Black Jazz Yodeler Leon Thomas at Museum Of
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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
The Complete Clifford Jordan Strata-East Sessions
RECORD REV!EWS TAfrZ celebrated or discussed. Martin Bough's jaw-dropping photos from the rI actual sessions transport us precisely to that time and place. fiiflvsJ The booklet also reproduces a full- page ad in support of the albums, eJ. 'Ware's minus Sup,sv Bass and Shades of Edward Blackwell, the late drummer's L968 debut, issued here for the first time ever. These rarities greatly increase the set's historical value. So does the five-minute interview with 'Ware CLIFFORD JORDAN (even if "Wilbur" is misspelled in The Complete Clifford lordan Strata- 'the track listing). East Sessions A Chicago riitirr.,Jordan came of Clifford Jordan, Charles Brackeen, Sonny Fortune, age in bands led by Horace Silver, Max Luqman Lateel Cecil Payne, Pharoah Sanders, Roach, and Charles Mingus, but he saxophones; Don Cherry, Kenny Dorham, was out there as a leader by his mid- trumpets; Julian Priester, trombone; Howard Johnson, tuba; Stanley Cowel!, 20s. His agile lines, sinewy tone, and Wynton Kelly, Lonnie Liston Smith, Cedar Walton, deep blues feeling mark him as one of piano; guitar; Sonny Sharrock, Richard Davis, the era's great tenors. A creative risk- Charlie Haden, Sam Jones, Bill Lee, Cecil McBee, Sirone, Wilbur Ware, bass; Ed Blackwell, Dennis taker, too: he used fwo bassists and Charles, Billy Hart, Roy Haynes, Albert Heath, drummers on In the World, an imperflect Ttte Haven for Billy Higgins, Majeed Shabazz, drums; record that nonetheless allows us to Chief Bey, others, percussion; Leon Thomas, hear Don Cherry and'W.ynton Kelly Music Lorers in the Mosa ic M D6-2sJ?:'l S$:liirlt',no rd r orda n, in the same band. -
Pharoah Sanders, Straight-Ahead and Avant-Garde
Jazz Perspectives ISSN: 1749-4060 (Print) 1749-4079 (Online) Journal homepage: http://www.tandfonline.com/loi/rjaz20 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman To cite this article: Benjamin Bierman (2015) Pharoah Sanders, Straight-Ahead and Avant- Garde, Jazz Perspectives, 9:1, 65-93, DOI: 10.1080/17494060.2015.1132517 To link to this article: http://dx.doi.org/10.1080/17494060.2015.1132517 Published online: 28 Jan 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjaz20 Download by: [Benjamin Bierman] Date: 29 January 2016, At: 09:13 Jazz Perspectives, 2015 Vol. 9, No. 1, 65–93, http://dx.doi.org/10.1080/17494060.2015.1132517 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman Introduction Throughout the early 1980s, Sweet Basil, a popular jazz club in New York City, was regularly packed and infused with energy as the Pharoah Sanders Quartet was slam- ming it—Sanders on tenor, John Hicks on piano, Walter Booker on bass, and Idris Muhammad on drums.1 The music was up-tempo and unflagging in its intensity and drive. The rhythm section was playing with a straight-ahead yet contemporary feel, while Sanders was seamlessly blending the avant-garde or free aesthetic and main- stream straight-ahead jazz, as well as the blues and R&B influences from early in his career.2 This band—and this period of Sanders’s career—have been largely neglected and Sanders himself has generally been poorly represented in the media.3 Sanders, as is true for many, many musicians, suffers from the fact that in critical discourses jazz styles often remain conceptualized as fitting into pre-conceived cat- egories such as straight-ahead, mainstream, and avant-garde or free jazz. -
Flying Dutchman Label Discography
Flying Dutchman Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Flying Dutchman Label Discography Flying Dutchman was a jazz label created 1969 by the renowned producer/arranger Bob Thiele. It produced a fascinating mix of forward thinking music; the label combined the sounds of jazz, soul, experimentation, and black politics. Although the label put out some standard jazz albums, their most incredible records were those of unique musicians such as Leon Thomas, Lonnie Liston Smith, Gil Scott-Heron and Angela Davis. Initially the label was distributed by Atco Division of Atlantic, but later was switched to Bob Shad’s Mainstream label for two years. By 1974 the distribution was switched to RCA which distributed the label to 1984. The Flying Dutchman catalog was acquired by Legacy Recordings in 1993 from Bob Shad's daughter Tamara when she sold the assets of Mainstream Records, which had distributed Flying Dutchman until it closed in 1978. The Flying Dutchman label had several subsidiaries the specialized in different musical styles. The Amsterdam label concentrated on popular music including the recordings of Thiele’s wife Teresa Brewer. The Reggae label was established to release the reggae music from Jamaica. The Bluestime label was established to release blues recordings. Starting in 1974, Flying Dutchman albums were released in the RCA numbering system and were distributed by RCA. This numbering system was also used for albums on the Signature which was reactivated in 1974; Thiele also established the Bob Thiele Music label. For other albums on the Flying Dutchman, Signature, Bob Thiele Music label releases see the discography of the Bob Thiele labels. -
Vocal Ecosystems Beyond Pedagogy: Working with Challenges
Literacy Information and Computer Education Journal (LICEJ), Special Issue, Volume 4, Issue 1, 2015 Vocal Ecosystems Beyond Pedagogy: Working With Challenges Jeri Brown Concordia University Canada Abstract Knowledge of vocal improvised music, whether demonstrated in the communication of the two demonstrated by high or low obscure pitch sounds, principal artists. The use of tone matching also the beating of the chest while making music sounds, stimulates the harmonic musical language and mood vocal pitch matching or vocal animation with or in this piece. In both pieces, composer, trumpet and without the use of technology, has paved the way for flugelhorn player Kenny Wheeler creates poetic a steady stream of vocal artists through the years, artistry with voice, tenor and arranged orchestra. each dedicated to vocal exploration. While jazz vocal Horn and voice are well suited to the complex improvisation appears on the surface to involve few material fusing personas in the signature over or no rules, it is a form of communication between layering of cadenzas that reoccur in his works with a artist and listener, where the artist adheres to a set focus on emotion and sentiment [4]. of rules or principles. Here the jazz improviser is The use of vocal language and musical treated as part of an ecosystem, a concept in the intelligence in improvisation creates added biological sciences that comprises a set of stimulation in the improvised vocal delivery. interacting organisms and environments in a particular place. Within the jazz vocal 2. Characteristics of jazz vocal improvisational ecosystem there are various roles, improvisation approaches and activities. -
Santana Welcome Mp3, Flac, Wma
Santana Welcome mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Welcome Country: US Released: 1973 Style: Jazz-Rock, Classic Rock, Latin Jazz MP3 version RAR size: 1713 mb FLAC version RAR size: 1702 mb WMA version RAR size: 1179 mb Rating: 4.4 Votes: 307 Other Formats: MP2 RA APE VOC MPC AU MMF Tracklist Hide Credits Going Home Arranged By – Alice Coltrane, The New Santana Band*Bass – Doug RauchDrums – A1 4:10 Maitreya Michael Shrieve*Organ [Hammond], Mellotron – Richard KermodeOrgan [Yamaha] – Tom CosterPercussion – Armando Peraza, Carlos Santana Love, Devotion & Surrender Bass – Doug RauchComposed By, Electric Piano – Richard KermodeComposed By, Lyrics A2 By, Vocals, Electric Guitar, Acoustic Guitar – Carlos SantanaCongas – Armando 3:35 PerazaDrums – Maitreya Michael Shrieve*Organ – Tom CosterTimbales – Jose "Chepito" Areas*Vocals – Leon Thomas, Wendy Haas Samba De Sausalito Bass – Doug RauchComposed By, Timbales, Percussion, Congas – Jose "Chepito" A3 Areas*Drums – Tony Smith Electric Piano, Percussion [Latin] – Tom CosterGuitar – Carlos 3:08 SantanaOrgan [Hammond], Percussion [Latin] – Richard KermodePercussion [Latin] – Armando Peraza When I Look Into Your Eyes Bass – Doug RauchComposed By, Lyrics By, Drums – Maitreya Michael Shrieve*Composed By, Organ [Yamaha And Hammond] – Tom CosterCongas, Bongos – A4 5:49 Armando PerazaElectric Piano, Marimba, Shekere – Richard KermodeFlute – Bob Yance, Mel MartinLead Guitar – Carlos SantanaRhythm Guitar – Doug Rodriguez*Soloist, Flute – Joe FarrellVocals – Leon Thomas, Wendy -
Download the FLUTE of ROLAND KIRK
1 The FLUTE of ROLAND THEODORE KIRK “RAHSAAN” Solographer: Jan Evensmo Last update: April 8, 2021 2 Born: Columbus, Ohio, Aug. 7, 1935 Died: Bloomington, Indiana, Dec. 5, 1977 Introduction: Roland Kirk visited Norway two times, 1967 and 1970. The first was at Kongsberg International Jazzfestival where I had the opportunity to meet him. He was a very nice man, and when I asked what he thought about vintage jazz, he told that he had played with Fletcher Henderson! It is physically possible, but Kirk must have been a very young teenager then. When I told him about Per Borthen & His Swing Department practicing in a nearby hotel, he grabbed his tenorsax and said let’s go! There he played a couple of numbers straight out of the history book. Those who were there will never forget it!! History: He was blind from the age of two. He played bugle and trumpet before taking up clarinet and C-melody saxophone, and by the time he was 15 was working professionally as a tenor saxophonist in rhythm-and-blues bands. After working in Louisville, Kirk moved in 1960 to Chicago. He toured Germany in April 1961 and later that year spent three months with Charles Mingus. For the next 15 years he led his own groups, drawing on various combinations of lesser-known sidemen; the Vibration Society, as his band was called, toured widely and played in all styles of jazz. Although Kirk was often, and wrongfully, accused of perpetrating nunmusical gimmickry, listeners in the 1960s gradually came to recognize his talents as an improviser, and in the 1970s he even a chieved modest commercial success. -
Notre Dame Collegiate Jazz Festival Program, 1971
Archives of the University of Notre Dame Archives of the University of Notre Dame AT GATES CHEVROLET PUTTING YOU FIRST --- KEEPS US FIRST notre dame collegiate jazz festival march 5 & 6, 1971 ann heinrichs chairInan don patrician applications j. b. buchanan judges dan roth publicity dave wehner high school contest bob syburg production Monte Carlo Coupe Inike lenehan prograIll paIn schertz prIzes• dane criger advertising dick bizot faculty advisor 01 -', N~BODY progra:m designed and edited by WALKS AWAY ~ GATES TODAY :mike lenehan GATES CHEVROLET GATES cover by le:m joyner SOUTH BEND 333 Western Ave. Ph. 288-1421 II SHOWROOM HOURS: II - ~ Mon., Tues., Thurs. 8 a.1ft. 'lilS p.m.-Wed., Fri., Sat 8 a.m. 'iiI 6 p.m. Archives of the University of Notre Dame 1fJtd /I Littte ~etp fuJm (Jet!t ,?'tied4 After twelve months of endless planning, rearranging, phone calling and errand-running, almost anything would seem anti-cli mactic. But year after year, we are amazed to find that this is not the case with CJF. The sight of an excited crowd rising to its feet, the dedication and professionalism of the band leaders, the apprecia tion expressed by musicians who have come many miles to play be fore the CJF audience - all of these things, which happen in the span of a few short hours, make the work that goes before seem in significant. This is CJF's thirteenth year. We are the oldest, and, we think, the best college jazz festival in the country. And each year, as CJF gets bigger and better and as our reputation spreads farther, we find ourselves indebted to a greater number of generous people. -
Discos Zeppelin
DISCOS ZEPPELIN Para obtener más información puede visitar www.zeppelindiscos.com CATÁLOGO COMPLETO DE ARTÍCULOS A FECHA 25/08/2006 Autor Titulo Año E.Disco E.Carátula Precio 10 cc 10 cc 1973 VG++ VG+ 12.00 € 10 cc bloody tourist 1978 VG++ VG+ 6.00 € 10 cc look hear - - - VG++ VG+ 9.00 € 10 cc ten out of 10 - - - VG++ VG++ 9.00 € 10 cc the original soundtrack 1975 VG++ VG+ 9.00 € 10.000 maniacs in my tribe 1987 NM- NM- 9.00 € 11 WAYS TO GET OUT LMOOR RECs ,PUNK/KBD 1990 VG++ VG+ 9.00 € 13TH FOOR ELEVATOR,GREAT SOCIETY fillmore 26-27-agosto-1966 1966 Cartel 9.00 € 1994 please stand by.. 1979 VG++ VG+ 6.00 € 2001 a space odyssey banda sonora ,Stanley KUBRICK 1973 NM- NM- 12.00 € 2001 a space odyssey vol.2,banda sonora ,Stanley KUBRICK 1970 VG++ VG+ 12.00 € 5th dimension,the greatest hits 1970 VG++ VG++ 9.00 € 5th dimension,the individually & collectively 1972 VG++ NM- 10.00 € 5th dimension,the living together growing... 1973 VG++ VG++ 9.00 € 5th dimension,the Love's Lines, Angles and Rhymes 1971 VG++ VG++ 10.00 € 5th dimension,the portrait 1970 VG+ VG++ 9.00 € 5th dimension,the star dancing 1978 VG++ VG++ 9.00 € 5th dimension,the The 5th Dimension Live 1971 VG VG++ 10.00 € 5th dimension,the The 5th Dimension Live 1971 VG+ VG+ 12.00 € 5th dimension,the the age of aquarius 1969 VG++ VG++ 10.00 € 5th dimension,the worst that could happen 1967 VG+ VG+ 12.00 € 5th dimension,the,marilyn mccoo and billy davis i hope we get to love in time 1976 VG++ VG++ 9.00 € 8th day,the the 8th day 1983 VG++ VG++ 6.00 € A Chorus Line Broadway Cast 1975 VG++ VG++ -
2018 Kresge Eminent Artist
2018 KRESGE EMINENT ARTIST THE KRESGE EMINENT ARTIST HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PERFORMING OR LITERARY ARTS for lifelong professional achievements and contributions to metropolitan detroit’s cultural community. wendell harrison is the 2018 kresge eminent artist. this monograph commemorates his life and work. A sampling of the multitude of recordings in which Wendell Harrison has played a major role as lead artist, guest artist, producer and/ Photo taken by Julie Pincus at Tennant & Associates, or distributor in his more than 50 year career the Michigan Design Center. Troy, Michigan. as a jazz artist and entrepreneur. """""""""" Contents 5 Foreword By Rip Rapson, President and CEO, The Kresge Foundation 6 Artist’s Statement LIFE 10 The Sound and Vision of Wendell Harrison By Sue Levytsky MUSIC 26 Six Degrees of Wendell Harrison: A Constellation of Jazz Connections 28 All that Jazz 36 The Axe and the Licking Stick LEGACY 40 Made in Detroit: Jazz from the Motor City On Taking Control and Tribe By Mark Stryker 48 Tribe, The Magazine 52 After Tribe: Rebirth and Revision By Larry Gabriel 54 The Teachings of Wendell Harrison By Susan Whitall 58 Other Voices 62 Biography KRESGE ARTS IN DETROIT 72 Our Congratulations Christina deRoos, Director, Kresge Arts in Detroit Richard L. Rogers, President, College for Creative Studies 74 The Kresge Eminent Artist Award and Winners 74 2016-2017 Advisory Council 76 Credits & Acknowledgements Photos by Julie Pincus """""""" """""""" """""""" Foreword We often invoke as a figure of speech the phrase, “Art moves us.” wendell harrison takes us beyond metaphor. he comes to us from the aesthetic of jazz, and he exemplifies the special relationship jazz has always enjoyed with motion. -
Downbeat.Com August 2014 U.K. £3.50
AUGUST 2014 U.K. £3.50 DOWNBEAT.COM August 2014 VOLUME 81 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Žaneta Cuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan