Music Award Winners
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Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music. -
Album of the Week: New Fries' More,Mike D’S Top 5 Can’T Miss Shows of December,The Roots Report: a Future
HXC: Interview with Alex McCormick of PartyWolfe PartyWolfe are an unstoppable force making its way slowly into the Providence music scene. These fine gentlemen hail from New Bedford, Fall River and Providence, and share some members with notable bands like Math The Band The Band. PartyWolfe does exactly what their name says: They bring energy to any show they play. All the members have fantastic stage presence, but Mr. Alex McCormick, vocalist, is absolutely insane on stage. You’d think that this man was fueled by that cute energizer bunny. I was lucky enough to steal some time from Alex’s rad life to ask him some questions about PartyWolfe and his thoughts on music and performing live. Matt Morales (Motif): So, could you name the members in the band and what they do? Alex McCormick: I’m on vocals and am the whimsical weirdo. Andrew Victorino is Stick flipper/Skin Ripper. Dan Hetu plays what he’s coined the dumb guitar, aka the bass. Jeff McGowan is our lead guitar/main writer/pedal pusher, and Kyle Sousa likes to party. MM: How long have you guys been writing music together? Please tell me the guys in the band saw you singing at karaoke one drunken night and recruited you from there! AM: We’ve been writing together for a year and a half. Kyle re-discovered me making an exchange with my local liquor dealer in Fall River at Sterlings Package Store. We went out, partied in Providence and I drunkenly free-styled vocals over some instrumentals in his car. -
ALEC K. REDFEARN and the EYESORES Title: SISTER DEATH
Bio information: ALEC K. REDFEARN AND THE EYESORES Title: SISTER DEATH (Cuneiform Rune 344) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: ROCK / AVANT ROCK / VISIONARY AMERICANA / ART ROCK “This is wonderful stuff – brave and experimental, yet warmly human. Make room on your folk revival shelf for something that may be influenced by folk, but is in no way a revival.” – Splendid Magazine “The melodies are ravishing throughout – sparse and simple, solemn and uplifting. … Alec K. himself has a rich yet fragile voice, joined by equally delicious high female harmonies - classical voices with a hint of eccentric Americana. … Soaked with genuine feeling and deep spirituality… there's extraordinary depth to this music… The melodies…promise hope and celebrate fragile humans despite the darkness. Haunting, compelling, quite unique…” – Organ Magazine "All Praise Be Yours, My Lord, Through Sister Death From Whose Embrace No Mortal Can Escape" – Saint Francis of Assisi, from “Canticle of the Sun” Alec K. Redfearn and The Eyesores have been surprising audiences with their hypnotic, gently explosive rock music for more than a decade. Never one to follow trends, Redfearn’s kaleidoscopic visions, anchored by his extraordinary accordion work and sonorous vocals, exist on the fringes of pop music, songs that are as familiar and individual as snowflakes or fingerprints. While his deep knowledge of folk, classical and world music allows him to slip effortlessly from genre to genre, more often, he creates pieces that subvert established forms to produce work of startling originality. -
High School Musical 2” Opens July 10 at Workshop Theatre
EDITOR-IN-CHIEF Todd Morehead ContentsJuly 9, 2009 VOLUME 4 issue 23 [email protected] pg. 10 ARTS EDITOR Judit Trunkos saVe This house: morTgage aid program moVes slowly [email protected] DESIGN News.Politics.Commentary Megan Weeks, Bobby Sutton letters To The reader dear Billy mays 3 VOCAL BOOTH regional Briefs The end of showers on The golden mile 3 Kingsley Waring mr. meaners updaTes on crackheads 4 news Bark park To help enVironmenT 5 PUBLISHER StaTehouse reporT is goVernmenT acTually working? 6 Paul Blake news healThcare By fund-raising 7 [email protected] Ted rall oBama’s half healThcare plan 8 pg. 5 don’T panic! whaT we can do To help iran 9 ACCOUNT EXECUTIVES James Wallace CONTRIBUTORS Arts.Entertainment.Etc Andy Brack, Graeme Fouste, Harry S. Iarch, TheaTer BeauTy and The BeasT 11 TheaTer high school musical and 12 q’s 13 Magdalene Kellett, Ismail Lagardien, WR Marshall, music feaTure how will Jackson Be rememBered 14 Will Moredock, Ted Rall, Fred Richardson, soundBoard punk/indie/emo/ska/hardcore/meTal/rock 15 Dan Savage, Mike Serge, Vocal BooTh s.c. hip hop reView 15 Greg Slattery, Michael Spawn, Kingsley Waring rock and roll crosswords 16 ARTs Tyler BlanTon exhiBiT 16 COLUMBIA CITY PAPER Jonesin crosswords “i’m getting dizzy” sudoku puzzles 18 2965 North Main Street pg. 14 Columbia, SC 29201 ask a mexican and saVage loVe 19 803.218.9455 Advertisers in Columbia City Paper assume responsibility for the entire content of the advertisements. The first copy of Columbia City Paper is free. Additional copies are $1 and two-bits each. -
“Gypsy Punks”: the Performance of Real and Imagined Cultural Identities Within a Transnational Migrant Group
Journal of Popular Music Studies, Volume 24, Issue 1, Pages 3–24 Russian Jews and “Gypsy Punks”: The Performance of Real and Imagined Cultural Identities within a Transnational Migrant Group Rebecca Jablonsky New York University Introduction This article will discuss the implications of the construction of cultural space among Russian Jews in New York City and the narratives employed to collectively produce and claim this space, particularly the repeated notion of being without a “home” or “place.” Analysis of these narratives will address the uniqueness of Russian Jewish identity and the historical factors that contributed to the isolation of Russian Jews in their homeland and in New York.Special attention will be paid to physical Russian Jewish spaces, considering these spaces as mediating agents in constructing cultural identity, as well the role of the music scene as it relates to cultural cohesion. This focus is drawn from communications scholar David Morley’s assertion that media technologies tend to “transport the individual or small family group to destinations (physical, symbolic or imaginary) well beyond the confines of home or neighborhood, combining privacy with mobility” (149). Considering Russian Jews as a highly mobile group that centers on the exclusion of others, inclusion manifests itself through the construction of, and participation in, spaces that represent their physical and imagined communities. Using historical and theoretical research, a literature review, ethnographic techniques, interviews, analyses of songs and media, and the presentation of personally recorded media, Russian Jewish identity and alienation will be used as a means of understanding the “gypsy punk” movement that has emerged in the popular New York City nightclub, Mehanata, also known as “The Bulgarian Bar.” The rising fame of the self- proclaimed gypsy punk band Gogol Bordello will be considered, along with the textual, audio, and visual media that presents this scene to participants. -
Documenting the Oral Narratives of Transient Punks Thomas Ross Heffernan Minnesota State University - Mankato
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato Theses, Dissertations, and Other Capstone Projects 2011 Documenting the Oral Narratives of Transient Punks Thomas Ross Heffernan Minnesota State University - Mankato Follow this and additional works at: http://cornerstone.lib.mnsu.edu/etds Part of the American Studies Commons, Ethnic Studies Commons, and the Folklore Commons Recommended Citation Heffernan, Thomas Ross, "Documenting the Oral Narratives of Transient Punks" (2011). Theses, Dissertations, and Other Capstone Projects. Paper 114. This Thesis is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Documenting the Oral Narratives of Transient Punks By Thomas R. Heffernan A Thesis Submitted in Partial Fulfillment of the Requirements for Masters of Science In Ethnic Studies Minnesota State University, Mankato Mankato, Minnesota May 2011 ii Date: April, 8th 2010 This thesis paper has been examined and approved. Examining Committee: Dr. Wayne E. Allen, Chairperson Dr. Kebba Darboe iii Abstract The uninitiated do not realize the complexity of the punk rock sub-culture. Outsiders may find it hard to distinguish the subtle lines by which differentiation occurs within the so-called subculture. The “punk rock subculture” is a misnomer; it is not a salient community. The experience of being “punk” is fractal; what it means to be punk and what classifies one as punk is in constant redefinition and there are various different communities with varying ideologies and identities. -
JNWER*Ll with the #1 Record at Rhythmic Radio, JACK JOHNSON "UPSIDE DOWN" Chamillionaire "Ridin " Moves from #39 to #33 This Week at Top 40, 4Th Greatest Gainer, +521
NEWSSTAND PRICE $6.50 APRIL 28, 2006 Bon Jovi Rock ... Country? Congratulations to the Mercury/IDJMG band, as their duet with Sugarland's Jennifer Nettles, "Who Says You Can't Go Home," hits No. 1 * on the Country chart this week. This marks the first time a rock band has gone to the This week R &R's intrepid editors explore the wild top of the Country and woolly world of A &R, interviewing some of the chart, and Bon Jovi record business' A &R hotshots. You'll learn how performed the song technology has changed the game, hear about great live at the Country up- and-coming artists, find out how some of today's Music Awards last "A010 RfCOBOS A &R aces climbed the ladder to success and much, November. www.radioandrecords.com much more throughout this issue. (Advertisement) APRIL 28, 2006 Ridin' Onto CHR/Pop Playlists Everywhere JA!7,K JOHNSON ''UPSIDE DOWN" With over 80 million in audience, and JNWER*ll with the #1 record at Rhythmic radio, JACK JOHNSON "UPSIDE DOWN" Chamillionaire "Ridin " moves from #39 to #33 this week at Top 40, 4th greatest gainer, +521. New stations this week CHAMILLIONAIRE include: KITS/LA, WKSC /Chicago, POP REPORT KHKS /Dallas, WKQI /Detroit, CHAMILLIONAIRE "RIDIN." KZZP /Phoenix, WKST /Pittsburgh and KSI2 /St. Louis. "This is a smash, ('1')i :t11111 4l 4 frï9 already # 1 phones!" reports Chris Edge WNOU/ Indianapolis. CHAMIüIONAIRE "R1DIN°" nlaekgrouna 06.4) xecarAS motown Houston's new Hip Hop leader's CD, Sound Of Revenge is in stores now and annrnarhina nlafinnm cfafiic CHAMILLIONAIRE ''RIDIN"" www.universalrecords.com CHAMILLIONAIRE "RIDIN"" SALES BULLETIN: GODSMACK IV IN STORES NOW CHAMILLIONAIRE "RIDIN"" Ashley Parker Angel is now "Back" Universal /Republic Announces Thanks to the #1 rated since July 2005. -
2020 Andrew Gregory Page 1 of 13 RECORDINGS Hard
This report covers the period of July 1st to Scavengers - "Riddle of Steel" (single) September 30th, 2020. I inadvertently [hardcore metal crust punk] Albany missed a few before that time period, which were brought to my attention by Scum Couch - "rvw lvnd todvy | John fans, bands & others. The missing is listed Mongonia" [doom hardcore punk] Albany at the end, along with an End Note. Sinking - "Only Echoes" [alternative emo rock] Pittsfield MA Smiles - "Machiavellian" [deathcore metalcore hardcore queercore] Albany STATE CHAMPS - "Unplugged" (EP) [acoustic pop punk] Thank you to Nippertown.com for being a partner with Albany WEXT Radio in getting this report out to the people! The Erotics - "Let's Kill Rock N Roll" [sleazy hard rock] RECORDINGS Albany Hard Rock / Metal / Punk The Mighty Atom - "Crashing Through My Beers After the Fall - "Resignation" [hardcore skate punk] [Single]" (2-track) [power pop punk] North Adams MA Albany Wet Specimens - "Serpent Circle" (lathe cut 7-inch) Alex Roumanidakis - "Control" (single) [metal] Albany [punk hardcore] Albany Banshee - "Events Occur in Real Time" (EP) [hardcore Rock / Pop metal] Schenectady Aaron Rhoades - "Going Somewhere" (single track) [alternative electronic synthpop] Albany Christopher Peifer - "Suicide Mission" [garage power pop punk rock] Albany/NYC Alex Hitrick - "Ice Cream" (single) [electro dance pop] Schenectady Concrete - "Free Us From Existence" [hardcore thrash metal] Albany BVLCONY - "On Your Mind" (single) [alternative pop] Saratoga Springs FACED - "II COMING" [thrash metal] -
34644333.Pdf
EDITOR-IN-CHIEF Todd Morehead ContentsJULY 22, 2010 VOLUME 5 ISSUE 31 [email protected] A RUNDOWN OF CONSERVATION VICTORIES AND DEFEATS AT THE STATE HOUSE P. 6 ARTS EDITOR Judit Trunkos [email protected] COLATHEATER.COM News.Politics.Commentary. S.M. Baleem, Garrett Kellerhals EDITORIAL JIM DEMINT’S BOLD STANCE 3 DESIGN LETTERS TO THE READER DEAR DANCING HIPPIE 4 Lindsey Downen THE GOOD FIGHT TO KILL A MOCKINGBIRD TURNS 50 4 COVER STORY LEGISLATING THE ENVIRONMENT 5 MUSIC MUSIC SEQUOYA PREP SCHOOL 6 Kingsley Waring, Shelby Sachs don’t PANIC THE World’s FAILED STATES 12 PG. 4 PUBLISHER Paul Blake [email protected] ACCOUNT EXECUTIVES Arts.Entertainment.Etc. John Gibson, James Wallace SOUNDBOARD PUNK/INDIE/EMO/SKA/HARDCORE/METAL/ROCK 10 CONTRIBUTORS MUSIC PREVIEW SEQUOYAH PREP SCHOOL AT NEW BROOKLAND TAVERN 11 S.M. Baleem, Garrett Kellerhals, Ismail Lagardien, REVIEW TOY STORY 3 13 WR Marshall, Will Moredock, Ted Rall, MOVIE TIMES AT THE NICK AND BIG MO DRIVE-IN 13 Dan Savage, Kingsley Waring, Baynard Woods SAVAGE LOVE ADULT SEX ADVICE 14 JONESIN CROSSWORDS 14 COLUMBIA CITY PAPER CARTOONS DERF & RED MEAT 15 2965 North Main Street SUDOKU 15 PG. 11 Columbia, SC 29201 803.218.9455 (DIAL AREA CODE) Advertisers in Columbia City Paper assume responsibility for the entire content of the advertisements. The first copy of Columbia City Paper is free. Additional copies are $1 and two-bits each. Views expressed do not necessarily represent the opinions of Columbia City Paper or its publisher. (C) Columbia City Paper, LLC 2 JULY 22, 2010 BY BAYNARD WOODS them shall ye eat. -
LUIS E NSI SILICON VALLEY RIDES BRANDS & BICULTURALISM STREET CRED to the TOP Or the CHARTS
APRIL 30, 2011 www.billboard.com www.billboard.biz THE LATIfIgUE. TOO LEGIT MC HAMMER'S LUIS E NSI SILICON VALLEY RIDES BRANDS & BICULTURALISM STREET CRED TO THE TOP or THE CHARTS. A NATION Of U.S.-BORN SPANISH /POP LIFE SPEAKERS SINGS ALONG k E SPRINGS PLUS I DATES ON HOW WRIGLEY, LOS ANGELES DR PEPPER, AT&T AND OTHERS LEARNED TO THE GENRE - FOO FIGHT FINALLY GET A Na I ALBUM 24-PAGE ak PROGRAM GUIDE TO THE 2011 a LATIN MUSIC CONFERENCE THE MAYOR or NASHVILLE, SOULJA ' S AGAIN, NARM GO FLEET FOXES REVIEWED, LAURA STORY BRE KS OUT AT CHRISTIAN, A HE NUMBER ONE ALBUM IN THE WORLD! I L. WASTING LIGHT "ROCK IS NOT DEAD" - US WEEKLY i CAREER DEFINING "...(WASTING) LIGHT IS A RETURN MUSCULAR ROCK AND ROLL THROWDOWN...A -" _Q - ENTERTAINMENT WEEKLY "UNDIMINISHED INTENSITY.. "F00 FIGHTERS BLAZE LIKE * * * *° NEVER BEFORE - PEOPLE * * * - ROLLING STONE SVI ALBUM U.S. U.K. GERMANY CANADA AUSTRALIA SWEDEN NEW ZEALAND FINLAND NORWAY AUSTRIA SWITZERLAND SINGAPORE PRODUCED BY BUTCH VIG MIXED BY ALAN MOULDER °` fooFighters.com facebook.com /foofighters twitter.com /foofighters rcarecords.com poß0 02011 RCA Records, a unit of Sony Music Entertainment. Billboard 1 () I ON THE CHARTS -A IS ALBUMS PAGE ARTIST / TITLE THE BILLBOARD 38 F00 FIGHTERS / 200 WASTING LIGHT HEATSEEKERS ELBOW / 41 BUILD A ROCKET BOYSI TOP 45 ALISON KRAUSS + UNION STATION / COUNTRY PAPER AIRPLANE 45 ALISON KRAUSS + UNION STATION / BLUEGRASS PAPER AIRPLANE WIZ KHAUFA/ TOP R &B /HIP-HOP 46 ROLLING PAPERS CASTING CROWNS / CHRISTIAN 48 UNTIL THE WHOLE WORLD HEARS GOSPEL 48 KIRK FRANKLIN! -
Coming out on January 7, 2014
COMING OUT ON JANUARY 7, 2014 new releases from THE LOUD ONES MAN IS THE BASTARD/BIZARRE UPROAR DUKES OF HAMBURG • BEHIND ENEMY LINES DIRTY KID DISCOUNT • FRUSTRATION KATA SARKA/BODDICKER CANNABIS CORPSE/GHOUL EXHUMED/IRON REAGAN ABUSE. • SEASICK NOCOMPLY/SUPPRESSION Exclusively Distributed by THE LOUD ONES Street Date: Time To Skate, CD january 7, 2014 INFORMATION: Artist Hometown: Newport, Rhode Island Key Markets: East Coast , West Coast, Midwest For Fans of: THE FACTION, JFA, LOS OLVIDADOS “Skate Rock for Skate Rats” is what THE LOUD ONES are about! In 1983, fueled by skateboarding, a general need to party, raise hell, skate and session every ramp in the northwest, soon-to-be-legendary pro skater FRED SMITH and four of his friends would start THE LOUD ONES. The public named them THE LOUD ONES. LOUD ONES was not a band name— it was a reputation! So with the influence of punk bands they always listened to SEX( PISTOLS, JOHNNY THUNDERS, DEAD KENNEDYS) and one month of practice they would go into the studio and record their first demo. Without knowing it, among with soon- ARTIST: THE LOUD ONES to-be-peers from throughout the US and Canada, they would be creating a whole TITLE: Time To Skate new genre termed SKATE ROCK! LABEL: Beer City Records That demo tape would end up being dubbed a million times and being played at CAT#: BCR171-2 backyard sessions all over the US. Over the next two years THE LOUD ONES would FORMAT: CD play a ton of keg parties; record another demo; play shows with GANG GREEN, THE Skate Rock GENRE: FREEZE and THE F.U.S! Eventually FRED would get picked up by Alva Skateboards BOX LOT: 30/sleeve - 120/box and the band soon fizzled out. -
Gypsy Punk: Towards a New Immigrant Music
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Gypsy Punk: Towards a New Immigrant Music https://eprints.bbk.ac.uk/id/eprint/40029/ Version: Public Version Citation: Ashton-Smith, Alan (2013) Gypsy Punk: Towards a New Immi- grant Music. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Gypsy Punk: Towards a New Immigrant Music ALAN ASHTON-SMITH THE LONDON CONSORTIUM BIRKBECK, UNIVERSITY OF LONDON Thesis submitted for the degree of Doctor of Philosophy July 2012 1 Declaration I certify that this thesis is the result of my own investigations and, except for quotations, all of which have been clearly identified, was written entirely by me. Alan Ashton-Smith July 2012 Acknowledgements It is unlikely that I could have written this thesis anywhere except in the unique environment of the London Consortium, and I am grateful for the opportunity to be part of its PhD programme, and for the unwavering and wide-ranging interest and advice of its staff and students. I have had excellent supervision throughout the research and writing process. Many thanks are due to Steven Connor for his enthusiasm for the project and his polymathic advice, and to Ioana Szeman for her valuable expertise and ability to tease out threads of argument from tangled text. I am fortunate that the primary subjects of my research – the members of Gogol Bordello – allow themselves to be so accessible, and thank them for being happy to talk about their work, for sharing their riders, and for throwing magnificent afterparties.