February – Black American Social Dance

Total Page:16

File Type:pdf, Size:1020Kb

February – Black American Social Dance February Reading List African American Social Dance or Why We Do What We Do? Articles: “2010-19: Reflections Of A Black Woman In Dance Music” by Ash Lauryn, Resident Advisor, January 2020. https://ra.co/features/3592 “Black Women Helped Build House Music. Their Credit Is Often Left off Records” by Renee Jarreau, ZORA, July 2020. https://zora.medium.com/black-women-helped-build-house-music-their-credit-is-often-l eft-off-records-8fc505300bd1 “Remembering Black Female Dancers in Jazz Era Film,” by Robin Nunnally, Sister Kate Dance Company, February 2020 https://sisterkatedancecompany.com/black-history-month-remembering-black-female-dancers-i n-jazz-era-film/ “10 Women in Jazz Who Never Got Their Due,” by Giovanni Russonello, New York Times, April 2020 https://www.nytimes.com/2020/04/22/arts/music/women-jazz-musicians.html "The Swingin' Lindy: Origins of A Legacy" by Brenda Dixon-Gottschild, Arts & Culture for Google, June 2018, https://artsandculture.google.com/exhibit/the-swingin-lindy-origins-of-a-legacy-by-brenda-dixon- gottschild-lincoln-center/9wKyl1IJ7CwnJQ?hl=en “With a kick and a spin, a sudden surge in soul line dancing,” by Victoria St. Martin, The Washington Post, June 2016 https://www.washingtonpost.com/local/with-a-kick-and-a-spin-a-sudden-surge-in-soul-line-danci ng/2016/06/26/9398c3ba-22af-11e6-8690-f14ca9de2972_story.html “Soul Line Dancing: Come For The Fitness. Stay For The Friendships,” by Maria Godoy, NPR, September 2019 https://wamu.org/story/19/09/22/soul-line-dancing-come-for-the-fitness-stay-for-the-friendship s/ Videos: The History of African American Social Dance, Camille A. Brown, Ted. Ed., September 2016 https://www.youtube.com/watch?v=dpCBMwAweDI&feature=emb_title Dance And African-Ameircan Culture, Thomas F. DeFranz, Duke University, March 2012 1) https://www.youtube.com/watch?v=AK09TwL1HzE 2) https://www.youtube.com/watch?v=A34OD4eA17o The History of House Music with DJ Ali Coleman, Griot Lecture Series, Cue to 13:37: https://drive.google.com/file/d/1rK0XWJ8-jx73RWgpkllopHWL0UF_xvIs/view?usp=sharing Detroit Mix, The New Dance Show, 1992 https://www.youtube.com/watch?v=YiO5HMzLDko 2019 House Dance Battle Prelims, Ladies of Hip-Hop, July 2019 https://www.youtube.com/watch?v=kNsiC_BDcOo Whitey's Lindy Hoppers From the 1941 film Helzapoppin featuring Norma Miller https://www.youtube.com/watch?v=ahoJReiCaPk Throw Me Anywhere Lord Buzzard Lope, John Davis, 1964 https://www.youtube.com/watch?v=3dGamWaYcLg&feature=emb_logo Stormy Weather, Vernacular Jazz Sequence Featuring Katherine Dunham, 1943 https://www.youtube.com/watch?v=D6kxNAsKPM Podcast: “Life and Death at the Paradise Garage,” Linette Lopez, Columbia Radio News, 2012 https://soundcloud.com/linette-lopez/life-and-death-at-the-paradise “Jazz As Communal Practice,” Melanie Georgie for PillowDance at Jacob’s Pillow, February 2020 https://pillowvoices.org/episodes/jazz-as-communal-practice “The Queen Of Swing Takes Old Age In Stride” Norma Miller & Renata Sago, NPR, November 15, 2015 https://www.npr.org/templates/story/story.php?storyId=130699176 Books: “Waltzing in the Dark: African American Vaudeville and Race Politics in the Swing Era,” Brenda Dixon Gottschild, April 2002 https://www.amazon.com/Waltzing-Dark-American-Vaudeville-Politics/dp/0312294433/ref=pd_ sim_b_28 “Hard Times Require Furious Dancing: New Poems,” Alice Walker, August 2013 https://www.amazon.com/Hard-Times-Require-Furious-Dancing/dp/1608681882 “Jookin' The Rise of Social Dance Formations in African-American Culture, Katrina Hazzard-Gordon, 2010 https://www.amazon.com/Jookin-Social-Formations-African-American-Culture/dp/0877229562 /ref=sr_1_1?dchild=1&keywords=jookin+the+rise+of+black+american+social+dance&qid=16117 09040&s=books&sr=1-1.
Recommended publications
  • Department of English and American Studies English
    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Karla Mikulová The Development of Swing and Its Influence on The Inter-War American Society Bachelor’s Diploma Thesis Supervisor: Christopher Adam Rance, M.A. 2021 I declare that I have worked on this thesis independently, using only the sources listed in the bibliography. …………………………………………….. Author’s signature I would like to thank my supervisor, Christopher Adam Rance, M.A., for his help, valuable advice, kindliness, and patience. I would also like to thank my friends for their helpfulness, support, and tolerance. Finally, I would like to thank my family and Hugo for bearing with me, and for cheering me on when I needed it most. Table of contents Abstract ...................................................................................................................................... 5 Introduction ................................................................................................................................ 6 1. Theoretical section ................................................................................................................. 8 1.1 History ........................................................................................................................... 8 1.1.1 Understanding the Circumstances ....................................................................... 8 1.1.2 The Historical Turning Points for American Society ....................................... 11 1.1.3 The Advances
    [Show full text]
  • Swingin at the Savoy: the Memoir of a Jazz Dancer Free Download
    SWINGIN AT THE SAVOY: THE MEMOIR OF A JAZZ DANCER FREE DOWNLOAD Norma Miller,Evette Jensen | 261 pages | 26 Apr 2001 | Temple University Press,U.S. | 9781566398497 | English | Philadelphia PA, United States Swingin' at the Savoy Lori Taniguchi is a well-established instructor, dancer, and scene leader within the San Francisco Bay Area who has ushered hundreds of new dancers towards their passion. Norma Miller. Come and join us to celebrate her life and love of the dance! Liz rated it really liked it Aug 16, Fun memoir of the 'old days' of Lindy dancers. Learn from fantastic instructors. Ryan is also passionate about carrying on the tradition of Hot Jazz music. You can sign up for morning classes am — 12noon at the door. At the landmark "Frankie 95", Evita was among the hand full of dancers to appear before 2, Swing dancers from around the globe. She is also a choreographer, actress and comedian. To ask other readers questions about Swinging at The Savoy. Just a moment while we sign you in to your Goodreads account. She Swingin at the Savoy: The Memoir of a Jazz Dancer Cab Calloway introduced their comedy skit of Romeo and Juliet while performing in Miami Beach, where she lived until Partnered dancing takes two people with two different roles, commonly referred to as leader and follower. Originally pressured into taking Lindy Hop classes by his mother at the Swingin at the Savoy: The Memoir of a Jazz Dancer age of 12, Skye soon found that social dancing really is the best thing in life.
    [Show full text]
  • FOR IMMEDIATE RELEASE CONTACTS: Mickey Davidson May 5, 2019 917.969.4793
    FOR IMMEDIATE RELEASE CONTACTS: Mickey Davidson May 5, 2019 917.969.4793 Jackie Harris 646.257.9141 LINDY HOP LEGEND NORMA MILLER “QUEEN OF SWING” DIES, AT AGE 99 FORT MYERS, FL- Sunday, May 5, 2019. Today longtime manager and caretaker John Biffar announced that choreographer, actress, author, comedian and Lindy Hop legend Norma Miller, known as the “Queen of Swing,” died at her home in Fort Meyers, Florida at the Age of 99 surrounded by loved ones and friends. “Norma overcame every obstacle with love. After twenty-five years in her company, at 99, she was still the coolest friend I ever had.” Miller was born in Harlem, New York. Working by age 15 as a professional dancer. Norma was the last survivor of the original Whitey Lindy Hoppers from the Savoy Ballroom. Miller’s career spanned over seven decades. Norma expanded her knowledge of dance by attending “New Dance Group” and Bernice Johnson’s School of Dance to name a few. She was a producer, formed and directed two dance groups – the Norma Miller Dancers and Norma Miller and Her Jazzmen that included Frankie Manning’s son Chazz Young, her longtime dance partner Billy Ricker, Stoney Marteeni and Billy Dotson. Choreographer, dancer, producer, educator Mickey Davidson said, “Norma was an elder with exceptional knowledge and life experiences. She generously shared her-self as she continued to create and perpetuated her life in entertainment. I am blessed to have had the opportunity to learn from Norma. She did things her way. She is my role model for survival, strength and the excellence of a Black woman who was born in one generation and survived many others.” Norma’s comedic career included a duo with Cab Calloway, entertaining troops in Vietnam along with other TV appearances with Redd Fox, Richard Prior, Moms Mabley and many others As an actress, her credits include four (4) Broadway Shows, five (5) TV shows, seven (7) films and ten (10) documentaries.
    [Show full text]
  • Yes, There Are Lindy Hoppers in Switzerland!
    Yes, There are Lindy Hoppers in Switzerland! ed with a Tap number, followed by a Lindy routine from Rob and Jann. Later in the evening the pair from California dancedthe Balboa, and the two Swedes demonstrated some of their fabu­ lous aerials. These were top per­ formances, and the audience went wild. Between these shows and a lot of time for social dancing, the evening was a success for both participants and visitors. The whole evening had a great atmos­ phere. Sunday morning we renewed our strength at a local restaurant's breakfast buffet for the hours to come. During the last five hours, everybody worked hard again and the marvellous weather invited us, as it had on Saturday, to spend the breaks outside. By 4: 15 pm on Sunday the sec­ ond Swiss Lindy Hop Weekend was history, leaving everyone Rob van Haaren & Jann Olsen at the head of their class in Switzerland. (Photo courtesy of Stephan Joi/er and Erika Schriber). tired but satisfied. The success and good feedback Stephan Jollerand Erika fromCalifornia and Eddie fourhundred spectators. has encouraged us to organize a Schriberfrom Switzerland sent in Jansson & Eva Lagerqvist from On a night dedicated to dances Swing weekend again next year. this review of the Second Annual Sweden's Rhythm Hot shots were from the '30s, '40s, and '50s, an The first 'steps' forthe 3rd Swiss Swiss Lindy Hop Weekend. our trainers. They made the most enthusiastic audience was treated Lindy Hop Weekend have already of the ten hours of available in­ to good performances from the been taken.
    [Show full text]
  • Swingin at the Savoy: the Memoir of a Jazz Dancer Ebook
    SWINGIN AT THE SAVOY: THE MEMOIR OF A JAZZ DANCER PDF, EPUB, EBOOK Norma Miller,Evette Jensen | 261 pages | 26 Apr 2001 | Temple University Press,U.S. | 9781566398497 | English | Philadelphia PA, United States Swingin at the Savoy: The Memoir of a Jazz Dancer PDF Book Photo by Rebecca K Clark Photography Christian Frommelt Christian Frommelt is a passionate swing dance instructor, performer, and social dancer who has dedicated his life to bringing people together through music and dancing. About the Event. At dances, he can frequently be seen drinking boba and trying to remember the names of the people he met that night. Evita Arce. Latanya d. The band does not use written arrangements and thus is capable of adapting to the surrounds, much like the musicians of the old days of New Orleans, so every performance is a unique experience. Calvin Lu , also sometimes known as "that guy who follows a lot," fell in love with Lindy Hop for its joyful expression, creative improvisation, and deep connection between partners. To see what your friends thought of this book, please sign up. More Details Jensen lives in Las Vegas where she sells real estate and works as a freelance writer. See what's new with book lending at the Internet Archive. We are running close to capacity for the Saturday evening dance. Barbara Billups. Goodreads helps you keep track of books you want to read. Error rating book. By far the best memoir I have ever read. Next, the Lindy Hoppers were asked to appear in the movie Hellzapoppin'. Stay in Touch.
    [Show full text]
  • Lindy Hoppers Sweep the Jive Joint
    Lindy Hoppers Sweep the Jive Joint couples on the floor at one time, Capital Gold "Open" then eight couples went through Jive .Championship to the final. The music for the Winners competition was '50s rock 'n roll, and the cramped conditions First just enhanced the atmosphere, Warren Heyes & Maxine Green with many different styles Second visibJ, from flying Lindy Hop to i Ron Lesley & Sing Lim Rock 'n Roll to Ballroom Jive. , Third If prizes were a warded on i Michael Grimshaw & enthusiasm, the judges could , Margaret Kirkaldy never have made a decision. ' Greatest Sense of Fun What judges were asked to look Brigid Kirst & Tim Flach for was timing and rhythm, body The Judges coordination, styling, variety and originality, musical Freddie Haugan, Dance Institute The winners, Maxine Green and Warren Heyes, and their Jiving Lindy Hop. Photo sent in by Simon Selmon. interpretation, lead and follow, Director, Norway teamwork, showmanship, and Amelia Hill, '88 Rock 'n Roll costume. Champ,UK "It was heaving", said Hoppers week, on Monday night hosting fi A special prize was given to Randall Lee Rose, Capital Gold DJ, who were at the rst Capital Srompin' run by the London USA the couple who showed the most Gold "Open" Jive Competition, Swing Dance Society. This Stuart Colerhan, Capital Gold DJ, enthusiasm and greatest sense I on 15 November ar rhe 100 Club pat1icular Monday, streamers UK of fun. This couple could be in London. More to the point, and balloons hung in their chosen by the judges from any Lindy ffoppers dominated the hundreds from the ceiling and of the heats, so couples who dance floor and took the top two rose from the streamer-covered Louise Thwaite didn't make the final also had a Inside prizes! of the tables.
    [Show full text]
  • Contributors
    Fred is a water resources engineer Debbi is a project manager who Dee is a retiree who plans his who looks forward to WireTap tunes in to Weekday regularly. adventures while listening to every Tuesday. Travel with Rick Steves. Wendy is a creative director who Todd is a web developer who enjoys Andy is a kickboxing coach who listens to KUOW’s The Conversation The Splendid Table and This American tests his word skills every week during her lunch breaks. Life on the weekends. when listening to Says You! Lynn is a small business owner Shuo is a designer who loves listening who is crazy about The Vinyl Café. to the diverse topics covered on Speakers’ Forum. 2009 REPORT TO CONTRIBUTORS Julia is a mom who plans her Diane is a PR expert whose Erica is a teacher who listens to Saturdays around The Swing Saturday mornings always Wait Wait...Don’t Tell Me! Years and Beyond. include Car Talk. KUOW’S MISSION IS TO CREATE A MORE INFORMED PUBLIC, ONE CHALLENGED AND INVIGORATED BY A DEEPER UNDERSTANDING AND APPRECIATION OF EVENTS, IDEAS AND CULTURES. PRESIDENT + CEO The global economic downturn and its impact on our lives and communities dominated the news this year. Hundreds of hours of local, regional, national and international economic features were aired on KUOW. Some of the most comprehensive reporting was heard on Marketplace morning and evening reports, and on Planet Money, a new collaboration between This American Life and NPR News. Public radio is known for in-depth, fact-based news and its coverage of the crisis attracted many new listeners.
    [Show full text]
  • Unruh 1 Kendra Unruh Prof. Mullen AMST 603 29 April 2009 Swingin' out White: How the Lindy Hop Became White from the Savoy
    Unruh 1 Kendra Unruh Prof. Mullen AMST 603 29 April 2009 Swingin’ Out White: How the Lindy Hop Became White Frankie Manning doing an air step. Picture from www.savoystyle.com From the Savoy Ballroom in Harlem to a Gap Khaki’s commercial in the 1990’s—How did the Lindy Hop go from being the dance of working-class black youth in zoot suites to the dance of white, middle-class youth in khakis? According to Tricia Rose, “white America has always had an intense interest in black culture,” and white participation in black culture— particularly black music—is the reason why black music becomes popular music (4-5). Rose points to the popularity of black art forms amongst white America and the ways that these art forms then become part of American popular culture as a result of white participation. Much the same way that black musical forms are appropriated by white artists, the black vernacular dance the Lindy Hop has undergone a similar transformation. Though white involvement in the Lindy Hop may have begun simply as an interest in the dance itself, the Lindy Hop soon became a Unruh 2 means for making money and a product for white consumption. My research project aims to follow the means by which the Lindy Hop was appropriated by white America and changed from an African American vernacular dance to a popular dance form amongst whites. Even though popular culture is now a more acceptable topic for scholarly work in American Studies, performance studies has only slowly been entering the field, and dance studies is even further on the horizon.
    [Show full text]
  • Hoppin' Birthday, Frankie!
    Hoppin' Birthday, Frankie! We Love You! Who's that cat? Why, it's the young Frankie Manning with partner Ann Johnson, in action at Big George's Restaurant in Corona, NY. Sketch by Porl Smith, based on an unattributed (boo, hiss, shame on those responsible) photo from the cover of Jookin', The Rise of Social Dance Formations in African-American Culture by Katrine Hazzard-Gordon. Inside Frankie-isms: The Defining of a Lindy Legend Ernie Smith paints a word portrait of our Man of the Month (page 4) The.London Scene There's a lot happening in the London dance scene ... (page JO) Spotlight on The .Big Apple Lindy Hoppers A troupe in the home of the Lindy Hop {page 6) The Secret . of Life Margaret Batiuchok shares experiences of Frankie (page 12) New York, New York Where it all began - what's happening today. (page 3) The Feet Dance - And Sometimes the Heart Dances With Them More of Frankie's stories... (page 8) and more... ©1993 Dancing Star Productions except where held by author {noted). All rights reserved. No part of this newsletter may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying. recording, or by any information storage and retrieval system, without permission in writing from the Publisher. Editorial Hoppin' Spring '94 Letters to (and from) the Editor Dear Reader: around the world supporting and contributing to There's a lot happening around the world in this newsletter and the continuation of Lindy. I Lindy. As we went to press, we heard of an think I speak for all Hoppin' readers in express­ Hoppin' up-surge of interest in the LA area � new ing gratitude to all contributors.
    [Show full text]
  • Black Laughter / Black Protest: Civil Rights, Respectability, and The
    ©2008 Justin T. Lorts ALL RIGHTS RESERVED !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Black Laughter / Black Protest: Civil Rights, Respectability, and the Cultural Politics of African American Comedy, 1934-1968 by Justin T. Lorts A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in History written under the direction of Ann Fabian and approved by ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey October 2008 ABSTRACT OF THE DISSERTATION ! Black Laughter / Black Protest: Civil Rights, Respectability, and the Cultural Politics of African American Comedy, 1934-1968 !by Justin T. Lorts !Dissertation Director: ! Ann Fabian ! Black Laughter / Black Protest explores the relationship between comedy and the modern civil rights movement. In the early years of the
    [Show full text]
  • Lindy Hop and Jitterbug: the Development of American Swing Dance in the United Kingdom
    Lindy Hop and Jitterbug: The Development of American Swing Dance in the United Kingdom David G. Miller, Nicole Zonnenberg, Rebecca Strickland Faculty Mentor: Professor Patty Phillips Florida State University School of Dance Introduction Conclusion The Lindy Hop is a swing-era social dance developed in the late 1920s and 1930s, which Based on this understanding of the development of Lindy Hop, my claim is that Lindy Hop as embodies the rich history and culture of American jazz music and vernacular dance. Until the an African American social dance was not common in World War II-era United Kingdom, as is twentieth century, the United States inherited its dance forms from other countries. It was not commonly believed. The Jitterbug dance that was introduced to the country appears to have until the emergence of swing dance, specifically the Lindy Hop, that America had its own folk had a few key differences to the authentic Lindy Hop. First, young Caucasian dancers were dance born on its own soil. The Lindy Hop is an African American social dance created on the typically more uninhibited and energetic, focusing more on kicks, tricks, and aerials than streets of Harlem, New York. It is a social, partnered jazz dance, which exhibits a fusion of social Lindy Hop dancers. This energy did, however, become more controlled as Jive became European ballroom dance and African rhythmic dance. Lindy Hop is characterized by its jazz popular. Second, the European influence on the Jitterbug changed the posture and rhythm of music, rhythmic feeling, athletic posture, and signature “breakaway” step, during which both the dance.
    [Show full text]
  • Frankie Manning Bio
    FRANKIE MANNING BIO From social dancing in Harlem’s ballrooms as a teenager, to his tenure with the elite Whitey’s Lindy Hoppers, Frankie Manning has always been one of the most important forces in the development and dissemination of the Lindy hop. He is credited with many influential and lasting innovations to this truly American art form, including the creation of the Lindy air step and synchronized ensemble Lindy routine, both of which helped catapult the dance from ballroom to stage and screen. Born in 1914, Frankie lived in Florida until the age of three, when his mother brought him to Harlem, the birthplace of the Lindy. Growing up in the midst of this Swing Era landscape, Frankie found he was part of a group of dedicated dancers that was to inspire the dancing and music of the 1930s and 1940s. Based at the Savoy Ballroom, to which he was drawn as a teenager by its superb swing bands and fabulous Lindy hopping, Frankie soon took his talents on the road as a lead dancer and chief choreographer for Whitey’s Lindy Hoppers. He appeared in several films including Radio City Revels with Ann Miller (1937) and Hellzapoppin’ with Olsen & Johnson and Martha Raye (1941), and toured the world with jazz greats Ethel Waters, Ella Fitzgerald, Bill “Bojangles” Robinson, Duke Ellington, Billie Holiday, Count Basie, and Cab Calloway, among others. While dancing in London in 1937, Frankie gave a command performance for King George VI. In 1941, “Musclehead” Manning was featured in a Life magazine article that highlighted his acrobatic brand of Lindy.
    [Show full text]