New Light on Early Tudor Composers. XVIII. Thomas Ashwell Author(s): W. H. Grattan Flood Source: The Musical Times, Vol. 62, No. 940 (Jun. 1, 1921), pp. 408-409 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/908818 . Accessed: 30/12/2014 19:26 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 128.235.251.160 on Tue, 30 Dec 2014 19:26:48 PM All use subject to JSTOR Terms and Conditions 408 THE MUSICAL TIMES-JUNE I 1921 the vocal solo to the righthand and the elaborate neglected. They are first-ratestudies in phrasing, 'cello part to the left,the pedals of course playing and theirvalue as exercisesin the melodic use of the continuo. This piece seems unpromisingon the pedal is obvious. Moreover, they serve to firstacquaintance, but the franklytuneful 'cello remindus, first,that Bach had a likingfor making parteventually takes one captive. Here is an extract: organ transcriptions,and, second, that when he did such the few he made Ex.