Worlds Beneath Our Feet Huw Lewis-Jones Relishes a Scientific and Poetic Journey Underground

Total Page:16

File Type:pdf, Size:1020Kb

Worlds Beneath Our Feet Huw Lewis-Jones Relishes a Scientific and Poetic Journey Underground COMMENT BOOKS & ARTS ENVIRONMENTAL HISTORY Worlds beneath our feet Huw Lewis-Jones relishes a scientific and poetic journey underground. ight years ago, I stood on the barren Siberia — are only part of knowledge as diverse as Indigenous belief shore of an island at the edge of the of climate change’s systems and ground­breaking physics. Arctic Ocean, some 150 kilo metres disturbing chapter in We begin with Britain: Neolithic burial Eoff Russia’s north coast. I had joined a Earth’s restless story of chambers in the Mendip Hills of Somerset, palaeontological expedition as an inter­ emergence and extinc­ and North Yorkshire’s Boulby Under­ national observer — and I was about to see tion. In his formidable ground Laboratory, where physicists such as my first woolly mammoth, coming towards work Underland, land­ Christopher Toth investigate dark matter a me at full speed on the back of a quad bike. scape writer Robert kilometre below the surface. From there, we The Russian field researcher driving it was Macfarlane explores ride shotgun to potash and rock­salt miners shouting something I later understood the troubling, and clawing their way out under the North Sea. Underland: meant ‘buried treasure’: giant bones like uplifting, human and A Deep Time In northeast London’s Epping Forest, gathered driftwood, swaddled in muddied environmental histo­ Journey girded by traffic, we learn from plant canvas; a huge, curved tusk. ries beneath our feet. ROBERT MACFARLANE scientist Merlin Sheldrake of tree–fungus Wrangel Island may have been the final He leads us on an Hamish Hamilton mutualism, the mycorrhizal networks that refuge of Mammuthus primigenius, until the underground jour­ (2019) enable plants to communicate and transfer last died out some 3,700 years ago. Today, ney across cultures nutrients underground. When the pioneer­ the permafrost is thawing and shorelines are and epochs, to the very limits of the earthly ing research into these networks was first eroding, causing tusks to re­emerge from map — and beyond, as new geographies of published in Nature, the whole shape of the ground: a trove that speaks of multiple knowledge are configured. His is a story woodland ecology “shimmered and shifted”, tragedy. But subterranean developments with a cast of subterranean scientists, poet­ Macfarlane notes (S. W. Simard et al. Nature caused by the Arctic thaw — from methane cavers, philosophizing urban explorers and 388, 579–582; 1997). explosions to rejuvenated anthrax spores in arboreal linguists. It is also an investigation In Paris, we drop into — and crawl, climb, LIBRARY PICTURE MUNOZ/NATURE CARLOS JUAN The Škocjan Caves in Slovenia’s Karst Plateau contain one of the world’s largest known underground canyons. 188 | NATURE | VOL 569 | 9 MAY 2019 ©2019 Spri nger Nature Li mited. All ri ghts reserved. ©2019 Spri nger Nature Li mited. All ri ghts reserved. BOOKS & ARTS COMMENT slide, wade and wedge our way through — the As in previous books, including more complicated and a whole lot more gaps left by undercity quarries whose rock Mountains of the Mind (2003), The Old Ways interesting”, as anthropologist Matthew built the city. (Here, Macfarlane finds strange (2012) and Landmarks (2015), Macfarlane’s Tocheri put it. The ‘underland’ still has much fellowship with explorers of ossuary and approach is holistic. He interleaves poetry to reveal as we struggle to understand our catacomb.) In northern Italy, we are drawn to and literature — the terrain of memory and past and find a way to a viable future. the starless rivers and labyrinthine limestone myth — with modern geology, ecology and But, as Macfarlane admits, “there is dan­ uplands of the Karst Plateau, which straddles physics, and nature narrative. This is a map­ gerous comfort to be drawn from deep time”. the Slovenian border. These hollow high­ ping of “the relationships between landscape That could undermine our determination to lands, he shows, are not just a mine of geo­ and the human heart”. The writing is lumi­ turn the tide on human­driven environmen­ logical wonders; they are a storied landscape nous, intense: at times, a wandering stream tal change, he speculates, because “what does riddled by death and persecution. Thousands winding seawards; our behaviour matter, when Homo sapiens of people died here on the First World War’s “There is at others, precise will have disappeared from the Earth in the Isonzo Front, and in the Foibe Massacres of dangerous and penetrating. It blink of a geological eye?” What’s needed to the Second World War and afterwards; many comfort to be will take me months jar us out of such inertial thinking is a more of their corpses were thrown into sinkholes. drawn from to fully process the thoughtful awareness of where we are now — deep time.” maze of directions the Anthropocene epoch, in which human ENDS OF THE EARTH and story lines in these activities are making their mark on the geo­ Finally, in the ‘Third Chamber’ section, brilliant notes from underground. logical record. That might yet reawaken us Macfarlane’s curiosity draws him inexorably The day I finished reading it, reports to see ourselves as part of a much larger time toward extremity. He visits the fringes of the were published on Homo luzonensis — an frame: not just as traces in a landscape, but as melting Greenland Ice Sheet, and remote sea extinct species of hominin discovered deep inheritors of it. caves puncturing the storm­wracked west­ underground on the island of Luzon in the We have been terrible custodians so far. ern shores of Norway’s Lofoten archipelago, Philippines (F. Détroit Nature 568, 181–186; As he comes up for air from the depths of where cod­rich waters are threatened by 2019). After a decade of excavation, there planetary and human history, Macfarlane’s government plans for oil extraction. Finally, are now 7 teeth and 13 bones — part of a core concern is one that many of us share: on Finland’s Olkiluoto Island, Macfarlane femur, the bones of feet and hands — from “Are we being good ancestors?” ■ explores a site soon to entomb spent nuclear at least 3 individuals. Their lives ended some fuel. Gouged, spiralling, half a kilometre into 67,000 years ago, when others in the genus Huw Lewis-Jones is an environmental bedrock, it is a burial site for our entangled Homo, including Neanderthals, walked the historian, expedition leader and senior human history — and a metaphor for a Earth. The find makes our understand­ lecturer at Falmouth University, UK. planet abused. ings of human evolution “even messier, Twitter: @polarworld ©2019 Spri nger Nature Li mited. All ri ghts reserved. ©2019 Spri nger Nature Li mited. All ri ghts reserved. 9 MAY 2019 | VOL 569 | NATURE | 189 .
Recommended publications
  • UPDATED Scholastic MAY Ais
    ALISON GREEN BOOKS THE SMEDS AND THE SMOOS PB JULIA DONALDSON Illustrated by AXEL SCHEFFLER Sales points About the author Julia Donaldson is the • THE SMEDS AND THE SMOOS is the spectacular new picture book author of many of the best-loved picture from award-winning superstars, Julia Donaldson and Axel Scheffler books ever written. She has been awarded an MBE for services to literature, and was • An irresistible love story of alien folk that's literally out of this world also a much-praised Children's Laureate. • A timely tale of inclusivity. With great humour, lightness of touch, and www.juliadonaldson.co.uk perfect read-aloud rhyme • Axel's illustrations are his best yet - a hilarious, super-colourful array of About the illustrator Axel Scheffler is aliens one of the most celebrated illustrators • Guaranteed to be a huge bestseller - supported by a nationwide in the world. He has brought to life publicity and marketing campaign a huge variety of characters, from dragons to gruffalos. Axel lives in London. • The animated film of Donaldson/Scheffler classic, The Snail and the www.axelscheffler.com Whale, will air on the BBC at Christmas 2019 • The BBC regularly re-runs the previous animated classics, including Zog and Stick Man Price: £6.99 Pub Date: 4th June 2020 Description ISBN: 9781407196657 Soar into space with a glorious love story of alien folk that's literally out CBMC code: A3M79 of this world. TPS: 250mm x 280mm 32pp Extent: The Smeds (who are red) never mix with the Smoos (who are blue). Binding: Paperback So when a young Smed and Smoo fall in love, their families strongly Age: 02-06 disapprove.
    [Show full text]
  • The Underland Chronicles
    DISCUSSION GUIDE Grades 3–7 THE UNDERLAND CHRONICLES By #1 New York Times Bestselling Author of The Hunger Games SUZANNE COLLINS Gregor hadn’t planned to fall into another world, or to tumble into an adventure, or to become a hero. But when he follows his little sister through a grate in the laundry room of their New York City apartment building, he hurtles into the dark Underland where humans live uneasily beside giant spiders, bats, cockroaches, and rats. There, the fragile peace is about to fall apart, and Gregor discovers that a prophecy foretells a role for him in the Underland’s future. Little does he know that his quest will change him—and the Underland—forever. Discussion Questions for Book One: Gregor the Overlander 1. Gregor’s life isn’t as easy or as happy as it used to be since his father disappeared. How has his life changed? Do you think these challenges in any way prepared him for his quest in the Underland? 2. In the beginning of the story, Gregor believes his father will be back, but he has created a rule for himself that prohibits him from thinking about a future that includes his father. Why? How might this aid him in his quest? Does Gregor ever break his own rule? 3. What are some of the descriptions in the book that show how the Underlanders have adapted to their new environment? How do the adaptations help them survive? What might happen to them if they came back to the Overland? 4. The Underlanders see Gregor as the great warrior told of in the Prophecy of Gray, and because of that he is to lead the quest to prevent their annihilation.
    [Show full text]
  • Winter 2013 Edited by Peter Kusnic Edited by Peter
    Winter 2013 edited by Peter Kusnic edited by Peter TheThe Coast Coast LineLine Newsletter of the UNCW Department of Creative Writing It’s been a busy year over at Lookout! In April 2012, we published John Rybicki’s heartbreaking collection of poems When All the World Is Old, a moving memorial to his wife, the poet Julie Moulds, and her sixteen-year battle with cancer. Lookout students Arianne Beros and Ethan Warren created a book trailer for John, documenting his poetry workshop in Kyle Mustain’s Writers in Action class at Roland-Grise Middle School in Wilmington. You can watch the trailer at www.lookout.org. Award recognition for Edith Pearlman’s Binocular Vision continues. Binocular Vision won the National Book Critics Circle Award, ForeWord Book of the Year – Short Story category, the Julia Ward Howe Prize and the Harold U. Ribalow Prize given by Hadassah Magazine. In addition, Pearlman was a finalist for The Story Prize and the Los Angeles Book Award. The Italian translation of Binocular Vision was recently published and others are forthcoming in the United Kingdom, Sweden and China. Fall 2011 visiting writer Steve Almond is everywhere, it seems, and his story collection God Bless America has received much praise: he won the 2012 Paterson Fiction Prize and was an honorable mention in the ForeWord Book of the Year – Short Story category. Look So what can you expect from Lookout this year? How about a bold, whirlwind memoir by Ben Miller titled River Bend Chronicle: Out for The Junkification of a Boyhood Idyll amid the Curious Glory of Urban Iowa, which will be available March 2013.
    [Show full text]
  • DHA Green Highlights 2020 Ecological and Climate-Minded Projects
    Incorporating Gregory & company DHA Green Highlights 2020 Ecological and Climate-Minded Projects For more information please go to our website to browse our shelves and find out more about what we do and who we represent. DHA Sustainability Action Group The need for change to help prevent further environmental decline is urgent. As a company DHA has been working to facilitate change in our workplace and to reach sustainability in our business since setting up a Sustainable Action Group in 2019. In addition to making practical changes to reduce the carbon impact of our day-to-day work, including greening our energy usage, recycling and waste and office supplies, we are keen to celebrate our clients who are passionately campaigning to tackle climate change and those writing books which explore sustainability, climate change and the impact of the Anthropocene. We hope that you will enjoy exploring this selection of titles in this short guide which span genres and age ranges. In its pages, there are books here that look at practical ways we can change our behaviour - from making our investments work to supporting climate action to engaging with nature to protect our mental health to looking at our clothing habits to changing our diets. There are novels that imagine the impact of climate change on our relationships, and the impact that climate disaster could have on our lives. There are science titles that answers questions about global warming and look at pressing issues such as water supply and drought. Among our clients we count activists, campaigners, naturalists, biologists, anthropologists and many more whose unique perspectives and knowledge of the world can help lead us back to a greater connection with the natural world, our place within it and what steps we might take to reverse a climate crisis.
    [Show full text]
  • University of Birmingham Ozymandias in the Anthropocene
    University of Birmingham Ozymandias in the Anthropocene: Dixon, Simon; Viles, Heather; Garrett, Bradley DOI: 10.1111/area.12358 License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Dixon, S, Viles, H & Garrett, B 2017, 'Ozymandias in the Anthropocene: the city as an emerging landform', Area. https://doi.org/10.1111/area.12358 Link to publication on Research at Birmingham portal Publisher Rights Statement: Dixon, S. J., Viles, H. A. and Garrett, B. L. (2017), Ozymandias in the Anthropocene: the city as an emerging landform. Area. doi:10.1111/area.12358 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive.
    [Show full text]
  • RSL Ondaatje Prize 2020: the Longlist
    RSL Ondaatje Prize 2020: The Longlist The £10,000 RSL Ondaatje Prize is awarded annually to a book of the highest literary merit – fiction, non-fiction or poetry – which best evokes the spirit of a place. This year’s judges are Peter Frankopan (Chair), Pascale Petit and Evie Wyld. Jay Bernard Surge (Chatto & Windus) Jane Clarke When the Tree Falls (Bloodaxe Books) Laura Cumming On Chapel Sands (Chatto & Windus) Tishani Doshi Small Days and Nights (Bloomsbury Circus) Lucy Ellmann Ducks, Newburyport (Galley Beggar Press) Luan Goldie Nightingale Point (HQ Fiction) Adam Higginbotham Midnight in Chernobyl (Bantam Press) Kathleen Jamie Surfacing (Sort of Books) Robert Macfarlane Underland (Hamish Hamilton) Tim Mackintosh-Smith Arabs: A 3,000-Year History (Yale University Press of Peoples, Tribes, and Empires London) Philip Marsden The Summer Isles (Granta Books) Robert Minhinnick Nia (Seren) Anita Mir The Inside City (Unbound Digital) Max Porter Lanny (Faber & Faber) Roger Robinson A Portable Paradise (Peepal Tree Press) Elif Shafak 10 Minutes 38 Seconds (Viking) in This Strange World Anna Sherman The Bells of Old Tokyo: Travels (Picador) in Japanese Time Jumoke Verissimo A Small Silence (Cassava Republic) The shortlist will be announced on Monday 20 April and the winner on Monday 4 May Notes to editors The RSL Ondaatje Prize is an annual award of £10,000 for a distinguished work of fiction, non-fiction or poetry, best evoking the spirit of a place. We are grateful to Sir Christopher Ondaatje for sponsoring the Prize. 200 years young in 2020, the Royal Society of Literature is Britain’s charity for the advancement of literature.
    [Show full text]
  • Vintage Autumn-Winter 2021 Catalogue
    AUTUMN WINTER 2021 FRONTLIST FICTION & NON-FICTION Publicity catalogue Publicity Contacts Bethan Jones Mia Quibell-Smith Director of Publicity Publicity Manager Bethan works with authors across the Vintage imprints, including Jeanette Winterson, Karl Mia works with authors from a wide range of imprints and genres, and is the resident poetry Ove Knausgaard, Jo Nesbo, Ruth Ware and Denise Mina. She oversees the crime fiction specialist at Vintage. She is the publicist for Warsan Shire, Daisy Johnson, Jay Bernard, Laura list for publicity and is the main publicity contact for Yellow Jersey sports books. Cumming, Danez Smith and many more. She also oversees the Harvill Secker Young Translators’ Prize. 07500120270 07780004350 [email protected] [email protected] Fran Owen & Mari Yamazaki Anna Redman Aylward Publicity Directors Chatto & Windus, Hogarth and Square Peg Publicity Manager Mari Yamazaki and Fran Owen jobshare the role of publicity director for Chatto Anna is an award-winning publicist who works across all imprints at Vintage with wonderful & Windus, Hogarth and Square Peg. They are the publicists for Margaret Atwood, authors including Abir Mukherjee, Kerry Hudson and Deepa Anappara. Christie Watson, Rose Tremain, Mark Haddon, Anne Tyler, Andrew Gimson, 07825995733 Diana Evans and many more wonderful writers. [email protected] 07771846968 (Fran) 07889985370 (Mari) [email protected] Hannah Shorten Campaigns Manager Hannah Shorten manages the marketing and publicity for Vintage Classics, oversees the Vintage Joe Pickering catalogue list, and works across all imprints, creating great campaigns for brilliant authors such Publicity Director Jonathan Cape & Senior Editor Yellow Jersey as Toni Morrison, Amelia Abraham, Derek Jarman, Paul Hendrickson, Iris Murdoch and many more.
    [Show full text]
  • Suntrap Book Review
    Suntrap Book Review Underland: a Deep Time Journey Written by Robert MacFarlane Published by Penguin Books p/b £10.99 Age range: Adult Description Ten years in the making, Underland is an enthralling record of journeys deep into the worlds beneath our feet. From the burial grounds of the Mendip Hills to the hidden catacombs of Paris, and further, to the deep blue, ancient ice of Greenland, Macfarlane explores - through myth, memory and experience – our most feared and venerated spaces of loss, discovery and deep time. Blending personal memoir, travelogue and nature writing, infused with a powerful ability to read the essential messages about our changing planet and our place within it embedded in the very ground we walk upon, Underland is an astonishing and unforgettable book. Written with lyricism, power and prescience, it brings together the ancient and the urgent in a revelatory examination of an unseen and essential netherworld. Reviews New York Times “100 Notable Books of the Year”; NPR “Favourite Books of 2019”; Guardian “100 Best Books of the 21st Century”; Winner of the National Outdoor Book Award; Winner of the Wainwright Prize 2019; Winner of the Stanford Dolman Travel Book of the Year Award 2020 'You'd be crazy not to read this book' The Sunday Times 'Every book by Macfarlane since his first has felt less like a new start than the natural extension of a growing landscape. With Underland, it expands downwards to take in barrows, caves, tunnels and catacombs. The experience is, as always, exhilarating and a little terrifying.' - The Daily Telegraph 'There are some simply wonderful chapters here, combining natural and human history, a love of places and names…' - The Times 'Underland is an epic and occasionally portentous descent into a series of underground and underwater landscapes' - The Financial Times 'Macfarlane has invented a new kind of book, really a new genre entirely' - The Irish Times 'He is the great nature writer, and nature poet, of this generation' - The Wall Street Journal .
    [Show full text]
  • Gregor the Overlander
    Finding My Way Through the Underland Translation Problems and Their Solutions in Children’s Book Gregor the Overlander Name Jacobine Los Student number 3706958 Supervisor Cees Koster Cover photo: Collins 2003 Date 13 August 2016 Contents Introduction ............................................................................................................................................. 5 Chapter 1: Translating Children’s Literature ........................................................................................... 7 1.1 Children in the adult’s perspective ................................................................................................ 7 1.2 Educational norms ......................................................................................................................... 8 1.3 Competence level of the reader .................................................................................................. 13 1.4 Comprehension level of the reader............................................................................................. 14 Chapter 2: Gregor the Overlander ......................................................................................................... 19 2.1 Story ............................................................................................................................................ 19 2.2 Audience ...................................................................................................................................... 20 2.3 Genre and Theme .......................................................................................................................
    [Show full text]
  • Adaptation As Compendium: Tim Burton's Alice in Wonderland
    Adaptation as Compendium: Tim Burton’s Alice in Wonderland. Kamilla Elliott Tim Burton’s Alice in Wonderland (Disney, 2010) is the latest release on the Internet Movie Database’s list of 66 film and television adaptations of Lewis Carroll's Alice's Adventures in Wonderland (1865) and Through the Looking Glass (1871), adaptations spanning the years 1903-2010 and the nations France, Spain, Italy, Japan, Poland, Russia, (former) Czechoslovakia, Britain, and the US. They include silent and sound films; live-action and animated productions; live television theatre, TV movies, and TV series; ballets, musicals, and puppet shows; a murder mystery (Alicja, 1982), a Carrollian biography (Dream Child, 1985), and a Playboy pornographic musical (1976). When books have been adapted so often and so variously, two questions are inevitably asked of any newcomer: How does it adapt the books? How does it differ from prior adaptations? These tandem questions raise the perennial paradox of adaptation criticism, which has, from George Bluestone’s foundational work on novels and films (1957) to Linda Hutcheon’s postmodern widening of the field (2005), demanded both originality and referentiality of adaptations. Perceiving an aesthetic affinity between Carroll and Burton, many reviewers had anticipated an adaptation that would satisfy both expectations. Empire magazine’s Angie Errigo sees them as “a dream team”; Richard Corliss of Time magazine calls Burton Carroll’s “kindred cinematic soul.” The film promised much in terms of originality: director Tim Burton’s reputation for innovative idiosyncrasy, digital 3-D, and a sequel. Yet in spite of so much promise, most reviewers found the movie “disappointinger and disappointinger” (Bray) both as 1 an adaptation and as an original film.
    [Show full text]
  • Pdf File/0003/90831/Landscapestrategyanda Ctionplan.Pdf Peak District National Park Authority (2014)
    Edwards, J (2017) ‘The Land to Forget Time’: tourism, caving and writing in the Derbyshire White Peak. Landscape Research, 42 (6). pp. 634-649. ISSN 0142-6397 Downloaded from: https://e-space.mmu.ac.uk/621051/ Publisher: Taylor & Francis (Routledge) DOI: https://doi.org/10.1080/01426397.2017.1316836 Please cite the published version https://e-space.mmu.ac.uk ‘The Land to Forget Time’: Tourism, Caving and Writing in the Derbyshire White Peak ABSTRACT This article explores the relationship between three cultural practices which engage with the subterranean limestone landscapes of the Derbyshire White Peak: showcave tourism, sport caving and literary landscape writing. It suggests that modern tourism and caving perform and represent the Peak ‘underland’ in distinctive but interrelated ways which have deep roots in the tourism of the past, as a landscape which is both wonderful and ordinary, solitary and sociable, ancient and everyday, and examines some contemporary landscape writing which draws on both representational conventions. The article argues that the White Peak landscape should be understood as a ‘vertical’ geography which is both physically and culturally multilayered, and suggests that this layeredness can become flattened in geographies which focus on the surface landscape and aim to capture a unified sense of place. KEY WORDS Vertical, Cave, Macfarlane, Tourism, Sublime Introduction The Visit Peak District poster outside Manchester Piccadilly train station is titled ‘The Land to Forget Time’. Featuring a montage of activities, events and attractions available in the Peak District National Park (PDNP) and Derbyshire, wth crowded pop festivals and country house visits framing solo walks and climbs, the website for the campaign invites the commuters rushing busily by to explore ‘a world away, that’s not far away’ (See Figure 1; see http://thelandtoforgettime.co.uk/).
    [Show full text]
  • Doctor Who: the Missy Chronicles
    Contents Cover About the Book About the Authors Title Page Dismemberment by James Goss Lords and Masters by Cavan Scott Teddy Sparkles Must Die! by Paul Magrs The Liar, the Glitch and the War Zone by Peter Anghelides Girl Power! by Jacqueline Rayner Alit in Underland by Richard Dinnick Copyright About the Book Six brand new stories featuring your favourite Time Lady… Dismemberment The leading lights of Missy’s private members’ club bar her on the grounds that she’s female. They’re going to regret it. Lords and Masters With her TARDIS hijacked, Missy is forced to take on a dangerous mission for the High Council. But she’s nobody’s puppet… Teddy Sparkles Must Die! Missy isn’t exactly cut out to be a 1920s governess, but a wish-granting alien teddy bear will make anything worthwhile. The Liar, the Glitch and the Warzone Trapped in Venice between two time-zones, pursued by militaristic Gryphons, Missy will do anything to survive. Girl Power! The world would be a better place with women in charge, and Missy goes online with the past to prove it… Alit in Underland While the Doctor recovers on floor 507 of the Mondas Colony Ship, Missy and the Master hunt for their own way out – with a stowaway in tow. About the Authors PETER ANGHELIDES has written award-winning and best-selling titles for BBC Books, BBC Audio, Virgin Publishing and Big Finish Productions. His original novels, audios and short stories include Doctor Who, Torchwood, Blake’s 7 and The Sarah Jane Adventures. His website is anghelides.org RICHARD DINNICK is a writer for the BBC, ITV and Disney – most recently writing on the TV series Thunderbirds Are Go.
    [Show full text]