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SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998, -
Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema
2020 110 Pablo Gómez Muñoz A Better World? Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema Departamento Filología Inglesa y Alemana Director/es Deleyton Alcalá, Celestino © Universidad de Zaragoza Servicio de Publicaciones ISSN 2254-7606 Tesis Doctoral A BETTER WORLD? COSMOPOLITAN STRUGGLES IN TWENTY-FIRST CENTURY SCIENCE FICTION CINEMA Autor Pablo Gómez Muñoz Director/es Deleyton Alcalá, Celestino UNIVERSIDAD DE ZARAGOZA Filología Inglesa y Alemana 2018 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es Tesis Doctoral A Better World? Cosmopolitan Struggles in Twenty-First Century Science Fiction Cinema Autor Pablo Gómez Muñoz Director Celestino Deleyto Alcalá Facultad de Filosofía y Letras Departamento de Filología Inglesa y Alemana 2018 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es CONTENTS Acknowledgments vii Abstract/Resumen xi Introduction 1 Chapter 1. Transnational Science Fiction and Discourses on Cosmopolitan Conflicts 11 1.1. Beyond the Nation: New Approaches to the Study of Cinema and Science Fiction 11 1.1.1. Defining Transnational Cinema 13 1.1.2. Transnational Science Fiction Film 15 1.2. Towards a Critical Cosmopolitan Turn in the Study of Science Fiction Cinema 20 1.2.1. Critical Cosmopolitanism: The Methodological and Normative Dimensions 20 1.2.2. Connecting Cosmopolitanism and Science Fiction: The Modern/Colonial Complex 24 1.2.3. Epistemological Borders as Cosmopolitan Method 30 1.3. Approaching and Analyzing Science Fiction Cinema from a Critical Cosmopolitan/Border Perspective 34 1.3.1. Critical Cosmopolitanism and Western(-ized) Films 35 1.3.2. Generic Galaxies: Science Fiction Films as Complex Systems 38 1.3.3. -
BEAT, 60S/70S DEE-JAY DOO WOP SERIES SEIRESPOWOODYAJ
DEE-JAY DOO WOP SERIES 183 TEEN SCENE CD BB 55113 € 15.34 WINCHELL : Don’t Make Small Talk Baby RICKY SHAW : The Riddle TOMMY BIENER & WENDY &...: The Top 40 DOVERS: Alice My SEVEN TEENS: Steady Guy AUGIE RIOS : Augie Stay Home CURT Love PAUL GRIF FIN : Ragdoll Baby LEE PARKER : Sand Dance JENSEN : Bobbie CHARLES DELL : I’m Here To Tell You (What MELLODEERS: The Letter DOVERS: A Lonely Heart RALPH DE Ronnie Couldn ’t..) RONI POWERS : Any Friend Of Henry’s RICKY MARCO : Donna MELODEERS: Born To Be Mine GINO: I’m A Boy SHAW : I Got A Girl GINO & THE DELLS: Baby Don’t Go Now In Love ANDY & GINO: Love Is Love (All Around The World) DONNY LEE MOORE : You Left Me Standing There AUGIE RIOS : DANNY WINCHELL : Sugar Baby RICKY & ROBBY: Suzzanne No One CHARLES DELL : Let’s Tell Him Now BIG BOB AUGIE ROSE : Lullaby ANDY ROSE & THE THORNS: Just For Fun DOUGHERTY : Bang Bang RICKY & ROBBY: Purple Pedal Pushers MONTELLS: My Prince Will Come (And He Will Be The One) DICK HEARTHERTON : Hey! Travelin’ Man ANGELA MARTIN : Two Pairs Of Shoes JAN TOBER : Just Married ANDY ROSE : Hey Scooter AUGIE RIOS & NOTA TIONS: There’s A Girl Down The Way CHESS MEN: Prayer Of Love DANNY BEAT, 60s/70s 13TH FLOOR ELEVATORS Willow Weep For Me- Yours Until Tomor row- Simon Smith And The Amaz ing Dancing Bear- Tickle Me 8 PARA DISE LOST 2-CD CD LSR 19630 € 24.90 CD-1:- Gloria- You’re Gonna Miss Me- Tried To Hide- Splash One- ALLMAN BROS You Can’t Hurt Me Anymore- Make That Girl Your Own- Before You UNIVER SAL MASTER Accuse Me- Fire In My Bones- Monkey Island- Thru The Rhythm- -
WHY DO PEOPLE IMAGINE ROBOTS] This Project Analyzes Why People Are Intrigued by the Thought of Robots, and Why They Choose to Create Them in Both Reality and Fiction
Project Number: LES RBE3 2009 Worcester Polytechnic Institute Project Advisor: Lance E. Schachterle Project Co-Advisor: Michael J. Ciaraldi Ryan Cassidy Brannon Cote-Dumphy Jae Seok Lee Wade Mitchell-Evans An Interactive Qualifying Project Report submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science [WHY DO PEOPLE IMAGINE ROBOTS] This project analyzes why people are intrigued by the thought of robots, and why they choose to create them in both reality and fiction. Numerous movies, literature, news articles, online journals, surveys, and interviews have been used in determining the answer. Table of Contents Table of Figures ...................................................................................................................................... IV Introduction ............................................................................................................................................. I Literature Review .................................................................................................................................... 1 Definition of a Robot ........................................................................................................................... 1 Sources of Robots in Literature ............................................................................................................ 1 Online Lists ..................................................................................................................................... -
Film Club Sky 328 Newsletter Freesat 306 JAN/FEB 2020 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 JAN/FEB 2020 Virgin 445 Dear Supporters, Wishing you all a very Happy New Year! May 2020 be filled with health and happiness. Our first release for 2020 is a brilliant new box set War In Film Volume 1; three discs full of war related films, all restored, plus our exclusive documentary Lest We Forget – all for just £20 with free UK postage. Optional subtitles are available to select on the discs. The set of films includes:Who Goes Next, Subway in the Sky, Desert Mice, The Treasure of San Teresa, During One Night, The Hand, Beyond the Curtain, Mr Kingstreet’s War and shows war from all aspects, not just the gritty and gruesome, but also the human story, humour, sadness, joy and triumph, at home and at the front. Our first event in 2020, The Renown Festival of Film, is just a few weeks away and we are delighted that it is completely sold out – there will be no tickets on the door. We have a wonderful day lined up, which will be revealed in our next newsletter. We have already booked The Stockport Plaza for 2020, Sunday 4th October – do put the date in your diaries. This year tickets for this event will be with numbered seating. We are also looking at a London event and a coastal weekend away in the summer, more details to follow. I spent a great afternoon filming with Sid James’ daughter, the lovely Reina James last year which led me to read one of her books. -
ROUGH GUIDE to SCI-FI MOVIES: INTRODUCTION Introduction
THE ROUGH GUIDE TO Sci-Fi Movies www.roughguides.com Credits The Rough Guide to Science Fiction Movies Rough Guides Reference Editor: Peter Buckley Series editor: Mark Ellingham Layout: Peter Buckley Editors: Peter Buckley, Duncan Clark, Picture research: Michèle Faram Daniel Crewe, Matthew Milton, Proofreading: Diane Margolis Joe Staines Production: Julia Bovis & Katherine Owers Director: Andrew Lockett Publishing Information This first edition published September 2005 by The publishers and authors have done their best to ensure the Rough Guides Ltd, 80 Strand, London WC2R ORL accuracy and currency of all information in The Rough Guide to 345 Hudson St, 4th Floor, New York 10014, USA Sci-Fi Movies; however, they can accept no responsibility for Email: [email protected] any loss or inconvenience sustained by any reader as a result of its information or advice. Distributed by the Penguin Group: Penguin Books Ltd, 80 Strand, London WC2R ORL No part of this book may be reproduced in any form without Penguin Putnam, Inc., 375 Hudson Street, NY 10014, USA permission from the publisher except for the quotation of brief Penguin Group (Australia), 250 Camberwell Road, Camberwell, passages in reviews. Victoria 3124, Australia © Rough Guides Ltd Penguin Books Canada Ltd, 10 Alcorn Avenue, Toronto, Ontario, 336 pages; includes index Canada M4V1E4 Penguin Group (New Zealand), Cnr Rosedale and Airborne A catalogue record for this book is available from the British Roads, Albany, Auckland, New Zealand Library Printed in Italy by LegoPrint S.p.A -
Science Fiction
SCIENCE FICTION Science Fiction explores the genre from 1895 to the present day, drawing on examples from over forty countries. It raises questions about the relationship between science fiction, science and technology, and examines the interrelationships between spectacle, narrative and self-reflexivity, paying particular attention to the role of special effects in creating meaning and affect. It explores science fiction’sevo- cations of the sublime, the grotesque, and the camp, and charts the ways in which the genre reproduces and articulates discourses of colonialism, imperialism and neo-liberal globalization. At the same time, Science Fiction provides a thorough analysis of the genre’s representation of race, class, gender and sexuality, making this text an essential guide for students, academics and film fans alike. Key films discussed include: Le voyage dans la lune (1902) 20,000 Leagues Under the Sea (1916) L’Atlantide (1921) King Kong (1933, 2005) Gojira (1954) La Jetée (1962) The Abominable Dr Phibes (1971) Tetsuo (1989) Sleep Dealer (2008) ) Avatar (2009) Mark Bould is Reader in Film and Literature at the University of the West of England and co-editor of Science Fiction Film and Television. He is co-author of The Routledge Concise History of Science Fiction, author of The Cinema of John Sayles and Film Noir, and co-editor of The Routledge Companion to Science Fiction, Fifty Key Figures in Science Fiction, Red Planets, Neo-noir and Parietal Games. Routledge Film Guidebooks The Routledge Film Guidebooks offer a clear introduction to and over- view of the work of key filmmakers, movements or genres. Each guidebook contains an introduction, including a brief history; defining characteristics and major films; a chronology; key debates surrounding the filmmaker, movement or genre; and pivotal scenes, focusing on narrative structure, camera work and production quality. -
Index to Volume 25 January to December 2015 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 25 January to December 2015 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Albert, Barbara 3:32 Andersson, Roy 5:16 Arnold, Andrea 6:17; 7:15; Attah, Abraham 11:16 Ballad of Narayama, included and are indicated by Albertini, Luciano 12:51 A Pigeon Sat on a Branch 9:5; 11:34; 12:16 Attenberg 11:17 The (1958) 8:98 (r) after the reference; Alcohol Years, The 5:29 Reflecting on Existence Aronofsky, Darren 2:26 Attenborough, David 11:38 Ballard, Lucien 5:112 (b) after reference indicates Aldini, Carlo 12:51 5:86(r), background with Aronov, Grigori 9:42 Aubergé, Maurice 6:102 ballot box in the movies 7:8-9 a book review; Aldrich, Robert 5:49 comments from him 5:32-5 Around That Winter 11:59 Aubervilliers 8:42 Baluev, Aleksandr 11:52 Alegria, Oskar 6:54 And God Created Woman Around the World in 50 Audiard, Jacques 6:7; 7:21, 22 Bamako 6:46, 48, 49 A Alékan, Henri 7:57 (1956) 9:23 Concerts 2:17 audiences Bamboozled AAAAAAAAH! 11:20 Alfie (1965) 5:54 Andorra (pre-production) 10:14 Around the World with changing infrastructure of background 8:34-5 Aardman Animations 3:17; 8:26 Algerian cinema Andrei Rublev 9:43; 11:46, Orson Welles series London, effect on 8:7 bananas in the movies Abandon Normal Devices Tariq Teguia 1:54, 55 48, 49, 51, 52 background and analysis -
NBC] 5 KCMO Kansas City [CBS] 6 KMOS Sedalia, MO [ABC, Now PBS] 9 KMBC Kansas City [ABC] 13 WIBW Topeka, KS [CBS, ABC]
Retro: Kansas City, Wed. April 22nd, 1959 Source: TV Guide CHANNELS 2 KFEQ St. Joseph, MO [ABC, CBS] 4 WDAF Kansas City [NBC] 5 KCMO Kansas City [CBS] 6 KMOS Sedalia, MO [ABC, now PBS] 9 KMBC Kansas City [ABC] 13 WIBW Topeka, KS [CBS, ABC] 6:30AM 4 Continental Classroom 6:55 5 Farm Facts 7AM 4 Today-Dave Garroway Guests are actor Hal Holbrook and Robert Dahl, author of "Breakdown." 5 News-Richard C. Hottelet 7:15 5 Captain Kangaroo 8AM 2 5 13 News 8:10 5 Take Five-Mark Stevens 8:15 2 13 Captain Kangaroo 5 Moment of Mediation 8:20 5 Cartoonland 8:30 5 Jimmy Dean 9 Romper Room 9AM 2 13 Morning Playhouse 4 Health, Safety, Science 5 [telecourse] 5 Life of Riley 9:30 2 5 13 Arthur Godfrey 4 Treasure Hunt 9 Daily Word 9:35 9 General Science 9 [telecourse]-Galey The digestion of food is discussed. 10AM 2 5 13 I Love Lucy 4 Price is Right 9 Whizzo's Wonderland 10:30 2 My Little Margie "Countless Margie." Margie and one of Vern's prospective clients go to a health sanitarium and then proceed to switch identities. Gale Storm. 4 Concentration 5 13 Top Dollar 11AM 2 5 13 Love of Life 4 Tic Tac Dough 9 Susie "Tangled Web." When Susie tells a "little white lie," many complications result. Ann Sothern, Don Porter. 11:30 2 Cartoon Capers 4 It Could Be You-Bill Leyden 5 Search for Tomorrow 9 Happy Home 1. How to make dress hangers and driftwood centerpieces. -
Matthew Jones
The British Reception of 1950s Science Fiction Cinema A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2011 Matthew William Jones School of Arts, Histories and Cultures Contents Abstract!!!!!!!!!!3 Declaration!!!!!!!!!!4 Copyright Statement!!!!!!!!5 Acknowledgements!!!!!!!!!6 Introduction!!!!!!!!!!7 Chapter One: Contexts and Approaches!!!!!45 ! Section A: The Invading Other!!!!!! Chapter Two: The Communist and the Other in 1950s Science Fiction!98 !Cinema"s Depersonalisation Narratives Chapter Three: Immigration and the Other in 1950s Science Fiction!135 !Cinema"s Alien Encounter Narratives ! Section B: Science and Technology!! ! ! ! Chapter Four: Nuclear Technology and 1950s Science Fiction!!174 !Cinema"s Creature Features Chapter Five: Imperial Decline, American Invasion and Technology!! 212 !in 1950s Science Fiction Cinema Conclusion!!!!!!!!!!255 Bibliography!!!!!!!!!!267 Media Sources!!!!!!!!!291 Filmography!!!!!!!!!!294 Word Count: 80,167 2 Abstract The University of Manchester Matthew William Jones Doctor of Philosophy #The British Reception of 1950s Science Fiction Cinema" 2011 !Scholarship on 1950s American science fiction cinema has tended to explore the relationship between these films and their domestic contexts of production and reception. They are often characterised as reflections of US anxieties about communism and nuclear technology. However, many such films were exported to Britain where these concerns were articulated and understood differently. The ways in which this different national context of reception shaped British interpretations of American science fiction cinema of this era has not yet been accounted for. Similarly, although some research has addressed 1950s British science fiction, this scholarship has been comparatively concise and has left gaps in our knowledge about the domestic reception of these films. -
Belief, Disbelief, and Contested Meanings in American Ufology William J
University of New Mexico UNM Digital Repository American Studies ETDs Electronic Theses and Dissertations 2-8-2011 Occam's Beard: Belief, Disbelief, and Contested Meanings in American Ufology William J. Dewan Follow this and additional works at: https://digitalrepository.unm.edu/amst_etds Part of the American Studies Commons Recommended Citation Dewan, William J.. "Occam's Beard: Belief, Disbelief, and Contested Meanings in American Ufology." (2011). https://digitalrepository.unm.edu/amst_etds/10 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. OCCAM'S BEARD: BELIEF, DISBELIEF, AND CONTESTED MEANINGS IN AMERICAN UFOLOGY BY WILLIAM J. DEWAN B.S., Anthropology, James Madison University, 2000 M.A., Anthropology, East Carolina University, 2002 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy American Studies The University of New Mexico Albuquerque, New Mexico December, 2010 iii ©2010, William J. Dewan iv Acknowledgements This dissertation represents the culmination of research conducted over the course of nearly ten years. Over that span of time, a countless number of individuals provided me with the support, guidance, resources, and encouragement fundamental to completing this endeavor. I would first like to express my deepest appreciation for my committee members: Rebecca Schreiber, Alyosha Goldstein, Jane Young, and Holly Mathews. Dr. Schreiber provided unbridled support throughout the process, and her oversight of both the initial chapters and the overall structural layout proved to be invaluable.