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Een Greep Uit De Cd-Releases 2012
Een greep uit de cd-releases 2012 Artiest/groep Titel 1 Aborted Global flatline 2 Allah -las Allah -las 3 Absynthe Minded As it ever was 4 Accept Stalingrad 5 Adrenaline Mob (Russel Allen & Mike Portnoy) Omerta 6 After All Dawn of the enforcer 7 Aimee Mann Charmer 8 Air La voyage dans la lune 9 Alabama Shakes Boys & girls 10 Alanis Morissette Havoc and bright lights 11 Alberta Cross Songs of Patience 12 Alicia Keys Girl on fire 13 Alt J An AwsoME Wave 14 Amadou & Mariam Folila 15 Amenra Mass V 16 Amos Lee As the crow flies -6 track EP- 17 Amy MacDonald Life in a beautiful light 18 Anathema Weather systems 19 Andrei Lugovski Incanto 20 Andy Burrows (Razorlight) Company 21 Angus Stone Broken brights 22 Animal Collective Centipede Hz 23 Anneke Van Giersbergen Everything is changing 24 Antony & The Johnsons Cut the world 25 Architects Daybreaker 26 Ariel Pink Haunted Graffitti 27 Arjen Anthony Lucassen Lost in the new real (2cd) 28 Arno Future vintage 29 Aroma Di Amore Samizdat 30 As I Lay Dying Awakened 31 Balthazar Rats 32 Band Of Horses Mirage rock 33 Band Of Skulls Sweet sour 34 Baroness Yellow & green 35 Bat For Lashes Haunted man 36 Beach Boys That's why god made the radio 37 Beach House Bloom 38 Believo ! Hard to Find 39 Ben Harper By my side 40 Berlaen De loatste man 41 Billy Talent Dead silence 42 Biohazard Reborn in defiance 43 Black Country Communion Afterglow 44 Blaudzun Heavy Flowers 45 Bloc Party Four 46 Blood Red Shoes In time to voices 47 Bob Dylan Tempest (cd/cd deluxe+book) 48 Bob Mould Silver age 49 Bobby Womack The Bravest -
May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Spring 2021 Nonfiction Rights Guide
Spring 2021 Nonfiction Rights Guide 19 West 21st St. Suite 501, New York, NY 10010 / Telephone: (212) 765-6900 / E-mail: [email protected] TABLE OF CONTENTS SCIENCE, BUSINESS & CURRENT AFFAIRS HOUSE OF STICKS THE BIG HURT BRAIN INFLAMMED HORSE GIRLS FIRST STEPS YOU HAD ME AT PET NAT RUNNER’S HIGH MY BODY TALENT MUHAMMAD, THE WORLD-CHANGER WINNING THE RIGHT GAME VIVIAN MAIER DEVELOPED SUPERSIGHT THE SUM OF TRIFLES THE KINGDOM OF CHARACTERS AUGUST WILSON WHO IS BLACK, AND WHY? CRYING IN THE BATHROOM PROJECT TOTAL RECALL I REGRET I AM ABLE TO ATTEND BLACK SKINHEAD REBEL TO AMERICA CHANGING GENDER KIKI MAN RAY EVER GREEN MURDER BOOK RADICAL RADIANCE DOT DOT DOT FREEDOM IS NOT ENOUGH HOW TO SAY BABYLON THE RISE OF THE MAMMALS THE RECKONING RECOVERY GUCCI TO GOATS TINDERBOX RHAPSODY AMERICAN RESISTANCE SWOLE APOCALYPSE ONBOARDING WEATHERING CONQUERING ALEXANDER VIRAL JUSTICE UNTITLED TOM SELLECK MEMOIR UNTITLED ON AI THE GLASS OF FASHION IT’S ALL TALK CHANGE BEGINS WITH A QUESTION UNTITLED ON CLASSICAL MUSIC MEMOIRS & BIOGRAPHIES STORIES I MIGHT REGRET TELLING YOU FIERCE POISE THE WIVES BEAUTIFUL THINGS PLEASE DON’T KILL MY BLACK SON PLEASE THE SPARE ROOM TANAQUIL NOTHING PERSONAL THE ROARING GIRL PROOF OF LIFE CITIZEN KIM BRAT DON’T THINK, DEAR TABLE OF CONTENTS, CONT. MINDFULNESS & SELF-HELP KILLING THATCHER EDITING MY EVERYTHING WE DON’T EVEN KNOW YOU ANYMORE SOUL THERAPY THE SCIENCE AND TECHNOLOGY OF GROWING YOUNG HISTORY TRUE AGE THE SECRETS OF SILENCE WILD MINDS THE SORCERER’S APPRENTICE INTELLIGENT LOVE THE POWER OF THE DOWNSTATE -
Growing Into Music in Mali: Perspectives on Informal Learning
Growing into music in Mali: perspectives on informal learning from West Africa By Lucy Durán, SOAS, University of London Chapter in Economidou, Natassa, and Stakelum, Mary (eds). European Perspectives on Music Education vol. 4: every learner counts. Innsbruck: Helbling Verlag (2015), pp. 49-64 Photo caption Adama Diarra (balafon, right) leads a rehearsal at home with his children and nephews including Waly Coulibaly (balafon, left), and Thierre Diarra (djembe, left). Photo: Lucy Duran, Bamako, March 2015 Abstract Despite the fact that Mali is famous for its musical traditions, some of which date back to the 13th century, very little research has been done on the passing down of musical knowledge from one generation to the next. Yet surely this is a key to understanding how these oral musics have survived into the 21st century with such vigour. In this chapter I reflect on how children within specialist Malian musical families (jelis, also known as as griots) acquire musical skills. The chapter draws on many years of research in the region, particularly between 2009 to 2012 when I engaged in a film-based project entitled ‘Growing into music – musical enculturation in oral traditions’. There is a small but growing ethnomusicological literature documenting aspects of childhood musicality in Africa (see Rice 2003, Campbell & Wiggins 2013), but almost nothing on Mali except for passing comments in Charry (2000). I am inspired by the idea of ‘enskilment’, a term from anthropology, first used by Gísli Pálsson in his study of apprenticeship in Icelandic fishing (Pálsson 1994), and since taken up by others including Tim Ingold (2000) and Trevor Marchand (2010, 2015) writing about the acquisition of artisanal skills. -
Musical Resistance in Abderrahmane Sissako's Timbuktu
Observatorio (OBS*) Journal, (2020, special issue), 108-122 1646-5954/ERC123483/2020 108 Musical Resistance in Abderrahmane Sissako’s Timbuktu Katy Stewart* *University of Sheffield Abstract When Abderrahmane Sissako’s film Timbuktu was released in 2014, it attracted a great deal of controversy – as well as an Oscar nomination. Was lauded as an exceptionally artistic, poetic film which brought the world’s attention to the plight of Timbuktu under jihadi rule, but the way in which Sissako chose to humanise jihadists, and the elliptical way in which he constructs the film – missing many of the finer details of the political and military situation – was criticised by some, and it was almost withdrawn from competition at FESPACO, the world’s largest African film festival. This article argues that much is missed in such readings of the film, and proposes that an intermedial approach to analysing the film offers a new understanding of it. By exploring the intermedial and intercultural borders and connections in Timbuktu, it will be shown how Sissako combines diverse influences, including Italian Westerns and the Wassoulou music of southern Mali, to create a film that does not merely represent resistance, but is itself an act of resistance against extremism, in Mali. Intermedial borders between film, music and social media are of particular significance in this regard. With a focus on the diegetic and extra-diegetic performances of Malian singer Fatoumata Diawara, the article demonstrates how such intermediality can engage the spectator’s “symbolic participation” (Manthia Diawara, 2015) and contributes to a movement of artistic resistance against extremism in Mali. -
From a Village in Mali to the Stages of the World
THE AUSTRALIAN, MONDAY, DECEMBER 19, 2011 www.theaustralian.com.au ARTS 13 Cape Verde’s barefoot diva put From a village in Mali to African island music on the map Cesaria Evora started OBITUARY singing as an orphan Cesaria Evora girl in bars, and rose the stages of the world Singer. Born Mindelo, Cape to international fame Verde, August 27, 1941. with her soulful Died December 17, age 70. versions of songs from her native Cape Verde islands CESARIA Evora, who started singing as a teenager in the bay- side bars of Cape Verde in the 1950s and won a Grammy in 2003 after she took her African islands GETTY IMAGES music to stages across the world, has died at age 70. millions. She won a Grammy in — I value my freedom,’’ she said. Evora, known as the ‘‘Barefoot the world music category in 2003 At 16, when Evora was doing Diva’’ because she always per- for her album Voz D’Amor. piecework as a seamstress, a formed without shoes, died in the Evora, known to her friends as friend persuaded her to sing in Baptista de Sousa Hospital in Cize (pronounced see-zeh), was one of the many sailors’ taverns in Mindelo, on her native island of the best-known performer of her town, and she was a hit. As her Sao Vicente in Cape Verde, said morna,CapeVerde’snational popularity grew, she was rowed her label, Lusafrica. music. It is a complex, soulful out into the bay to sing on an- She sang the traditional music sound,mixingtheinfluencesfrom chored ships. -
Roberto Fonseca & Fatoumata Diawara
FOR IMMEDIATE RELEASE CAP UCLA presents Roberto Fonseca & Fatoumata Diawara March 23 at The Theatre at Ace Hotel DTLA "The Cuban keyboardist is a terrific example of what makes 21st century improvised music so exciting: Fonseca is part of a generation of musicians who feel that all sounds from all countries are accessible to them, either in acoustic, electric or digitized form — whether it's a traditional, ancient rhythm or a computerized studio effect." — Downbeat "Fatoumata Diawara projects her strong songs with effortless poise." — The Telegraph UCLA’s Center for the Art of Performance (CAP UCLA) presents Roberto Fonseca & Fatoumata Diawara in a shared evening celebrating their musical roots on Saturday, March 23 at 8 p.m. at The Theatre at Ace Hotel Downtown LA. Tickets for $29–$59 are available now at cap.ucla.edu and theatre.acehotel.com, by phone 310-825-2101, and at The Theatre at Ace Hotel box office. Both Fonseca and Diawara are masters of their craft and together, Diawara’s husky yet smooth vocals followed by Fonseca’s jazz genius create a remarkable evening. Considered one of the most innovative Cuban pianists in generations, Fonseca became a musical connoisseur after his time as a pianist with the Orquesta Buena Vista Social Club®. Fonseca found his exemplary sound between the crossroads of jazz, traditional music, and soul immersed from his Afro-Cuban roots. Hailed as one of the most vital standard-bearers of modern African music, Diawara mastered her craft as a back-up vocalist to her fellow Malian Oumou Sangaré. She is skilled in creating musical masterpieces that simultaneously offer a fresh, bold sound while also paying respect to her heritage. -
Live Music and Translation: the Case of Performances Involving Singing 1
The Journal of Specialised Translation Issue 35 – January 2021 Live music and translation: The case of performances involving singing Lucile Desblache, University of Roehampton ABSTRACT This article explores the multicultural and multilingual context of live music today in relation to translation, focusing primarily on a European context. A first section examines the complex relationship of music and translation, arguing that in many respects, music is a form of translation. The article then focuses on the case of vocal music and/in translation, before considering accessibility in relation to music and how it is understood in this article. Past and current traditions and expectations of translation in live music are discussed in the next section. Two more sections explore respectively contemporary audiences’ preferences, and artists’ engagement with their public, as well as the solutions they find to communicate with their audiences and convey the verbal content of their songs. The conclusion draws on the findings of these sections to emphasise the importance of lyrics translation in the live music scene. It also outlines the key role that music can play in translation, particularly in the cosmopolitan context of live musical events. KEYWORDS Vocal music, popular music, live music, song translation, lyrics translation. 1. Introduction The ways in which music has been produced, disseminated and consumed in the last fifty years have been evolving constantly and rapidly, particularly in the popular arena. The industry focus has been on prioritising portability, so that listeners could access and interact with music individually and ubiquitously. One of the characteristics of popular music is that, with the exception of some electronic dance music (EDM), nearly all its mainstream genres, including pop/rock and rap, are vocal (Every Noise at Once no date). -
Sfoglia Il Catalogo
1 Investimenti sostenibili. Allinea i tuoi interessi a quelli del pianeta. Paolo Tacchi Wealth Advisor Banca Generali 2 3 MAIN SPONSOR SPONSOR www.lucar.it PARTNERS connesso oltre lo schermo 4 5 LUCCA FILM FESTIVAL E EUROPA CINEMA 2019 Direttore Tecnico: Direttore Mostre: Responsabile Acquisizione Diritti e Movimentazione Federico Ghivizzani Alessandro Romanini Copie: Presidente: Assistenza Direzione Tecnica: Assistenza alla Direzione Mostre: Martino Martinelli Nicola Borrelli Gianluca Marzari, Dario Ricci, Gioele Morini, Stefania Fabiola Manfredi Acquisizione Diritti e Movimentazione Copie: Grondona Francesca Montagni (volontaria), Nicolò Marcheschi Vice Presidente: Direzione Effetto Cinema Notte: (stagista), Roberto Gugliotta (stagista), Sofia Nieri Stefano Giorgi Responsabili Gestione Spazi: Stefano Giuntini, Cristina Puccinelli (stagista) Valentina Vasta, Lucia Nieri, Erika Citti Produzione Esecutiva Effetto Cinema Notte: Comitato Artistico: Gestione Spazi: Beatrice Manigrasso (scenografie) Responsabili Sottitolatura Elettronica: Alessandro De Francesco, Alessandro Romanini, Alessandra Presti (stagista), Andrea Stocchi (volonta- Alessandro Di Giulio (responsabile produzione) Paolo Merli, Manuel Navati, Neon Video di Torino Cristina Puccinelli, Erika Citti, Nicolas Condemi, Federi- rio), Anna Di Iorio (stagista), Gaia Salvestrini (stagista), Nicola D’Olivo, Andrea Faina (produzione esecutiva) Sottotitolatura Elettronica in sala: co Salvetti, Federico Ghivizzani, Federico Lorenzi, Fran- Giulia Prete (volontaria), Ilaria Mongelluzzi (stagista), -
Fall 2020 Nonfiction Rights Guide
Fall 2020 Nonfiction Rights Guide 19 West 21st St. Suite 501, New York, NY 10010 / Telephone: (212) 765-6900 / E-mail: [email protected] TABLE OF CONTENTS MEMOIRS & BIOGRAPHIES TONIC HEAD OF THE MOSSAD STORIES I MIGHT REGRET TELLING YOU THE SEEKERS TANAQUIL BLIND AMBITION PLEASE DON’T KILL MY BLACK SON PLEASE NOTHING PERSONAL PROOF OF LIFE MINDFULNESS & SELF-HELP THE SPARE ROOM BRAT HEART BREATH MIND HOUSE OF STICKS HI, JUST A QUICK QUESTION VIVIAN MAIER DEVELOPED BE WATER, MY FRIEND CRYING IN THE BATHROOM MY EVERYTHING I REGRET I AM ABLE TO ATTEND THE SCIENCE AND TECHNOLOGY OF GROWING YOUNG HOW TO SAY BABYLON THE SECRETS OF SILENCE REBEL TO AMERICA TRUE AGE HORSE GIRLS INTIMACIES KIKI MAN RAY OUTSMART YOUR BRAIN THE BIG HURT THE POWER OF THE DOWNSTATE AUGUST WILSON THE SUM OF TRIFLES NARRATIVE NONFICTION YOU HAD ME AT PET NAT MURDER BOOK THE DOCTOR WHO FOOLED THE WOLRD THE RECKONING THE MISSION GUCCI TO GOATS THE POWER OF STRANGERS RHAPSODY CAN’T KNOCK THE HUSTLE SWOLE CHASING THE THRILL ONBOARDING CURE-ALL CONQUERING ALEXANDER IN THIS PLACE TOGETHER UNTITLED TOM SELLECK MEMOIR SQUIRREL HILL THE GLASS OF FASHION NOSTALGIA DOT DOT DOT PORTRAIT OF AN ARTIST CHANGE BEGINS WITH A QUESTION SPOKEN WORD MUHAMMED THE PROPHET UNFORGETTABLE TABLE OF CONTENTS, CONT. NARRATIVE NONFICTION, CONT. SCIENCE, BUSINESS & CURRENT AFFAIRS TALKING FUNNY 2030 DEMOCRACY’S DATA BREAK IT UP THE KINGDOM OF PREP BATTLE TESTED GOOD COP GOOD COMPANY OSCAR WARS EDITING HUMANITY EDITING AROUND THE CORNER TO AROUND THE WORLD WE DON’T EVEN KNOW YOU ANYMORE BETTING -
Programme 55Th Montreux Jazz Festival
FOR IMMEDIATE RELEASE Montreux, 1st June 2021 PRESS RELEASE Programme 55th Montreux Jazz Festival The Montreux Jazz Festival unveils the programme for its very special edition, which will be held from 2 to 17 July 2021. On the bill: up-and-coming talents, current trends and tailor-made concerts from major artists. Condensed onto four stages, two paying and two free of charge, the 55th edition will be able to accommodate between 1,200 and 1,500 people per day, depending on the capacity allowed by the authorities. Tickets go on sale on 8 June at midday. The programme includes: Woodkid, Ibrahim Maalouf, Zucchero, Rag’n’Bone Man, Brandão Faber Hunger, Arlo Parks, Yseult, Altın Gün, Yussef Dayes Trio, Alfa Mist, Inhaler, Delgres, Raul Midón, Macha Gharibian, Robben Ford & Bill Evans, Isfar Sarabski, Nubya Garcia, Christian Sands, Fred Hersch, Nathy Peluso, Priya Ragu, Fatoumata Diawara, Sofiane Pamart, Kid Francescoli, Sam Fischer… “Small is beautiful” could be the informal slogan of this 55th edition. Théâtre will embody the jazz DNA of the Festival: the jazz of today, The Montreux Jazz Festival wanted to prioritise the comfort and uninhibited, fresh and cosmopolitan. In total, this 55th edition brings safety of festival-goers by preserving the format of the edition as together artists from 17 different countries, with the Swiss contingent announced on 31 March. An intimate edition, focused on the Festival’s representing a third of the paying programme. values of hospitality, musical excellence and breathtaking setting. The free part of the 55th edition will be concentrated in two main Each year, the identity of the Montreux Jazz Festival is reflected in areas: Les Jardins and the Grand Hall by MJAF.