I Gianni Schicchi: O Mio Babbino Caro II Un Bel Di from Madama Butterfly

Two Nights at the Opera I Gianni Schicchi: O mio babbino caro II Un bel di from Madama Butterfly

For String Orchestra

by Giacomo Puccini

Arranged by Marsha Chusmir Shapiro

Complete String Orchestra Instrumentation

1 - Full Score 10 -Violin I 10 -Violin II 8 - Viola 8 - Cello 6 - Contrabass

TRN Music Publisher, Inc. P.O. Box 197 • Alto, NM 88312 • USA www.trnmusic.com Two Nights at the Opera PROGRAM NOTES

Giacomo Puccini (1858-1924) was born in Lucca, Toscana, Italy to a family that consisted of a long line of composers. When Puccini was a young boy his father died, leaving his mother and seven children in poverty. Puccini sang and learned to play the organ. At 18 he wrote his first composition, and later entered the music conservatory in Milan. Puccini had a tough start as a composer, but with much hard work he became successful and did well financially. Puccini wrote ten operas, including Il Trittico which was actually three one-act operas. While working on the opera Turendot, Puccini developed a sore throat, which was later diagnosed as cancer. He was operated on, but died five days later of heart failure.

Gianni Schicchi is the name of a one-act opera first performed in New York in late 1918. It is actually one of three one-act operas (Trittico) performed during the same evening. The opera is set in the year 1299. A wealthy aristocrat of Florence (Italy) has just died, and his greedy relatives are gathered at the bedside pretending to grieve. But their real interest is in what they will inherit. They locate the dead man’s will and are disappointed to learn that most of the money has been left to the church. Gianni Schicchi is summoned to help them draw up a phony will, leaving the relatives the estate to divide. Gianni Schicchi’s daughter, Lauretta, begs her father to help, singing the famous arietta, “Oh, mio babbino caro,” meaning “Oh, my beloved daddy.” Impersonating the deceased aristocrat, Gianni Schicchi dictates his new will to the notary as witnesses stand by. Tricking the relatives, Gianni Schicchi leaves the bulk of the estate to “his devoted friend…Gianni Schicchi.” The relatives can do nothing about this, for they would be punished for being an accomplice to the fraud.

Madama Butterfly is based upon a true story of a geisha girl jilted by her American sailor husband. The opera is set in Nagasaki, Japan in the nineteenth century. Navy Lieutenant B.F. Pinkerton has contracted for a “Japanese marriage” with a woman called Butterfly. Although Pinkerton looks on the marriage as a temporary arrangement, Butterfly is actually in love with him and gives up her religion and her family in order to marry the Lieutenant. However, Pinkerton deserts Butterfly and returns to the United States where he marries an American woman. Three years pass while Butterfly and her son wait for Lieutenant Pinkerton to come back to Japan. She sings, “Un bel di vedremo:” someday he’ll come. But it is Kate, the American wife, who arrives to tell Butterfly the truth. Butterfly kills herself with her father’s sword, which bears the inscription, “To die with honor when one can no longer live with honor,” and Pinkerton takes the child back to America.

Marsha Chusmir Shapiro earned her Bachelors and Masters Degrees in music education from the Florida State University, and became certified in social studies education. Mrs. Shapiro was the winner of the 1985 National School Orchestra Association Composition Competition and was named 1994 Florida “Global Educator” by SIRS and the Florida Council for the Social Studies. She is the author of numerous published orchestral and elementary school musical compositions. Marsha Chusmir Shapiro has been teaching in Volusia County, Florida since 1972.

TWO NIGHTS AT THE OPERA Score I Gianni Schicchi: O mio babbino caro

by Giacomo Puccini arr. Marsha Chusmir Shapiro

dolce Moderato rall.... Andantino ingennuo q»¡¡º G.P. ≥ ≤ Violin I # 3 ˙æ. ˙æ. ˙æ. ˙æ. 6 œ j & 4 ˙. ˙. ˙. ˙. 8 œ œ œ œ- rall.... P F G.P. Andantino ingennuo Violin II # 3 j j 6 & 4 ∑ ∑ ŒŒœ ‰ œ ‰j‰Œ 8arco‰ ‰ pizz. œ œ œ F rall.... G.P. Andantinop ingennuo Viola œ # 3 œ œ 6 B 4 ∑ ∑ ŒŒJ‰ J ‰ ‰ j ‰ 8 arco‰ ‰ pizz. J œ œ œ F rall.... p > > > G.P. Andantino ingennuo Cello ˙ œ ˙ œ ˙ œ ˙ œ œ ? # 43 Œ 86 ‰ ‰ F rall.... p G.P. Andantino ingennuo >˙ œ >˙ œ >˙ œ œ Contrabass ? # 3 Œ œ‰ 6 œ ‰ œ ‰ 4 J arco8 F pizz. p

Copyright © MMXII by TRN MUSIC PUBLISHER, INC. All Rights Reserved. Printed in U.S.A. International Copyright Secured 2 Puccini: Two Nights at the Opera 6 -≤ Vln. I # œ , ≤ j œ œ J œ. œ œ œ œ œ œ- œ œ j & œ. œ. œ œ J - J œ. œ. œ œ œ-

Vln. II # œ≤ ,, ≤ j j & ‰ ‰ J œ. œ œ œ œ œ œ œ œ œ œ œ j œ œ œ œ œ œ œ œ J œ. œ œ œ#

Vla. ≤ œ≤ œ œ B # ‰ ‰ Œ. œ œ œ. œ œ œ œ- œ# œ j œ œ œ œ œ J J œ. œ. œ œ œ

Vc. ≤ œ œ. . œ. . ? # œ ‰ œ ‰ œ ‰ œ œ œ. œ. œ œ œ œ œ. œ

œ Cb. . œ. œ. ? # œ ‰ œ ‰ œ. œ. œ. œ. œ. œ. œ.

12 , œ. œ. Vln. I œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ≤ œ # ‰ œ œ œ œ & œ. œ- J J π F

Vln. II # , j ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ œ œ œ œ & œ. œ œ œ œ œ œ œ œ œ arco J pizz...... œ œ œ œ œ œ œ œ P ≤ π œ œ. œ Vla. # , œ. œ œ œ œ. œ œ œ œ J œ œ œ œ B œ. œ œ œ œ. ‰ J J P F ≤ , œ œ œ œ Vc. œ œ œ œ . œ. . ? # œ œ œ œ œ. œ œ œ. œ. œ œ J ‰ J F œ. Cb. ? # œ œ œ œ œ œ œ œ œ. ‰ ‰ ‰ ‰ ‰ ‰ ‰ arco‰ œ. œ. pizz...... P Puccini: Two Nights at the Opera 3

18 Vln. I # ,≤ œ >œ , ≤ œ. œ. œ j ‰ œ œ œ œ œ œ œ ˙. & œ œ œ œ œœ. J J J J p p Vln. II # œ≥. >. œ. . j j‰‰ œ. œ ‰ œ. . & œ œ. œ œ œ. œ œ œ p p œ≥. œ œ Vla. # œ. œ. j j œ. >œ. œ œ. œ B œ. œ œ œ. œ ‰‰ ‰ p p Vc. œ œ œ œ œ. œ. œ≥ œ. œ œ. ? # . . œ œ œ œ œœ. œ >œ œ œ J J p p Cb. ? # œ œ œ œ œ œ œ œ. œ. œ J œ. œ. œ. œ. œ. œ. œ. p > π rit. 24 rall.... U Vln. I ≤ ≤ œ≤ # œ œ œ j Œ‰ ∑ œ J œ. œ. & J œ œ. œ œ œ œ. œ. divide rit. π ≤ rall.... Vln. II # j ≤ ≤ ≤ U & œ œ j œ. œ j ˙. œ œ œ œ œ œ. œ. œ œ œ ˙. J œ. œ. rit. P πrall.... Vla. # œ. , ≥ U œ œ œ œ œ≤ B œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ Œ. Œ. Œ. Œ. J p rit. rall.... U Vc. ? # œ œ. œ. œ œ≤ œ œœ. œ œ œ. . J . œ. œ. œ. œ. P rit. rall.... Uœ Cb. œ œ . ? # œ. œ œ œ œ. Œ‰Œ. Œ. œ ‰Œ ‰ œ Œ. Œ. pizz. 4 Puccini: Two Nights at the Opera

30 Uœ. Vln. I # Œ‰ & ˙. ˙. U Vln. II # œ. & Œ‰ ˙. ˙. Uœ. Vla. ˙. ˙. B # Œ‰ π U Vc. ? # œ œ œ œ œ ˙. J œ. œ. p U Cb. ? # œ ‰Œ ‰ Œ. Œ. ˙. arco π Two Nights at the Opera Score II Un bel di from Madama Butterfly

arr. Marsha Chusmir Shapiro Larghetto = 60 q ≥œ œ œ Violin I b œ œ œ œ œ œ œ œ & b 43 ∑ ∑ P Violin II b 3 ≥j j j j & b 4 ‰ œ œ œ œ ‰ œœœ œ ‰ œœœ œ ‰ œœœ œ p

Viola ≥ B b 3 ‰ œ œ œ œ ‰ œœœ œ ‰ œœœ œ ‰ œœœ œ b 4 J J J J p ≥ Cello ? 3 œ œ œ œ œ œœœ œ œ œ bb 4 ∑ ∑

pizz. P

Double Bass œ œ œ ? bb 43 ŒŒ ŒŒ ŒŒ œ ŒŒ p

Copyright © MMXII by TRN MUSIC PUBLISHER, INC. All Rights Reserved. Printed in U.S.A. International Copyright Secured 2 II Un bel di from Madama Butterfly

5 Vln. I b œœœ œ œ œ œ & b œ œ œœœ œ œ œ œ œ œ œ

Vln. II b j & b ‰j ‰ j ‰ j ‰ œœœ œ œœœ œ œ œ œ œ œ œ œ œ

Vla. B b ‰ j ‰ j ‰j ‰ j b œœœ œ œœœ œ œœœ œ œœœ œ

Vc. ? b œœœ œ œ œ œ b œ œ œœœ œ œ œ œ œ œ œ

D.B. ? œ œ bb ŒŒ ŒŒœ ŒŒœŒŒ

Un poco mosso 9 rit.

Vln. I bb œ œ œ œ‰ ˙ ˙ ˙ ˙ & œœœœ œ J . . . . Unp poco mosso solo rit. , Vln. II ≥ , bb ‰ j ‰ j œ œ œ œ œ œ ˙ œ œn œ œ œ ˙ œ & œœœ œ œœœ œ 3 PUn poco mosso Frit. Vla. B b ‰ j ‰ œœœ œ ˙. ˙. ˙. ˙. b œœœ œ J Unp poco mosso rit. Vc. ? b j‰ ˙. ˙. ˙. ˙. b œœœœœ œ œ œ œ Unp poco mosso rit. D.B. œ ? b œ ŒŒ ŒŒ ∑ ∑ ∑ ∑ b arco II Un bel di from Madama Butterfly 3 accel. Un poco mosso con passione 15 ritenuto rall. Vln. I b U , & b ˙. ˙. ˙. ˙. ˙. ˙. Un poco mosso con passione rall. ritenuto π , Vln. II b ≥ . U. & b ˙. ˙. ˙. ˙. ˙ ˙ p con passione πSolo dolcemente Un poco mosso ritenuto rall. ≤U Vla. ≥œ œ- - ≤ ≤ , B b n˙. ˙. n˙. ˙. œ œ œ œn œ ≈ œ b 3 œ œ Un poco mosso con passione solo P rall. ritenuto 3 ,, , Vc. ≥ ? b ˙. ˙. b œn œ œ œ œ œ n˙ œ œn œ œ œ ˙ œ fcon passione π soloF ritenuto , rall. D.B. ≥ œn U ? b œn œ œ œ œ œ n˙ œ œ œ œ ˙ œ b 3 ∑ ŒŒ Œ p AndanteF come prima f con forzsa loco 21 √ ≥ Vln. I b œ œ œ nœœ œ ≥≥ & b œ œ œ œ œ œœœ œ œ ˙ œ ‰ ˙. ˙. subitoJ Andanteƒ come prima con forzsa P p

Vln. II ≥œ œ œ ≥ bb œ œ nœœ œ œ œ œ œœ œ ˙ œ ‰ ˙. & con forzsa œ œ J ˙. subito ƒ Andante come prima P p ≥ œ œ œ œ œ œn œ œ œ œ œ œ œ œ ˙ œ Vla. œ œ o B bb J ‰ ˙. n˙. ƒ subito Andante come prima P p ≤ Vc. ? ˙. œ œœ œ œ ˙ œ œ bb ˙. ˙. ˙ ‰ J œn œ p Andantef come prima P ≤ D.B. . œ œœ œ ˙ œ ? bb ˙ ˙. ˙. ˙ ‰ J œn œ œ œ f P p 4 II Un bel di from Madama Butterfly

3 27 3 3 ≥ Vln. I b ≥ ≥œn œ≤. œ≤ œ# . ≥œ & b œ œ œ ˙. ‰ œ œ œ œ œ œ œ œ œ ˙ f Vln. II b ≥œn œ≤. œ≤ ≥œ# . ≥ & b œ œ œ ˙. ∑ ∑ œ f ≥ ≥ Vla. > > B bb œn œ œ ˙. ∑ ∑ ‰ œ Œ œ# ‰ J J f ≥ œ ≥> ≥> Vc. ? b œ œn œ œ. ‰ œ œ œ œ œnœ œ œ œ ‰ œnœ Œ œ ‰ b œœœ œ J J J J J J f ≥ ≥ ≥ D.B. . j j >j > ? bb œœœ œ œn œ œ œ ‰ œ œ œ œ j jœ œn ‰ Œ œ ‰ œ œ œ œ œnœ œ œ œ J Larghetto f poco rall. 32 , Vln. I b nœœ œ œ œ ≥œ# . ≥œ n˙ œ. ≤ ˙ œ ≤ j j & b œ œ œ œ œ œ

poco rall. Larghettoƒ , Vln. II b nœœ œ œ œ ≥œ# . ≥ n˙ œ. ≤ œœ œ nœœ œ & b œ œ œ œ œ œ œ Larghetto poco rall. ƒ ≥ ≥ ≥ ≥ œ œ œ œ œ œn œ œ œ Vla. > > > œ œ B b ‰ œ Œ œ# ‰ ‰ œ Œ‰‰ b J J J poco rall. Larghettoƒ ≥ ≥ ≥> > ≥> œ œ œ œ œ œn œ œ œ Vc. ? œ œ œ œ œ bb ‰ œn Œ œ ‰ ‰ œn ŒŒ J J poco rall.J ƒLarghetto ≥ ≥ ≥ D.B. > > > ≥, ≥ ? b ‰ j Œ œ ‰ ‰ j ŒŒ ˙. j j b œ J œ œ œ œ œ ƒ II Un bel di from Madama Butterfly 5

a tempo 36 rit. ≤- - œ œ ˙ Vln. I b œ œn œœœn œ œ œ œ œ & b œn œ œ J Œ J P rit. a tempo , ≤ Vln. II b œœ œ ˙ œ- œ- & b œ œ œœœn œ œ œ ˙ œ œ P rit. a tempo œ œ œ , ≤œ- - Vla. œ œ ˙ œ œœ œ ˙ œ B bb œn œ œ œ

rit. Pa tempo œ œ œ Vc. œ œ œ œ œ œ ˙ œ œ œ œ œ ? bb J J J J

rit. P a tempo D.B. ? b œ œ œ œ j œn n˙ œ œ œ œ œ b J J œ œ œ J J J P 40 Vln. I b œn ˙. ˙. & b œœœ œ œ ∑ p

Vln. II bb ∑ & œ œ œ œ œn œ ˙. ˙. p Vla. B bb œœœ œ œn œ ˙. ˙. ∑ p , . ≥ Vc. ? ˙ œ œ œ œ œ œ œ œ ˙ œ bb J J J J J ‰ p P , D.B. ? ≥œ œ œ œ œ œ œ œ ˙ œ bb ˙. J J J J J ‰ p P