DOCSLIB.ORG

Santana Lotus Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Santana Lotus Mp3, Flac, Wma Santana Lotus mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Lotus Country: US Style: Latin Jazz, Jazz-Rock, Psychedelic Rock MP3 version RAR size: 1466 mb FLAC version RAR size: 1567 mb WMA version RAR size: 1512 mb Rating: 4.9 Votes: 628 Other Formats: AA MP1 AIFF MMF AU DXD FLAC Tracklist Hide Credits A1 Meditation Going Home Arranged By – Alice Coltrane, The New Santana Band*Bass – Doug RauchDrums – Michael A2 ShrieveOrgan [Hammond] – Richard KermodeOrgan [Yamaha] – Tom CosterPercussion – Carlos Santana, Leon ThomasPercussion [Latin] – Armando Peraza, Jose "Chepito" Areas* A-1 Funk Bass – Doug RauchBongos, Congas – Armando PerazaCongas, Timbales – Jose "Chepito" A3 Areas*Drums – Michael ShrieveGuitar [Lead], Effects [Echo Plex], Percussion – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond], Electric Piano – Richard KermodeOrgan [Yamaha] – Tom CosterWritten-By – The New Santana Band* Every Step Of The Way Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano – Richard A4 KermodeLead Guitar – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond] – Tom CosterTimbales – Jose "Chepito" Areas*Written-By – Michael Shrieve Black Magic Woman Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano – Richard B1 KermodeGuitar – Carlos SantanaOrgan [Hammond] – Tom CosterTimbales – Jose "Chepito" Areas*Vocals – Leon ThomasWritten-By – Peter Green Gypsy Queen Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano – Richard B2 KermodeGuitar – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond] – Tom CosterTimbales – Jose "Chepito" Areas*Written-By – Gabor Szabo Oye Como Va Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano – Richard B3 KermodeGuitar – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond] – Tom CosterTimbales – Jose "Chepito" Areas*Written-By – Tito Puente Yours Is The Light Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano – Richard B4 KermodeGuitar – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond] – Tom CosterTimbales – Jose "Chepito" Areas*Written-By – Richard Kermode Batukada Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrievePercussion [Latin] – B5 Carlos Santana, Leon Thomas, Richard Kermode, Tom CosterTimbales – Jose "Chepito" Areas*Written-By – The New Santana Band* Xibaba (She-Ba-Ba) Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano – Richard B6 KermodeGuitar – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond] – Tom CosterTimbales – Jose "Chepito" Areas*Written-By – Airto* Stone Flower (Introduction) Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano – Richard C1 KermodeGuitar – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond] – Tom CosterTimbales – Jose "Chepito" Areas*Written-By – Antonio Carlos Jobim Waiting Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano – Richard C2 KermodeGuitar – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond] – Tom CosterTimbales – Jose "Chepito" Areas*Written-By – The Old Santana Band* Castillos De Arena, Part 1 (Sand Castle) Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano, Organ C3 [Yamaha] – Tom CosterGuitar, Effects [Echo Plex] – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond] – Richard KermodeTimbales – Jose "Chepito" Areas*Written-By – Chick Corea, Joachim Young, The New Santana Band* Free Angela Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveGuitar – Carlos C4 SantanaMaracas – Leon ThomasOrgan [Hammond] – Richard KermodeOrgan [Yamaha] – Tom CosterTimbales – Jose "Chepito" Areas*Written-By – Bayete* Samba De Sausalito Bass – Doug RauchBongos, Congas – Armando PerazaCongas, Timbales – Jose "Chepito" C5 Areas*Drums – Michael ShrieveElectric Piano – Tom CosterGuitar – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond] – Richard KermodeWritten-By – Jose "Chepito" Areas* Mantra Bass – Doug RauchDrums – Michael ShrieveEffects [Sound Effects], Percussion – Leon D1 ThomasElectric Piano – Tom CosterGuitar, Percussion – Carlos SantanaOrgan [Hammond] – Richard KermodePercussion [Latin] – Armando Peraza, Jose "Chepito" Areas*Written-By – Carlos Santana, Michael Shrieve, Tom Coster Kyoto (Drum Solo) D2 Drums [Solo] – Michael ShrieveElectric Piano – Tom Coster Castillos De Arena, Part 2 (Sand Castle) Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano, Organ D3 [Yamaha] – Tom CosterGuitar, Effects [Echo Plex] – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond] – Richard KermodeTimbales – Jose "Chepito" Areas*Written-By – Chick Corea, Joachim Young, The New Santana Band* Se A Cabo Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano – Richard D4 KermodeGuitar, Vocals – Carlos SantanaMaracas, Vocals – Leon ThomasOrgan [Hammond], Vocals – Tom CosterTimbales – Jose "Chepito" Areas*Written-By – Jose "Chepito" Areas* Samba Pa Ti Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano – Richard E1 KermodeGuitar – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond] – Tom CosterTimbales – Jose "Chepito" Areas*Written-By – Carlos Santana Savor Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano – Richard E2 KermodeLead Guitar – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond] – Tom CosterTimbales – Jose "Chepito" Areas*Written-By – The Old Santana Band* Toussaint L'Overture Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano, Vocals – E3 Richard KermodeGuitar, Vocals – Carlos SantanaMaracas, Vocals – Leon ThomasOrgan [Hammond] – Tom CosterTimbales, Vocals – Jose "Chepito" Areas*Written-By – The Old Santana Band* Incident At Neshabur Bass – Doug RauchCongas – Armando PerazaDrums – Michael ShrieveElectric Piano – Richard E4 KermodeGuitar – Carlos SantanaMaracas – Leon ThomasOrgan [Hammond] – Tom CosterTimbales – Jose "Chepito" Areas*Written-By – Albert Gianquinto*, Carlos Santana Credits Art Direction, Artwork – Tadanori Yokoo Artwork [Assistant] – Teruhisa Tajima Creative Director [Production] – Hideto Isoda Design [Package Concept] – Hideto Isoda, Tadanori Yokoo, Teruhisa Tajima Engineer [Remix] – Hideto Isoda Illustration – Naoji Tomori Photography By [Nippon Budokan & Inner Leaflets] – Kenji Miura Photography By [Sunset] – Tadashi Kurahashi Producer – The New Santana Band* Recorded By, Engineer [Remix] – Tomoo Suzuki Other versions Category Artist Title (Format) Label Category Country Year SOPZ 7-8-9 Santana Lotus (3xLP, Album, Quad) CBS/Sony SOPZ 7-8-9 Japan 1974 CBS 66 325, CBS 66 325, Santana Lotus (3xLP, Album) CBS, CBS Italy 1975 SOPZ 7-8-9 SOPZ 7-8-9 S 66 325 Santana Lotus (3xLP, Album, Ltd) CBS S 66 325 Spain 1977 Lotus = ロータスの伝説 (2xCD, CSCS 5434〜5 Santana CBS/Sony CSCS 5434〜5 Japan 1991 Album, RE + Box) Lotus (3xLP, Album, Quad, SOPZ 7-8-9 Santana CBS/Sony SOPZ 7-8-9 Japan 1974 Ltd, S/Edition) Related Music albums to Lotus by Santana 1. Carlos Santana / Mahavishnu John McLaughlin - Love Devotion Surrender 2. Santana - Moonflower 3. Santana - Borboletta 4. Carlos Santana / Wayne Shorter - Montreux 1988 5. Santana - Welcome 6. Santana - Abraxas 7. Santana - 3 8. Santana - Caravanserai 9. Jose "Chepito" Areas - Jose "Chepito" Areas 10. Santana - Latin Tropical.
Load more

Recommended publications
  • Vindicating Karma: Jazz and the Black Arts Movement
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
    [Show full text]
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • Students Arrested
    4II& 0 / 4 - j , , 1 Vol. ix.No. #Theus ▼ university of nofre domeObserver - sf. many’s college MMonday, onday, >April 21, 1975 At local bar Students arrested CAME by Maureen Flynn “when this cop came over and I asked him Staff Reporter 'What’s going on?’ The next thing I knew he Six Notre Dame students were among nine ordered me to put my hands on the car and he persons arrested Friday night outside Bridget kicked my legs back. Then I was handcuffed and taken to the jail,” Herenda stated. NOTRE DAME McGuire’s Filling Station, a local tavern. Five of the six were charged with disobeying a "The only order he gave me was to put my COLLECTION public safety order to disperse after a hands on the car,” the student continued, “and I disturbance inside the tavern resulted in the did it right away.” Herenda voiced concern that arrest of a tenth person. The sixth was charged the incident might affect his chances for em­ with disorderly conduct. ployment. “I’m looking for a job right now,” he The students were released from the South said. “Now when they ask, Have you ever been Bend jail the next morning upon payment of $50 arrested?’ I’m going to have to answer yes. ‘For bond. what?’ Nothing.” Vice officers were initially called to Bridget Notre Dame junior John Cooper expressed McGuire’s at 1:45 a.m. to answer of a complaint consternation over the charge of disorderly of minors drinking in the building. According to conduct lodged against him.
    [Show full text]
  • May-June 293-WEB
    May-June 2007 Issue 293 jazz Free &blues report www.jazz-blues.com now in our 33rd year KOKO TAYLOR KOKO TAYLOR Old School Published by Martin Wahl A New CD... Communications On Tour... Editor & Founder Bill Wahl & Appearing at the Chicago Blues Festival Layout & Design Bill Wahl The last time I saw Koko Taylor Operations Jim Martin she was a member of the audience at Pilar Martin Buddy Guy’s Legends in Chicago. It’s Contributors been about 15 years now, and while I Michael Braxton, Mark Cole, no longer remember who was on Kelly Ferjutz, Dewey Forward, stage that night – I will never forget Chris Hovan, Nancy Ann Lee, Koko sitting at a table surrounded by Peanuts, Wanda Simpson, Mark fans standing about hoping to get an Smith, Dave Sunde, Duane Verh, autograph...or at least say hello. The Emily Wahl and Ron Weinstock. Queen of the Blues was in the house that night...and there was absolutely Check out our costantly updated no question as to who it was, or where website. Now you can search for CD Reviews by artists, titles, record she was sitting. Having seen her elec- labels, keyword or JBR Writers. 15 trifying live performances several years of reviews are up and we’ll be times, combined with her many fine going all the way back to 1974. Alligator releases, it was easy to un- derstand why she was engulfed by so Koko at the 2006 Pocono Blues Festival. Address all Correspondence to.... many devotees. Still trying, but I still Jazz & Blues Report Photo by Ron Weinstock.
    [Show full text]
  • On the Road with Janis Joplin Online
    6Wgt8 (Download) On the Road with Janis Joplin Online [6Wgt8.ebook] On the Road with Janis Joplin Pdf Free John Byrne Cooke *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #893672 in Books John Byrne Cooke 2015-11-03 2015-11-03Original language:EnglishPDF # 1 8.25 x .93 x 5.43l, 1.00 #File Name: 0425274128448 pagesOn the Road with Janis Joplin | File size: 33.Mb John Byrne Cooke : On the Road with Janis Joplin before purchasing it in order to gage whether or not it would be worth my time, and all praised On the Road with Janis Joplin: 1 of 1 people found the following review helpful. A Must Read!!By marieatwellI have read all but maybe 2 books on the late Janis Joplin..by far this is one of the Best I have read..it showed the "music" side of Janis,along with the "personal" side..great book..Highly Recommended,when you finish this book you feel like you've lost a band mate..and a friend..she could have accomplished so much in the studio,such as producing her own records etc..This book is excellent..0 of 0 people found the following review helpful. Thank-you John for a very enjoyable book.By Mic DAs a teen in 1969 and growing up listening to Janis and all the bands of the 60's and 70's, this book was very enjoyable to read.If you ever wondered what it might be like to be a road manager for Janis Joplin, John Byrne Cooke answers it all.Those were extra special days for all of us and John's descriptions of his experiences, helps to bring back our memories.Thank-you John for a very enjoyable book.0 of 0 people found the following review helpful.
    [Show full text]
  • The Complete Clifford Jordan Strata-East Sessions
    RECORD REV!EWS TAfrZ celebrated or discussed. Martin Bough's jaw-dropping photos from the rI actual sessions transport us precisely to that time and place. fiiflvsJ The booklet also reproduces a full- page ad in support of the albums, eJ. 'Ware's minus Sup,sv Bass and Shades of Edward Blackwell, the late drummer's L968 debut, issued here for the first time ever. These rarities greatly increase the set's historical value. So does the five-minute interview with 'Ware CLIFFORD JORDAN (even if "Wilbur" is misspelled in The Complete Clifford lordan Strata- 'the track listing). East Sessions A Chicago riitirr.,Jordan came of Clifford Jordan, Charles Brackeen, Sonny Fortune, age in bands led by Horace Silver, Max Luqman Lateel Cecil Payne, Pharoah Sanders, Roach, and Charles Mingus, but he saxophones; Don Cherry, Kenny Dorham, was out there as a leader by his mid- trumpets; Julian Priester, trombone; Howard Johnson, tuba; Stanley Cowel!, 20s. His agile lines, sinewy tone, and Wynton Kelly, Lonnie Liston Smith, Cedar Walton, deep blues feeling mark him as one of piano; guitar; Sonny Sharrock, Richard Davis, the era's great tenors. A creative risk- Charlie Haden, Sam Jones, Bill Lee, Cecil McBee, Sirone, Wilbur Ware, bass; Ed Blackwell, Dennis taker, too: he used fwo bassists and Charles, Billy Hart, Roy Haynes, Albert Heath, drummers on In the World, an imperflect Ttte Haven for Billy Higgins, Majeed Shabazz, drums; record that nonetheless allows us to Chief Bey, others, percussion; Leon Thomas, hear Don Cherry and'W.ynton Kelly Music Lorers in the Mosa ic M D6-2sJ?:'l S$:liirlt',no rd r orda n, in the same band.
    [Show full text]
  • Pharoah Sanders, Straight-Ahead and Avant-Garde
    Jazz Perspectives ISSN: 1749-4060 (Print) 1749-4079 (Online) Journal homepage: http://www.tandfonline.com/loi/rjaz20 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman To cite this article: Benjamin Bierman (2015) Pharoah Sanders, Straight-Ahead and Avant- Garde, Jazz Perspectives, 9:1, 65-93, DOI: 10.1080/17494060.2015.1132517 To link to this article: http://dx.doi.org/10.1080/17494060.2015.1132517 Published online: 28 Jan 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjaz20 Download by: [Benjamin Bierman] Date: 29 January 2016, At: 09:13 Jazz Perspectives, 2015 Vol. 9, No. 1, 65–93, http://dx.doi.org/10.1080/17494060.2015.1132517 Pharoah Sanders, Straight-Ahead and Avant-Garde Benjamin Bierman Introduction Throughout the early 1980s, Sweet Basil, a popular jazz club in New York City, was regularly packed and infused with energy as the Pharoah Sanders Quartet was slam- ming it—Sanders on tenor, John Hicks on piano, Walter Booker on bass, and Idris Muhammad on drums.1 The music was up-tempo and unflagging in its intensity and drive. The rhythm section was playing with a straight-ahead yet contemporary feel, while Sanders was seamlessly blending the avant-garde or free aesthetic and main- stream straight-ahead jazz, as well as the blues and R&B influences from early in his career.2 This band—and this period of Sanders’s career—have been largely neglected and Sanders himself has generally been poorly represented in the media.3 Sanders, as is true for many, many musicians, suffers from the fact that in critical discourses jazz styles often remain conceptualized as fitting into pre-conceived cat- egories such as straight-ahead, mainstream, and avant-garde or free jazz.
    [Show full text]
  • Flying Dutchman Label Discography
    Flying Dutchman Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Flying Dutchman Label Discography Flying Dutchman was a jazz label created 1969 by the renowned producer/arranger Bob Thiele. It produced a fascinating mix of forward thinking music; the label combined the sounds of jazz, soul, experimentation, and black politics. Although the label put out some standard jazz albums, their most incredible records were those of unique musicians such as Leon Thomas, Lonnie Liston Smith, Gil Scott-Heron and Angela Davis. Initially the label was distributed by Atco Division of Atlantic, but later was switched to Bob Shad’s Mainstream label for two years. By 1974 the distribution was switched to RCA which distributed the label to 1984. The Flying Dutchman catalog was acquired by Legacy Recordings in 1993 from Bob Shad's daughter Tamara when she sold the assets of Mainstream Records, which had distributed Flying Dutchman until it closed in 1978. The Flying Dutchman label had several subsidiaries the specialized in different musical styles. The Amsterdam label concentrated on popular music including the recordings of Thiele’s wife Teresa Brewer. The Reggae label was established to release the reggae music from Jamaica. The Bluestime label was established to release blues recordings. Starting in 1974, Flying Dutchman albums were released in the RCA numbering system and were distributed by RCA. This numbering system was also used for albums on the Signature which was reactivated in 1974; Thiele also established the Bob Thiele Music label. For other albums on the Flying Dutchman, Signature, Bob Thiele Music label releases see the discography of the Bob Thiele labels.
    [Show full text]
  • Jose "Chepito" Areas Jose "Chepito" Areas Mp3, Flac, Wma
    Jose "Chepito" Areas Jose "Chepito" Areas mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock / Latin / Funk / Soul Album: Jose "Chepito" Areas Country: Spain Released: 1974 Style: Descarga MP3 version RAR size: 1846 mb FLAC version RAR size: 1949 mb WMA version RAR size: 1218 mb Rating: 4.9 Votes: 694 Other Formats: RA WAV MIDI VOC DMF XM WMA Tracklist Hide Credits Guarafeo A1 3:49 Written-By – José "Chepito" Areas Funky Folsom A2 5:20 Written-By – José "Chepito" Areas, Richie Giraldez, Tony Juncal Recuérdame "Remember Me" A3 2:44 Written-By – José "Chepito" Areas Bambeyoko A4 6:32 Written-By – José "Chepito" Areas Estrella De La Mañana "Morning Star" B1 4:18 Written-By – Doug Rauch, Richard Kermode, Tony Smith Buscando La Gente B2 5:00 Arranged By – Carlos FedericoWritten-By – Carlos Federico, José "Chepito" Areas Cerro Negro B3 4:05 Written-By – José "Chepito" Areas Terremoto B4 3:16 Arranged By – José "Chepito" AreasWritten-By – José "Chepito" Areas Guaguanco In Japan B5 3:40 Arranged By – José "Chepito" AreasWritten-By – José "Chepito" Areas Companies, etc. Record Company – Discos CBS, S.A., Madrid Manufactured By – Discos CBS, S.A., Madrid Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Printed By – Offset ALG, S.A. Credits Bass – Doug Rauch, Tony Juncal Congas – Richie Giraldez, Willie Colon* Drums – Gregg Errico*, Jose Medrano Drums, Vocals – Tony Smith Engineer – Glen Kolotkin Guitar – Carmelito Velez, Neal Schon, Roberto Mantalvan, Steve Bosfield Keyboards – Richard Kermode Piano – Carlos Federico, Wally
    [Show full text]
  • Hot Drum Dvds from Hudson Music
    Hot Drum DVDs from Hudson Music JOHN BLACKWELL – THOMAS LANG – TECHNIQUE, GROOVING CREATIVE CONTROL AND SHOWMANSHIP 2-DVD SET 2-DVD SET 2-DVD SET John Blackwell, world-class groove master and Thomas presents the unique system that he has used drummer with Prince, offers his approach to devel- to develop his awesome speed, control, and oping the astounding technique he has become coordination, a step-by-step system that will allow know for, including key exercises that he used as a you to hone your drumming chops so that you can student and still uses today. John covers building a play more effectively, in any style of music. solo, single hand rolls, single pedal technique and Special DVD Features: audio files, in both ACID® much more. He also shows, in detail, his amazing (PC) and REX (Mac) formats, allowing you to loop stick twirling technique, and explains how he was influenced and inspired by and/or change the tempo of the exercises or performances without affecting the heroes like Lionel Hampton, Sonny Payne and Gene Krupa. Also includ- pitch! Also, printable PDF files of many of Thomas’ exercises plus a blazing live ed on Technique, Grooving and Showmanship is incredible footage of John’s solo from the Gen X Tour. • Running Time: Over 5 Hours and 20 minutes! performance at the Modern Drummer Festival 2002 with his band Matrix, fea- 00320405 2-DVD Set ...........................................................................$49.95 turing Tom Coster, Baron Browne and Bruce Bartlett. A great segment on grooving features John in the studio with Baron Browne on bass, playing and BUDDY RICH – discussing styles that include funk, jazz, blues and funk ballads.
    [Show full text]
  • Fior Di Lotus
    tura più espressiva e affascinante dell'origi- nale. A chiunque, confrontandosi con un tema del genere, suonato da un grande artista come Coltrane, eseguito con un sassofono tenore (oggettivamente più espressivo di una chitar- ra, in quanto più vicino a una voce umana), sarebbero tremati i polsi. Ma le risorse espres- sive e tecniche di Carlos, che stavano matu- rando sempre di più, gli permettono d'infilare un'altra perla al suo collier artistico. Sembra lontanissimo il tempo di Third o Su un tempo dispari in Flame-Sky, Santana contrappunta i solismi di McLaughlin di Soul Sacrifice, e Carlos, abbracciando una con preziosi arpeggini (dal sapore montgomeriano) su MI frigio, che toccano, a salti di terza, tutti i gradi degli accordi. spiritualità religiosa e i coerenti atteggia- menti conseguenti, non desidera più espres- sioni violente: si taglia i capelli, astraendosi ancora di più anche per quanto riguarda i colori, prediligendo il bianco. Assumerà in seguito il nome di Devadip [lampada, luce, occhio di Dio; NDD]. Di conseguenza, nella dimensione sonica globale, le sanguigne e terrestri percussioni sono leggermente messe in ombra, scegliendo un suono più coerente, quindi un timbro più liquido e meno spigoloso, sia per il gruppo sia per sé, scevro da coloriture particolari e contaminanti, più attento alla robustezza delle fondamentali, per meglio elevarsi verso il cielo cui anela. Infatti, insoddisfatto della saturazione e del sostegno che potevano offrirgli i suoi Fender Twin, Santana si rivolge a Randall Smith, fondatore della Mesa/Boogie, il quale stava giusto allora realizzando il suo modello McLaughlin a dialogare con Carlos. Il brano rama stereo.
    [Show full text]
  • The Hilltop 1-24-1975
    Howard University Digital Howard @ Howard University The iH lltop: 1970-80 The iH lltop Digital Archive 1-24-1975 The iH lltop 1-24-1975 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_197080 Recommended Citation Staff, Hilltop, "The iH lltop 1-24-1975" (1975). The Hilltop: 1970-80. 127. http://dh.howard.edu/hilltop_197080/127 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1970-80 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ' • hl·lltes Campus C.loOdor. ..................... Page 2 "Our media is the .,...,. On Top of the Hilt ............... : .... Page 3 e Lettllf1...................................... P•ge 4 of liberation, an instrume11t of clarification inforrm: Sports.•.•..........•........................ Page 5 • • Thuitre West............................. Pege 6 t1on, education and mobi- 'Th• Astrology Part 3 ........................ Page 7 lization. k wame Nkrumah • ~l.5 71ssue16Jan . 24,1975:_~~~~~~~~~~~~.-.-...-~~;::::::::::~::::::::::~::4:U::•:•:•~r•~~:':·:•:•:.,::"':":::':"·~D~.C~.::~:::::::;-~~~~~~~~~~~~~~~~~~~~~~~~P~. ho~ne~, 6J~6:-!6868!!!!!.._ D.- C. Project Warns Policy Board Fails Of Legal Action To Get Quorum By Willi•m Scott January .17, 1975 and signed by Hilltop St;otf Write< officially in abatement. LMt Bryant and Alf.red Mathewson. were \ Sliptembef the 11~ Policy eo.d HUSA policy Board m'et the HUSA Constitution; AUSA staff kcepted the recommendltiom of its Wednesday night at Loc_ke !-;tall in an appointments; S,pring semester EvalUition Committee to place the unsuccessful attempt, 3fter the Calendar.
    [Show full text]