser Inspectors North John Eckermann Jason Rowley South Chris Hastwell Charles Lee Central Rob McBride Dave Hocking Sponsorship & Marketing Evan Lloyd Club Library Iain Carlin Editorial / Design Dave Heinrich Webmasters Iain Carlin Dave Heinrich Photography Mary Heath Iain Carlin Lesley Little Ingrid Matschke Damian Tripodi Paris Charles John Antinow Charles Lee Mandy Walsh Contributors Iain Carlin Hugh Mortimer Lesley Little Rick Saxon John Antinow Guy Oakes Stuart Croser Damian Tripodi Source Wikipedia Allpar Hot Rod Car Advice Car & Driver FourWheeler.com DISCLAIMER CarWeekly.co.uk Chrysler, Jeep®, Dodge and Mopar are registered trademarks of FCA LLC and are used with permission by the Chrysler Car Club of South Australia. Enquiries Torqueback is not a commercial publication and is only published in good faith as a newsletter for a not-for-proÀt organisation. Club Mobile The mention of companies, products or services, and the inclusion of advertisements in this magazine does not immediately 0412 426 360 imply any automatic endorsement by the Chrysler Car Club of South Australia or its editorial team. -
Introduction
Cambridge University Press 978-0-521-45659-3 - Rounding Wagner’s Mountain: Richard Strauss and Modern German Opera Bryan Gilliam Excerpt More information Introduction Chapter 1 suggests that, despite its obscurity, Guntram (1893) remains the central source for understanding the emergence of Strauss as a mature artist. The work, whose text was written by the composer, documents his early philosophical struggles with the issue of music and metaphysics. Earlier scholars of Strauss’s operatic oeuvre have explained its failure in terms of its miscarried Wagnerism, demonstrating that they themselves have failed to understand that Guntram ultimately rejects Wagnerian metaphysics. In 1949, at the end of his life, Strauss regretted that his biographers tended to downplay Guntram’s rejection of a Wagnerian Erlösung, thereby ignoring the breach between individual (subject) and the world (object), as the Minnesänger breaks his lyre and walks 1 away from his brotherhood and his beloved Freihild. In this single gesture, Strauss, who served as his own librettist on this work, suggests that if one systematically follows Schopenhauer to the end of his four-book World as Will and Representation,thefinal denial of the will must include a rejection of music. Feuersnot (1901), the co-subject, along with Salome, of Chapter 2, marked the end of a seven-year operatic hiatus in the wake of Guntram’s failure. During those years Strauss composed his mature tone poems, all of which exemplify a shift toward ego assertion foreshadowed by that breach between individual and collective treated in Guntram. Informed by Nietzsche and Stirner, these orchestral works feature an individual (whether the visionary hero of Ein Heldenleben or the delusional antihero of Don Quixote) at odds with a complacent society. -
1 Captive by EDWIN Q
\ Weaffc* Dbtrflwtfem 7 tun. imvtnton, ii. Owa*. Todqr tori ntfn, log Ww, high «*>• 24,400 pee*. Saturday (etr, ta &e 4b, Sunday, fair, seuonalfe temper- iM Bank Arm •tares. DIAL 741-0010 COUNTY'S HOME NEWSPAPER FOR 87 YEARS PAGE ONE VOL. 87, NO. 162 Bank ud « iMttlonal UUUnt O«ii»». FRIDAY, FEBRUARY 12, 1965 7c PER COPY 1 Captive By EDWIN Q. WHITE U. S. Navy jet HghterJbombers north-was carried out by about It Invoked bitter new denunci- clouds over the target areas. than 100 Navy jets from the 7th forces shot down seven U. S. The last American known » SAIGON, Viet Nam (AP) -Thelost and one American pilot cap- 160 U. S. and South Vietnamese ations and charges of aggression Chap Le, 8'/4 miles north of fleet carriers Hancock, Ranger planes and captured an Ameri- have lived through the Viet Cong cost of the latest American air tured. planes- It was the most massive from, the Communist regimes in the border between North and and Coral Sea. can," Robert H. Shumaker. The terrorist bombing was rescued itrike on Communist North Viet: The raid yesterday-^tWrd this retaliation yet for Viet Cong ter- Hanoi;: Peking and Moscow. South Viet Nam, was softened American military officials Defense Department said he is early today. He was the fifth Nam was fixed today at three! week against the Communist rorist attacks in South Viet Nam. Barracks areas at Chan Hoa op by 28 U. S. Air Force F 100 said two planes were shot down a lieutenant commander from man pulled from the 30-foot pile of rubble—all that remains of the ,U. -
La Bohème Cast 2020 Biography
La Bohème Cast 2020 Biography (Vallo della Lucania, Italy) Italian Soprano Maria Agresta began her vocal studies at the Salerno Conservatory as a mezzo-soprano, later switching to soprano and studying with Raina Kabaivanska. After winning several international competitions she made her professional operatic debut in 2007. Engagements include Mimì and Micaëla (Carmen) for the Metropolitan Opera, New York, Suor Angelica for Liceu, Barcelona, Marguerite (Faust) for Salzburg Festival, Leonora (Il trovatore), Liù (Turandot), Donna Elvira (Don Giovanni) and Leonora (Oberto) for La Scala, Milan, Norma for Théâtre des Champs- Élysées and in Madrid, Turin and Tel Aviv, Mimì for Arena di Verona, Paris Opéra, Bavarian State Opera, Teatro Regio, Teatro di San Carlo, Naples, and Torre del Lago Festival, Elvira (I puritani) for Paris Opéra, Violetta (La traviata) for Berlin State Opera and Bavarian State Opera, Elena (I vespri siciliani) in Turin, Leonora (Il trovatore) for Palau de les Arts Reina Sofía, Valencia, Amelia (Simon Boccanegra) for Rome Opera, La Fenice, Venice, Dresden Semperoper and Berlin State Opera with Daniel Barenboim, Amalia (I masnadieri) for La Fenice and Julia (La Vestale) for Dresden Semperoper. Agresta performs widely in concert with such conductors as Barenboim, Nicola Luisotti, Michele Mariotti, Zubin Mehta, Carlo Montanaro, Riccardo Muti, Noseda and Christian Thielemann. Source: Royal Opera House (Brașov, Romania) Aurelia Florian was born in Romania where she has completed her musical studies (singing and piano), she studied at the Music faculty of the university of Transylvania in Brasov and specialized herself in belcanto singing in master classes with the Romanian soprano Mariana Nicolesco. At the Romanian Atheneum Bucharest (with the George Enescu Philharmonic Orchestra) she was highly acclaimed for singing the soprano part in Mahler’s IV symphony (under M° David Gimenez Carreras), and in 2009 she had a big success with the contemporary opera “Celan” written and conducted by Peter Ruzicka. -
David Dichiera
DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story. -
Fire a Buianes - Pçohinm- Was-Caused
MAY7A CR 5 NILE6 PULCLIBRARY 6960 OKTON 60648 NILES IL Voters m Miles Elementary-filedpetitionsare, Carm Ü. bySyivia Dairymple . School District 71 will have a - --Frey, Richard Tarnoleoni and-in- - choice of nine candidatas to fill A requestby Bethany Terrcc Tuesday's meeting of the Nibs10 lots acroso the street from the csnsbent Geraldine E Bug rm Nursing Home inMortoñ Grove loar vacancieo in the Nov. 3--ronniog for--a twWyehrterm. ... Village Board. narsing home on Main Street in school board elections. Three for temporary parkiogfadiitieo Bernard Citron, repreaenting Bagann was appomteif to the o" property they - own iñ a NUes. He proposed suing a por- seats are for lam-year lerms andhoardtòfllltbe nneípiredterm of Belhaoy, said the nursing home tien of the property for employee onetwo-year term. resideotial area ¡n- Nitea, Was (located between Caldwell aod Gina Bochanan ihomoved Ost if - parhing on a temporary basin According to pestien_on the- diatrièt. - turned over to a camrnittèe.at - - - - - Waukegao, MeGos Grove), owns Continued on rage 47 ballot determined by when they - Canii.irdnaPae,47 - - Fliiod(IiIiIIIig( iiiiii ill!.I)Cs4l(i. ieiIInilIirk,14e(Ie(I iii g iii ViIIaeof NiIe . EdillOU - 46N.She,morRod - Nitos. Illinois60648 -- - 966-39OO-1 - VÖL 31. NO.15, THE BÜGLETmiRSDAYSEPTEMBER 24, 19S 25 percopy I - : - byEileenHlrnrhfeid -- - - - -- --- - - :---005y Cor- VÇP5i!S o! llooaas well as-thatri the gym's dmg tthe th d f t g C orrect-- d- at --th at - --Gmio'i. Jooier.-HiOhSchool-will ,!muaed-uOd-m,,ihercnfsred Niles Homing Director TOddsamtized th facility to get rid ofhe combined with tbóse for Work Is scheduled to he corn- Bavoro aid Mondaythe awnerofthe vermin problem.f made an.asbestos removal from the saine ptetedby Nov. -
The Adaptability of Opera
The Adaptability of Opera: When Different Social Agents Come to Common Ground Author(s): Vlado Kotnik Source: International Review of the Aesthetics and Sociology of Music, Vol. 44, No. 2 (DECEMBER 2013), pp. 303-342 Published by: Croatian Musicological Society Stable URL: http://www.jstor.org/stable/23594802 Accessed: 06-07-2017 19:53 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Croatian Musicological Society is collaborating with JSTOR to digitize, preserve and extend access to International Review of the Aesthetics and Sociology of Music This content downloaded from 198.199.32.254 on Thu, 06 Jul 2017 19:53:06 UTC All use subject to http://about.jstor.org/terms V. Kotnik: The Adaptability of Opera: IRASM 44 (2013) 2: 303-342 When Different Social Agents Come to Common Ground Vlado Kotnik ra^uuy ui nuiiicn nuca, University of Primorska Science and Research Centre, Garibaldijeva 1 The Adaptability of Opera: 6000 KOPER, Slovenia When Different Social UDC: 782.1:78.067 Original Scholarly Paper Agents Come to Common Izvorni znanstveni Clanak Received: October 12, 2012 Ground Primljeno: 12. listopada 2012. Accepted: January 15, 2013 Prihvaceno: 15. sijeinja 2013. Abstract - Résumé Adaptability is the key word when referring to the social history of opera, its institu tions, its protagonists, its Introduction sponsors, its audiences and publics. -
1963-05-16, [P ]
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10 Digit Mopar VIN Format 1959 – 1965
10 Digit Mopar VIN Format 1959 – 1965 VIN format: YLCPNNNNNN (59) LCYPNNNNNN (60-65) L = Car line C = Price class (trim level) Y = Model year P = Assembly plant NNNNNN = Sequence number (At least in 65, Canadian cars have a "C" inserted between price class and model year, for a total of 11 digits.) Car lines: (59) (60) (61) (62) (63) 1 Plymouth 6 cyl Valiant Valiant 6 cyl Valiant 6 cyl 2 Plymouth 8 cyl Plymouth 6 cyl Plymouth 6 cyl Plymouth 6 cyl Plymouth 6 cyl 3 Dodge Plymouth 8 cyl Plymouth 8 cyl Plymouth 8 cyl Plymouth 8 cyl 4 DeSoto Dodge 6 cyl Dodge 6 cyl Dodge 6 cyl Dodge 6 cyl 5 Chrysler Dodge 8 cyl Dodge 8 cyl Dodge 8 cyl Dodge 880 6 Imperial Dod Matador/Polara DeSoto Dodge 880 Dodge 8 cyl 7 DeSoto Lancer Lancer 6 cyl Dart 6 cyl 8 Chrysler Chrysler Chrysler Chrysler 9 Imperial Imperial Imperial Imperial (64) (65) 1 Valiant 6 cyl 1 Valiant 6 cyl V Valiant 8 cyl V Valiant 8 cyl 2 Plymouth 6 cyl 2 Dart 6 cyl 3 Plymouth 8 cyl L Dart 8 cyl 4 Dodge 6 cyl 3 Plymouth 116" 6 cyl 5 Dodge 880 R Plymouth 116" 8 cyl 6 Dodge 8 cyl 4 Dodge 117" 6 cyl 7 Dart 6 cyl W Dodge 117" 8 cyl L Dart 8 cyl 5 Plymouth 119" 6 cyl 8 Chrysler P Plymouth 119" 8 cyl 9 Imperial D Dodge 121.5" C Chrysler Y Imperial Price classes: (These are a general summary for 60-65.