DOCSLIB.ORG

December 2010/January 2011

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
December 2010/January 2011 www.elpasobar.com December 2010/January 2011 ¡VivaEl Paso Lawyers Los and theLicenciados! Mexican Revolution-Part II By Ballard Shapleigh. Page 16 Law West Senior Lawyer Interview Byof Landon the Schmidt. Pecos Page 7 BillBy ClintonThurmond Cross. Page 11 Dec 2010 / Jan 2011 W. Reed Leverton, P.C. Attorney at Law • Mediator • Arbitrator Alternative Dispute Resolution Services 300 EAST MAIN , SUIT E 1240 EL PASO , TE XAS 79901 (915) 533-2377 - FAX: 533-2376 on-line calendar at: www.reedleverton.com Experience: Licensed Texas Attorney; Former District Judge; Over 900 Mediations Commitment to A.D.R. Processes: Full-Time Mediator / Arbitrator Commitment to Professionalism: LL.M. in Dispute Resolution Your mediation referrals are always appreciated. A mediator without borders. HARDIE MEDIATION.CO M See our website calendar and booking system Bill Hardie Mediator/Arbitrator Dec 2010 / Jan 2011 3 THE PRESIDENT’S PAGE State Bar of Texas Award of Merit The Year of the Storytellers 1996 – 1997 – 1998 – 1999 2000 – 2001 – 2006-2010 “If history were taught in the form of stories, Star of Achievement 2000 - 2008 - 2010 it would never be forgotten.” State Bar of Texas RUDYA R D KI P LING Best Overall Newsletter – 2003, 2007, 2010 Publication Achievement Award 2003 – 2005 – 2006 – 2007 – 2008 - 2010 s another calendar year comes to a close, now is a good time to reflect NABE – LexisNexis Community & Educational Outreach Award 2007 - 2010 and celebrate what has happened in our personal and professional lives. The past may be different depending on who is remembering Chantel Crews, President Bruce Koehler, President-Elect it. If your past as a lawyer were retold as a story, would it be memorable? Judge Maria Salas-Mendoza, Vice A President Randolph Grambling, Treasurer On December 14, 2010 at the El Paso Bar Association’s December monthly meeting, we will honor Laura Enriquez, Secretary those El Paso attorneys who have been practicing law for fifty years. What an amazing legacy these at- Carlos Eduardo Cárdenas, Immediate torneys have – and think of the stories they could tell from their years practicing law! Please join us for Past President this special celebration; you will be treated to some unforgettable stories. 2010-2011 BOARD ME mb ERS Francisco “Paco” Dominguez Judge Eduardo Gamboa How has the practice of law changed in the past fifty years? Is the practice better now with technol- Cheryl Lay Davis Judge Tom Spieczny ogy, more rules, and more attorneys? Have we lost something in the hustle and bustle of the profession? Donald Williams When was the last time you talked – really talked – to a colleague or a judge about something other than Teresa Beltran casual pleasantries or the details of a case? For most of us, it has been far too long. Take the opportunity Chris Borunda Judge Linda Chew to reconnect with your fellow attorneys and judges at the Joint Bar Association Holiday Party on Thursday, Mark Dore December 7 from 5:30 – 7:30 p.m. at The Garden. Myer Lipson Denise Butterworth Kenneth Krohn Speaking of history, the El Paso Bar Association has celebrated several triumphs in just the past few Ray Martinez months. The 2nd Annual Access to Justice Fair on October 30 drew a great crowd of close to 400 El Alberto Mesta Jennifer VandenBosch Pasoans needing pro bono assistance. Thirty-seven attorneys provided one-on-one consultations to nearly EX-OFFICIOS 290 needy people. Ten agencies were on hand to provide assistance and information as well. Although SBOT Director, District 17 there was not enough time to consult with all of the persons at the Fair, those who did not get to speak EPYLA, MABA, EPWBA, ABOTA, FBA, EPPA, El Paso Bar Foundation with a lawyer were routed to Texas Rio Grande Legal Aid for assistance. Congratulations to co-chairs Executive Director Laura Enriquez and Jaime Sanchez, TRLA, and all of the attorneys who participated. Nancy Gallego Editorial Staff The El Paso Lawyers for Patriots event on November 6 was also an amazing success. We were thrilled Clinton Cross, Editor with the turnout of great speakers, dignitaries, twenty veterans’ agencies, and veterans and their families. Stephanie Townsend Allala Judge Oscar Gabaldon The event competed with three different veterans’ parades, but we were still able to provide seventy one- Donna Snyder on-one legal consultations with veterans. Thirty-seven attorneys, several of which had also participated in “The El Paso Bar Journal is a bi-monthly publication of the ATJ Fair the prior weekend, were there to aid veterans and their families with legal issues. The vision the El Paso Bar Association. Articles, notices, suggestions and passion of Donald Williams and the EPLP committee were evident throughout the day, and will and/or comments should be sent to the attention of Nancy Gallego. All submissions must be received by the Bar continue as more veterans’ clinics take place in 2011. office on or before the 10th day of the month preceding publication. Calendar listings, classified ads, display As this year closes and the next approaches, remember the stories of what a difference attorneys can ads, and feature articles should not be considered an endorsement of any service, product, program, seminar make in the lives of others - that is the kind of history which should never be forgotten. or event. Please contact the Bar office for ad rates. Ar- ticles published in the Bar Journal do not necessarily reflect the opinions of the El Paso Bar Association, its Officers, or the Board of Directors. The El Paso Bar Association does not endorse candidates for Chantel Crews, President political office. An article in the Bar Journal is not, and should never be construed to be, an endorsement of a person for political office.” Dec 2010 / Jan 2011 4 E L PASO BA R ASSOCIATION December Bar Luncheon Tuesday, December 14, 2010 El Paso Club l 201 E. Main, 6th Floor, Chase Bank l $20 per person l 12:00 Noon Guest Speaker will be Tom Diamond who will speak on the Changes in the Practice of Law over the last 50 years. We will also be honoring our 50 year attorneys. Please make your reservations by Monday, December 13, 2010 at noon at [email protected] or [email protected] E L PASO BA R ASSOCIATION January Bar Luncheon Tuesday, January 11, 2011 El Paso Club l 201 E. Main, 18th Floor, Chase Bank l $20 per person l 12:00 Noon We will have a panel on the Lions of Litigation featuring Enrique Moreno. Pending approval of 1/2 hour of Participatory Ethics Please make your reservations by Monday, January 10, 2011 at noon at [email protected] or [email protected] Articles published in the Bar Journal do not necessarily reflect the opinions of the El Paso Bar Association, its Officers, or the Board of Directors. The El Paso Bar Association does not endorse candidates for political office. An article in the Bar Journal is not, and should never be construed to be, an endorsement of a person for political office. Dec 2010 / Jan 2011 5 CALENDAR OF EVENTS December, 2010 Friday, December 31 PLEASE NOTE: Please check the Jour- Tuesday, December 7 New Year’s Eve nal for all the details regarding all above EPBA Board Meeting EPBA/County Closed listed events. If your club, organization, section or committee would like to put Wednesday, December 8 January, 2011 a notice or an announcement in the Bar EPWBA Meeting Tuesday, January 4 Journal for your upcoming event or Thursday, December 9 EPBA Board Meeting function for the month of Feb/March, Joint Holiday Party, The Garden Tuesday, January 11 2011, please have the information to Thursday, December 9 EPBA Monthly Luncheon the Bar Association office by Friday, Annual Attorney/Paralegal Luncheon January 15, 2011. In order to publish Thursday, January 13 Saturday, December 11 your information we must have it in EPYLA Board Meeting writing. WE WILL MAKE NO EXCEP- EPYLA Christmas of Hope Monday, January 17 TIONS. We also reserve the right to Tuesday, December 14 Martin Luther King DayEPBA/ make any editorial changes as we deem EPBA Monthly Luncheon County Closed necessary. Please note that there is no Guest Speaker – Tom Diamond charge for this service: (915) 532-7052; Honoring 50 year attorneys Thursday, January 20 EPPA Monthly Luncheon (915) 532-7067-fax; nancy@elpasobar. Thursday, December 16 com - email. If we do not receive your EPYLA/MABA Christmas Party Friday, January 28 information by the specified date please Building Blocks of Wills, Friday, December 24 note that we may try to remind you, but Estates and Probate Christmas Eve putting this journal together every month EPBA/County Closed is a very big task and we may not have the time to remind you. So please don’t miss out on the opportunity to have your Upcoming Events event announced. 15th Annual Civil Trial Seminar Inn of the Mountain Gods February 18 & 19, 2011 El Paso Bar Association The Mexican American Bar Association of El Paso Presents would like to recognize its 2010 award winners for their 12th Annual Building Blocks of Wills, contribution to the El Paso judiciary and our community: Outstanding Judge Estates and Probate Course Hon. Samuel Medrano Jr. Friday, January 28, 2011 Outstanding Member 8:00 a.m. – 4:00 p.m. Ms. Cynthia Canales El Paso County Courthouse Outstanding Attorney 6.75 hours of MCLE including 3.75 hours of Ethics Mr. Adolfo ‘Dolph’ Quijano Jr. Cost is $225 – members of EPBA Outstanding Community Advocate $250 – nonmembers Hon. Gary A. Aboud Albert Armendariz Lifetime Achievement Award Please send in your check to: El Paso Bar Association Enrique Moreno 500 E.
Load more

Recommended publications
  • The Front Page First Opened at the Times Square Theatre on August 14, 1928, It Was Instantly Heralded As a Classic
    SUPPORT FOR THE 2019 SEASON OF THE FESTIVAL THEATRE IS GENEROUSLY PROVIDED BY DANIEL BERNSTEIN AND CLAIRE FOERSTER PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP 2 DIRECTOR’S NOTES SCAVENGING FOR THE TRUTH BY GRAHAM ABBEY “Were it left to me to decide between a government without newspapers or newspapers without a government, I should not hesitate a moment to prefer the latter.” – Thomas Jefferson, 1787 When The Front Page first opened at the Times Square Theatre on August 14, 1928, it was instantly heralded as a classic. Nearly a century later, this iconic play has retained its place as one of the great American stage comedies of all time. Its lasting legacy stands as a testament to its unique DNA: part farce, part melodrama, with a healthy dose of romance thrown into the mix, The Front Page is at once a veneration and a reproof of the gritty, seductive world of Chicago journalism, firmly embedded in the freewheeling euphoria of the Roaring Twenties. According to playwrights (and former Chicago reporters) Charles MacArthur and Ben Hecht, the play allegedly found its genesis in two real-life events: a practical joke carried out on MacArthur as he was heading west on a train with his fiancée, and the escape and disappearance of the notorious gangster “Terrible” Tommy consuming the conflicted heart of a city O’Conner four days before his scheduled caught in the momentum of progress while execution at the Cook County Jail. celebrating the underdogs who were lost in its wake. O’Conner’s escape proved to be a seminal moment in the history of a city struggling Chicago’s metamorphosis through the to find its identity amidst the social, cultural “twisted twenties” is a paradox in and of and industrial renaissance of the 1920s.
    [Show full text]
  • Porfirian Influence on Mexican Journalism: an Enduring Legacy of Economic Control
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1987 Porfirian influence on Mexican journalism: An enduring legacy of economic control Steve Devitt The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Devitt, Steve, "Porfirian influence on Mexican journalism: An enduring legacy of economic control" (1987). Graduate Student Theses, Dissertations, & Professional Papers. 5085. https://scholarworks.umt.edu/etd/5085 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 Th is is an unpublished m a nu scr ipt in w hich c o pyr ig ht s u b s is t s . Any further r e p r in t in g of it s contents must be APPROVED BY THE AUTHOR. Ma n s f ie l d L ibrary Un iv e r s it y of Montana D a t e :____ 1_ THE PORFIRIAN INFLUENCE ON MEXICAN JOURNALISM: AN ENDURING LEGACY OF ECONOMIC CONTROL by Steve Devitt B.A., Eastern Montana College, 1971 Presented in partial fulfillment for the requirements for the degree of Master of Arts in Journalism University of Montana 1987 Approved by Graduate School UMI Number: EP40549 All rights reserved INFORMATION TO ALL USERS The.
    [Show full text]
  • Quentin Tarantino Retro
    ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.
    [Show full text]
  • National Film Registry Titles Listed by Release Date
    National Film Registry Titles 1989-2017: Listed by Year of Release Year Year Title Released Inducted Newark Athlete 1891 2010 Blacksmith Scene 1893 1995 Dickson Experimental Sound Film 1894-1895 2003 Edison Kinetoscopic Record of a Sneeze 1894 2015 The Kiss 1896 1999 Rip Van Winkle 1896 1995 Corbett-Fitzsimmons Title Fight 1897 2012 Demolishing and Building Up the Star Theatre 1901 2002 President McKinley Inauguration Footage 1901 2000 The Great Train Robbery 1903 1990 Life of an American Fireman 1903 2016 Westinghouse Works 1904 1904 1998 Interior New York Subway, 14th Street to 42nd Street 1905 2017 Dream of a Rarebit Fiend 1906 2015 San Francisco Earthquake and Fire, April 18, 1906 1906 2005 A Trip Down Market Street 1906 2010 A Corner in Wheat 1909 1994 Lady Helen’s Escapade 1909 2004 Princess Nicotine; or, The Smoke Fairy 1909 2003 Jeffries-Johnson World’s Championship Boxing Contest 1910 2005 White Fawn’s Devotion 1910 2008 Little Nemo 1911 2009 The Cry of the Children 1912 2011 A Cure for Pokeritis 1912 2011 From the Manger to the Cross 1912 1998 The Land Beyond the Sunset 1912 2000 Musketeers of Pig Alley 1912 2016 Bert Williams Lime Kiln Club Field Day 1913 2014 The Evidence of the Film 1913 2001 Matrimony’s Speed Limit 1913 2003 Preservation of the Sign Language 1913 2010 Traffic in Souls 1913 2006 The Bargain 1914 2010 The Exploits of Elaine 1914 1994 Gertie The Dinosaur 1914 1991 In the Land of the Head Hunters 1914 1999 Mabel’s Blunder 1914 2009 1 National Film Registry Titles 1989-2017: Listed by Year of Release Year Year
    [Show full text]
  • Kipling, Masculinity and Empire
    Kunapipi Volume 18 Issue 1 Article 10 1996 America's Raj: Kipling, Masculinity and Empire Nicholas J. Cull Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Cull, Nicholas J., America's Raj: Kipling, Masculinity and Empire, Kunapipi, 18(1), 1996. Available at:https://ro.uow.edu.au/kunapipi/vol18/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] America's Raj: Kipling, Masculinity and Empire Abstract The posters for Gunga Din promised much: 'Thrills for a thousand movies, plundered for one mighty show'. That show was a valentine to the British Raj, in which three sergeants (engagingly played by Cary Grant, Victor McLaglen, and Douglas Fairbanks, Jr.) defeat marauding hoards of 'natives' with the aid of their 'Uncle Tom' water bearer, Gunga Din (Sam Jaffe)[Plate VII]. Audiences loved it. Its racism notwithstanding, even an astute viewer like Bertolt Brecht confessed: 'My heart was touched ... f felt like applauding and laughed in all the right places'. 1 Outwardly the film had little ot do with the United States. Most of the cast were British-born and its screenplay claimed to be 'from the poem by Rudyard Kipling' .2 Yet the film was neither British or faithful ot Kipling, but solidly American: directed by George Stevens for RKO, with a screenplay by Oxford-educated Joel Sayre and Stevens's regular collaborator Fred Guiol.3 This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol18/iss1/10 America's Raj: Kipling, Masculinity, and Empire 85 NICHOLAS J.
    [Show full text]
  • The Notorious Ben Hecht
    Purdue University Purdue e-Pubs Purdue University Press Book Previews Purdue University Press 3-2019 The otN orious Ben Hecht: Iconoclastic Writer and Militant Zionist Julien Gorbach Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_previews Part of the Film and Media Studies Commons, and the Jewish Studies Commons Recommended Citation Gorbach, Julien, "The otN orious Ben Hecht: Iconoclastic Writer and Militant Zionist" (2019). Purdue University Press Book Previews. 26. https://docs.lib.purdue.edu/purduepress_previews/26 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. “In The Notorious Ben Hecht: Iconoclastic Writer and Militant Zionist, Julien Gorbach highlights the character, the motivations, and the involvement of an engaged intellectual, crossing from the world of words into that of assertive advocacy on behalf of a cause deemed too narrow for the milieu in which he was a major element. In focusing on this facet of the life of one who was a borderline American Jew, Gorbach not only details the personal biography of Hecht as Hollywood screenwriter, playwright, and novelist, but in his treatment of Hecht’s activities on behalf of the Jewish resistance in Mandate Palestine against the oppressive British rule, he retrieves that period of Israel’s history shunted aside due to ideological and political bias, the years of the national liberation struggle prior to the establishment of the state that have been subjected to a campaign of purposeful neglect and which affected Hecht as well.” —Yisrael Medad, Research Fellow, Menachem Begin Heritage Center, Jerusalem “With storytelling skills equal to his subject’s, Julien Gorbach shows the nuance and complexity of Ben Hecht’s transformation from secular and cynical Hollywood script doctor to committed Zionist activist attempting first to save the Jews of Europe during World War II, and then to found the state of Israel.
    [Show full text]
  • Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
    JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero.
    [Show full text]
  • The Farmington Friend
    The Farmington Friend Trish Eckert, Pastor VOLUME 75 NUMBER 1 FARMINGTON, NY 14425 JANUARY 2020 Happy New Year We gaily shout, “Happy New Year”, to friends, neighbors and relatives. Then with a fleeting smile the whole atmosphere settles back to the old year. But let’s stop short and see what the expression “Happy New Year” really means. Webster’s dictionary explains happy as “enjoying pleasure or good”. With this in mind I like to associate this meaning with the work and fellowship of our church. This scripture found in Proverbs 15:20 gives us the working foundation--”He who gives heed to the word will prosper and happy is he who trusts in the Lord. “ The word “new” has many meanings which we can twist to fit our own preferences. I like to connect that word new with people working at new jobs, committees, and duties in our church. As we start the year we need to rededicate ourselves with renewed communion with our Lord and dependability on our fellow workers. The word “year” denotes a period of time which stretches in to the future, but as we progress through that year, it is broken up into months, weeks, and days. There is a verse found in Psalms which relates to each. “This is the day which the Lord has made; let us rejoice and be glad in it”. Last Sunday afternoon I watched a professional football game on television. (I really enjoy this armchair sport!) On the interview following the game, I listened to humble and proud professional men answer the questions of an interviewer.
    [Show full text]
  • Face the Nation
    © 2007 CBS Broadcasting Inc. All Rights Reserved PLEASE CREDIT ANY QUOTES OR EXCERPTS FROM THIS CBS TELEVISION PROGRAM TO "CBS NEWS' FACE THE NATION. " CBS News FACE THE NATION Sunday, January 14, 2007 GUESTS: Senator JOHN McCAIN (R-AZ) Armed Services Committee Senator BARACK OBAMA (D-IL) Foreign Relations Committee MODERATOR: BOB SCHIEFFER - CBS News This is a rush transcript provided for the information and convenience of the press. Accuracy is not guaranteed. In case of doubt, please check with FACE THE NATION - CBS NEWS 202-457-4481 BURRELLE'S INFORMATION SERVICES / 202-419-1859 / 800-456-2877 Face the Nation (CBS News) - Sunday, January 14, 2007 1 BOB SCHIEFFER, host: Today on FACE THE NATION, Senators John McCain and Barack Obama on the plan for Iraq. President Bush's decision to send 21,000 more American troops to Iraq has been met with withering skepticism by Congress and the public. We'll get the view on this plan from both sides this morning when we talk to two leaders of the Senate and two possible presidential contenders in 2008: Senator John McCain, Republican of Arizona, who supports the surge; and Senator Barack Obama, Democrat of Illinois, who does not. I'll have a final word on the story that didn't make the front page last week. But first, McCain and Obama on FACE THE NATION. Announcer: FACE THE NATION, with CBS News chief Washington correspondent Bob Schieffer. And now, from CBS News in Washington, Bob Schieffer. SCHIEFFER: And good morning again. Joining us now in our studio, Senator John McCain, and with us from Chicago, Senator Barack Obama.
    [Show full text]
  • The Many Editions of the Front Page: How Gender Shapes the Story
    Conspectus Borealis Volume 5 Issue 1 5th Anniversary Issue Article 14 3-27-2020 The Many Editions of The Front Page: How Gender Shapes the Story Nicole Moore Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/conspectus_borealis Part of the Dramatic Literature, Criticism and Theory Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Other Theatre and Performance Studies Commons Recommended Citation Moore, Nicole (2020) "The Many Editions of The Front Page: How Gender Shapes the Story," Conspectus Borealis: Vol. 5 : Iss. 1 , Article 14. Available at: https://commons.nmu.edu/conspectus_borealis/vol5/iss1/14 This Article is brought to you for free and open access by the Journals and Peer-Reviewed Series at NMU Commons. It has been accepted for inclusion in Conspectus Borealis by an authorized administrator of NMU Commons. For more information, please contact Kevin McDonough. Moore 1 Nicole Moore Dr. David Wood HON495X November 29, 2019 The Many Editions of The Front Page: How Gender Shapes the Story Have you ever been upset that a movie adaptation was not faithful to the book? That the remake was not as good as the original? This gut instinct to reject a performance’s interpretation of the text haunted me at the 2019 Stratford Festival. After falling in love with the written play, The Front Page (1928), I could not wait to see it staged. The quick wit, overlapping dialogue, and ever-present power dynamics would surely be impressive when performed live. By intermission, however, I felt disappointed but hopeful.
    [Show full text]
  • His Girl Friday (1940)
    Conversations about great films with Diane Christian & Bruce Jackson HOWARD HAWKS (30 May 1896, Goshen, Indiana—26 December 1977, Palm Springs, California, aftermath of a fall) directed 47 films (and was producer on most of them) and wrote 24 screenplays. The last film he directed was Rio Lobo 1970; his first was Road to Glory 1926. Some of the others were: Man's Favorite Sport? (1964), Hatari! (1962), Rio Bravo (1959), Land of the Pharaohs (1955), Gentlemen Prefer Blondes (1953), I Was a Male War Bride (1949), A Song Is Born (1948), Red River (1948), The Big Sleep (1946), To Have and Have Not (1944), Sergeant York (1941), Only Angels Have Wings (1939), Bringing Up Baby (1938), Come and Get It (1936), Barbary Coast (1935), Twentieth Century (1934), Scarface (1932), and The Dawn Patrol (1930). He won an honorary Oscar in 1975. BEN HECHT (28 February 1894, New York City—18 April 1964, NYC, HIS GIRL FRIDAY (1940). 92 min thrombosis) wrote or co-wrote 128 screenplays, half of them uncredited. Produced and directed by Howard Hawks Some of them are Cleopatra (1963), Mutiny on the Bounty (1962), Walk on Based on the play, “The Front Page,” by Ben Hecht the Wild Side (1962), A Farewell to Arms (1957), Miracle in the Rain and Charles MacArthur (1956), The Court-Martial of Billy Mitchell (1955), The Man with the Screenplay by Charles Lederer Golden Arm (1955), Guys and Dolls (1955), Rope (1948), The Miracle of Cinematography by Joseph Walker the Bells (1948), Ride the Pink Horse (1947), Kiss of Death (1947), Duel in the Sun (1946), Notorious (1946), Gilda (1946), Spellbound (1945), Cary Grant ...Walter Burns Lifeboat (1944), The Outlaw (1943), Gone with the Wind (1939), Wuthering Rosalind Russell ...Hildegaard 'Hildy' Johnson Heights (1939), Stagecoach (1939), Angels with Dirty Faces (1938), Ralph Bellamy ...Bruce Baldwin Barbary Coast (1935), Viva Villa! (1934), Scarface (1932), and The New Gene Lockhart ...Sheriff Peter B.
    [Show full text]
  • CMS 796: Major Media Texts Huma Yusuf the Last Laugh: Comedy and Gender in Howard Hawks' His Girl Friday the Character Earl
    CMS 796: Major Media Texts Huma Yusuf The Last Laugh: Comedy and Gender in Howard Hawks’ His Girl Friday The character Earl Williams may have his death sentence reprieved at the conclusion of Howard Hawks’ His Girl Friday (1940), but the jury is still out on whether Hildy Johnson, a spunky journalist played by Rosalind Russell, can be considered a feminist icon. Critics such as Marylin Fabe are enamored by Russell’s Hildy, and have been prompted to exclaim: “Hawks has pulled off a brilliant coup in His Girl Friday. He has created a strong, smart, talented, beautiful, and powerful woman, thus subverting the usual gender stereotypes in classical Hollywood films” (Fabe, 77). Others remain more skeptical about the extent to which Hildy subverts the power dynamic established between her and Cary Grant’s inimitable editor Walter Burns. After all, the resolution of the film seemingly necessitates a return to traditional gender dynamics with Walter and Hildy – man and woman, husband and wife, editor and reporter – leaving for their honeymoon. In Romantic vs. Screwball Comedy: Charting the Difference, for example, Wes D. Gehring argues that His Girl Friday is one of few “screwball comedies in which the male apparently is in a more commanding position”, making the film “an unusual outing” in that the “heroine does not rule” (Gehring, 52/107). An attempt to reconcile these diametrically opposed readings of Hawks’ film could be made by examining the way in which comedy is used to construct gender in both His Girl Friday and its predecessor, Lewis Milestone’s The Front Page (1931).
    [Show full text]