The Impact of Digital File Sharing on the Music Industry: an Empirical Analysis
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Illegal P2P File Sharing on College Campuses – What's the Solution? Antionette D
College of William & Mary Law School William & Mary Law School Scholarship Repository Student Award Winning Papers Student Publications and Awards 2008 Illegal P2P File Sharing on College Campuses – What's the Solution? Antionette D. Bishop Repository Citation Bishop, Antionette D., "Illegal P2P File Sharing on College Campuses – What's the Solution?" (2008). Student Award Winning Papers. 4. https://scholarship.law.wm.edu/awardwinning/4 Copyright c 2008 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/awardwinning Illegal P2P File Sharing on College Campuses—What’s the Solution? Antionette D. Bishop* TABLE OF CONTENTS I. THE MUSIC INDUSTRY’S RESPONSE TO ILLEGAL P2P FILE SHARING............................................................................. 517 II. COLLEGE–STUDENT RELATIONSHIP .......................................... 518 III. PUBLIC POLICY CONCERNS ........................................................ 519 A. Efficient Use of College Funds ............................................ 519 B. Academic Freedom............................................................... 520 IV. ALTERNATIVE PROPOSED SOLUTION: COLLECTIVE LICENSING .................................................................................. 521 V. CONCLUSION............................................................................... 522 Since the introduction of Napster in 1999, illegal peer-to-peer (P2P) file sharing1 has been a continuously growing problem for -
Stream-Ripping: Its Role in the UK Music Piracy Landscape Three Years On
Stream-ripping: Its role in the UK music piracy landscape three years on September 2020 PRS for Music Foreword Stream-ripping: its role in the UK music piracy landscape three years on builds on research we published with the Intellectual Property Office three years ago. The initial research, Stream-ripping: How it works and its role in the UK music piracy landscape, came at a time when little work had been done to understand the size of problem posed by stream-ripping. The previous report allowed us to map the landscape of online music piracy and to gain insight into the functioning and the business model of stream-ripping services. We found evidence to support our assumption that stream-ripping was on course to become the dominant mode of online infringement. This second wave of research shows that our expectation is now the reality: stream-ripping services account for more than 80% of the top 50 music specific piracy sites. We can see that the services are becoming more sophisticated, offering better quality downloads, evolving their revenue streams, and becoming more adept at operating beneath the radar, with many using the popular content delivery network Cloudflare to obfuscate the location of their servers. But what we can also see is that concerted efforts by the industry do work: a reduction of more than 50% of BitTorrent sites can be attributed to increased geo-blocking and enforcement efforts over the past three years. Since this research was conducted, the world has changed beyond what anyone could have imagined. Amidst the massive societal changes, the almost global lockdown caused by the COVID-19 pandemic has also accelerated the acculturation of digital services. -
You Are Not Welcome Among Us: Pirates and the State
International Journal of Communication 9(2015), 890–908 1932–8036/20150005 You Are Not Welcome Among Us: Pirates and the State JESSICA L. BEYER University of Washington, USA FENWICK MCKELVEY1 Concordia University, Canada In a historical review focused on digital piracy, we explore the relationship between hacker politics and the state. We distinguish between two core aspects of piracy—the challenge to property rights and the challenge to state power—and argue that digital piracy should be considered more broadly as a challenge to the authority of the state. We trace generations of peer-to-peer networking, showing that digital piracy is a key component in the development of a political platform that advocates for a set of ideals grounded in collaborative culture, nonhierarchical organization, and a reliance on the network. We assert that this politics expresses itself in a philosophy that was formed together with the development of the state-evading forms of communication that perpetuate unmanageable networks. Keywords: pirates, information politics, intellectual property, state networks Introduction Digital piracy is most frequently framed as a challenge to property rights or as theft. This framing is not incorrect, but it overemphasizes intellectual property regimes and, in doing so, underemphasizes the broader political challenge posed by digital pirates. In fact, digital pirates and broader “hacker culture” are part of a political challenge to the state, as well as a challenge to property rights regimes. This challenge is articulated in terms of contributory culture, in contrast to the commodification and enclosures of capitalist culture; as nonhierarchical, in contrast to the strict hierarchies of the modern state; and as faith in the potential of a seemingly uncontrollable communication technology that makes all of this possible, in contrast to a fear of the potential chaos that unsurveilled spaces can bring. -
Will Sci-Hub Kill the Open Access Citation Advantage and (At Least for Now) Save Toll Access Journals?
Will Sci-Hub Kill the Open Access Citation Advantage and (at least for now) Save Toll Access Journals? David W. Lewis October 2016 © 2016 David W. Lewis. This work is licensed under a Creative Commons Attribution 4.0 International license. Introduction It is a generally accepted fact that open access journal articles enjoy a citation advantage.1 This citation advantage results from the fact that open access journal articles are available to everyone in the word with an Internet collection. Thus, anyone with an interest in the work can find it and use it easily with no out-of-pocket cost. This use leads to citations. Articles in toll access journals on the other hand, are locked behind paywalls and are only available to those associated with institutions who can afford the subscription costs, or who are willing and able to purchase individual articles for $30 or more. There has always been some slippage in the toll access journal system because of informal sharing of articles. Authors will usually send copies of their work to those who ask and sometime post them on their websites even when this is not allowable under publisher’s agreements. Stevan Harnad and his colleagues proposed making this type of author sharing a standard semi-automated feature for closed articles in institutional repositories.2 The hashtag #ICanHazPDF can be used to broadcast a request for an article that an individual does not have access to.3 Increasingly, toll access articles are required by funder mandates to be made publically available, though usually after an embargo period. -
Piracy of Scientific Papers in Latin America: an Analysis of Sci-Hub Usage Data
Developing Latin America Piracy of scientific papers in Latin America: An analysis of Sci-Hub usage data Juan D. Machin-Mastromatteo Alejandro Uribe-Tirado Maria E. Romero-Ortiz This article was originally published as: Machin-Mastromatteo, J.D., Uribe-Tirado, A., and Romero-Ortiz, M. E. (2016). Piracy of scientific papers in Latin America: An analysis of Sci-Hub usage data. Information Development, 32(5), 1806–1814. http://dx.doi.org/10.1177/0266666916671080 Abstract Sci-Hub hosts pirated copies of 51 million scientific papers from commercial publishers. This article presents the site’s characteristics, it criticizes that it might be perceived as a de-facto component of the Open Access movement, it replicates an analysis published in Science using its available usage data, but limiting it to Latin America, and presents implications caused by this site for information professionals, universities and libraries. Keywords: Sci-Hub, piracy, open access, scientific articles, academic databases, serials crisis Scientific articles are vital for students, professors and researchers in universities, research centers and other knowledge institutions worldwide. When academic publishing started, academies, institutions and professional associations gathered articles, assessed their quality, collected them in journals, printed and distributed its copies; with the added difficulty of not having digital technologies. Producing journals became unsustainable for some professional societies, so commercial scientific publishers started appearing and assumed printing, sales and distribution on their behalf, while academics retained the intellectual tasks. Elsevier, among the first publishers, emerged to cover operations costs and profit from sales, now it is part of an industry that grew from the process of scientific communication; a 10 billion US dollar business (Murphy, 2016). -
Practical Anonymous Networking?
gap – practical anonymous networking? Krista Bennett Christian Grothoff S3 lab and CERIAS, Department of Computer Sciences, Purdue University [email protected], [email protected] http://www.gnu.org/software/GNUnet/ Abstract. This paper describes how anonymity is achieved in gnunet, a framework for anonymous distributed and secure networking. The main focus of this work is gap, a simple protocol for anonymous transfer of data which can achieve better anonymity guarantees than many traditional indirection schemes and is additionally more efficient. gap is based on a new perspective on how to achieve anonymity. Based on this new perspective it is possible to relax the requirements stated in traditional indirection schemes, allowing individual nodes to balance anonymity with efficiency according to their specific needs. 1 Introduction In this paper, we present the anonymity aspect of gnunet, a framework for secure peer-to-peer networking. The gnunet framework provides peer discovery, link encryption and message-batching. At present, gnunet’s primary application is anonymous file-sharing. The anonymous file-sharing application uses a content encoding scheme that breaks files into 1k blocks as described in [1]. The 1k blocks are transmitted using gnunet’s anonymity protocol, gap. This paper describes gap and how it attempts to achieve privacy and scalability in an environment with malicious peers and actively participating adversaries. The gnunet core API offers node discovery, authentication and encryption services. All communication between nodes in the network is confidential; no host outside the network can observe the actual contents of the data that flows through the network. Even the type of the data cannot be observed, as all packets are padded to have identical size. -
Piracy Landscape Study
Piracy Landscape Study: Analysis of Existing and Emerging Research Relevant to Intellectual Property Rights (IPR) Enforcement of Commercial-Scale Piracy Prepared for the U.S. Patent and Trademark Office Solicitation Number: 1333BJ19Q00142004 Brett Danaher Michael D. Smith Rahul Telang Chapman University Carnegie Mellon University Carnegie Mellon University This Version: March 20, 2020 Table of Contents Executive Summary ...................................................................................................................... 3 1. The Piracy Ecosystem........................................................................................................... 4 1.1 Piracy of Physical Goods................................................................................................ 6 1.1.1 Manufacturing......................................................................................................... 7 1.1.2 Discovery ................................................................................................................ 7 1.1.3 Distribution ............................................................................................................. 8 1.1.4 Communication, Payment Processing and Fulfillment ......................................... 11 1.2 Piracy of Digital Goods ................................................................................................ 11 1.2.1 Sources.................................................................................................................. 12 1.2.2 -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
Resource-Sharing Computer Communications Networks
PROCEEDISGS OF THE IEEE, VOL. 60, NO. 11, NOVEMBER 1972 1397 ington. D. C.: Spartan, 1970, pp. 569-579. [47] L. G. Roberts and B. Wessler, “The ARP.4 computer network de- [34] D. Klejtman,“Methods of investigatingconnectivity of large velopmentto achieve resource sharing, in Spring Joint Compztfer graphs, IEEE Trans.Circuit Theory (Corresp.),vol. CT-16, pp. Conf., AFIPS Conf. Proc., 1970, pp. 543-519. 232-233, May 1969. [48] --, “The ARPA computer network,” in Computer Communication [35] P. Krolak, IV. Felts,and G. Marble,“A man-machine approach Networks, F. Kuo and X. .‘\bramson, Eds.Iiew York: Prentice- towardsolving the traveling salesman problem,’! Commun.Ass. Hall, 1973, to be published. Comput. Mach., vol. 14, pp. 327-335, May 1971. [49] B. Rothfarb and M. Goldstein, ‘The one terminal Telpak problem,” [36] S. Lin,“Computer solutions of thetraveling salesman problem,” Oper. Res., vol. 19, pp. 156-169, Jan.-Feb. 1971. Bell Sysf. Tech. J., vol. 44, pp. 2245-2269, 1965. [SO] R. L. Sharma and M.T. El Bardai, “Suboptimal communications [37] T. Marilland L. G. Roberts, “Toward a cooperative netwotk of network synthesis,” in Proc. Int. Conf. Communications, vol. 7, pp. time-shared computers,” in Fall Joint Computer Conf.?AFIPS Conf. 19-11-19-16, 1970. Proc. Washington, D.C.: Spartan, 1966. ..[Sl] K. Steiglitz, P. Weiner, and D.J. Kleitman, “The design of minimum [38] B. Meister,H. R. Muller, and H. R.Rudin, “Sew optimization cost survivable networks,’! IEEE Trans. Circuit Theory, vol. CT-16, criteriafor message-switching networks,’ IEEE Trans.Commun. pp. 455-260, Nov. -
Steal These Policies: Strategies for Reducing Digital Piracy
THE INFORMAtiON TECHNOLOGY & INNOVAtiON FOUNDAtiON Steal These Policies: Strategies for Reducing Digital Piracy BY DANIEL CASTRO, RICHARD BENNETT AND SCOTT ANDES | DECEMBER 2009 We need to open a broad Executive Summary dialogue that engages all stakeholders, including he rise of broadband Internet access and cheap storage, along government, content with the growth of digital content, has enabled digital pi- owners, website racy to flourish around the world. Piracy enables the unau- operators, technolog y T thorized distribution of music, movies, television programs, software, developers, and ISPs video games, books, photos, and periodicals quickly and easily, to the and other intermediaries, detriment of creative artists and legitimate rights holders. These prac- on how to improve the global response to piracy. tices threaten not only the robust production of digital content in the future, but U.S. jobs in the present. Unfortunately, many advocates, believing that information should be free, would have government not only turn a blind eye to digital piracy, but actively tie the hands of companies who seek to limit digital piracy. This report makes the case that digital piracy is a serious problem with significant ramifica- tions for the U.S. economy, that a number of approaches, including technical solutions such as content identification, are needed to reduce piracy, and that governments should support legitimate industry ef- forts to reduce digital piracy, including those that focus on the revenue streams of those engaging in piracy. There is no “silver bullet” that will solve controls such as locks, closed-circuit the piracy problem—no single technical TV, and anti-theft packaging as well or legislative proposal will completely as a government-funded system of law solve such a complex issue—but there enforcement, digital piracy requires a are many “lead bullets” that can help coordinated approach. -
Music Piracy and the Audio Home Recording Act
MUSIC PIRACY AND THE AUDIO HOME RECORDING ACT In spite of the guidance provided by the Audio Home Recording Act1 (AHRA) of 1992, music companies are once again at odds with consumer electronics manufacturers. This time around, the dispute is over certain information technology products that enable consumers to copy digital music and transfer them to different formats, or exchange them over the Internet. This article will discuss anti-piracy measures being taken by digital content owners and the United States legislature to combat piracy and evaluate them in light of the AHRA. The Promulgation of Music Piracy Over the last two years, the music industry has fed the media stark statistics about “piracy,” the act of copying digital music content to a blank CD, or uploading or downloading it on the Internet. According to various newspaper articles, an estimated 3.6 billion songs are illegally downloaded each month in the United States.2 In 1999, the music industry estimated that one in four compact discs of new music was actually an unauthorized copy.3 By the end of 2001, it was estimated that as many CDs were burned and copied as were bought.4 In Europe, blank CDs are outselling recorded CDs (although these blank CDs might have also been purchased for legitimate reasons, such as to back-up personal computer files).5 And since 1999, ownership of CD burners has nearly tripled.6 This trend of consumers sharing their music rather than purchasing it may be attributable to many factors, including the slow economy. However, the music industry seems to believe that the most likely culprit in this trend is the rise of digital music,7 i.e., free online file sharing, and the growing popularity of CD burners.8 In an act of self-defense, the largest record companies are developing anti-piracy technology to protect their copyrighted music against the information technology industry’s 1 17 U.S.C. -
Measuring Freenet in the Wild: Censorship-Resilience Under Observation
Measuring Freenet in the Wild: Censorship-resilience under Observation Stefanie Roosy, Benjamin Schillerz, Stefan Hackerz, Thorsten Strufey yTechnische Universität Dresden, <firstname.lastname>@tu-dresden.de zTechnische Universität Darmstadt, <lastname>@cs.tu-darmstadt.de Abstract. Freenet, a fully decentralized publication system designed for censorship-resistant communication, exhibits long delays and low success rates for finding and retrieving content. In order to improve its perfor- mance, an in-depth understanding of the deployed system is required. Therefore, we performed an extensive measurement study accompanied by a code analysis to identify bottlenecks of the existing algorithms and obtained a realistic user model for the improvement and evaluation of new algorithms. Our results show that 1) the current topology control mechanisms are suboptimal for routing and 2) Freenet is used by several tens of thousands of users who exhibit uncharacteristically long online times in comparison to other P2P systems. 1 Introduction Systems that allow users to communicate anonymously, and to publish data without fear of retribution, have become ever more popular in the light of re- cent events1. Freenet [1–3] is a widely deployed completely decentralized system focusing on anonymity and censorship-resilience. In its basic version, the Open- net mode, it provides sender and receiver anonymity but establishes connections between the devices of untrusted users. In the Darknet mode, nodes only con- nect to nodes of trusted parties. Freenet aims to achieve fast message delivery over short routes by arranging nodes in routable small-world network. However, Freenet’s performance has been found to be insufficient, exhibiting long delays and frequent routing failures [4].