ANNUAL REPORT 2019/20 Mayflower Theatre ANNUAL REPORT 2019–2020 OVER Chairman’s 34,000 Report PEOPLE TAKING PART IN OUR COMMUNITY INITIATIVES

Mayflower Theatre has had another good year presenting a total of 372 performances and welcoming a total attendance of 524,076 which represented an average capacity of 83%.

Our most attended shows were our pantomime Peter Pan Finally, I pay tribute to my fellow directors and our Company starring Marti Pellow, Darren Day and The Grumbleweeds, Secretary, for their contributions at meetings and support , Les Misérables, Mamma Mia and of myself and the Theatre. Our excellent governance and The Bodyguard. positive approach, refected across the whole Company, ensures the integrity of all aspects of our business. We continue to take our advocacy role seriously as part of the vibrant local cultural scene. Our Engage work goes from strength to strength with over 34,000 people taking part in our community initiatives, whether as part of our Open Voices Choir, aimed at retired residents, or in the numerous public Malcolm Le Bas performances of our Youth Theatre. Chairman We thank our loyal sponsors and partners Paris Smith, While 2019/20 was a great year contributing £1.3 million to WE ARE CONFIDENT OF PROTECTING THE LONGER TERM Beechdean, The London Hotel, Geo Speciality Chemicals, our reserves we have had to utilise that money and far more as Hildon, Brymor Construction, Peter Cooper, Womble Bond- COVID-19 has hit our industry. There is no under-estimating FINANCIAL SUSTAINABILITY OF THIS WONDERFUL THEATRE Dickinson, TNG Engineering, Bury & Knight and HWB the devastating impact the COVID-19 pandemic is having Chartered Accountants for their continuing support. across the world and our thoughts remain with those who are grieving. For the theatre industry in the UK the impact is severe and, with the prospect of prolonged social distancing, theatres will be one of the last industries to reopen.

We have undertaken extensive financial planning to cover a variety of scenarios including a full year closure of Mayfower Theatre. We are fortunate that we have entered this extended period of closure with a general reserve of £6.9million and total cash holdings of £14.35million. This includes £10.86million in advanced ticket sales which are ring-fenced to protect our customers. Our worst case scenario planning sees a potential deficit for the 2020/21 financial year of £3.5million.

Our executive team continue to identify further steps to reduce this negative impact. My board and I are supportive of the measures being taken and, combined with a promising programme already in place for 2021/22, we are confident of protecting the longer term financial sustainability of this wonderful theatre.

That confidence is refected in the Company, subsequent to the year end, acquiring the assets of Nuffield Theatres, which will enable us to continue and expand our community and youth projects as well as presenting a more diverse programme for our public.

02 03 Mayflower Theatre ANNUAL REPORT 2019–2020

Chief Executive’s TOTAL ATTENDANCE OF Artistic Report 524,076

We were pleased to continue Having committed to developing our dance programme, Our association with Welsh National Opera saw a season to develop our artistic vision. we presented the sensational Acosta Danza’s Evolution for featuring The Magic Flute, Roberto Devereux in the spring 2 performances, Some Like It Hip Hop for 3 performances and Carmen, Rigoletto and The Cunning Little Vixen in This ensures that there is a and Mark Morris Dance: Pepperland for 2 performances. the autumn. diversity in our programme as In this year we consolidated our Associate Companies We presented a variety of new touring shows including we continue to meet our strategic Scheme with visits from Northern Ballet, English National Kinky Boots, Motown the Musical, Club Tropicana, aims by presenting the very best Ballet (ENB) and Birmingham Royal Ballet (BRB). Band of Gold, and Nativity! The Musical alongside opera, ballet, new musicals, drama, return visits of We Will Rock You, Million Dollar Quartet, BRB gave us a stunning production of Swan Lake, ENB a Priscilla Queen of the Desert, Annie, Rocky Horror Show, family-friendly shows and one wonderful Cinderella and Matthew Bourne made his annual and An Inspector Calls bringing a wide and diverse audience night concerts. visit with his brilliant new production of Romeo & Juliet. to our theatre.

HAVING COMMITTED TO DEVELOPING OUR DANCE PROGRAMME, WE PRESENTED THE SENSATIONAL ACOSTA MEMORABLE PERFORMANCES DANZA’S 3OF PETER PAN EVOLUTION OUR PROGRAMME BROUGHT A WIDE AND DIVERSE AUDIENCE TO OUR THEATRE WE PRESENTED A TOTAL OF 372 PERFORMANCES

Chief Executive Michael Ockwell with Carlos Acosta

04 05 Chief Executive’s Artistic Report continued… ANNUAL REPORT 2019–2020 34,207 THE HIGHEST NUMBER OF CONTACTS WE HAVE HAD TO DATE FOR OUR ENGAGE PROGRAMME

Our focus on developing family audiences was supported by visits from Tom Gates Live on Stage, Ministry of Science, and The Night Before Christmas. Our Summer Youth Project gave us 3 memorable performances of Peter Pan. Our Engage programme had 34,207 contacts with the community throughout the year. This is the highest number of WE CONTINUE TO MEET contacts we have had to date and reflects the developing team. OUR STRATEGIC AIMS As we know 2020-21 is already a BY PRESENTING THE VERY challenging year, however we will endeavour to present the very best BEST OPERA, BALLET, NEW available product for our audiences MUSICALS, DRAMA, FAMILY- for their return to live entertainment. FRIENDLY SHOWS AND Michael Ockwell, ONE NIGHT CONCERTS. Chief Executive WE CONSOLIDATED OUR ASSOCIATE COMPANIES SCHEME WITH VISITS FROM NORTHERN BALLET, ENGLISH NATIONAL BALLET (ENB) AND BIRMINGHAM ROYAL BALLET (BRB)

06 07 Mayflower Theatre ANNUAL REPORT 2019–2020

Shows 2019/2020 With grateful thanks to the performers who appear on our stage

MARK MORRIS DANCE GROUP’S PEPPERLAND, NORTHERN BALLET’S THE GREAT GATSBY, MATTHEW BOURNE’S ROMEO AND JULIET, ZOONATION’S SOME LIKE IT HIP HOP, ENGLISH NATIONAL BALLET’S CINDERELLA, BIRMINGHAM ROYAL BALLET’S SWAN LAKE/DREAMS, ACOSTA DANZA’S EVOLUTION • THE COMEDY ABOUT A BANK ROBBERY, HENNING WEHN, ALFIE BOE, SOLID SILVER 60S, AN EVENING OF ERIC AND ERN, ALL YOU NEED IS LOVE, BILL BAILEY, CELEBRATING GEORGE, AN EVENING WITH KATHERINE JENKINS, JULIAN CLARY, HANS ZIMMER VS JOHN WILLIAMS, THE GUILTY FEMINIST, THE KING OF POP, ELVIS TRIBUTE ARTIST WORLD TOUR, SINGALONGA THE GREATEST SHOWMAN, RUSSELL KANE, ROMESH RANGANATHAN, ROB BECKETT JOOLS HOLLAND, WHAT’S LOVE GOT TO DO WITH IT, ELVIS COSTELLO & THE IMPOSTERS, A MUSICAL ODYSSEY, ONE SOUND RHOD GILBERT, ANTON & ERIN • MILKSHAKE! LIVE, BEN & HOLLY’S LITTLE KINGDOM, THE NIGHT BEFORE CHRISTMAS AN INSPECTOR CALLS, BAND OF GOLD • WELSH NATIONAL OPERA • HORRIBLE HISTORIES, MINISTRY OF SCIENCE TOM GATES • ROCKY HORROR SHOW, ANNIE, THE BODYGUARD, MATILDA THE MUSICAL, ROCK OF AGES, CLUB TROPICANA PETER PAN, SATURDAY NIGHT FEVER, AVENUE Q, KINKY BOOTS, MOTOWN THE MUSICAL, LES MISÉRABLES, NATIVITY! THE MUSICAL, BUDDY, PRISCILLA, QUEEN OF THE DESERT, WE WILL ROCK YOU, MAMMA MIA!, MILLION DOLLAR QUARTET • PETER PAN

08 09 Mayflower Theatre ANNUAL REPORT 2019–2020

Attendance by Genre 2019/20 Income & Expenditure 2019/20

Ballet 40,939 20,623 Drama Total Income Our total Surplus for the The theatre retained an average Comedy & Concerts 52,367 60,300 Pantomime £23,069,028 year was £1,305,830 29.5% of ticket sales

Young Children Under 5 5,107 1% 8,076 Opera £20m

Musicals 325,137 10% 11,527 Children’s 4% £18,279,551

11% £15m

8% £14,358,239 2% 2% £6,131,757

£10m £2,724,652 £2,064,825 £1,273,202

524,076 £5m TOTAL ATTENDANCE

£0m Box office Other Trading Other Production Trading Overheads Income Income Income Costs Costs 62%

We saw Les Misérables and it was We went to see Mamma Mia I saw Peter Pan yesterday. It was absolutely Kinky Boots was an absolutely fantastic 6 4,271 easily as good as the West End. on Monday for my mum’s 60th. 12,400 fantastic. Best one yet. I’m actually aching today brilliant and uplifting show thank you all 24,825 Absolutely fabulous. We had from laughing so much. Highly recommended. and staff of Mayflower Theatre. * I brought 5 Les Mis virgins, and * Facebook likes such a wonderful time. Instagram Twitter followers packs of tissues Fantastic performance, great * I took my 11yr old daughter to see Mamma Mia. I saw Romeo and Juliet last night. They all enjoyed it too. followers energy, music and so much talent. It was her birthday treat. She said it was the WOW!!! I was in bits at the end One of the best productions Highly recommend to anyone. best day of her life. She loved every minute of it. What an amazing and powerful of this great show Thank you Mayflower and Thanks for putting on a great show production Mamma Mia team for a truly *As of 1 September 2020 wonderful evening The Mayflower Theatre Trust is a charity which receives no direct funding from public bodies.

10 11 Community 3 161 3,151 Engagement SHOWS YOUNG AUDIENCE

The Engage programme had 34,207contacts during the year – the highest number PEOPLE MEMBERS of contacts to date with our local community. This reflects the developing team, additional regular offers such as Afterschool Clubs and key large projects – Matilda Champion Schools, Swan Lake Dreams and Mayflower 400 Musical Odyssey. The strategy for our Engage programme has four strands: Youth, Community, Participation and Education

Youth Our Summer Youth Project this year was Peter Pan An The piece was very ambitious theatrically including fying and Awfully Big Musical Adventure. This was the first time a piece stage fighting. 3 performances took place playing to 3,151 had been specially written for the company being adapted audience members. from the original book with contemporary songs added. 161 young people were in the company. We were again In partnership with our Associate Company ZoieLogic Dance pleased to work with students from Solent University Theatre we offered a Summer Dance Intensive over 5 days Hair and Make-up course. with 9 young people taking part.

“Having taken part in two prior summer youth projects I was very excited to once again have the opportunity to be performing on the Mayflower stage in a professional environment. Peter Pan was an incredible show to be a part of and playing Smee was great fun. SWAN LAKE DREAMS: Singing ‘Hooked on a feeling’ on stage dressed as pirates we offered a large scale participation performing with my friends is ballet project involving an experience I will never forget, and that’s what makes the SYP shows so special. The memories I’ve made being in these projects and being a member of the youth theatre are ones that I will 68 always cherish.” PARTICIPANTS Mark Jennings (Smee – Peter Pan) AGED 8 – 64 years

12 13 “I joined Open Voices about a year ago and have loved every minute. The joy of being able to sing, without inhibition, is wonderful and is all down to Lizzie Flynn’s enthusiasm, encouragement and boundless cheerfulness and patience. Not forgetting her hilarious pantomime (I played Grumpy!!). And also, of course, huge thanks to Community her lovely computer literate assistants. The other group members very soon became real friends and I do miss them. AND… the tea and cake played a big part too!” Engagement continued… Wilma (Open Voices member)

Youth Community Education Mayflower Musical Youth Theatre(MMYT), our weekly youth Our Afterschool Clubs in local schools have developed Open Voices, our singing for wellbeing choir We have worked closely with Welsh National theatre sessions, expanded to 4 groups giving opportunities further and have now run in 10 schools over the year. These for the over 55s, and our Serendipity Group for Opera, offering a schools concert with workshops for young people, aged 10 – 18 years, to develop their skills clubs also give the members the opportunity to join our Mini adults on the autism spectrum have continued programme in April and May 2019 followed by a and talents, have fun and make friends with other likeminded Membership scheme for under 10 years. This scheme is linked throughout the year. second workshops programme to lead to a schools concert. young people. The company was involved in several community Unfortunately this did not take place due to the closure. In total to our Youth Membership scheme for 10 – 18 years, together Through our links with University of Winchester and performances which included leading interactive tours at Tudor 1,846 children took part in the two programmes. they now have 435 members. Southampton City Council we were delighted to work in House Museum, these pieces were written by our Young partnership on the Making the Play Project. An initiative to With the visit of Matilda the Musical we were able to work in Writers Groups, and performed at Alresford Music Festival We introduced a new regular group this year – Mayflower and Winchester Hat Fair. give young people not in education employment or training the partnership with the RSC to offer the Matilda Champion Schools City Eye Young Film Makers. This group is run in conjunction chance to get involved in playwriting. Project. Schools from across the region applied to take part and 4 The separate production group performed Little Shop of Horrors with our associate community film company City Eye and gives plus our own youth theatre were involved. In partnership with Birmingham Royal Ballet, one of our national in May with 26 young people in the company. The 2 shows took young people the opportunity to get involved in film making. associate companies, we offered a large scale participation ballet For the first time we offered a Theatre in Education tour this year place at Solent University and we are very grateful to Solent This group have been involved in documenting the work of the project involving 68 participants aged 8 – 64 years. working with a local theatre company Curious Pheasant. Their University for their ongoing support of our Engage programme. Engage department over the year. imaginative reworking of Romeo & Juliet toured to 4 schools The company auditioned to be involved and took part in ballet Mayflower Young Writers has continued to meet across two and colleges performing to 200 young people and linking to our training and rehearsals over 8 months culminating in a shortened groups each week and we have also added a third group for We are very pleased to have established our Youth Council presentation of New Adventures’ Romeo & Juliet in September. performance of Swan Lake on our stage and in full costume 18 – 25 years to take part. These groups are run in conjunction this year. They have met 4 times and are supporting the work and with 3 principal dancers from the Birmingham Royal We offered two curtain raiser projects this year. With our national with our associate spoken word company ArtfulScribe and with of the theatre and Engage department in particular by giving a Ballet Company. associate company ZooNation 12 young people took part funding support from the Arts Council of England. voice to young people at the heart of our organisation. and performed their short piece on each evening performance Participation of Some Like It Hip Hop to 1,139 audience members. With Matthew Bourne’s Company we supported the rehearsal of young We have been able to offer 23 show events and tours this people for the Romeo & Juliet Company, as well as beginning year including pre-show talks, post-show question and answer work on a curtain raiser for The Red Shoes – which unfortunately sessions, company classes and open rehearsals with a total of wasn’t able to perform due to the closure. 1,342 people attending. In addition to these special projects we have generally offered We have also offered a range of public workshops for young 22 Education Workshops and tours and 10 careers events with people, families and adults with 293 participants taking part 2,414 young people taking part from schools and colleges around across 9 events. the region.

“I’ve been attending the Mayflower Young Writers since 2017, and I’ve really enjoyed it. It has always had a really nice atmosphere, where everyone feels respected and listened to, by each other and by people running the sessions. It is a fun, friendly community where you are given space to explore different styles of writing (especially those you never would have tried on your own!) and develop your skills as well as having fun. For me, I’ve enjoyed the many unique opportunities it offers you, like being able to see shows, enter competitions and even be commissioned, and it gave me much more confidence in sharing my writing.” Cassie Wicks (Mayfower Young 26YOUNG PEOPLE Writers member) IN THE COMPANY (LITTLE SHOP OF HORRORS)

14 15 Mayflower Theatre ANNUAL REPORT 2019–2020

Coronavirus AT ALL TIMES, FUNDS FROM ADVANCE TICKETS SALES REMAIN RING-FENCED, COVID-19 Stay safe. Protect each other. PROTECTING OUR CUSTOMERS.

Our ongoing financial position has been thoroughly reviewed Having said that, recent bookings seem to refect growing based on a number of varying scenarios. The worst case, confidence in our customers and we have been greatly which assumes no income at all for 2020/21 alongside encouraged by how many customers have been willing to either significant cutbacks to our overheads, sees our general reserve take a voucher or leave their booking in the rescheduled dates. with a balance of £4 million at the end of the financial year. We were grateful to receive £3 million from the Cultural Relief Our worst case cash fow results in a balance with just under Fund and are pleased and thankful that our cultural significance £2.8m working capital at the 2020/21 year end. was recognised by The Department for Digital, Culture, Media We continue to identify further cost saving options to improve & Sport and Arts Council England. In light of the steps taken this position. Our biggest overhead cost is labour and it quickly and detailed forecasting in place, the Directors and Executive became clear that reducing this cost area was essential. are confident the organisation remains a going concern. We offered a voluntary redundancy programme across the Recent bookings organisation which was taken up by 5 staff and, with a handful seem to reflect of roles from the majority of teams made redundant, as well as some natural attrition, we have been able to make a significant growing confidence reduction to ongoing labour costs. in our customers

We are expecting some members of our audience to be and we have been reluctant to return to the theatre and this will have a negative greatly encouraged impact into 2021, so we are allowing for this in our planning. by them.

WASH COVER KNOW DISTANCE

From mid-March 2020, we began planning in earnest and were preparing for a shutdown before the government announcement to close establishments involving groups of people were first announced on 16th March. By the time the national lockdown was announced on 23rd The programming of shows has been a key focus. Working March we had made appropriate arrangements for staff to chronologically from the point of lockdown, shows that had work from home. Those, whose role was impossible to carry been programmed have been moved to future time frames, out away from the building, continued on full pay until the end some later in 2020 before it became clear that the closure of June followed by ongoing reduced pay but stayed at home. would be longer than we had anticipated and therefore the The government’s introduction of the Job Retention Scheme programme was moved into 2021 or beyond. was greatly welcomed and enabled us to keep the majority of staff employed and paid for the duration of the scheme. We did Our planning extends to potentially being closed until April however take the difficult decision to close Ovation Restaurant, 2021. With that in mind discussions have been had with potentially for 2 years, whilst we focussed on the sustainability many producers about potential secondary dates if bookings of the core business. Staff in this area were made redundant. in 2020/2021 financial year cannot be fulfilled.

Our customers remained our key focus. We were able to set up Our biggest show for 2020/21 is and key members of our sales team to work in their homes to take discussions with Disney has provided for a secondary date calls from customers to deal with refunding tickets for shows for this show to be presented in September 2022. The show that were cancelled due to the lockdown. This team returned diary for 2021 and 2022 is already looking strong giving us to work on site from August. At all times, funds from advance the ability to start recouping financial losses relatively quickly tickets sales remain ring-fenced, protecting our customers. on reopening.

16 17 Mayflower Theatre Team 2019/20 ANNUAL REPORT 2019–2020 Employee of Inclusivity & Diversity HHHHH the Year2019 Tim Coultas, Daytime Assistant At Mayflower Theatre

H H Mayflower Theatre has evaluated its organisation in light of the developments this past Directors Members The Team year and assessing how we should respond. In August we established a working group to ensure our organisation is inclusive and active in its anti-racism work.

We take equality very seriously and all our staff have We will continue to invest in training and educating undertaken Equality and Diversity training regularly over staff on the power and privilege that is embedded in the Mr M H Le Bas Mrs P I Claisse Mr J M Hannides Mr C E Lewis Mrs L J Noble Mr R Primmer the last few years. existing organisation. We will commit to ensuring that all Chairman Vice Chairman Director Director Director Director staff will have regular anti-racism and unconscious bias However, we simply haven’t done enough in the past and training delivered by people with lived experiences. need to acknowledge changes that we need to make as an organisation. We will commit to ensuring that inclusion will be embedded in our performance review process. It is essential that we embrace a full and inclusive process in everything we do but this must be across our We’ll listen to the guidance that comes from entire operation. organisations that are better placed than us to ensure Mr M D Smith Mr N Vaughan Mr S Pantling Mr M D Ockwell Mrs C Jones Mrs I A S Gatward we engage meaningfully with Black, Asian and ethnically Director Director Director Chief Executive Company Secretary President This starts with our Board and they have established a diverse people who have found it difficult to work with us Dennis Bunday, David Chisnall, Philip Daniells, Stephen Daniells, Alison Farrell, James Gatward Nominations Committee which is actively addressing the MEMBERS: or within the sector. Isobel Gatward, Mike Gordon, Bob Niddrie, Tim Prentki, Christine Taylor imbalance in our gender and diversity. We will ensure that we are effectively capturing the data Joao Abade Rob Clayton Nicola Hannaby Kate Lawrence Judith Palmer Julie Starkey We are reviewing the recruitment process for board Jeanette Anelli Cat Coleman Sharon Hannah Harry Lee Barry Parker Mel Street that will help us to be better informed about who engages Nicole Anelli Ann Collins Ethan Harkins Dusty Lee Sandra Parkinson Sabrina Sumra members because governance is crucial in moving this Gemma Avant Matt Cornell Jamie Harris Jess Lee Laura Parra Cid Magda Surma with us and therefore help us address issues of diversity. Alina Bajorunaite Tim Coultas Jo Harris Cassie Leon Kerry Payne Ali Sutton work forward. Hayley Barker Fenella Courage Alison Harrison Sarah Lomas Sam Pearson Robert Szevin Angie Barks James Court-Martin Dom Hart Katie Long Jan Peirson Charlotte Tanner Charlotte Barnes Steve Cove Scott Harvey-Ross Sian Lowe William Pickering Harriet Taylor Nicki Barnett Jack Craddock Paul Hatchett Alex MacArthur Naomi Pickett Ben Taylor Grace Bartlett Sylvianne Crane Mags Head Rowena Mackintosh Jane Pierron Cara Thompson Bekki Bartlett Aiden Crouch Todd Higgs Sonya Mackney Matthew Pike Paul Thompson Steve Belding David Crumpler Ruth Hill Leon Mander Rachel Pike Flo Thorburn Vicky Bell Nikki Cummings Nelly Hillier Hannah Mason Sophie Pitman-Kisbee Chris Tibble Diane Bell Ian Cunningham Matt Hobbins Georgie Mason Katie Power Anne Toner Martyn Benneyworth Lee Curant Dan Holmes Rachael Massingham Frankie Puchades Jen Tonks Mandy Berry Anna Curtis Doug Holmes John May Mark Raggett Sandy Town Hannah Binnington Jasie Dafter Marc Holt Charlie McCormick Karen Ramsay Grace Trimby Becky Birkett -Mills Max Danbury Sarah Hook Ian McInally Geraldine Ramsay Steve Turner Kasandra Boguslawska Claire Darroll-Brough Daniel Hornsby Emily McKie Mike Redmond Jack Tutt Hannah Bolam Huw Davies Sarah Houston James McKillop Jessica Rice Josh Utteridge Jordan Boota Charlotte Daykin Kevin Hughes Toby McLellan Pauline Richards Barend Venter Jasmine Bourke-Cross Neil Daykin Georgie Hughes Margarita Mifsud Rebekah Ringer Aaron Virdee Sam Bourne Daniela Dolejsi Scott Hughes Kris Mihaliczko Katey Roberts David Walker Laura Bowler Dee Dundon Tom Hulme Matt Miles Oscar Robinson Christine Ward James Boyd Patrycja Dziarkowska Natasha Ingall Andy Mills Mike Rogers John Waterworth Rebecca Boyle Florence Eales Mikey Inglis Ruth Mills Saul Rogers Nicky Bradbeer Lee Elston Ben Jacques Charlie Mitchell Bethany Rose Roger Watkinson Kerry Brady Nathan Etherington Mandy James Sorrell Moore Rachael Rulton Weronika Wawrzonek Karen Brett Kamal Farrah Steve Jarrett Richard Morgan Jo Russel Julia Weaver Connie Brighton Lisa Ferreira Wayne Jarrett Daryl Morgan Radford Jackie Sayer Rob Wells Steve Brook Tasha Finch Damian Jayasinghe Claire Morriss Sara Scott Charmaine West Beth Brown Rachel Fox Eleanor Jewitt Chris Mulliken Holly Scott Baz White Tom Buckingham Megan Frampton Valeria Jimenez Arguello Lewis Mullins Jack Sencherey-Evans Leon White Elena Burduja Amy Frampton Chris Johnson Katie Muncer Mehreen Shah Jill Whitewood Karla Burlingham Jackie Freeman Jarrod Jones Jackie Munden Joel Shepherd Mike Whitewood Zoltan Cakvari Jack Freeman Catherine Jones Claudia Murphy Sophie Sherwood Rachel Whitewood Nicki Campbell Michelle Gath Tracy Joynes Charlotte Nelson Vikki Simmons Bob Whiting Peter Caplen Karen Gaze Vivien Kapas Mike Newbold Sharon Skeats Amy Whittington Sarah Caplen Chris Gerrard Darrel Kazi Pat Norrish Kirsten Skinner Tom Williams Niamh Carpenter Siontai Gordon Ben Keane Michael Ockwell Karen Small Justin Williamson Gareth Carr Melanie Grace Tina Kennedy Katie O’Leary Lucy Small Jo Wills Shannon Cartwright May Grafton Andy Kent Ashleigh Onabajo Cas Small Rosie Wills Viv Challice Sarah Griffiths Ben Kiff Jan Onoufriou Don Smith Kelly Winsor Chris Chambers Michelle Gunner Adam Killey Roy Osborne Amy Smith Patryk Wirenski Kerryann Chant Stephen Hall Oscar King Karen Ovans Ben Smith Michal Wojtanowicz Russ Charlton Emma Hamilton Neil Kingston Amy Owens Alex Smith Martyn Woodward Maria Chirca Robin Hancox Gary Lambert Megan Pake Sue Snape Lydia Wooldridge-Finch Ali Churton Mike Hann Kim Lange Sue Pake Cathy Southway Andrea Zaghet

18 19 During this year Mayfower Theatre was kindly supported by:

Mayflower Theatre, Empire Lane Southampton SO15 1AP 02380 711800 [email protected] www.mayflower.org.uk

The Mayflower Theatre Trust Reg. No. 2026445 Reg. Charity No. 294745 Mayfower Enterprises Ltd. Reg. Company No. 3193293 Mayfower Productions (Southampton) Ltd. Reg. Company No. 9557913