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Toward a Redefinition of Musical Learning in the Saxophone Studios of Argentina
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Toward a redefinition of musical learning in the saxophone studios of Argentina Mauricio Gabriel Aguero Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Aguero, Mauricio Gabriel, "Toward a redefinition of musical learning in the saxophone studios of Argentina" (2013). LSU Doctoral Dissertations. 2221. https://digitalcommons.lsu.edu/gradschool_dissertations/2221 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. TOWARD A REDEFINITION OF MUSICAL LEARNING IN THE SAXOPHONE STUDIOS OF ARGENTINA A Monograph Submitted to the Graduate Faculty of Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Mauricio Gabriel Agüero B.M., Universidad Nacional de Cuyo, 2005 M.M., University of Florida, 2010 December 2013 Acknowledgments This monograph would not have been possible without the help of many people. Most important, I want to thank to my Professor and advisor Griffin Campbell, who guided my studies at LSU for the last three years with his musical passion, artistry and great teaching ability. As a brilliant saxophonist and thoughtful educator, Professor Campbell has been an important mentor and role model for me. -
Palimpsestos De Resistência: Grafismos Mortuários, Religião Implícita E Governo Marcial Na Cidade Do Rio De Janeiro No Início Do Século Xxi
UNIVERSIDADE FEDERAL DO ESTADO DO RIO DE JANEIRO CENTRO DE CIÊNCIAS HUMANAS E SOCIAIS PROGRAMA DE PÓS-GRADUAÇÃO EM MEMÓRIA SOCIAL DOUTORADO EM MEMÓRIA SOCIAL PALIMPSESTOS DE RESISTÊNCIA: GRAFISMOS MORTUÁRIOS, RELIGIÃO IMPLÍCITA E GOVERNO MARCIAL NA CIDADE DO RIO DE JANEIRO NO INÍCIO DO SÉCULO XXI Júlio César de Lima Bizarria Rio de Janeiro MMXIX Júlio Bizarria PALIMPSESTOS DE RESISTÊNCIA: GRAFISMOS MORTUÁRIOS, RELIGIÃO IMPLÍCITA E GOVERNO MARCIAL NA CIDADE DO RIO DE JANEIRO NO INÍCIO DO SÉCULO XXI Tese de Doutoramento apresentada ao Programa de Pós-Graduação em Memória Social (PPGMS) da Universidade Federal do Estado do Rio de Janeiro (UNIRIO) como requisito parcial para a obtenção do título de Doutor em Memória Social. Orientação: Profa. Dra. Edlaine de Campos Gomes Área de Concentração: Estudos Interdisciplinares em Memória Social Linha de pesquisa: Memória e Espaço Rio de Janeiro MMXIX A todas as pessoas que morreram pela iniquidade do Estado, e a todas as que viverão para fazer justiça a essas memórias. O presente trabalho foi realizado com apoio da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior — Brasil (CAPES). Código de Financiamento 001. Este trabajo fue realizado con apoyo de la Coordinación para el Perfeccionamiento del Personal de Nivel Superior — Brasil (CAPES). Código de Financiamiento 001. Ce travail a été réalisé avec le soutien de la Coordination pour le Perfectionnement du Personnel de l’Enseignement Supérieur — Brésil (CAPES). Code de Financement 001. This work was financed in part by the Coordination for the Perfection of Higher Education Personnel — Brazil (CAPES). Finance Code 001. Este trabalho está licenciado com uma Licença Creative Commons – Atribuição-NãoComercial 4.0 Internacional. -
Welcome to the Issue
Welcome to the issue Volker Kluge Editor It is four years since we decided to produce the Journal triple jump became the “Brazilian” discipline. History of Olympic History in colour. Today it is scarcely possible and actuality at the same time: Toby Rider has written to imagine it otherwise. The pleasing development of about the first, though unsuccessful, attempt to create ISOH is reflected in the Journal which is now sent to 206 an Olympic team of refugees, and Erik Eggers, who countries. accompanied Brazil’s women’s handball team, dares to That is especially thanks to our authors and the small look ahead. team which takes pains to ensure that this publication Two years ago Myles Garcia researched the fate of can appear. As editor I would like to give heartfelt the Winter Olympic cauldrons. In this edition he turns thanks to all involved. his attention to the Summer Games. Others have also It is obvious that the new edition is heavily influenced contributed to this piece. by the Olympic Games in Rio. Anyone who previously Again there are some anniversaries. Eighty years ago believed that Brazilian sports history can be reduced the Games of the XI Olympiad took place in Berlin, to to football will have to think again. The Olympic line of which the Dutch water polo player Hans Maier looks ancestry begins as early as 1905, when the IOC presented back with mixed feelings. The centenarian is one of the the flight pioneer Alberto Santos-Dumont with one of few surviving participants. the first four Olympic Diplomas. -
Marcel Camus Ou O Triste Prévert Dos Trópicos
R V O Tunico Amancio Professor associado do curso de Cinema da Universidade Federal Fluminense. Pesquisador e curta-metragista. Marcel Camus ou o Triste Prévert dos Trópicos Marcel Camus fez três filmes de longa-metragem Marcel Camus made three feature films in no Brasil e com um deles – Orfeu do carnaval – Brazil and one of them – Orfeu do carnaval – ganhou fama internacional imediata. Seus outros made him instantly famous worldwide, while filmes passaram despercebidos do público e his other movies remained unnoticed by both da crítica. Taxados de folclóricos, exóticos, the audience and critics. Labeled as folkloric, ingênuos, românticos e alienados, trouxeram uma exotic, naive, romantic and alienated, they brought imagem do Brasil cheia de afeto e curiosidade, e us an image about Brazil full of affection and valem como testemunho de uma época e de um curiosity, and are a testimonial of an era and a olhar estrangeiro. foreigner’s look. Palavras-chave: olhar estrangeiro; Orfeu do carnaval; Keywords: foreign look; Orfeu do carnaval; Marcel Camus. Marcel Camus. omment être poète si message humaniste, briguant les lauriers on ne l’est pas? Telle est (chacun sa vérité) de Saint-Éxupery, il four- “C la quadrature du cercle nit un cinéma confiné de décors exotiques, qu’impose à cet aventurier appliqué le mais n’y déroule que de monotones péri- goût qu’ont des sambas les spectateurs péties de cartes postales: un triste Prévert européens; partagé entre le feuilleton et le sous les tropiques.”1 Acervo, Rio de Janeiro, v. 23, no 1, p. 133-146, jan/jun 2010 - pág. -
A Sheffield Hallam University Thesis
European and non-European medical practices: India and the West Indies, 1750-1900. CURRIE, Simon. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20652/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20652/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. CollegiateLearning Centre Collegiate Crescent"Campus Sheffield S102QP 101 807 123 7 REFERENCE ProQuest Number: 10701299 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10701299 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 European and Non-European Medical Practices: India and the West Indies, 1750-1900 Simon Currie A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy July 2005 ABSTRACT This thesis compares the interaction between British doctors and Indian medical practitioners with that between such doctors and African-Caribbean practitioners during the period 1750 to 1900. -
Antipodes: in Search of the Southern Continent Is a New History of an Ancient Geography
ANTIPODES In Search of the Southern Continent AVAN JUDD STALLARD Antipodes: In Search of the Southern Continent is a new history of an ancient geography. It reassesses the evidence for why Europeans believed a massive southern continent existed, About the author and why they advocated for its Avan Judd Stallard is an discovery. When ships were equal historian, writer of fiction, and to ambitions, explorers set out to editor based in Wimbledon, find and claim Terra Australis— United Kingdom. As an said to be as large, rich and historian he is concerned with varied as all the northern lands both the messy detail of what combined. happened in the past and with Antipodes charts these how scholars “create” history. voyages—voyages both through Broad interests in philosophy, the imagination and across the psychology, biological sciences, high seas—in pursuit of the and philology are underpinned mythical Terra Australis. In doing by an abiding curiosity about so, the question is asked: how method and epistemology— could so many fail to see the how we get to knowledge and realities they encountered? And what we purport to do with how is it a mythical land held the it. Stallard sees great benefit gaze of an era famed for breaking in big picture history and the free the shackles of superstition? synthesis of existing corpuses of That Terra Australis did knowledge and is a proponent of not exist didn’t stop explorers greater consilience between the pursuing the continent to its sciences and humanities. Antarctic obsolescence, unwilling He lives with his wife, and to abandon the promise of such dog Javier. -
Marcel Camus: ORFEU NEGRO/BLACK ORPHEUS
Virtual Sept. 29, 2020 (41:5) Marcel Camus: ORFEU NEGRO/BLACK ORPHEUS (1959, 100m) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries Bruce Jackson & Diane Christian video introduction to this week’s film Zoom link for all Fall 2020 BFS Tuesday 7:00 PM post- screening discussions: https://buffalo.zoom.us/j/92994947964?pwd=dDBWcDYvSlhP bkd4TkswcUhiQWkydz09 Meeting ID: 929 9494 7964 Passcode: 703450 Directed by Marcel Camus Written by Marcel Camus and Jacques Viot, based on the play Orfeu du Carnaval by Vinicius de Moraes . Produced by Sacha Gordine Original Music by Luiz Bonfá and Antonio Carlos Jobim Cinematography by Jean Bourgoin Film Editing by Andrée Feix spent the rest of his career directing TV episodes and mini- Production Design by Pierre Guffroy series. Breno Mello...Orfeo BRENO MELLO (September 7, 1931, Porto Alegre, Rio Grande Marpessa Dawn...Eurydice do Sul, Brazil – July 14, 2008, Porto Alegre, Rio Grande do Marcel Camus...Ernesto Sul, Brazil) appeared in only five other films: 1988 Prisoner of Fausto Guerzoni...Fausto Rio, 1973 O Negrinho do Pastoreio, 1964 O Santo Módico, Lourdes de Oliveira...Mira 1963 Os Vencidos, and 1963 Rata de Puerto. Léa Garcia...Serafina Ademar Da Silva...Death MARPESSA DAWN (January 3, 1934, Pittsburgh, Pennsylvania Alexandro Constantino...Hermes – August 25, 2008, Paris, France) appeared in 17 other films, Waldemar De Souza...Chico among them 1995 Sept en attente, 1979 Private Collections, Jorge Dos Santos...Benedito 1973 Lovely Swine, 1958 The Woman Eater and 1957 Native Aurino Cassiano...Zeca Girl. -
The Origin and Development of Cuban Popular Music Genres And
THE ORIGIN AND DEVELOPMENT OF CUBAN POPULAR MUSIC GENRES AND THEIR INCORPORATION INTO ACADEMIC COMPOSITIONS by ALEJANDRO EDUARDOVICH FERREIRA (Under the Direction of Levon Ambartsumian) ABSTRACT In the sixteenth century, Cuba became the host of two very diverse and different cultures. Here, European and African traditions met on a neutral ground where the interchange of rhythms, melodies, and musical forms became inevitable. Over the centuries, this mutual interaction gave birth to genres such as the contradaza, danza, danzón, son, conga, habanera, güajira, criolla, and trova. Despite the fact that these genres were born as dance and popular music, their rhythms and style started to be incorporated into the most refined realm of academic compositions. The purpose of this study is to explain the origin and evolution of the above mentioned genres. Moreover, with the aid of the accompanying recording, I will explain how some Cuban composers participated in the creation and development of these genres. Furthermore, I will show how some other composers where influenced by these genres and the way in which these genres were incorporated in their compositions. INDEX WORDS: Cuban Music, Academic Cuban Compositions, Violin and Piano, Cuban Duo, contradaza, danza, danzón, son, conga, habanera, güajira, criolla, trova THE ORIGIN AND DEVELOPMENT OF CUBAN POPULAR MUSIC GENRES AND THEIR INCORPORATION INTO ACADEMIC COMPOSITIONS by ALEJANDRO EDUARDOVICH FERREIRA MASCARO B.M., Peruvian National Conservatory, Peru 1997 M.M., The University of Southern -
Music As a Bridge and Platform for Personal, Cultural, and Societal Change: the Work of Billie Holiday
Dominican Scholar Senior Theses Student Scholarship 12-2017 Music as a Bridge and Platform for Personal, Cultural, and Societal Change: The Work of Billie Holiday Adrienne Auer Dominican University of California https://doi.org/10.33015/dominican.edu/2017.HCS.ST.02 Survey: Let us know how this paper benefits you. Recommended Citation Auer, Adrienne, "Music as a Bridge and Platform for Personal, Cultural, and Societal Change: The Work of Billie Holiday" (2017). Senior Theses. 90. https://doi.org/10.33015/dominican.edu/2017.HCS.ST.02 This Senior Thesis is brought to you for free and open access by the Student Scholarship at Dominican Scholar. It has been accepted for inclusion in Senior Theses by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. Music as a Bridge and Platform for Personal, Cultural, and Societal Change: The Work of Billie Holiday A senior project submitted to the faculty of Dominican University of California in partial fulfillment of the requirements of the Bachelor of Arts in Humanities and Cultural Studies By Adrienne Auer San Rafael, CA December 5th 2017 Robert Bradford, M.A. Adjunct Professor of English and Humanities Chase Clow, Ph.D. Chair, Humanities Division Auer 2 © Copyright 2017 Adrienne Auer Auer 3 ABSTRACT Billie Holiday came into this life faced with many hardships and struggles. She was raised with harsh realities and hard choices inherent in an inequitable culture that allowed discrimination, segregation, disenfranchisement, and continued acts of oppression and brutality. Her life story, her musicality, her songwriting, her autobiography Lady Sings the Blues, and the feeling that she put into almost everything she touched created a lasting legacy. -
THE CARTOGRAPHY of ALEXANDER Von HUMBOLDT
e a 2 inch top margin. THE CARTOGRAPHY OF ALEXANDER von HUMBOLDT: IMAGES OF THE ENLIGHTENMENT IN AMERICA by ROBERT M. SHERWOOD III Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON MAY 2008 Copyright © by Robert M. Sherwood III 2008 All Rights Reserved (This page can be included in your document whether or not you choose to register your document and pay the copyright fee.) ACKNOWLEDGEMENTS Alexander von Humboldt's maps and images are from Atlas géographique et physique du royaume de la Nouvelle-Espagne, 1808, courtesy of the David Rumsey Map Collection. David graciously allowed me full access to his magnificent library in San Francisco, and librarian Philip Hoehn was an invaluable source of information during my four days of research there. Humboldt's sketch of General Chart of the Kingdom of New Spain and Zebulon M. Pike's Map of the Internal Provinces of New Spain are from The Virginia Garrett Cartographic Collection, courtesy of The University of Texas at Arlington Libraries. A study of Southwest cartographic history cannot be complete until one visits the Virginia Garrett Cartographic History Library at the University of Texas at Arlington. Similarly, the works of UTA professors Richard Francaviglia, David Buisseret, Dennis Reinhartz, and Gerald Saxon are required reading. It has been my good fortune to work under the tutelage of these distinguished cartographic historians for the past several years. I am grateful to my colleagues who made important contributions to this study. -
Universidade Federal Do Rio Grande Do Sul Da Fábrica À Várzea
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE FILOSOFIA E CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA DA FÁBRICA À VÁRZEA: CLUBES DE FUTEBOL OPERÁRIO EM PORTO ALEGRE Miguel Enrique Almeida Stédile Orientador: Prof. Dr. Cesar Augusto Barcellos Guazzelli. Porto Alegre 2011 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE FILOSOFIA E CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA DA FÁBRICA À VÁRZEA: CLUBES DE FUTEBOL OPERÁRIO EM PORTO ALEGRE Miguel Enrique Almeida Stédile Dissertação apresentada como requisito parcial à obtenção do grau de Mestre em História. Orientador: Prof. Dr. Cesar Augusto Barcellos Guazzelli. Porto Alegre 2011 Para Daniel Cassol AGRADECIMENTOS Agradeço ao Prof. César Guazzelli, que aceitou de imediato a orientação desta pesquisa, enriquecendo este trabalho a cada etapa com as recomendações necessárias. Sou grato também ao Programa de Pós-Graduação em História da UFRGS por acolher este pesquisador e, em especial, aos professores Eduardo Neumann, Regina Webber e Silvia Petersen pelas opiniões e sugestões bibliográficas. Agradeço aos professores Arlei Damo e Gerson Wasen Fraga pelas importantes contribuições sugeridas na qualificação e que ajudaram a ajustar o rumo desta pesquisa. Agradeço igualmente pelo diálogo e pelas colaborações do Professor Gilmar Mascarenhas (UERJ) e das professoras Janice Zarpellon Mazo (ESEF/UFRGS), Fátima Antunes e Heloísa Fernandes (USP). Durante o mestrado, também tive a oportunidade de conviver e compartilhar opiniões com um grupo privilegiado de colegas e agradeço por esta rica experiência a Karina Melo, Rafael Fantinel, Soraia Dornelles e Vinicius Pereira de Oliveira. E de maneira carinhosa, à Roberta Zettel, inseparável e inestimável companhia em toda esta trajetória. -
JAMU 20160224 – 20160518-2/3 – Po Celý Jarní Semestr
JAMU 20160224 – 20160518-2/3 – po celý jarní semestr V průběhu semestru jsme poslouchali mimo jiné z těchto alb: Oliver Nelson: BLUES AND THE ABSTRACT TRUTH Impulse! AS-5 (1961) zejména premiéra standardu Stolen Moments Oliver Nelson: MORE BLUES AND THE ABSTRACT TRUTH Impulse! AS-75 (1964) Michel Legrand: LEGRAND JAZZ Columbia CD-8079 (1958) Miles Davis, John Coltrane, Phil Woods, Bill Evans, Paul Chambers… Gil Evans: THE INDIVIDUALISM OF GIL EVANS Verve V6-8555 (1964) Johnny Coles, Frank Rehak, Wayne Shorter, Kenny Burrell, Ron Carter… Gil Evans: OUT OF THE COOL Impulse! AS-4 (1961) Johnny Coles-tp, Jimmy Knepper, Tony Studd-tb, Bill Barber-tu, Elvin Jones-dr… Gil Evans: INTO THE HOT Impulse! AS-9 (1962) Clark Terry-tp, Bob Brookmeyer-vtb, Jim Buffington-Frh, Cecil Taylor-p… Lalo Schifrin: GILLESPIANA Verve V6-8394 (1960) big band with Dizzy Gillespie Lalo Schifrin: THE NEW CONTINENT Limelight LS 86022 (1965) big band with Dizzy Gillespie Lalo Schifrin: JAZZ MASS Aleph 007 (1998) Tom Scott-sax/fl, WDR big band, choir Lalo Schifrin: …MARQUIS DE SADE Verve V6-8654 (1966) Dizzy Gillespie: AN ELECTRIFYING EVENING WITH Verve V6-8401 (1961) quintet live: Leo Wright-as, Lalo Schifrin-p, Bob Cunningham-b, Chuck Lampkin-dr Dizzy Gillespie: PERCEPTIONS Verve V6-8411 (1961) big band, composed by Jay Jay Johnson Miles Davis: KIND OF BLUE Columbia CS 8163 (1959) John Coltrane, Cannonball Adderley, Bill Evans/Wynton Kelly, Paul Chambers, J. Cobb a další… Též DVD-éčka byla: ze série Ralph Gleason: JAZZ CASUAL (60. léta) John Coltrane Quartet, Dave Brubeck Quartet, Gerry Mulligan Quartet, Art Pepper Quartet, Cannonball Adderley Quintet, Dizzy Gillespie Quintet, John Coltrane Quartet, Sonny Rollins Quartet, Thad Jones-Mel Lewis Jazz Orchestra dále Miles Davis-Gil Evans Orchestra (Robert Herridge 1959) Michel Petrucciani-Jim Hall-Wayne Shorter: Montreux Jazz Festival (1986) a další… .