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Jane Austen and the Critical Novel of Manners
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1940 Jane Austen and the Critical Novel of Manners Anthony Joseph Peterman Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Peterman, Anthony Joseph, "Jane Austen and the Critical Novel of Manners" (1940). Master's Theses. 317. https://ecommons.luc.edu/luc_theses/317 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1940 Anthony Joseph Peterman JANE AUSTEN AND THE CRITICAL NOVEL OF MANNERS. BY A. J. Peterman, S. J. A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LOYOLA UNIVERSITY. 1940 TABLE OF CONTENTS Chapter Page I. Introductory. • • • • • • • • • • • • • • • • • • • • 1. II. The Novel Previous To Miss Austen • • • • • • • • • • 6. III. Sense and Sensibilitz • • • • • • • • • • • • • • • 19. IV. Northanser Abbez. • • • • • • • • • • • • • • • • • • • 39. v. Pride and ~rejudice • • • • • • • • • • • • • • • • • 57. VI. Emma • • • • • • • • • • • • • • • • • • • • • • • • 71. VII. Conclusion. • • • • • • • • • • • • • • • • • • • • • 84. Bibliography • • • • • • • • • • • • • • • • • • • • • • 92. VITA AUCTORIS Anthony Joseph Peterman, S.J., was born in St. Louis, Mo., July 12, 19]0. He received his elementary education at St. Luke's, St. Pius', St. Anthony's Schools (St. Louis), at St. James' School (San Francisco, Calif.) and St. Michael's School (Los Angeles, Calif.). He attended Loyola High Scl1ool in Los Angeles, and the University of Detroit High School in Detroit, graduating from the latter in 1929. -
Analysis of Female Consciousness in Jane Austen's Works
Advances in Social Science, Education and Humanities Research, volume 497 Proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020) Analysis of Female Consciousness in Jane Austen’s Works Cui Xiaoxi1, * 1Tourism School, Shandong Women’s University, Jinan, Shandong, 250300, China *Corresponding author. Email: [email protected] ABSTRACT Jane Austen is the most important and most famous female writer during the 18th and 19th centuries in British history. She has written 6 novels during her whole life based on her own life experiences and her own understanding of women’s love and marriage. Most of the novels she has written are world-famous and have attracted millions of readers. In her works, Jane Austen has created various different female characters with different personalities and experiences. From their stories, we can see that even under the pressure of patriarchal authority at that time, many women began to pursue their true love and independent social status. The awakening of female consciousness in Jane Austen’s works can be clearly seen. Keywords: Jane Austen, female consciousness, Sense and Sensibility, Pride and Prejudice Austen has never been married in her life, although she has met several people who admire her very much. She has 1. INTRODUCTION never left her own family during her whole life. This helps us to better understand her works. British female writer Jane Austen (1775-1817) is the most George Austen has six sons and two daughters. His eldest important female writer in the 18th and 19th centuries in son is named James, and his third son is named Edward. -
Postmodern Identities and Consumerism in the New Novel of Manners Bonnie Mclean Marquette University
Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects A Single Man of Good Fortune: Postmodern Identities and Consumerism in the New Novel of Manners Bonnie McLean Marquette University Recommended Citation McLean, Bonnie, "A Single Man of Good Fortune: Postmodern Identities and Consumerism in the New Novel of Manners" (2015). Dissertations (2009 -). Paper 507. http://epublications.marquette.edu/dissertations_mu/507 A SINGLE MAN OF GOOD FORTUNE: POSTMODERN IDENTITIES AND CONSUMERISM IN THE NEW NOVEL OF MANNERS By Bonnie McLean, B.A., M.A. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin May 2015 ABSTRACT A SINGLE MAN OF GOOD FORTUNE: POSTMODERN IDENTITIES AND CONSUMERISMIN THE NEW NOVEL OF MANNERS Bonnie McLean, B.A., M.A. Marquette University, 2015 In my dissertation, I argue that the novel of manners, while sometimes considered a moribund genre, presents itself as a genre relevant to contemporary criticism of social change from consensus politics to privatization both at governmental and domestic levels. I establish both key terms, cultural and theoretical trends, and define the novel of manners in context as a historical genre and a contemporary one. I further explore the novel of manners as a commentary on social and moral problems, particularly in tensions between social morality and individual morality that emerge when manners break down, a concept originally highlighted by Henry James. I interrogate the interplay between nostalgia, manners, and national identity, highlighting the recreation of moribund social and moral values as a means of exerting authority over the family unit and generating profit out of national heritage. -
The Novel in Transition: Jane Austen, Walter Scott, William Thackeray, George Eliot EFOP-3.4.3-16-2016-00014 LESSON 8
Sándorné Dr Kérchy Anna Boglárka. SZTE. BTK. AAI. ROMANTICISM AND VICTORIANISM IN ENGLISH LITERATURE Unit 8: The Novel in Transition: Jane Austen, Walter Scott, William Thackeray, George Eliot EFOP-3.4.3-16-2016-00014 LESSON 8. ROMANTICISM AND VICTORIANISM IN ENGLISH LITERATURE The novel in transition: Jane Austen, Walter Scott, William Thackeray, George Eliot AAIIIMM OOFF TTHHIIISS UUNNIIITT::: The unit explains the significance of the novelistic genre in the Victorian era, and offers a brief introduction to the major prose writers of the transitional period between Romanticism and Realism. KKEEYY FFIIIGGUURREESS::: Jane Austen, Walter Scott, William Thackeray, George Eliot CCOOMMPPUULLSSOORRYY RREEAADDIIINNGGSS::: Jane Austen. Pride and Prejudice KKEEYY WWOORRDDSS && TTOOPPIIICCSS::: subgenres of Victorian novel (novel of manners, historical novel, Bildungsroman, social satire, etc) THE VICTORIAN PERIOD, THE GOLDEN AGE OF THE NOVEL The English novel becomes the dominant form in the Victorian Age. As Fraser’s Magazine put it in an 1850 issue, “Whoever has anything to say, or thinks he has…puts it forthwith into the shape of a novel.” The novelistic genre of the era is characterised by popularity, abundance, variety, and artistic growth. Novels are distinguished by comprehensiveness. Most works offer a total, panoramic picture of society. They focus on the interrelation of Man and Society; to trace the unfolding of interrelated destinies on public and private levels. A popular theme is social mobility, the rise (or fall) from one social class to another. Widely read novels of education (Bildungsromans) are fuelled by the promise of progress. They deal with the moral, psychological maturation and often financial development of their protagonist, the self-made man. -
Theses Digitisation: This Is a Digitised Version of the Original Print Thesis. Copyright and Moral
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] AT THE VERGE OF THEIR PROPER SPHERE: EARLY NINETEENTH CENTURY SCOTTISH WOMEN NOVELISTS Author: Aileen M. Riddell Submitted for qualification of Ph.D. University of Glasgow Department of Scottish Literature February 1998 ProQuest Number: 10992108 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10992108 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. -
A Study of Fanny Burney's Cecilia
A Study of Fanny Burney’a Geoilia Submitted as Partial Fulfillment of the Requirements for the Degree of Master of Arts 7 7?. i Nell Joan Ranson The Rice Institute February, 1946 3 1272 00317 7100 A Study of Fanny Burney's Cecilia I Although Fanny Burney is remembered today, when remembered at all> as the author of Evelina, her own age preferred her second hovel, Cecilia or The Memoirs of an Heiress. Its success was immediate, and too universal and prolonged to owe more than its first days to the popularity of Evelina. Dr. Johnson and Burke applauded it; Gibbon professed to have read the whole five volumes in a day,*1, and its appeal to milliners and to their customers in high 2 life was equally strong. Jane Austen called it a "work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humor, are conveyed to the world in 3 the best chosen language." Her description of a young lady ashamed of being caught x^ith it (or Camilla or Belinda) and condemned as a frivolous novel reader does'not sound as if it had become an old fashioned piece reserved for the discriminating. Macaulay, writing in 1843, after her death, declared that "she lived to be a classic" and that her early 4 works were still widely read. Cecilia is almost wholly neglected now, perhaps because of the ponderous scenes which were considered its most touching beauties in 1782. -
Wuthering Heights & the Invention of a Genre
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2017 The Northern Novel of Manners: Wuthering Heights & The Invention of a Genre Cameron I. Menchel College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Literature in English, British Isles Commons Recommended Citation Menchel, Cameron I., "The Northern Novel of Manners: Wuthering Heights & The Invention of a Genre" (2017). Undergraduate Honors Theses. Paper 1096. https://scholarworks.wm.edu/honorstheses/1096 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Menchel 0 The Northern Novel of Manners: Wuthering Heights & The Invention of a Genre A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in the English Department from The College of William and Mary By Cameron Menchel Accepted for ___________________________________ ________________________________________ Deborah Morse, Director ________________________________________ Kathrin Levitan ________________________________________ Suzanne Raitt ________________________________________ Kim Wheatley Williamsburg, VA May 2, 2017 Menchel 1 Introduction A stereotypical conception of the “novel of manners” envisions it as a prim coagulation of stilted encounters and formal settings. This, of course, does no justice whatsoever to the genre’s great practitioners, chief among them Jane Austen, George Eliot, Anthony Trollope, and Henry James, all of whom sidestep convention with harrowing psychological acuity. However, glibness tends to creep in when ascribing genre to a work of fiction, as label-making itself can tend toward oversimplification. -
Sensibility in Frances Burney's Novels
1È2 SENSIBILITY IN FRANCES BURNEY'S NOVEI.S Kathleen M. Twidale, M.A. A thesis submitted for the degree of Doctor of Philosophy in the Department of English, University of Adelaide . July, 1994 /\n^r.' de *\ \qq5 TABLE OF CONTENTS Page STATEMENT ii ACKNOWLEDGEMENTS lll CHAPTER 1 Introduction.. I CHAPTER 2 Frances Burney - The Novelist 9 CHAPTER 3 The Background to the Concept of Sensibility in the Eighteenth Century 44 CHAPTER 4 Frances Burney and Sensibility 85 CHAPTER 5 Evelina r43 CHAPTER 6 Cecilía 184 CHAPTER 7 Camilla 217 CHAPTER 8 The Wanderer 26t CHAPTER 9 Conclusion .. 308 LIST OF ABBREVIATIONS 320 WORKS CTTED 320 O|IITER WORKS C'ONSULTED 334 APPENDIX A 339 APPENDIX B 349 i ACKNOWLEDGEMENTS I wish to acknowledge the support of my supervisors and thank them for their help and advice. + lll SENSIBILITY IN FRANCES BURNEY'S NOVELS CHAPTER 1 INTRODUCTION Although a considerable amount of literature and research exists on the role of sensibility in the novels of, for instance, Richardson, Sterne, Henry Mackenzie and Austen, there has been no full investigation of this theme as it emerges in Burney's novels. This thesis proposes to go some way toward filling this gap by examining how Burney uses the word "sensibility" in her novels; to explore what it appears to connote to her; how she uses it to define her characters; and how she presents her interpretation of the world of "female difficulties"l through the conventions of the "novel of Sensibility."2 Burney's novels perhaps cannot strictly be defined as novels of sensibility: the satire and comedy in the novels and the examination of the good and bad aspects of the cult of sensibility make this description too narrow.