Live from the Battlefield
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NEEDLESS DEATHS in the GULF WAR Civilian Casualties During The
NEEDLESS DEATHS IN THE GULF WAR Civilian Casualties During the Air Campaign and Violations of the Laws of War A Middle East Watch Report Human Rights Watch New York $$$ Washington $$$ Los Angeles $$$ London Copyright 8 November 1991 by Human Rights Watch. All rights reserved. Printed in the United States of America. Cover design by Patti Lacobee Watch Committee Middle East Watch was established in 1989 to establish and promote observance of internationally recognized human rights in the Middle East. The chair of Middle East Watch is Gary Sick and the vice chairs are Lisa Anderson and Bruce Rabb. Andrew Whitley is the executive director; Eric Goldstein is the research director; Virginia N. Sherry is the associate director; Aziz Abu Hamad is the senior researcher; John V. White is an Orville Schell Fellow; and Christina Derry is the associate. Needless deaths in the Gulf War: civilian casualties during the air campaign and violations of the laws of war. p. cm -- (A Middle East Watch report) Includes bibliographical references. ISBN 1-56432-029-4 1. Persian Gulf War, 1991--United States. 2. Persian Gulf War, 1991-- Atrocities. 3. War victims--Iraq. 4. War--Protection of civilians. I. Human Rights Watch (Organization) II. Series. DS79.72.N44 1991 956.704'3--dc20 91-37902 CIP Human Rights Watch Human Rights Watch is composed of Africa Watch, Americas Watch, Asia Watch, Helsinki Watch, Middle East Watch and the Fund for Free Expression. The executive committee comprises Robert L. Bernstein, chair; Adrian DeWind, vice chair; Roland Algrant, Lisa Anderson, Peter Bell, Alice Brown, William Carmichael, Dorothy Cullman, Irene Diamond, Jonathan Fanton, Jack Greenberg, Alice H. -
Unquiet American: Malcolm Browne in Saigon, 1961–65
THE UNQUIET AMERICAN: Malcolm Browne in Saigon, 1961–65 The Unquiet American: Malcolm Browne in Saigon, 1961–65, other invidious means to impede reporting he perceived Browne’s photograph of the self-immolation of Thich an exhibit drawn from The Associated Press Corporate as critical of his government. Meanwhile, the White House Quan Duc, taken on June 11, 1963, led President John F. From left: Archives, honors the courageous journalism of Malcolm and Pentagon provided little information to reporters and Kennedy to reappraise U.S. support of Diem. After Diem’s Malcolm Browne at work in New York as a chemist for the Foster D. Snell Browne (1931–2012) during the early years of the Vietnam pressured them for favorable coverage of both the political murder on Nov. 1, 1963, in a coup that most probably had Co. in 1953, before his induction into the military and subsequent career War. While Browne was reporting a war being run largely and military situations. the administration’s tacit approval, Browne provided an in journalism. covertly by the White House, the CIA and the Pentagon, unmatched account of Diem’s final hours that received PHOTO COURTESY LE LIEU BROWNE he was waging his own battles in another: the war against Browne arrived in Saigon on Nov. 7, 1961, joining Vietnamese tremendous play. For his breaking news stories and his Associated Press General Manager Wes Gallagher, left, walks with AP journalists. Meanwhile, he accompanied U.S. advisers colleague Ha Van Tran. The bureau soon acquired two astute analysis of a war in the making, Browne won the correspondent Malcolm Browne in Saigon upon Gallagher’s arrival, March 20, by helicopter into the countryside seeking the latest formidable additions, correspondent Peter Arnett and Pulitzer Prize for international reporting in 1964. -
Intimate Perspectives from the Battlefields of Iraq
'The Best Covered War in History': Intimate Perspectives from the Battlefields of Iraq by Andrew J. McLaughlin A thesis presented to the University Of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in History Waterloo, Ontario, Canada, 2017 © Andrew J. McLaughlin 2017 Examining Committee Membership The following served on the Examining Committee for this thesis. The decision of the Examining Committee is by majority vote. External Examiner Marco Rimanelli Professor, St. Leo University Supervisor(s) Andrew Hunt Professor, University of Waterloo Internal Member Jasmin Habib Associate Professor, University of Waterloo Internal Member Roger Sarty Professor, Wilfrid Laurier University Internal-external Member Brian Orend Professor, University of Waterloo ii Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. iii Abstract This study examines combat operations from the 2003 invasion of Iraq War from the “ground up.” It utilizes unique first-person accounts that offer insights into the realities of modern warfare which include effects on soldiers, the local population, and journalists who were tasked with reporting on the action. It affirms the value of media embedding to the historian, as hundreds of journalists witnessed major combat operations firsthand. This line of argument stands in stark contrast to other academic assessments of the embedding program, which have criticized it by claiming media bias and military censorship. Here, an examination of the cultural and social dynamics of an army at war provides agency to soldiers, combat reporters, and innocent civilians caught in the crossfire. -
Famous Journalist Research Project
Famous Journalist Research Project Name:____________________________ The Assignment: You will research a famous journalist and present to the class your findings. You will introduce the journalist, describe his/her major accomplishments, why he/she is famous, how he/she got his/her start in journalism, pertinent personal information, and be able answer any questions from the journalism class. You should make yourself an "expert" on this person. You should know more about the person than you actually present. You will need to gather your information from a wide variety of sources: Internet, TV, magazines, newspapers, etc. You must include a list of all sources you consult. For modern day journalists, you MUST read/watch something they have done. (ie. If you were presenting on Barbara Walters, then you must actually watch at least one interview/story she has done, or a portion of one, if an entire story isn't available. If you choose a writer, then you must read at least ONE article written by that person.) Source Ideas: Biography.com, ABC, CBS, NBC, FOX, CNN or any news websites. NO WIKIPEDIA! The Presentation: You may be as creative as you wish to be. You may use note cards or you may memorize your presentation. You must have at least ONE visual!! Any visual must include information as well as be creative. Some possibilities include dressing as the character (if they have a distinctive way of dressing) & performing in first person (imitating the journalist), creating a video, PowerPoint or make a poster of the journalist’s life, a photo album, a smore, or something else! The main idea: Be creative as well as informative. -
Hitler from American Ex-Pats' Perspective
THE MONTHLY NEWSLETTER OF THE OVERSEAS PRESS CLUB OF AMERICA, NEW YORK, NY • MARCH 2012 Hitler From American Ex-Pats’ Perspective EVENT PREVIEW: MARCH 19 by Sonya K. Fry There have been many history books written about World War II, the economic reasons for Hitler’s rise to power, the psychology of Adolf Hitler as an art student, and a myriad of topics delving into the phenome- non that was Hitler. Andy Nagorski’s new book Hitlerland looks at this time frame from the perspective of American expatriates who lived in Andrey Rudakov Germany and witnessed the Nazi rise Andrew Nagorski to power. In researching Hitlerland, Na- Even those who did not take Hitler for the Kremlin. gorski tapped into a rich vein of in- seriously, however, would concede Others who came to Germany cu- dividual stories that provide insight that his oratory skills and charisma rious about what was going on there into what it was like to work or travel would propel him into prominence. include the architect Philip Johnson, in Germany in the midst of these Nagorski looks at Charles Lind- the dancer Josephine Baker, a young seismic events. berg who was sent to Germany in Harvard student John F. Kennedy Many of the first-hand accounts 1936 to obtain intelligence on the and historian W.E.B. Dubois. in memoirs, correspondence and in- Luftwaffe. Karl Henry von Wiegand, Andy Nagorski is an award win- terviews were from journalists and the famed Hearst correspondent was ning journalist with a long career at diplomats. There were those who the first American reporter to meet Newsweek. -
Freelancers on the Frontline: Influences on Conflict Coverage
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2015 Freelancers on the Frontline: Influences on Conflict vCo erage Denae Lynn D'Arcy University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Broadcast and Video Studies Commons, and the Journalism Studies Commons Recommended Citation D'Arcy, Denae Lynn, "Freelancers on the Frontline: Influences on Conflict Coverage. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3330 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Denae Lynn D'Arcy entitled "Freelancers on the Frontline: Influences on Conflict Coverage." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Communication and Information. Catherine, A. Luther, Major Professor We have read this dissertation and recommend its acceptance: Michael T. Martinez, Patricia M. Freeland, James G. Stovall Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Freelancers on the Frontline: Influences on Conflict Coverage A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Denae Lynn D’Arcy May 2015 ii Copyright © 2015 by Denae Lynn D’Arcy All rights reserved iii This dissertation is dedicated to freelance journalists who have lost their lives while covering conflict. -
War, Women, Vietnam: the Mobilization of Female Images, 1954-1978
War, Women, Vietnam: The Mobilization of Female Images, 1954-1978 Julie Annette Riggs Osborn A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: William J. Rorabaugh, Chair Susan Glenn Christoph Giebel Program Authorized to Offer Degree: History ©Copyright 2013 Julie Annette Riggs Osborn University of Washington Abstract War, Women, Vietnam: The Mobilization of Female Images, 1954-1978 Julie Annette Riggs Osborn Chair of the Supervisory Committee: William J. Rorabaugh, History This dissertation proceeds with two profoundly interwoven goals in mind: mapping the experience of women in the Vietnam War and evaluating the ways that ideas about women and gender influenced the course of American involvement in Vietnam. I argue that between 1954 and 1978, ideas about women and femininity did crucial work in impelling, sustaining, and later restraining the American mission in Vietnam. This project evaluates literal images such as photographs, film and television footage as well as images evoked by texts in the form of news reports, magazine articles, and fiction, focusing specifically on images that reveal deeply gendered ways of seeing and representing the conflict for Americans. Some of the images I consider include a French nurse known as the Angel of Dien Bien Phu, refugees fleeing for southern Vietnam in 1954, the first lady of the Republic of Vietnam Madame Nhu, and female members of the National Liberation Front. Juxtaposing images of American women, I also focus on the figure of the housewife protesting American atrocities in Vietnam and the use of napalm, and images wrought by American women intellectuals that shifted focus away from the military and toward the larger social and psychological impact of the war. -
History Early History
Cable News Network, almost always referred to by its initialism CNN, is a U.S. cable newsnetwork founded in 1980 by Ted Turner.[1][2] Upon its launch, CNN was the first network to provide 24-hour television news coverage,[3] and the first all-news television network in the United States.[4]While the news network has numerous affiliates, CNN primarily broadcasts from its headquarters at the CNN Center in Atlanta, the Time Warner Center in New York City, and studios in Washington, D.C. and Los Angeles. CNN is owned by parent company Time Warner, and the U.S. news network is a division of the Turner Broadcasting System.[5] CNN is sometimes referred to as CNN/U.S. to distinguish the North American channel from its international counterpart, CNN International. As of June 2008, CNN is available in over 93 million U.S. households.[6] Broadcast coverage extends to over 890,000 American hotel rooms,[6] and the U.S broadcast is also shown in Canada. Globally, CNN programming airs through CNN International, which can be seen by viewers in over 212 countries and territories.[7] In terms of regular viewers (Nielsen ratings), CNN rates as the United States' number two cable news network and has the most unique viewers (Nielsen Cume Ratings).[8] History Early history CNN's first broadcast with David Walkerand Lois Hart on June 1, 1980. Main article: History of CNN: 1980-2003 The Cable News Network was launched at 5:00 p.m. EST on Sunday June 1, 1980. After an introduction by Ted Turner, the husband and wife team of David Walker and Lois Hart anchored the first newscast.[9] Since its debut, CNN has expanded its reach to a number of cable and satellite television networks, several web sites, specialized closed-circuit networks (such as CNN Airport Network), and a radio network. -
Zenger 1991.Pdf
Exporting the First Amendment to the World Item Type text; Pamphlet Authors Arnett, Peter Publisher Department of Journalism, University of Arizona (Tucson, AZ) Rights Copyright © Arizona Board of Regents Download date 09/10/2021 05:44:02 Link to Item http://hdl.handle.net/10150/583030 THE JOHN PETER ZENGER AWARD FOR FREEDOM OF THE PRESS AND THE PEOPLE'S RIGHT TO KNOW 1991 PETER ARNETT EXPORTING THE FIRST AMENDMENT TO THE WORLD BY PETER ARNETT THE UNIVERSITYOF ARIZONA TUCSON ARIZONA THE JOHN PETER ZENGER AWARD FOR FREEDOM OF THE PRESS AND THE PEOPLE'S RIGHT TO KNOW 1991 PETER ARNETT EXPORTING THE FIRST AMENDMENT TO THE WORLD BY PETER ARNETT Tucson, Arizona April 22, 1992 THE UNIVERSrTYOF ARIZONA TUCSON ARIZONA THE JOHN PETER ZENGER AWARD -1991 THE ZENGER AWARD WINNERS 1991 Peter Arnett, Cable News Network 1990 Terry A. Anderson, The Associated Press 1989 Robert C. Maynard, The Oakland Tribune 1988 Jean H. Otto, Editorial Page Editor, The Rocky Mountain News 1987 Eugene L. Roberts, Jr., Executive Editor, The Philadelphia Inquirer 1986 John R. Finnegan, Editor, St. Paul (Minn.) Pioneer Press and Dispatch 1985 Thomas Winship, The Boston Globe 1984 Tom Wicker, Associate Editor, The New York Times 1982 Fred W. Friendly, Edward R. Murrow Professor Emeritus, Columbia Graduate School of Journalism 1981 Paul S. Cousley, Publisher, Alton (Ill.) Telegraph 1980 Walter Cronkite, CBS 1979 Jack C. Landau, Executive Director, Reporters Committee for Freedom of the Press 1978 Robert H. Estabrook, Lakeville Journal 1977 Robert W. Greene, Newsday 1976 Donald F. Bolles, The Arizona Republic 1975 Seymour M. Hersh, The New York Times 1974 Thomas E. -
Southern California Journalism Awards
LOS ANGELES PRESS CLUB FIFTY-NINTH ANNUAL5 SOUTHERN CALIFORNIA 9JOURNALISM AWARDS th 59 ANNUAL SOUTHERN CALIFORNIA JOURNALISM AWARDS A Letter From the President CONGRATULATIONS t’s a challenging time for sure. We’ve all been warned more than once JAIME JARRIN by now. We’ve all heard the message, “The media is in trouble.” I Journalists are mistrusted, misrepresented, maligned. We’ve taken it on the chin in both red states and blue states. FOR RECEIVING THE BILL ROSENDAHL But as songwriter and Visionary Award winner Diane Warren told the PUBLIC SERVICE AWARD Los Angeles Press Club last December, “We need you now more than ever.” Not to worry, as the Los Angeles Press Club is not going anywhere. HONORING YOUR COMMUNITY CONTRIBUTIONS We remain one of the oldest organizations in the nation dedicated to representing and defending journalists—and the Free Press. Our democracy THE LOS ANGELES DODGERS ARE PROUD OF YOUR depends on it. But tonight, we come together to celebrate our colleagues, our fellow ACCOMPLISHMENTS BOTH AS THE TEAM’S SPANISH LANGUAGE journalists. Congratulations to all of the nominees for the 59th Annual VOICE FOR NEARLY 60 YEARS AND YOUR SERVICE AND Southern California Journalism Awards. Submissions this year shattered COMMITMENT TO THE CITY’S HISPANIC COMMUNITY. the previous record as press clubs from around the country, including the National Press Club in Washington, D.C., were called upon to judge more WE ARE HONORED THAT YOU WILL ALWAYS BE PART than 1,200 entries. OF OUR DODGER FAMILY. Robert Kovacik It is also a privilege to welcome our Honorary Awardees, selected by our Board of Directors for their contributions to our industry and our society. -
Archived Content Information Archivée Dans Le
Archived Content Information identified as archived on the Web is for reference, research or record-keeping purposes. It has not been altered or updated after the date of archiving. Web pages that are archived on the Web are not subject to the Government of Canada Web Standards. As per the Communications Policy of the Government of Canada, you can request alternate formats on the "Contact Us" page. Information archivée dans le Web Information archivée dans le Web à des fins de consultation, de recherche ou de tenue de documents. Cette dernière n’a aucunement été modifiée ni mise à jour depuis sa date de mise en archive. Les pages archivées dans le Web ne sont pas assujetties aux normes qui s’appliquent aux sites Web du gouvernement du Canada. Conformément à la Politique de communication du gouvernement du Canada, vous pouvez demander de recevoir cette information dans tout autre format de rechange à la page « Contactez-nous ». CANADIAN FORCES COLLEGE / COLLÈGE DES FORCES CANADIENNES CSC 30 / CCEM 30 EXERCISE / EXERCICE NEW HORIZONS LIVE BROADCAST OF COMBAT OPERATIONS IN MODERN WAR: A STEP TOO FAR? By / par: Wing Commander Adrian Hill RAF 30 April 2004 La présente étude a été rédigée par un This paper was written by a student stagiaire du Collège des Forces attending the Canadian Forces College in canadiennes pour satisfaire à l'une des fulfilment of one of the requirements of the exigences du cours. L'étude est un Course of Studies. The paper is a scholastic document qui se rapporte au cours et document, and thus contains facts and contient donc des faits et des opinions que opinions which the author alone considered seul l'auteur considère appropriés et appropriate and correct for the subject. -
America Radio Archive Broadcasting Books
ARA Broadcasting Books EXHIBIT A-1 COLLECTION LISTING CALL # AUTHOR TITLE Description Local Note MBookT TYPELocation Second copy location 001.901 K91b [Broadcasting Collection] Krauss, Lawrence Beyond Star Trek : physics from alien xii, 190 p.; 22 cm. Book Reading Room Maxwell. invasions to the end of time / Lawrence M. Krauss. 011.502 M976c [Broadcasting Collection] Murgio, Matthew P. Communications graphics Matthew P. 240 p. : ill. (part Book Reading Room Murgio. col.) ; 29 cm. 016.38454 P976g [Broadcasting Collection] Public Archives of Guide to CBC sources at the Public viii, 125, 141, viii p. Book Reading Room Canada. Archives / Ernest J. Dick. ; 28 cm. 016.7817296073 S628b [Broadcasting Skowronski, JoAnn. Black music in America : a ix, 723 p. ; 23 cm. Book Reading Room Collection] bibliography / by JoAnn Skowronski. 016.791 M498m [Broadcasting Collection] Mehr, Linda Harris. Motion pictures, television and radio : a xxvii, 201 p. ; 25 Book Reading Room union catalogue of manuscript and cm. special collections in the Western United States / compiled and edited by Linda Harris Mehr ; sponsored by the Film and Television Study Center, inc. 016.7914 R797r [Broadcasting Collection] Rose, Oscar. Radio broadcasting and television, an 120 p. 24 cm. Book Reading Room annotated bibliography / edited by Oscar Rose ... 016.79145 J17t [Broadcasting Collection] Television research : a directory of vi, 138 p. ; 23 cm. Book Reading Room conceptual categories, topic suggestions, and selected sources / compiled by Ronald L. Jacobson. 051 [Broadcasting Collection] TV guide index. 3 copies Book Archive Bldg 070.1 B583n [Broadcasting Collection] Bickel, Karl A. (Karl New empires : the newspaper and the 112 p.