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1950S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA -
Jimmy Durante Papers PASC-M.0195
http://oac.cdlib.org/findaid/ark:/13030/c8cv4m1z No online items Finding Aid for the Jimmy Durante Papers PASC-M.0195 Finding aid prepared by Alexandra Apolloni; machine-readable finding aid created by Julie Graham and Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2021 January 19. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Jimmy Durante PASC-M.0195 1 Papers PASC-M.0195 Contributing Institution: UCLA Library Special Collections Title: Jimmy Durante papers Creator: Durante, Jimmy Identifier/Call Number: PASC-M.0195 Physical Description: 150 Linear Feet(342 boxes) Date (inclusive): circa 1920s-circa 1990 Abstract: Jimmy Durante had a decades-long career as a musician, songwriter, comedian, and actor. The collection consists of script material, scrapbooks, photographs, written music, audio recordings, printed material and ephemera, and a small amount of correspondence documenting Durante's extensive career as an entertainer on stage, radio, film, and television. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the series and file levels. -
![1945-10-25 [P B-8]](https://docslib.b-cdn.net/cover/2585/1945-10-25-p-b-8-7912585.webp)
1945-10-25 [P B-8]
ment asked the producer to lay it Joe Brown year-old mother and take her to 1943 because of the heavy demand aside for awhile hardly could have Where and When Signs Columbus, Ohio, where he will be by war activities groups on perform- been surprised on election day if To feted by the Ohio State Librarian ers’ talents. they remembered "Love on the Theater Play ‘Harvey* Society. Dole." Current Attraction! By the Associated Press. I 'Love cm the Dole,’ at the Little, * * * * and Time of Showing NEW YORK: _AMUSEMENTS._ This is not altogether as depres- Joe E. Brown, screen comic who School Children’s Stage. his career sing or deadly serious a picture as abandoned acting during THE VICTORY FAIR some of the above National—“Dunnigan’s Daughter” the war to entertain servicemen in Is a Realistic Film Drama might indicate, Matinees Resume Oct. 25, 26, 27, 28 for Producer-Director John Baxter 8:30:30 p.m. the farthest comers of the world, The ‘TO-cent matinees” of estab- I Bv HARRY MacARTHUR. has counterpointed the underlying Screen. has been signed to play the star- lished Broadway shows for New AMERICAN UNIVERSITY STADIUM the temporary absence of Jay Carmody) (In tragedy of these slum-bounded ring role in "Harvey” in the West York's school children will Moss. Ave. at Nebraska N.W. I Capitol—“House on 92nd Street”: begin The New Ford and ‘‘Love on the Dole,” which opened yesterday at the Little Theater, i > lives with flickerings of the comedy Coast company. It will open at the the other industrial ex- againfor fall-winter season. -
George Balanchine
Zorina): George Balanchine. Medv.: Vera Zorina, Erich von Stroheim, Richard Greene, Peter Lorre, Sig Ruman, Fritz Feid, Cora Witherspoon, An thony Kemble Cooper, Paul Porcasi, Ineé Pa- lange, Egon Brecher og Roger Imhof. Prod.: F Fox, Nunnally Johnson. Star Spangled Rhythm (Gutter på Landlov). U.S.A. 1942. I: George Marshall. M: Harry Tugend. Sketches af George Kaufman, Arthur Ross, Mel vin Frank og Norman Panama. Foto: Leo Tover og Theodor Sparkuhl. Klipning: Arthur Schmidt. Dekorationer: Hans Dreier og Ernst Fegte. Mu sik: Robert Emmett Dolan. Tekster: Johnny Mer- GEORGE BALANCHINE cer og Harold Arlen. Danse: (Black Magic-num- Dark Red Roses. England 1929. I: Sinclair Hiil. M: meret med Vera Zorina): George Balanchine. Stacy Aumonier. Danse: George Balanchine. Medv.: Bing Crosby, Ray Milland, Vera Zorina, Medv.: Anton Dolin, Lydia Lopokova og Frances Eddie Bracken, Bob Hope, Victor Moore, Mary Double. Optaget i Wimbledon, London. Martin, Veronica Lake, Fred MacMurray, Do- The Goldwyn Follies (Goldwyn Follies). U.S.A. rothy Lamour, Dick Powell, Alan Ladd, Fran 1938. I: George Marshall. M: Ben Hecht. Foto: chot Tone, Paulette Goddard, Betty Hutton, Ro Gregg Toland. Klipning: Sherman Todd. Deko chester, William Bendix, Susan Hayward, Lynne rationer: Richard Day. Musik: George Gershwin. Overman, Cass Daley, Walter Catlett, Jerry Co- Tekster: Ira Gershwin. Dirigent: Alfred New- lonna, Marjorie Reynolds, Gary Crosby, Ernest man. Danse (Romeo og Julie-ballet, Water-Lily- Truex, Sterling Holloway, Macdonald Carey, ballet med Vera Zorina og Metropolitan-Operaens Betty Rhodes, Johnnie Johnston, Katherine Dun ballet): George Balanchine. Medv.: Adolphe ham, Walter Abel, Dona Drake, Gil Lamb, Menjou, The Ritz Brothers, Vera Zorina, Kenny Arthur Treacher, Cecil B. -
Doctor of Musical Arts
Confronting the Celebrant of Bernstein’s Mass: A Study of Musical Borrowing A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music Voice 2014 by John W. Wright B.M., Maryville College, 1987 M.M., University of Cincinnati College-Conservatory of Music, 1990 Committee Chair: David Adams i ABSTRACT This document studies musical borrowing in the five principal solos of the Celebrant, the central character of Bernstein’s Mass: A Theatre Piece for Singers, Players and Dancers (1971), with words by co-lyricist Stephen Schwartz. The solos treated are “A Simple Song,” “The Word of the Lord,” “Our Father . .,” “I Go On,” and “Fraction: Things Get Broken.” Drawing on reports of borrowing found in published secondary literature by Jack Gottlieb, Paul Laird, and Helen Smith, and also in unpublished research by Copland scholar Daniel Mathers, this study documents Bernstein’s sources, analyzes their compositional uses for Mass, and explores them critically in light of the work’s eclectic musical conception and aims. Critical findings treat how Bernstein chose and manipulated his sources in view of several objectives crucial to this work’s composition, its function of dedicating the opening of Kennedy Center (on September 8, 1971), and its long, controversial reception. These objectives include the widely discussed “reaffirmation of faith” which Bernstein strove to express in Mass; defiance of political and religious dogma; use of his own personalized faith symbolism; and continued synthesis of vernacular and classical influences for which he remains most celebrated. -
NEW YORK SHEET MUSIC SOCIETY MARCH, 2014 New York President’S Message
New New York Sheet Music Societsy lette VOLUME 35, NUMBER 6 SINCwwwE.NY S1MS.o9rg 80 MARCH, 2014 r DEDICATED TO THE PRESERVATION OF CLASSIC POPULAR MUSIC Kathryn Allyn & Frank Ponzio: Frank Ponzio, a three time MAC nominee, jazz pianist, composer, and arranger, has performed at Birdland, Feinstein’s, Discovering Musical Gems – and Town Hall, with a variety of artists – Ben Vereen, Nancy LaMott, and Phil Donahue. Frank was also a long-time music 1933 to 1956 director of Jacques d’Amboise’s National Dance Institute, and a vocal coach at the New School’s Actors Studio. He’s written for Playing Hard to Get – The Songs of film, television and radio for which he created an original score Holiday, Hutton, Lee & Stafford for David Mamet’s play The Water Engine. With the benefit of that collective experience, Kaye and By Jerry Osterberg Frank produced a delightful afternoon of sparkling entertainment for the enthusiastic audience. How good it was to be reminded Neither Kaye Allyn nor Frank Ponzio of the extraordinary talent of a quartet of are old enough to have ever seen Billie singers who became celebrated icons in Holiday, Betty Hutton, Julia Lee, or Jo the canon of American music! Among the Stafford perform live. But that didn’t songs recorded by Betty Hutton were prevent the fearless team from finding a “This Must Be the Place” (Edward Pola & record player equipped to play ancient 78 Allan Copeland), “Hamlet” (Frank rpm recordings, concluding that their Loesser), “Do It the Hard Way” (Jimmy precious discoveries had to be heard again. -
Christeson, Robert P. (1911-1992), Collection, 1808-1995, (C3971)
C Christeson, Robert P. (1911-1992), Collection, 1808-1995 3971 36 linear feet, 1387 audio discs, 135 audio tapes, 152 audio cassettes, 112 wire recordings, 3 film reels RESTRICTED This collection is available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. INTRODUCTION The Christeson Collection comprises sheet music, song books, and other publications related to square dancing and folk dances, publications on the history of violins and fiddlers, catalogs of instruments and musical recordings, correspondence, photographs and family papers, fiddle organization newsletters, fiddling contest flyers, folk festival information, and the working papers of volumes I and II of The Old-Time Fiddler's Repertory. In addition, this collection contains Christeson's original wire recordings, audio tapes, and audio discs of fiddle tunes, jam sessions, fiddle contests, and other folk genres. DONOR INFORMATION The Robert P. Christeson papers were donated to the University of Missouri by his wife, Joan, on May 12, 1998 (Accession No. 4767). She made seven subsequent donations from January 2002 to May 2007 (Accession No. 5778). RESTRICTIONS Consult the reference staff about the restrictions on this collection. BIOGRAPHICAL SKETCH Robert P. Christeson was born September 5, 1911, to Ethel May and Frank C. Christeson in Dixon, Missouri. After graduating from Dixon High School in 1928, he attended Drury College in Springfield., Missouri. After one year he transferred to the University of Missouri where he obtained a degree in Agriculture in 1933. The Depression made it necessary for Christeson to move back to Pulaski County after graduation to help his father on the family farm. -
Pre-Owned 1920-1950S Popular Sheet Music
Pre-owned 1920-1950s popular Sheet Music. 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929 Many of these songs have decorative front covers and some from the 1920s and „30s were especially stylish. If a front cover illustration is attributable to an artistor studio they will be named e.g. Heath Robinson, Huntrods, Fred Lowe or Barbelle. Some titles were published during the Second World War (1939 –45), sometimes in a smaller size when ink and paper were in short supply. These pieces of sheet music are secondhand, old and naturally enough, they may show signs of wear and tear. However, most of them are in excellent condition but in a few cases we consider that some damage such as edging tears, a shop stamp, pen marks or a signature are reasonable imperfections considering the age of these manuscripts. There are no detailed descriptions here as to the exact condition of the music listed below but please e-mail us for an honest appraisal of any particular piece or title. As a guide, generally titles are priced in the range £12 - £30 (US$30-$45) + post and packaging. LOOKING FOR THESE ARTISTS OR COMPOSERS. “WAKEY WAKEY!”You‟ve come to the right place for BILLY COTTON, CRAMER‟S RHYTHMIC PIANO SOLOS, THEO BONHEUR, BILLY MAYERL, FATS WALLER,JEROME KERN, GEORGE FORMBY, GRACIE FIELDS, VERA LYNN, ALBERT W. KETELBEY (Anton Vodorinski) or ARTHUR ASKEY playmates! Just look for the title, composer or artist‟s name on the lists below. SONG TITLE WRITER & COMPOSER PHOTO YEAR 12th Street rag –song A.Razaf/E.Bowman Tito Burns or Harry Roy or 1942 version Donald Peers or cartoon or Maurice Winnick or Pee Wee Hunt 12th Street rag – piano solo Euday L. -
Motion Picture Relief Fund - ITEM 537
Motion Picture Relief Fund - ITEM 537 A Bobby Blake Linda Christian Ann Blyth Dane Clark Bud Abbott Karin Booth Stanley Clements Jane Adams Lee Bowman Charles Coburn Brian Aherne William “Hoppy” Boyd Steve Cochran Eddie Albert Charles Boyer Claudette Colbert Robert Alda Eddie Bracken Lois Collier Louise Allbritton Patti Brady Ronald Colman June Allyson Lucille Bremer Jerry Colonna Don Ameche Walter Brennan Perry Como Mary Anderson George Brent Richard Conte Dana Andrews Barbara Britton Morgan Conway Maxene Andrews Hillary Brooke Gary Cooper Annabella Geraldine Brooks Jackie Cooper Eve Arden James Brown Lou Costello Desi Arnaz Joe E. Brown Joseph Cotten Edward Arnold Johnny Mack Brown John Coy Fred Astaire Vanessa Brown Catherine Craig Mary Astor Nigel Bruce James Craig Mischa Auer Smiley Burnette Jeanne Crain Lew Ayres Bob Burns Richard Crane B Lois Butler Joan Crawford Donald Crisp Lauren Bacall C Hume Cronyn Fay Bainter James Cagney Xavier Cugat Lucille Ball Rory Calhoun Robert Cummings Lynn Bari Phyllis Calvert Peggy Cummins Jess Barker Rod Cameron Victor Cutler Ethel Barrymore Judy Canova Lionel Barrymore Eddie Cantor (2) D Anne Baxter Macdonald Carey Howard Da Silva Warner Baxter (2) Richard Carlson Arlene Dahl Wallace Beery John Carradine Cass Daley William Bendix Leo Carrillo Helmut Dantine Bruce Bennett John Carroll Linda Darnell Constance Bennett Jack Carson Jane Darwell Joan Bennett Janis Carter Bette Davis Jack Benny Joan Caulfield Joan Davis Edgar Bergen Carmen Cavallero Dennis Day Turhan Bey Charlie Chaplin Laraine Day Charles -
TUNE in Z JULY, 1946 FIFTEEN CENTS
u TUNE IN z JULY, 1946 FIFTEEN CENTS THE TRUTH IS- I TAKE THE CONSEQUENCES BY RALPH EDWARDS www.americanradiohistory.com A Timely Message to I+ Americans ¡Iota The Secretary of the Tmasavy America has much to be thankful for. greatly to a stable. prosperous postwar which meant unemployment, business Abroad we have overcome enemies not ion. failuresa nd farm foreclosure -.s for may. whose strength not long ago sent a You, the individual American citizen, Today xou can help steer our coo ne shudder of fear throughout the world. also helped by cooperation with ruion- Inward a prosperous America: ing, price and wage controls, by exer- At home we have checked an enemy - by buying all the Victory Bond cising by that would have impaired ouroeconomy restraint in your buying and you can afford and by holding on to accepting high wartime taxe -. and our American way of life. That en- the War Bonds you now have emy was inflation- runaway pricey. All those things relieved the prtassure - by cooperating with such price, on priors. rationing and other controls as The credit for this achievement, may like be necessary fora while longer the credit for military victory, belongs THE TASK AHEAD to the people. - by continuing to exercise patience We now set our fans toward t his future: and good sense with high faith in our You -the individual Americantit loin a prosperous, stable postwar America future. -have kept our economy strong in the an America with jobs and an oppor- The challenge to America of switching face of the greatest inflationary t breast tunity for all.