Debord, Ressentiment, Ft Re'7o Lutio11ary Anarchism
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Relevance in Obsolescence: Recuperation and Temporality in the Work of Guy Debord and the Situationist International
RELEVANCE IN OBSOLESCENCE: RECUPERATION AND TEMPORALITY IN THE WORK OF GUY DEBORD AND THE SITUATIONIST INTERNATIONAL Tom Bunyard RECUPERATION In 2009, the French State bought an archive of Guy Debord’s work, containing his manuscripts, correspondence, reading notes, cinematic material and assorted personal effects. This purchase, which was conducted in order to prevent the archive’s sale to Yale, resulted in its installation in the Bibliothèque Nationale de France (BNF). In order for this to take place, the President of the Bibliothèque was required to dub Debord’s work a “national treasure”; Sarkozy’s minister of culture was then obliged to endorse that evaluation by describing Debord as a “great French intellectual.”1 Unsurprisingly, these statements have proved somewhat notorious. Debord’s “bad reputation”2 once merited far more attention from the police and secret services than it did from academia, and the irony involved in the archive’s acquisition has not been lost on its many commentators: for as a journalist in Le Monde remarked, it entailed housing, “in a temple of the state,” the archives of “an intellectual who was critical of all institutions, and of society in general.”3 Yet while the tension between the archive’s content and its current location may have been sufficient to provoke commentary in the press, it remains the case that Debord’s work, together with that of the Situationist International (S.I.), has been steadily accepted and celebrated by the society that it opposed for years. This process of accommodation has proceeded apace over the past few decades, and Situationist material has now become a fixture of both the academic Left and of university teaching program; this despite the fact that in 1966, a French judge felt moved to declare Situationist ideas to be a genuine “threat” to the minds of impressionable students, and to society at large.4 Thus while the transition from the status of “threat” to that of “treasure” announced by the archive’s purchase is sharp, it is by no means without precedent. -
The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 8-2012 The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno Joseph Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Joseph, "The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno" (2012). College of Liberal Arts & Social Sciences Theses and Dissertations. 125. https://via.library.depaul.edu/etd/125 This Dissertation is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W. Adorno A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy October, 2011 By Joseph Weiss Department of Philosophy College of Liberal Arts and Sciences DePaul University Chicago, Illinois 2 ABSTRACT Joseph Weiss Title: The Idea of Mimesis: Semblance, Play and Critique in the Works of Walter Benjamin and Theodor W. Adorno Critical Theory demands that its forms of critique express resistance to the socially necessary illusions of a given historical period. Yet theorists have seldom discussed just how much it is the case that, for Walter Benjamin and Theodor W. -
Critical Resistance Nietzschean French Philosophy Is Without Equal
Hoy 4/22/04 7:01 AM Page 1 “Hoy’s penetrating and multifaceted account of theories of resistance in post- Critical Resistance Nietzschean French philosophy is without equal. His analyses of genealogical From Poststructuralism to Post-Critique and deconstructionist modes of critique and his elaboration of the notion of David Couzens Hoy ‘critical resistance’ consistently evince the mastery we have come to expect from him. There is no better guide through the thickets of poststructualism This book serves as both an introduction to the and its aftermath.” concept of resistance in poststructuralist thought —Thomas McCarthy, Northwestern University Critical Critical Resistance and an original contribution to the continuing philosophical discussion of this topic. How can a “Critical Resistance offers fresh consideration of persistently vexing questions body of thought that mistrusts universal principles posed by poststructuralist philosophy: How is it possible to do away with explain the possibility of critical resistance? grounded norms and universal principles and at the same time offer a com- Without appeals to abstract norms, how can eman- pelling theoretical critique of the existing order of things? How can thinking cipatory resistance be distinguished from domina- practices that call all normativity into question also generate possibilities for From Poststructuralism tion? Can there be a poststructuralist ethics? David resistance to perceived domination or injustice? Indeed, how can such prac- Resistance Hoy explores these crucial questions -
From Ressentiment to Resentment As a Tertiary Emotion
Review of European Studies; Vol. 10, No. 4; 2018 ISSN 1918-7173 E-ISSN 1918-7181 Published by Canadian Center of Science and Education From Ressentiment to Resentment as a Tertiary Emotion Warren D. TenHouten1 1 Department of Sociology, University of California, Los Angeles, California, USA Correspondence: Warren D. TenHouten, Department of Sociology, 264 Haines Hall, UCLA, 405 Hilgard Avenue, Los Angeles, CA 90095–1551, USA. Received: May 14, 2018 Accepted: June 28, 2018 Online Published: September 5, 2018 doi:10.5539/res.v10n4p49 URL: https://doi.org/10.5539/res.v10n4p49 Abstract Resentment is a noxious emotion that can exist in sublimated form as a result of being subjected to inferiorization, stigmazation, or violence. In its active form, resentment can be a forceful response to acts that have created unjustified and meaningless suffering. We consider sociomoral conceptualizations of resentment by Adam Smith, Hume, and Lévinas. Nietzsche and Scheler developed the broader notion of ressentiment, a generalized form of resentment arising out of powerlessness and the experience of brutalization neither forgotten nor forgiven. Resentment is seen historically as a sentiment that is saturated with frustration, contempt, outrage, and malevolence. Marshall described oppositional class-consciousness as permeated with resentment and anger, but resentment also contains the basic emotions of surprise and disgust. Resentment is linked to the concept of relative deprivation. A partial classification of emotions is used to further analyze resentment as containing three secondary-level emotions: contempt (anger & disgust), shock (surprise & disgust), and outrage (surprise & anger). Thus, resentment is conceptualized as a tertiary-level emotion, containing three primary and three secondary emotions. -
Re:Imagining Change
WHERE IMAGINATION BUILDS POWER RE:IMAGINING CHANGE How to use story-based strategy to win campaigns, build movements, and change the world by Patrick Reinsborough & Doyle Canning 1ST EDITION Advance Praise for Re:Imagining Change “Re:Imagining Change is a one-of-a-kind essential resource for everyone who is thinking big, challenging the powers-that-be and working hard to make a better world from the ground up. is innovative book provides the tools, analysis, and inspiration to help activists everywhere be more effective, creative and strategic. is handbook is like rocket fuel for your social change imagination.” ~Antonia Juhasz, author of e Tyranny of Oil: e World’s Most Powerful Industry and What We Must Do To Stop It and e Bush Agenda: Invading the World, One Economy at a Time “We are surrounded and shaped by stories every day—sometimes for bet- ter, sometimes for worse. But what Doyle Canning and Patrick Reinsbor- ough point out is a beautiful and powerful truth: that we are all storytellers too. Armed with the right narrative tools, activists can not only open the world’s eyes to injustice, but feed the desire for a better world. Re:Imagining Change is a powerful weapon for a more democratic, creative and hopeful future.” ~Raj Patel, author of Stuffed & Starved and e Value of Nothing: How to Reshape Market Society and Redefine Democracy “Yo Organizers! Stop what you are doing for a couple hours and soak up this book! We know the importance of smart “issue framing.” But Re:Imagining Change will move our organizing further as we connect to the powerful narrative stories and memes of our culture.” ~ Chuck Collins, Institute for Policy Studies, author of e Economic Meltdown Funnies and other books on economic inequality “Politics is as much about who controls meanings as it is about who holds public office and sits in office suites. -
Guy Debord and the Situationist International: Texts and Documents, Edited by Tom Mcdonough G D S I
G D S I OCTOBER BOOKS Rosalind E. Krauss, Annette Michelson, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier, and Mignon Nixon, editors Broodthaers, edited by Benjamin H. D. Buchloh AIDS: Cultural Analysis/Cultural Activism, edited by Douglas Crimp Aberrations, by Jurgis Baltrusˇaitis Against Architecture: The Writings of Georges Bataille, by Denis Hollier Painting as Model, by Yve-Alain Bois The Destruction of Tilted Arc: Documents, edited by Clara Weyergraf-Serra and Martha Buskirk The Woman in Question, edited by Parveen Adams and Elizabeth Cowie Techniques of the Observer: On Vision and Modernity in the Nineteenth Century, by Jonathan Crary The Subjectivity Effect in Western Literary Tradition: Essays toward the Release of Shakespeare’s Will, by Joel Fineman Looking Awry: An Introduction to Jacques Lacan through Popular Culture, by Slavoj Zˇizˇek Cinema, Censorship, and the State: The Writings of Nagisa Oshima, by Nagisa Oshima The Optical Unconscious, by Rosalind E. Krauss Gesture and Speech, by André Leroi-Gourhan Compulsive Beauty, by Hal Foster Continuous Project Altered Daily: The Writings of Robert Morris, by Robert Morris Read My Desire: Lacan against the Historicists, by Joan Copjec Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture, by Kristin Ross Kant after Duchamp, by Thierry de Duve The Duchamp Effect, edited by Martha Buskirk and Mignon Nixon The Return of the Real: The Avant-Garde at the End of the Century, by Hal Foster October: The Second Decade, 1986–1996, edited by Rosalind Krauss, Yve-Alain Bois, Benjamin H. D. Buchloh, Hal Foster, Denis Hollier, and Silvia Kolbowski Infinite Regress: Marcel Duchamp 1910–1941, by David Joselit Caravaggio’s Secrets, by Leo Bersani and Ulysse Dutoit Scenes in a Library: Reading the Photograph in the Book, 1843–1875, by Carol Armstrong Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975, by Benjamin H. -
On Debord, Then and Now: an Interview with Olivier Assayas
On Debord, Then and Now: An Interview with Olivier Assayas By Brian Price and Meghan Sutherland Brian Price (BP): When did you first encounter Guy Debord? Olivier Assayas (OA): I never actually met him. I suppose I was gradually attracted to the ideas. It has to do with France in the 70s, with the ambient of French leftism. That’s when I grew up. What is not clearly understood now is that you had different streams [at that time], in the sense that May ‘68 was not specifically a leftist event. There were some leftist groups that somehow later appropriated the event—like Maoists or Trotskyists—but to the core it was really a libertarian movement. And once you look into it, you can very clearly trace it back to some libertarian opposition to the communist, leftist ideology within the French university at that time. I was thirteen in May ’68. My father had been a militant anti-fascist in Italy when he was a young man, then was close to “Communist” circles in Paris before the Second World War. But when he fled France, because of the anti-Semite laws in 1941, he ended up on the same boat as Victor Serge. Victor Serge was a prominent critic at that time of the totalitarian revolution of the Soviet Union. I suppose that my father became close to him and was certainly influenced by his ideas, which, of course, made him break with his ties to conventional Communism. He was also involved with the Free French [Forces], became a Gaullist, and after that became extremely anti-Stalinian. -
Towards a Phenomenology of Liberation: a Critical Theory of Race and the Fate of Democracy in Latin America”
APA Newsletters NEWSLETTER ON HISPANIC/LATINO ISSUES IN PHILOSOPHY Volume 10, Number 1 Fall 2010 FROM THE EDITOR, BERNIE J. CANTEÑS ARTICLES CARLOS ALBERTO SANCHEZ “Against Values: Culture and Phenomenology in Jorge Portilla and Max Scheler” ALEJANDRO A. VALLEGA “Philosophy Beyond Pernicious Knowledge, from a Latin American Perspective” NYTHAMAR DE OLIVEIRA “Towards a Phenomenology of Liberation: A Critical Theory of Race and the Fate of Democracy in Latin America” BOOK REVIEW Enrique Dussel, Eduardo Mendieta, Carmen Bohórquez, Eds.: El pensamiento filósofico latinoamericano, del Caribe y “latino” [1300-2000]: Historia, Temas, Filósofos REVIEWED BY GRANT SILVA SUBMISSIONS CONTRIBUTORS © 2010 by The American Philosophical Association ISSN 2155-9708 APA NEWSLETTER ON Hispanic/Latino Issues in Philosophy Bernie J. Canteñs, Editor Fall 2010 Volume 10, Number 1 phenomenology.” De Oliveira’s thesis is developed in three ROM THE DITOR parts: (1) Philosophy of Race, (2) Liberation Philosophy, and F E (3) Critical Theory. According to de Oliveira, this new social phenomenology will avoid the “objectivist claims of Marxism” and “subjectivist ‘representations’ of postcolonial and cultural Bernie Canteñs studies.” De Oliveira adopts a “weak social constructionist” Moravian College conception of race. He understands that any account of race in Latin America will be intertwined with political and social The fall 2010 issue of the Newsletter contains Carlos Alberto psychology, and his philosophy of race intends to deconstruct Sanchez’s “Against Values: Culture and Phenomenology in racial democracy myths or scientific and historical conceptions Jorge Portilla and Max Scheler.” Sanchez’s essay compares of race, and Eurocentric myths of liberation such as democracy, the “European crisis of value” with the “Mexican crisis of liberalism, and socialism. -
Real.Izing the Utopian Longing of Experimental Poetry
REAL.IZING THE UTOPIAN LONGING OF EXPERIMENTAL POETRY by Justin Katko Printed version bound in an edition of 20 @ Critical Documents 112 North College #4 Oxford, Ohio 45056 USA http://plantarchy.us REEL EYE SING THO YOU DOH PEON LAWN INC O V.EXPER(T?) I MEANT ALL POET RE: Submitted to the School of Interdisciplinary Studies (Western College Program) in partial fulfillment of the requirements for the degree of Bachelor of Philosophy Interdisciplinary Studies by Justin Katko Miami University Oxford, Ohio April 10, 2006 APPROVED Advisor: _________________ Xiuwu Liu ABSTRACT Capitalist social structure obstructs the potentials of radical subjectivities by over-determining life as a hierarchy of discrete labors. Structural analyses of grammatical syntax reveal the reproduction of capitalist social structure within linguistic structure. Consider how the struggle of articulation is the struggle to make language work.* Assuming an analog mesh between social and docu-textual structures, certain experimental poetries can be read as fractal imaginations of anarcho-Marxist utopianism in their fierce disruption of linguistic convention. An experimental poetry of radical political efficacy must be instantiated by and within micro-social structures negotiated by practically critical attentions to the material conditions of the social web that upholds the writing, starting with writing’s primary dispersion into the social—publishing. There are recent historical moments where such demands were being put into practice. This is a critical supplement to the first issue of Plantarchy, a hand-bound journal of contemporary experimental poetry by American, British, and Canadian practitioners. * Language work you. iii ...as an object of hatred, as the personification of Capital, as the font of the Spectacle. -
Hegel: Three Studies I Theodor W
Hegel Three Studies · I Hegel Three Studies Theodor W. Adorno. translated by Shierry Weber Nicholsen with an introduction by Shierry Weber Nicholsen and Jeremy]. Shapiro \\Imi\�\\�\i\il\"t�m .� . 39001101483082 The MIT Press, Cambridge, Massachusetts, and London, England ·" '.�. This edition © 1993 Massachusetts Institute of Technology This work originally appeared in German under the title Drei Studien zu Hegel, © 1963, 1971 Suhrkamp Verlag, Frankfurt am Main, Germany. All rights reserved. No part of this book may be reproduced in any fo rm or by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. This book was set in Baskerville by The Maple-Vail Book Manufacturing Group and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Adorno, Theodor W., 1903-1969. [Drei Studien zu Hegel. English] Hegel: three studies I Theodor W. Adorno ; translated by Shierry Weber Nicholsen ; with an introduction by Shierry Weber Nicholsen and Jeremy J. Shapiro. p. cm.-(Studies in contemporary German social thought) Translation of: Drei Studien zu Hegel. Includes bibliographical references and index. ISBN 0-262-01131-X 1. Hegel, Georg Wilhelm Friedrich, 1770- 1831. 1. Title. 11. Series. B2948.A3213 1993 193----dc20 92-23161 CIP ..�. •. , ......... ..,..·...",...,..'''_''e ... • 11�. I },i . :-::" 7.�� <,f,' · '�: · : :-:- ;;· �:<" For Karl Heinz Haag 337389 Contents Introduction by Shierry Weber Nicholsen and IX Jeremy J. Shapiro Preface XXXv A Note on the Text xxxvii Editorial Remarks from the German Edition XXXIX Aspects of Hegel's Philosophy 1 The Experiential Content of Hegel's Philosophy 53 Skoteinos, or How to Read Hegel 89 Notes 149 Name Index 159 Introduction Shierry Weber Nicholsen Jeremy J. -
Explaining Postmodernism
SUB Hamburg Explaining Postmodernism Skepticism and Socialism from Rousseau to Foucault Expanded Edition Stephen R. C. Hicks Ockham's Razor Publishing Contents Thesis: The failure of epistemology made postmodernism possible, and the failure of socialism made postmodernism necessary. List of Tables and Charts v Chapter One: What Postmodernism Is The postmodern vanguard 1 Foucault, Lyotard, Derrida, Rorty Modem and postmodern 5 Modernism and the Enlightenment 7 Postmodernism versus the Enlightenment 14 Postmodern academic themes 15 Postmodern cultural themes 18 Why postmodernism? 20 Chapter Two: The Counter-Enlightenment Attack on Reason Enlightenment reason, liberalism, and science 23 The beginnings of the Counter-Enlightenment 24 Kant's skeptical conclusion 27 Kant's problematic from empiricism and-rationalism 29 Kant's essential argument 32 Identifying Kant's key assumptions 36 Why Kant is the turning point 39 After Kant: reality or reason but not both 42 Metaphysical solutions to Kant: from Hegel to Nietzsche 44 Dialectic and saving religion 46 Hegel's contribution to postmodernism 50 Epistemological solutions to Kant: irrationalism from Kierkegaard 51 to Nietzsche Summary of irrationalist themes 56 ii Chapter Three: The Twentieth-Century Collapse of Reason Heidegger's synthesis of the Continental tradition 58 Setting aside reason and logic 61 Emotions as revelatory 62 Heidegger and postmodernism 65 Positivism and Analytic philosophy: from Europe to America 67 From Positivism to Analysis 70 Recasting philosophy's function 72 Perception, -
Spectacular Developments: Guy Debord's Parapolitical Turn
GOLDSMITHS Research Online Thesis (PhD) Kinkle, Jeffrey Spectacular Developments: Guy Debord's Parapolitical Turn You may cite this version as: Kinkle, Jeffrey. 2010. Spectacular Developments: Guy Debord's Parapolitical Turn. PhD thesis, Goldsmiths, University of London. [Thesis]: Goldsmiths Research Online. Available at: http://eprints.gold.ac.uk/3225/ COPYRIGHT This is a thesis accepted for a Higher Degree of the University of London. It is an unpublished document and the copyright is held by the author. All persons consulting this thesis must read and abide by the Copyright Declaration below. COPYRIGHT DECLARATION I recognise that the copyright and other relevant Intellectual Property Rights (IPR) of the above- described thesis rests with the author and/or other IPR holders and that no quotation from it or information derived from it may be published without the prior written consent of the author. ACCESS A non-exclusive, non-transferable licence is hereby granted to those using or reproducing, in whole or in part, the material for valid purposes, providing the copyright owners are acknowledged using the normal conventions. Where specific permission to use material is required, this is identified and such permission must be sought from the copyright holder or agency cited. REPRODUCTION All material supplied via Goldsmiths Library and Goldsmiths Research Online (GRO) is protected by copyright and other intellectual property rights, and duplication or sale of all or part of any of the Data Collections is not permitted, except that material may be duplicated by you for your research use or for educational purposes in electronic or print form. You must obtain permission for any other use.