Cold War Conflicts
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ABSTRACT Title of Document: from the BELLY of the HUAC: the RED PROBES of HOLLYWOOD, 1947-1952 Jack D. Meeks, Doctor of Philos
ABSTRACT Title of Document: FROM THE BELLY OF THE HUAC: THE RED PROBES OF HOLLYWOOD, 1947-1952 Jack D. Meeks, Doctor of Philosophy, 2009 Directed By: Dr. Maurine Beasley, Journalism The House Un-American Activities Committee, popularly known as the HUAC, conducted two investigations of the movie industry, in 1947 and again in 1951-1952. The goal was to determine the extent of communist infiltration in Hollywood and whether communist propaganda had made it into American movies. The spotlight that the HUAC shone on Tinsel Town led to the blacklisting of approximately 300 Hollywood professionals. This, along with the HUAC’s insistence that witnesses testifying under oath identify others that they knew to be communists, contributed to the Committee’s notoriety. Until now, historians have concentrated on offering accounts of the HUAC’s practice of naming names, its scrutiny of movies for propaganda, and its intervention in Hollywood union disputes. The HUAC’s sealed files were first opened to scholars in 2001. This study is the first to draw extensively on these newly available documents in an effort to reevaluate the HUAC’s Hollywood probes. This study assesses four areas in which the new evidence indicates significant, fresh findings. First, a detailed analysis of the Committee’s investigatory methods reveals that most of the HUAC’s information came from a careful, on-going analysis of the communist press, rather than techniques such as surveillance, wiretaps and other cloak and dagger activities. Second, the evidence shows the crucial role played by two brothers, both German communists living as refugees in America during World War II, in motivating the Committee to launch its first Hollywood probe. -
The Roots of Post-Racial Neoliberalism in Blacklist Era Hollywood
The Roots of Post-Racial Neoliberalism in Blacklist Era Hollywood A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Andrew Paul IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Lary May, Tracey Deutsch March 2014 © Andrew Paul 2014 Acknowledgements Writing this dissertation would not have been possible without the support of countless others. First, I acknowledge the generosity of my dissertation committee. My advisors, Lary May and Tracey Deutsch offered enthusiastic guidance, criticism, and support. Lary’s own contributions to the historiography of the blacklist were second in value only to his personal attention to my work, and his questions yielded important research leads. Tracey helped me to think across sub-fields and pushed me to improve my writing. Both of them encouraged me to take intellectual risks and to make bold claims and interventions. Elaine Tyler May, Riv-Ellen Prell, and Malinda Lindquist all shaped my development as a scholar as well. With thoughtful and critical attention to my writing, they challenged me to clarify my ideas and helped me to see how my work was entering different conversations, and how it might stand to enter others. It was a privilege to be able to discuss my ideas with this committee. I was awarded generous financial sums from the University of Minnesota’s Harold Leonard Memorial Film Studies Fellowship and the University of Minnesota Foundation, which allowed me travel to archives in California, Wisconsin, and New York. In these locales, at the Charles Young Research Library at the University of California Los Angeles, the Margaret Herrick Library and the Paley Center for Media, both located in Beverly Hills, the Wisconsin State Historical Society in Madison, and at the Center for Jewish History in New York City, numerous archivists assisted me in my work., and for this I owe them my gratitude. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
An Examination of Three Attorneys Who Represented
UCLA UCLA Entertainment Law Review Title Three Brave Men: An Examinantion of Three Attorneys Who Represented the Hollywood Nineteen in the House Un-American Activities Committee Hearings in 1947 and the Consequences They Faced Permalink https://escholarship.org/uc/item/7mq6r2rb Journal UCLA Entertainment Law Review, 6(2) ISSN 1073-2896 Author Bose, Erica Publication Date 1999 DOI 10.5070/LR862026987 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Three Brave Men: An Examinantion of Three Attorneys Who Represented the Hollywood Nineteen in the House Un- American Activities Committee Hearings in 1947 and the Consequences They Faced Erica Bose* I. INTRODUCTION On September 30, 1952 an attorney appeared before the House Subcommittee on Un-American Activities in Los Angeles as an extremely hostile witness. Ben Margolis, prominent labor lawyer and well-known radical, vehemently refused to answer nearly every question Chairman John S. Wood put forth to him. When asked if he knew Edward Dmytryk, one of the first "unfriendly witnesses" to appear before the House Un-American Activities Committee (H.U.A.C.) in Washington in 1947 who later recanted and named names, Margolis responded by stating, "Unfortunately he has become a member of your stable. I refuse to answer on the ground that it would tend to degrade me by association with any such person."' When "J.D. candidate, UCLA School of Law, 2001. I would like to express my sincere thanks to Ben Margolis, Patricia Bosworth, Ellenore Bogigian Hittelman, Ring Lardner, Jr., Ann Fagan Ginger, and Michael O'Malley. Without their help, I would never have been able to write this comment. -
The Rise and Demise of Confidential Magazine
William & Mary Bill of Rights Journal Volume 25 (2016-2017) Issue 1 Article 4 October 2016 The Most Loved, Most Hated Magazine in America: The Rise and Demise of Confidential Magazine Samantha Barbas Follow this and additional works at: https://scholarship.law.wm.edu/wmborj Part of the Constitutional Law Commons, and the First Amendment Commons Repository Citation Samantha Barbas, The Most Loved, Most Hated Magazine in America: The Rise and Demise of Confidential Magazine, 25 Wm. & Mary Bill Rts. J. 121 (2016), https://scholarship.law.wm.edu/ wmborj/vol25/iss1/4 Copyright c 2016 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/wmborj THE MOST LOVED, MOST HATED MAGAZINE IN AMERICA: THE RISE AND DEMISE OF CONFIDENTIAL MAGAZINE Samantha Barbas * INTRODUCTION Before the National Enquirer , People , and Gawker , there was Confidential . In the 1950s, Confidential was the founder of tabloid, celebrity journalism in the United States. With screaming headlines and bold, scandalous accusations of illicit sex, crime, and other misdeeds, Confidential destroyed celebrities’ reputations, relation- ships, and careers. Not a single major star of the time was spared the “Confidential treatment”: Marilyn Monroe, Elvis Presley, Liberace, and Marlon Brando, among others, were exposed in the pages of the magazine. 1 Using hidden tape recorders, zoom lenses, and private investigators and prostitutes as “informants,” publisher Robert Harrison set out to destroy stars’ carefully constructed media images, and in so doing, built a media empire. Between 1955 and 1957, Confidential was the most popular, bestselling magazine in the nation. -
The Cold War
p0806-807aspe-0726co 10/17/02 9:13 AM Page 806 Page 1 of 2 Senator Joseph McCarthy, shown here, charged that Communists had infiltrated many areas of American life. 1952 U.S. explodes first hydrogen bomb. 1948 1949 1952 Dwight D. Harry S. 1950 U.S. Truman is United Eisenhower is States joins sends troops elected president. elected to Korea. president. NATO. USA WORLD 1945 1950 1945 United 1946 1948 Berlin 1949 China 1950 Korean Nations is Churchill airlift begins. becomes War begins. established. gives his communist “Iron Curtain” under speech. Mao Zedong. 806 CHAPTER 26 p0806-807aspe-0726co 10/17/02 9:13 AM Page 807 Page 2 of 2 INTERACTINTERACT WITH HISTORY At the end of World War II, Americans begin to be haunted by a new fear. The Soviets have embraced a tightly controlled political system called communism. Many believe it threatens the American way of life. Throughout the nation, suspected communists are called before a House subcommittee for questioning. Anyone accused of un-American activity faces public humiliation and professional ruin. What do you do when a friend is accused? Examine the issues • Do Americans with communist beliefs pose a threat to the nation? • What can individual citizens do to protect the rights of all people? • Should citizens speak out to preserve the rights of others? RESEARCH LINKS CLASSZONE.COM Visit the Chapter 26 links for more information about Cold War Conflicts. 1953 Julius 1960 Francis Gary Powers’s U-2 spy and Ethel plane is shot down by the Soviets. Rosenberg are 1954 Senator Joseph executed as McCarthy alleges 1960 John F. -
Jews, the Blacklist, and Stoolpigeon Culture / Joseph Litvak
The Un-Americans Edited by Michèle Aina Barale Jonathan Goldberg Michael Moon Eve Kosofsky Sedgwick JOSEPH LITVAK The Un-Americans JEWS, THE BLACKLIST, AND STOOLPIGEON CULTURE Duke University Press Durham and London 2009 © 2009 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper b Designed by C. H. Westmoreland Typeset in Scala with Gill Sans display by Achorn International, Inc. Library of Congress Cataloging-in-Publication Data Litvak, Joseph. The un-Americans : Jews, the blacklist, and stoolpigeon culture / Joseph Litvak. p. cm. — (Series Q) Includes bibliographical references and index. isbn 978-0-8223-4467-4 (cloth : alk. paper) isbn 978-0-8223-4484-1 (pbk. : alk. paper) 1. Jews in the motion picture industry—United States. 2. Jews—United States—Politics and government—20th century. 3. Antisemitism—United States—History—20th century. 4. United States—Ethnic relations—Political aspects. I. Title. II. Series: Series Q. e184.36.p64l58 2009 305.892’407309045—dc22 2009029295 TO LEE CONTENTS acknowledgments ix ❨1❩ Sycoanalysis: An Introduction 1 ❨2❩ Jew Envy 50 ❨3❩ Petrified Laughter: Jews in Pictures, 1947 72 ❨4❩ Collaborators: Schulberg, Kazan, and A Face in the Crowd 105 ❨5❩ Comicosmopolitanism: Behind Television 153 ❨6❩ Bringing Down the House: The Blacklist Musical 182 coda Cosmopolitan States 223 notes 229 bibliography 271 index 283 ACKNOWLEDGMENTS This book is about, among other things, the thrill of naming names. As I look back on the process of writing it, it gives me great pleasure to point my finger at the accomplices who made it possible: Cheryl Alison, Susan Bell, Lauren Berlant, Susan David Bernstein, Diana Fuss, Jane Gallop, Marjorie Garber, Helena Gurfinkel, Judith Halberstam, Janet Halley, Jon- athan Gil Harris, Sonia Hofkosh, Carol Mavor, Meredith McGill, David McWhirter, Madhavi Menon, D. -
The Relationship Between the American Government and the American Film Industry 1945-1954
Capturing a Lifestyle: The Relationship Between the American Government and the American Film Industry 1945-1954 Emma Kateman Undergraduate Senior Thesis Department of History March 28, 2021 Seminar Advisor: Professor Pablo Piccato Second Reader: Professor Anders Stephanson Kateman 1 Acknowledgments I never anticipated that I would write, let alone complete a thesis. These last four years at Columbia have been unimaginably formative, and the History Department has been incredibly integral to that experience. I am extraordinarily thankful to Professor Piccato, who has provided consistent and thoughtful counsel throughout the entirety of this exhausting and uncertain senior year. I also want to thank Professor Stephanson, whose class served as the inspiration for this thesis and whom I was lucky enough to have as a reader on this thesis. To both, I am utterly grateful. Finally, thank you to my family and friends, who certainly listened to me discuss this thesis endlessly. Additional thanks go to my sister and my roommate. Kateman 2 Introduction During the Cold War conflict between the United States and the Soviet Union, the two superpowers worked to discredit one another’s political and economic systems, minimizing one another’s global appeal. One way that the United States did so was by accusing the Soviet Union of creating a film industry for propaganda purposes. “Soviet Propaganda Campaign Cues Era of Russ Brainwashing Pix,” one 1954 Variety headline warned upon reports of a planned increase in Soviet film production: “Kremlin’s current -
Communist Activity Entertainment Industry
A Guide to the Microfilm Edition of Federal Bureau of Investigation Confidential Files COMMUNIST ACTIVITY IN THE ENTERTAINMENT INDUSTRY UNIVERSITY PUBLICATIONS OF AMERICA A Guide to the Microfilm Edition of Federal Bureau of Investigation Confidential Files COMMUNIST ACTIVITY IN THE ENTERTAINMENT INDUSTRY FBI Surveillance Files on Hollywood, 1942-1958 Edited by Daniel J. Leab Department of History, Seton Hall University Guide compiled by Robert E. Lester A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data Federal Bureau of Investigation confidential files. Communist activity in the entertainment industry [microform]: FBI surveillance files on Hollywood, 1942-1958 / edited by Daniel J. Leab. p. cm. Accompanied by printed reel guide compiled by Robert E. Lester. Includes index. ISBN 1-55655-414-1 (microfilm reels) 1. Motion picture industry-Political aspects-United States- History-Sources. 2. Communism-United States-1917- -Sources. 3. Blacklisting of entertainers-United States-History-Sources. 4. United States. Federal Bureau of Investigation--Archives. I. Leab, Daniel J. II. Lester, Robert, ffl. United States. Federal Bureau of Investigation. [PN1993.5.U65] 791.43'09794'94--dc20 92-37444 CIP Compilation © 1991 by University Publications of America. All rights reserved. ISBN 1-55655-414-1. TABLE OF CONTENTS introduction v Note on Sources xi Acronyms List xiii Explanation of Exemptions xv How to Cite FBI Records xvii -
The Cold War
Module 12 The Cold War Essential Question Did anyone win the Cold War? About the Photograph: As anti- In this module you will learn about the Cold War, a five-decade struggle Communist feelings rose in America, for world influence between the United States and the Soviet Union. Senator Joseph McCarthy became a national sensation. He charged that Communists had infiltrated many areas of American life. What You Will Learn . In this photograph, McCarthy presents his Lesson 1: The Origins of the Cold War . 572 The Big Idea The United States and the Soviet Union emerged from claims to a U.S. Senate subcommittee. World War II as two “superpowers” with vastly different political and economic systems. Explore ONLINE! Lesson 2: The Cold War Heats Up . 583 VIDEOS, including... The Big Idea After World War II, China became a Communist nation and Korea was split into a Communist north and a democratic south. • Superpower Lesson 3: The Cold War at Home . 592 • The Firing of MacArthur The Big Idea During the late 1940s and early 1950s, fear of • Fear of Communism at Home communism led to reckless charges against innocent citizens. • The Arms Race Lesson 4: Two Nations Live on the Edge . 600 • The U-2 Spy Plane The Big Idea During the 1950s the United States and the Soviet • Bay of Pigs Declassified Union came to the brink of nuclear war. • Cuban Missile Crisis Lesson 5: Mounting Tensions in the Sixties . 610 The Big Idea The Kennedy administration faced some of the most Document-Based Investigations dangerous Soviet confrontations in American history. -
The Cold War at Home
The Cold War at Home MAIN IDEA WHY IT MATTERS NOW Terms & Names During the late 1940s and Americans today remain vigilant •HUAC •Ethel and Julius early 1950s, fear of about unfounded accusations. •Hollywood Ten Rosenberg communism led to reckless •blacklist •Joseph McCarthy charges against innocent •Alger Hiss •McCarthyism citizens. One American's Story Tony Kahn made the neighbors uncomfortable because they thought his father, Gordon Kahn, was a Communist. In 1947, Gordon Kahn was a successful screenwriter. However, when a congressional committee began to investigate Communists in Hollywood, Kahn was blacklisted—named as unfit to hire. Later, in 1951, he was scheduled to testify before the committee himself. To save himself, Gordon Kahn simply had to name others as Communists, but he refused. Rather than face the con- gressional committee, he fled to Mexico. Tony Kahn remembers how the Cold War hurt him and his family. A PERSONAL VOICE TONY KAHN Tony Kahn “ The first time I was called a Communist, I was four years old. I’ll never forget the look in our neighbors’ eyes when I walked by. I thought it was hate. I was too young to realize it was fear.” —from The Cold War Comes Home THE COLD WAR COMES HOME The members of the Kahn family were among thousands of Hollywood Blacklists the victims of the anti-Communist hysteria that gripped this country in Kahn Family the late 1940s and early 1950s. By the end of the period, no one was immune from accusations. Fear of Communist Influence In the early years of the Cold War, many Americans believed that there was good reason to be concerned about the security of the United States. -
Are You Now, Or Have You Ever Been the Front for a Blacklisted Writer? May 7, 2009 Joshua Altman Professor Becker
Are You Now, Or Have You Ever Been The Front for a Blacklisted Writer? May 7, 2009 Joshua Altman Professor Becker BEHIND THE BLACKLIST In 1947 the Cold War helped to create an Iron Curtain across Europe and a Red Terror across the United States. Film, centralized in Hollywood, California fell first under suspicion of communism, and the motion picture industry became the target of congressional investigation. Actors, directors, and producers in Hollywood, including then actor and future president Ronald Reagan, accused ten of their peers of Communist or leftist leanings. These ten entertainers testified before the House Committee on Un- American Activity [HUAC] on September 23, 1947 as the first unfriendly witnesses. Alvah Bessie, Herbert Biberman, Lester Cole, Edward Dmytryk, Ring Lardner Jr., John Howard Lawson, Albert Maltz, Samuel Ornitz, Adrian Scott, and Dalton Trumbo became immortalized as the Hollywood Ten. Congressional investigations nearly destroyed the film careers of these ten men; however in a way that is not properly appreciated, they managed to find outlets for their work by fighting for free speech and by submitting their scripts under the names of writers cleared by HUAC. HUAC began its investigations with its creation in 1938 only to have them held up by World War II 1. During the pre-war HUAC years, entertainment film was a largely unregulated industry. Unlike radio and then television, people enjoyed movies on film reels in large movie palaces and not by tuning their receiver to the proper government licensed frequency in their own home. Early in the history of the medium motion 1Gladchuk, John J.