Behold the Man Free

Total Page:16

File Type:pdf, Size:1020Kb

Behold the Man Free FREE BEHOLD THE MAN PDF Michael Moorcock | 160 pages | 12 Jun 2014 | Orion Publishing Co | 9780575080997 | English | London, United Kingdom John KJV - Then came Jesus forth, wearing the - Bible Gateway Behold the Man is a science fiction novel by British writer Michael Moorcock. And Pilate said to them Behold the Man. In the novel, Moorcock weaves an existentialist tale about Karl Glogauer, a man who travels from the year in a time machine to 28 AD, where he hopes to meet the historical Jesus of Nazareth. The story Behold the Man with Karl's violent arrival Behold the Man the Holy Land of AD 28, where his time machine, a womb-like, fluid-filled sphere, cracks open and becomes useless. By interpolating numerous memories and flashbacks, Moorcock tells the parallel story Behold the Man Karl's troubled past in 20th century London, and tries to Behold the Man why he's willing to risk everything to meet Jesus. We learn that Karl has chronic problems with women, homosexual tendencies, an interest in the ideas of Jungand many neuroses Behold the Man, including a messiah complex. Karl, badly injured during his journey, crawls halfway out of the time machine, then faints. John the Baptist and a group of Essenes find him there, and take him back to their community, where they care for him for some time. Since the Essenes witnessed his miraculous arrival in the time machine, John decides Karl must be a magusand asks him to help lead a revolt against the occupying Romans. When he asks Karl to baptise him, however, the latter panics and flees into the Behold the Man, where he wanders alone, hallucinating from heat and thirst. He then makes his way to Nazareth in search of Jesus. When he finds Mary and JosephMary turns out to be little more than a whore, and Joseph, a bitter old man, sneers openly at Behold the Man claim to have been impregnated by an angel. Worse, their child Jesus is a profoundly intellectually disabled hunchback who incessantly repeats the only word he knows: Jesus, Jesus, Jesus. Karl, however, is so deeply committed to the idea of a real, Behold the Man Jesus that, at this point, he himself begins to step into the role, gathering followers - carefully choosing ones whose names are identical with those attested in the Gospels- repeating what parables he can recall, and using psychological tricks to simulate miracles. When there's no food, he shows the people how to pretend to eat to take their minds off their hunger; when he encounters illness caused by hysteriahe cures it. Gradually, it becomes known that his name is Jesus of Nazareth. In the end, determined to live the story of Jesus to its decidedly bitter end, he orders a puzzled Judas to betray him to the Romans, and dies on the cross. His last, agonised words, however, Behold the Man not Eloi, eloi, lama sabachthanibut the phonetically similar English it's a lie After Karl's death on the cross, the body is stolen by a doctor who believed the Behold the Man had magical properties, leading to rumours that he did not die. The doctor is disappointed when the body begins to rot as any normal human would. Karl Behold the Man, in a slightly different incarnation, is the lead character in Moorcock's novel Breakfast in the Ruins - in the course of which he experiences no less than 17 additional incarnations, at various key Behold the Man of 20th Century history. In his series The Dancers at the End of Timea similar time machine is used, which reveals that if a time traveller dies in the past, he is violently thrust back to the future, thus explaining Glogauer's reappearance. From Wikipedia, the free encyclopedia. Behold the Man Dust-jacket from the first edition. Dewey Decimal. Retrieved 24 May Bibliography of Michael Moorcock. England Invaded Before Armageddon. Nebula Award for Best Novella. The Saliva Tree by Brian W. Houston, Houston, Do You Read? Categories : Novels by Michael Moorcock British novels British novels British science fiction novels science fiction novels science fiction novels Novelistic portrayals of Jesus Cultural depictions of John the Baptist Behold the Man about time travel Works originally published in New Worlds magazine Nebula Award for Best Novella-winning works Cultural depictions of Mary, mother of Jesus Christianity in Behold the Man Religion in science fiction Existentialist novels Allison and Busby books. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Dust-jacket from the first edition. "Behold The Man!" :: "Behold The Man!" - Arno Clemens Gaebelein A few months ago I received Behold the Man letter from a family friend whom we had not seen for many years. Her letter was an expression of hopelessness and a plea for help. After struggling to raise her children as a single mother, she was now remarried. Her nonmember husband was Behold the Man rough outdoorsman who attempted to express his manhood through drinking, foul language, tough talk, and questionable behavior. Her plea to me: Is there some way, even though separated by great distances, that I might speak to her son, whom we shall call Ben, about the characteristics of true manhood? In answer to that plea, tonight I shall attempt to respond. We all seek acceptance and recognition as we enter the adult world. Adulthood comes to us one way or another if we live long enough. True manhood, however, comes only if and when we earn it. Satan is known as the great deceiver. His religion, Behold the Man philosophy, and his work is based on deception and lies. He would have us believe that he is the man and that his ways bring us to Behold the Man. By contrast, Jesus voluntarily submitted Himself Behold the Man the will of the Father. As a result He was betrayed, accused, beaten, and judged. His sacrifice was not mandatory. It was borne out of courage, duty, and love, and it led Him to the bitter cup that caused Him to bleed from every pore. After Pilate had witnessed the enormous suffering and humiliation of Jesus and even argued for His release, he finally succumbed to the demands of the Jews. Yes, Jesus is the man. He possesses all characteristics of the true, ideal man. Ben, every young man must choose between good and evil and between the ways of God and the ways of Satan. When a young man begins to smoke Behold the Man prove he is a man, whose man is he becoming? When a young man begins drinking, takes drugs, participates in immorality, is boisterous or unruly, whose man is he becoming? It has been said that many a boy begins smoking as a teenager to prove he is a man, and he tries to quit at age 30 for the same reason. There is Behold the Man manhood in succumbing to Satan. There is no manhood in being defeated by his principles. So, Ben, with Behold the Man background, let me give you my Behold the Man for true manhood. Because of time constraints, I limit myself to only two criteria of what could be many:. A Behold the Man man is humble enough to submit himself to the redemptive powers of the Savior. I suppose it is natural for us to equate strength, machoism, and maybe even boisterous and aggressive behavior with manhood. However, the attributes of true manhood are not necessarily physical. Let me attempt to explain. Real courage includes standing against the evil one, even when we stand alone, Behold the Man feeling the disdain and the ridicule of others. This is courage. This is strength. This is manhood, and it can be tough. I know a young man who was thrilled to be selected for an all-star basketball team to play in a tournament in another state. The first evening at the hotel, the other roommates decided to watch pornographic movies. This boy left the room and walked the city by himself well into the night until the movies were over. I am sure it was embarrassing, lonely, and challenging. But that is courage; that is manhood in its truest sense. I know hundreds of young men who have withstood ridicule and embarrassment to turn down drugs, alcohol, and sex in order to turn to serve one another, provide a righteous example, or defend the principles of righteousness. All young men must face the wiles of Satan. It is impossible to escape this fight. But it is always possible to come out victorious. Yes, a true man is strong enough to withstand the wiles of Satan. Ben, some burdens that we are called to bear are so heavy that we Behold the Man only conquer them through humility, submissiveness, and Behold the Man. We all fall victim to the tempter to some degree. Those who have committed serious transgression must follow the carefully planned path of repentance provided by the Savior and often directed by a bishop or stake Behold the Man. This becomes the true test of manhood, and not all are man enough to meet this challenge. Some months ago I was given the assignment to interview a young man, 21 years old, to determine if his repentance was sufficient for him to serve a mission. My heart ached as I read of the serious problems and transgressions in his past. I wondered if it would be possible that one with such a background could ever prepare himself to worthily serve a mission.
Recommended publications
  • Elric: the Revenge of the Rose Pdf, Epub, Ebook
    ELRIC: THE REVENGE OF THE ROSE PDF, EPUB, EBOOK Michael Moorcock | 464 pages | 10 Jan 2014 | Orion Publishing Co | 9780575114104 | English | London, United Kingdom Elric: The Revenge of the Rose PDF Book Given the choice between reading books in story order or written order, assuming a difference , my preference will usually be for story order. Paperback , pages. This power, which keeps the city from falling to the Dark Empire, could keep the Kamarg safe. If you are the author or copyright holder and you intend to warn us about possible copyright infringement, you can use our contact form. The destroyer of his own cruel and ancient race, as well as its final ruler, Elric is the bearer of a destiny as dark and cursed as the vampiric sword he carries - the sentient black blade known as Stormbringer. On his solo journey, he happens upon a castle where he takes refuge with - and then falls in love with - the keeper of the castle, the beautiful Sabrina. Or better yet, a journey through time? Pub Date: Nov. Perhaps a hunt for aliens could lift his spirits? After the particularly horrific destruction of a city in which he played a role, von Bek decides to desert the military company he was working for and travel alone for awhile before seeking further employment. I've always loved Fortress as it felt almost like a travelogue of human nature, but Revenge would have to come a very close second. See 1 question about Elric…. View Results. Comment Post Cancel. No spoilers in the review, but it rocks.
    [Show full text]
  • Sermon on the Mount – Beatitudes
    Sermon on the Mount: BEATITUDES John Stott A chapter extracted from the book “Sermon on the Mount” 1) THE POOR IN SPIRIT It has already been mentioned that the Old Testament supplies the necessary background against which to interpret this beatitude. At first to be ‘poor’ meant to be in literal, material need. But gradually, because the needy had no refuge but God, ‘poverty’ came to have spiritual overtones and to be identified with humble dependence on God. Thus the psalmist designated himself ‘this poor man’ who cried out to God in his need, ‘and the Lord heard him, and saved him out of all his t r o u b l e s’. The ‘poor man’ in the Old Testament is one who is both afflicted and unable to save himself, and who therefore looks to God for salvation, while recognizing that he has no claim upon him. This kind of spiritual poverty is specially commended in Isaiah. It is ‘the poor and needy’, who ‘seek water and there is none, and their tongue is parched with thirst’, for whom God promises to ‘open rivers on the bare heights, and fountains in the midst of the valleys’, and to ‘make the wilderness a pool of water, and the dry land springs of water’. The ‘poor’ are also described as people with ‘a contrite and humble spirit’; to them God looks and with them (though he is ‘the high and lofty One who inhabits eternity, whose name is Holy’) he is pleased to dwell. It is to such that the Lord’s anointed would proclaim good tidings of salvation, a prophecy which Jesus consciously fulfilled in the Nazareth synagogue: ‘The Spirit of the Lord is upon me, because he has anointed me to preach good news to the poor.’ Further, the rich tended to compromise with surrounding heathenism; it was the poor who remained faithful to God.
    [Show full text]
  • John 19:1-16 Ecce Homo in Case Your Latin Is a Bit Rusty, the Sermon Title
    John 19:1-16 Ecce Homo In case your Latin is a bit rusty, the sermon title means “Behold the man” and was the title of a best selling devotional book in Great Britain 150 years ago, and at least a couple of movies about Jesus’ life have an actor playing the part of Pilate pointing to Jesus and speaking these Latin words “Ecce Homo.” Is this really what Pilate said? Did Pilate have a translator with him at all times; what languages are being spoken here in these scenes with Jesus and the priests and the Roman governor of Palestine: Aramaic or Latin or Greek or Hebrew? Did the High Priest understand Latin, the official language of the Empire, or would Pilate have presented the bloody and beaten Jesus to the priests with the Greek phrase from the New Testament “idou ho anthropos?” Greek being the universal language in the ancient world. Perhaps Pilate spoke a little Hebrew and so his words would have been “hinneh ish,” a phrase that happens to come from a passage by the prophet Zechariah (6:10-12). Listen to this word of the Lord from that Old Testament book, “Behold the man whose name is the Branch; for he shall build the temple of the Lord…and shall bear royal honor, and shall sit upon his throne and rule.” Yes, that sounds like he could be talking about Jesus. Does Pilate unwittingly prophesy about Jesus? An interesting idea, because more than once God has used unbelieving rulers and nations to do his will- even calling King Cyrus of Persia the Anointed One, that is, the Messiah (Isaiah 45:1).
    [Show full text]
  • 13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
    13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V.
    [Show full text]
  • Ecce Homo Mission
    PRESENTATION OF MISSION ECCE HOMO 1. I want to begin by thanking you for being here this evening. The mere fact that you have accepted the invitation shows that your Christian life matters to you, that there is in you a desire to grow in your friendship with Christ. If you remember, just a few Sundays ago, we heard at Holy Mass of the moment when two men, the youthful John and the sensible Andrew, met the Lord for the first time. To the question: "Where do you live?", Jesus answered them with the "Come and see" that would be for them the beginning of a new life. (Jn 1:38-39). I also asked you to “come and hear” this evening, although in reality, I have little to do with this story. You are here following a prompting of the Holy Spirit. It is He who has gently drawn you to this Mass, to this church, on this night. He has called you, but now it is up to each of you to give an answer. See Mission Ecce Homo as an outstretched hand, a help that the Lord offers to those who wish to set out on this journey. I want to explain up front the commitments that those of you who wish to get on this boat will assume. The boat will set sail on Sunday, February 14th, and will sail through the sea of Holy Lent until it reaches the port of the Easter Triduum, where we will contemplate the mystery of a God who will give his life for us.
    [Show full text]
  • English Bartolomé Esteban Murillo Fourth Centenary
    ENGLISH BARTOLOMÉ ESTEBAN MURILLO FOURTH CENTENARY To mark the four hundredth anniversary of Murillo’s birth, this museum has brought together fifty-five of his works. Universal artist identified with Seville, inter- preting the themes of the city’s devotion, dec- orating some of its most emblematic monu- ments with his paintings, and capturing its residents from all walks of life on his canvases. The exhibition is organised around thematic criteria reflecting the painter’s personal vision of the religious and civic context in which he lived. His profound, intuitive and eminently humane eye enabled him to render that con- text in an inspiring manner, whether he was painting beggars or nobles. His creative skill and sincere spirituality are also clearly mani- fested in the devotional paintings he produced, which are filled with details of daily life, while his moving conception of the transcendental is [ 2 ] [ 3 ] conveyed through images that are both highly original and beautiful. The nine sections into which the exhibition is divided provide a glimpse of the world through Murillo’s eyes: from the religious paintings which introduced such memorable prototypes in the history of art—with a particular exper- tise in the case of the Immaculate Concep- tion—to the social reality of 17th-century Se- ville, a city of paupers and saints, of rascals and wealthy noblemen and merchants who could afford to have their portraits painted by the famous master. This exhibition provides a unique opportunity to revisit many of his works and discover new ones. Above all, it is a chance to see how Mu- rillo combines his genius use of technical and I.
    [Show full text]
  • The Old Testament Background of “Ecce Homo” in John 19:5
    Adam Kubiś The John Paul II Catholic University of Lublin [email protected] 11 (2018) 4: 495–519 ORCID: 0000-0003-4961-2254 ISSN (print) 1689-5150 DOI: http://dx.doi.org/10.12775/BPTh.2018.024 ISSN (online) 2450-7059 The Old Testament Background of “Ecce Homo” in John 19:5 Starotestamentowe tło „Ecce homo” w Ewangelii św. Jana 19,5 Abstract. Pilate’s declaration ἰδοὺ ὁ ἄνθρωπος found in John 19:5 has given rise to a number of interpretations that seem in basic agreement, yet, at the same time, many others of a divergent and opposing nature. Among the many treatments of this verse is a whole set of proposals that see in Pilate’s words an allusion to various Old Testament texts. The present article aims at presenting the range of these scholarly interpreta- tions (both older and modern ones) which resort to an Old Testament background for the famous ecce homo phrase. The article then focuses the discussion on Daniel’s “Son of Man”, the Isaianic “Suffering Servant”, the messianic “man” of Zec 6:12 and Num 24:17 (LXX), Adamic typology, the king of 1 Sm 9:17, and finally the figure of the bridegroom from the Song of Songs. In each case, an evaluation of the hypothetical Old Testament background is given. The author concurs with the idea of multiple intertex- tual Old Testament references encapsulated in Pilate’s ecce homo utterance. Streszczenie. Słowa Piłata ἰδοὺ ὁ ἄνθρωπος (J 19,5) spotkały się z całą gamą różno- rodnych interpretacji, czasem wzajemnie się wykluczających.
    [Show full text]
  • Nebula Awards® Weekend 2008
    Nebula Awards® Weekend 2008 April 25–27, 2008 Austin, Texas SCIENCE FICTION & FANTASY WRITERS OF AMERICA, INC. Nebula Awards® Weekend 2008 Gr and Master Michael Moorcock Author Emeritus Ardath Mayhar Toastmaster Joe R. Lansdale April 25–27, 2008 Austin, Texas Nebula Awards® WEEKEND PROGR AM Thursday, April 24th 6:00 pm – 9:00 pm Registration (Balcony Alcove) Free books (Second floor lobby, near registration) (members only) 6:00 pm – 12:00 am Hospitality (Chambers) Friday, April 25th 8:00 am – 9:00 pm Registration (Balcony Alcove) 8:00 am – 1:00 am Hospitality (Chambers) Free books (Second floor lobby, near registration) (members only) 3:00 pm Panel (Capitol Ballroom) “Publishing Contracts”, Sean P. Fodera 4:30 pm – 8:00 pm Cash Bar (Longhorn) 5:00 pm – 5:30 pm Nominee Ceremony & Photo Op (Longhorn) 5:30 pm – 8:00 pm Mass Autographing (Longhorn) Sponsored by BookPeople Saturday, April 26th 8:00 am – 7:00 pm Registration (Balcony Alcove) 8:00 am – 1:00 am Hospitality (Chambers) Free books (Second floor lobby, near registration) (members only) 10:00 am Panel (Capitol Ballroom) “GriefCom”, Paul Melko 1:00 pm SFWA Annual Business Meeting (Capitol Ballroom) 3:00 pm Panel (Capitol Ballroom) “Kindle”, Dan B. Slater, Amazon.com 6:30 pm Cash Bar (outside Capitol Ballroom) 7:00 pm – 10:00 pm Nebula Awards Banquet & Ceremony (Capitol Ballroom) Sunday, April 27th 9:00 am – ???? Hospitality (Chambers) Nebula Awards® WEEKEND Gr and Master Michael Moorcock amed one of the 50 greatest postwar British writers by The Times of NLondon, Michael Moorcock is best-known for his stories featuring the albino swordsman Elric of Melnibone.
    [Show full text]
  • The Old Testament Background of “Ecce Homo” in John 19:5
    Adam Kubiś The John Paul II Catholic University of Lublin [email protected] 11 (2018) 4: 495–519 ORCID: 0000-0003-4961-2254 ISSN (print) 1689-5150 DOI: http://dx.doi.org/10.12775/BPTh.2018.024 ISSN (online) 2450-7059 The Old Testament Background of “Ecce Homo” in John 19:5 Starotestamentowe tło „Ecce homo” w Ewangelii św. Jana 19,5 Abstract. Pilate’s declaration ἰδοὺ ὁ ἄνθρωπος found in John 19:5 has given rise to a number of interpretations that seem in basic agreement, yet, at the same time, many others of a divergent and opposing nature. Among the many treatments of this verse is a whole set of proposals that see in Pilate’s words an allusion to various Old Testament texts. The present article aims at presenting the range of these scholarly interpreta- tions (both older and modern ones) which resort to an Old Testament background for the famous ecce homo phrase. The article then focuses the discussion on Daniel’s “Son of Man”, the Isaianic “Suffering Servant”, the messianic “man” of Zec 6:12 and Num 24:17 (LXX), Adamic typology, the king of 1 Sm 9:17, and finally the figure of the bridegroom from the Song of Songs. In each case, an evaluation of the hypothetical Old Testament background is given. The author concurs with the idea of multiple intertex- tual Old Testament references encapsulated in Pilate’s ecce homo utterance. Streszczenie. Słowa Piłata ἰδοὺ ὁ ἄνθρωπος (J 19,5) spotkały się z całą gamą różno- rodnych interpretacji, czasem wzajemnie się wykluczających.
    [Show full text]
  • Good Friday Way of the Cross 2021 St. Gabriel Catholic Church
    FIRST STATION Jesus is condemned to death. Guide: We adore You, O Christ, and we praise You. All: Because, by Your holy cross, You have redeemed the world. From the Gospel according to Mark (15:14-15) The crowd shouted all the more, “Crucify him”. So Pilate, wishing to satisfy the crowd, released for them Barabbas; and having scourged Jesus, he delivered him to be crucified. Good Friday Way of the Cross 2021 MEDITATION St. Gabriel Catholic Church Pilate’s verdict was pronounced under pressure from the priests and Meditation Texts are from St. John Paul II, Via Crucis in Rome 2003. the crowd. The sentence of death by crucifixion was meant to calm their fury and meet their clamorous demand: “Crucify him! Crucify Opening Prayer him!” (Mk 15:13-14). The Roman praetor thought he could dissociate himself from the sentence, washing his hands of it, just as he had Lord Jesus, already distanced himself from Christ’s words identifying his King- At your birth you came to share our nature. dom with the truth, and with witness to the truth (Jn 18:38). In both In your Passion and death you shared our pains and sorrows. instances Pilate was trying to preserve his own independence, to Through our meditation on the sufferings you endured for our salvation remain somehow “uninvolved”. So it may have seemed to him, on the may we share your rejection of sin surface. But the Cross to which Jesus of Nazareth was condemned and your life of commitment (Jn 19:16), like the truth he told about his Kingdom (Jn 18:36-37), had to God and neighbor.
    [Show full text]
  • REVENANT, in Which You Sounded Quite Despondent About the Lack of Don't Worry About Responding Every Issue
    Yet another fanzine from Eric Mayer, August, 2012 mail: [email protected] finishing a new novel, set in rural Shropshire in 1941. It The Ink Stained Wraith combines mystery elements (residents gone missing) with a The cover this issue is "Cigarette Break" by Harry hint of the supernatural (a stone circle). Hard to say if Bell. Harry is one of our best fan artists but he's also an anyone will want it. I suppose we'd be better off accomplished professional painter, a vocation he's been professionally writing about vampires, werewolves or working at with great success since his retirement. Check zombies, but the very idea makes me shudder, and not in an out his website: enjoyable reading-a-ghost-story way. In the spring we completely rewrote our first book, http://www.harrybellart.com/ One for Sorrow, for publication by Head of Zeus in the UK and Europe in November. Our rewrite has now become the I love his stuff. I admit, figurative painting (which is version available on Kindle in the US. We've finished our what I would define as art anchored in reality but stressing detailed outline for the tenth Byzantine mystery and that design elements rather than realism) is my favorite sort and will probably be the next project. Harry's terrific at it. Writing continually maddens and frustrates me. I can Mary immediately guessed -- and Harry confirmed -- never quite seem to achieve what I want to, artistically, that "Cigarette Break" is based on The Hoppings, an annual although I continue to creep closer.
    [Show full text]
  • The Art of Visual Exegesis
    THE ART OF VISUAL EXEGESIS SBL Press E MORY STUDIES IN EARLY CHRISTIANITY Vernon K. Robbins, General Editor David B. Gowler, General Editor Bart B. Bruehler, Associate Editor Robert H. von Thaden Jr., Associate Editor Richard S. Ascough Juan Hernández Jr. Susan E. Hylen Brigitte Kahl Mikeal C. Parsons Christopher C. Rowland Russell B. Sisson Elaine M. Wainwright Number 19 Press SBL THE ART OF VISUAL EXEGESIS Rhetoric, Texts, Images E dited by Vernon K. Robbins, Walter S. Melion, and Roy R. Jeal Press SBL Atlanta Copyright © 2017 by SBL Press Publication of this volume was made possible by the generous support of the Pierce Pro- gram in Religion of Oxford College of Emory University. The editors of this volume express their sincere gratitude to David E. Orton and Deo Pub- lishing for publication of this series 2009–2013. All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions Office,S BL Press, 825 Hous- ton Mill Road, Atlanta, GA 30329 USA. Library of Congress Cataloging-in-Publication Data Names: Robbins, Vernon K. (Vernon Kay), 1939- editor. | Melion, Walter S., editor. | Jeal, Roy R., editor. Title: The art of visual exegesis : rhetoric, texts, images / edited by Vernon K. Robbins, Walter S. Melion, and Roy R.
    [Show full text]