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1932 The olC lege News, 1932-11-30, Vol. 19, No. 06 Students of Bryn Mawr College
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Custom Citation Students of Bryn Mawr College, The College News, 1932-11-30, Vol. 19, No. 06 (Bryn Mawr, PA: Bryn Mawr College, 1932).
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======-.======' . VOL. XIX, No. 6 BRYN MAWR AND WAYNE, PA., WEDNESDAY, NOVEMBER 30,1932 PRICI! 10 The College CENTS •
1932 Varsity Hockey Old c;:Ioth.. Saint's Dar P�nted CALENDAR Dr.Vaughan Williams S arized All atudentl are earne.tty re- Players' Second i Wed., Nov. BOo-Mias Helen Season • A Long Gives Final Lectures umm quested to rem�be!" the Thrift as ' Ghapin will speak on . -- [maget in tile Shop of the BFyn Mawr HOI- ! /low of Bl,ddlLi,t - �earn Showed Marked improve Play Designed to be.-Scurrilous o.t Pekixg. Compote" Should Follow Na pital when disposing 01 old Palace llIu3e1(n� With• ment in Co-OperatiOll In clothes, furniture, and such ar- • With Sacrifice of His- "lidea. In Goodhart. tional Model. Rather Than ' . Last ·Few Games . ticlca. The Shop, which I, run torical Accura Sat., Dee, S-H Paul Bu.- ' For . Iy in need of contributions: The • I Sat., Dee. 3-Bryn Mawr • Although it won only ono game of (E.pecioUll Ctmtriblttf!d 011 W. W. I "AI! great muaic muat have po"u- ar.ti e.I es most- 1'1eeded I n cl u d e Vanity vs. "AII-Phila�elphia ita 1932 echedule, Varsity ahow!! Fln:ner) lar appeal," Or. William. observed in h all t re 1 00 A. M. lO" u m ltu e- Hockey Team. _11. marked improvement ·at the end of :�! �:�_�� ' "The on ev ,lhe eourse of hi. two final Flexner 3Q1o ld g ood ", bu, e y ery Players" Thursday I Sun., Dee. iI-Chapel. Dr. ..'h e Beal beth I 1'1 th0 oll-enee and ning, November seve Iec:turel. In accordane.e with this 0!! contribution will be rratefully n\eenth, produced Hornell Hart, Auociate "Profe ..- be- in the defense. Wo are especially • one-act play, Tom lief, he showed in the fifth Iccturu L aCCi!·pted. If Itudents have any Sa.int'. DOJ/, by lor ot Social Economy and Re- pleased to note that the lack ot e.o- Prideaux. Miu Marshall, beforo the how even the Church, though repeat- cast off possea.siorll they should Icarch, will speak. ' I __ operation which was so evident at the curtain went up, announced that this l.'dly condemning secular music, has call Bryn Mawr 1098 and the I Wed., Dec. 7 WiLljam But- beginning, has practieally disappear.. was to be the first showing of tho drawn from folk song for its ritunl Th,,'/, Shop w,'11 be glad to call ! lor Yeata, distinguished Irish O( course, there are a few mem- und h Dln tunes. In hil concluding ed. and collect. This enterprise is play in its 'presel1't form, and then: dramatist and author, will, Y 21, bers ot the team who far surpass the ...... _A n.. gave the ot·cha.raetel'1 and Iltaae Ilddresa, November he declared, wo'thy -t� ,uppo�.� and .....-v .. ceat !!peak' In Goodh •rt at 82 . 0 P . . others, but. the team 8B a whol, has 8! l "'ha, A merlcan eompoaeB ah ou Id d' managemen t t II 0 ows: M. Tickets on sal& in Publi- I- eration, and we hope that atu- ' • . learned to play as a unit. ...,' th,m.. ly" of' xc. .live ' su servl- dents will keep it in mind. S·amt CIar 0 ...... S a II y J one" 1 cations Office. b . ______cnce to toreign models, and try to The forwarda, especially, have de- Roaa ...... Carry Schwab '- J _. l Illease __ veloped from a oor offen_se ualn" Sut,o .. . Ol ' y ', their own countrym,n before 1+ . . . Ja�"" l . Y kine recognition abroad. weak, inanimate passes' and rarel;- Tnru ana Error Best Loni . . . :::.. : : ::.. ' :.. ... \t: ria Coxe William Butler eats ---- hue . . I making goalll, into a menace. IoJlkar .. . ' ...... Haviland Nelsoll It seems difficult, he pointed out, ay riting . to Speak Here Dec. gO Passes are gotten away much more T each er f 0 PI w Bartoni ...... Elizal:leth Hannan '7 lo believe that plain song, aloof quickly and show decided accuracy. ___ Stage Manager ...... Maria Coxe _ and vague, could ever have grown The stickwork ot the team, however, Part of Class Time Given to I'roperUcs ...... Olivia Jarrett Nobel Prize Winner to TaJk on (rom the aimple, direct music of the ia still amateurish and uninllpirng. Costumes, I)cople. We ordinarily think of rH.- Informal Productions of Ir'IS h Theatre an d L'. tcrary Most of the credit for real improve- Caroline Berg and Betty Edwurds . ual as it is now, at the end of its the Class' Work .. RenaISsance ment goci to the defense. In the fi�t I�ighting ...... Diana Tate-Smith development through countless cen- --- l --- luries, and forget that in order to be- lhree games, the opponents t.llied H The action centers about Saint EXPECTATIONS ARE IGH Il FAVORS NEW IRE�ND come first twelve pointll against the baclu and Carlo, an ex-cafe waiter, with tal- esta.blished, it had to create --- goal guard, but in the laat three only cnt for exhortation and spiritual 1 - a widespread popular appeal. The I Bryn Mawr haa been very ortunate to eight points were made. Together What few me.mbers ot the IItudent IIleight of hand, who had been diS- l Church, finding it Impossible oust ceremonial, with the deerease in the opponents' �y were not aware that a playwrit- covered by two businesa men, Elkar in l5CCurinlr Mr. William Butler Yeat:. pagan adapted it to ill own USC; thus the Roman Saturnalia ""coring,there is a gain of four polnta jng class was being offered again this and Bartoni, and by them bally.hooetl as 'a speaker on the Ilfish National in Varllity's scoring last three I wall celebrated all Chriu.mos, the in the b in sanctity. In the :singltl acL it i" Theatre and the Irish Literary Rcn- year, ve certainly been brought face to . I games, indicating that the de.fense Ii a I �pring festival as Eallter. and the h own h C I ow ar 0, InI orm d b c y , to face with the lact irl one way or ais8ance Wednesday December 7th • WIIS lIuch that thc hall was kept in chance friend that "his managers arc " worahip of ancelltors as the commem 1 m IIn?t�er by now. The conscnsus of Goodhart,a18.20 P. M. Mr. Yeats, moration of saints, and it is perfectly lhe forward.' pOlisession moat of the . planning to murder him and sell his l -o lime-as was in fact the case. opInIon 18 tha� there was �ever before besides being a poet of world-wide natural that pagan song should al . boncs for sacred relics outwits them a class hke thIS, and that If the mem- c. huve been adapted. The early Chril· Taggart, a varsity right wing from and escapes with Rosa', his mistress, rame, the winner of the Noble P)'iz uers are liane, which is III 1imt!lt a lian, ,II'ke onh W caI ey, prob- Roaemary, played three games for and that part of the offerings he hallI' ( or Literature in 1932, is perhaps J nbly ' ' little doubtful, something really great I didn t aee why the "devil F irst Varsity and one for the Second. II cted h' h h d R h a be n ore than any oth r one man rcspon- may come out of the amazing chaoll i � � should have all the pretty tunes, In the Germantown match, she played ��I; to :;n�:al �r:':n t:: pr::otc:�� " that begins over the week·end, with ,.. Ible for he f undlng and the flUCC�SS and we actually have direct evidence It niee game in the open, but tended 'rhe play is clearly designed to lie � � rehear!!als for the pantomimea to be the Irish LIterary Theatre, which nf the incorporation of pagan cere· to carry the ball too far down field, scurrilous and amusing, and so feelt lit put on the next Tuesday, and sub· mo ial into FrenCh edeliatic music. 110 that her pasaell came to the inner no responsibility to the church and itll I�ler develol)ed into the Abbey The- n c y te e t n SYI· a curacy, probabil- National Theatre of the Pope Gregory had collected and an hnpolllible an,le. In the ::� �� r � ;: : � �:� :winis, hislori�al � utrc, now the la c h l church music around the wa more game, however, she was Ily or dramatic polish. It Is 80 KUC- Irish Free State. His interest and lematized ��:last brick at the� last� impasaioned� s ier nd her paasea were quicker cess(ul�y entertaining that the audi- year 600, but local tradition dies hard, ';'1 r�� rLUthor. The TUX 01 Miss Latham's . part in the Irish Literary Renaiuance C Itn mu more accurate. Though ence Willingly accepts .Ita premlse8 and . and In France a dlatind Gallicar1 use, l11ethod seemt to be no on.e. can 1 te rom hll twenty-fourth year Jl r- thaL u l u Stevenson is the falileat TUnner ana hlUghs heartily. The amusement ri� d , ,Ierived (rom ancient cUltom, had leach any one else how to write plays, ms, speedieat passer on the team, sho is to its height when Elkar and Bartoni wh en his volume of poe Wunder. vived. When Charlemagne visitrd very hut that the !!tage itae.lf and the time- ing O.i.... � Rome in own erratic and 80 is alternated with . are culting holes in Carlo'a "tailor· tJ.Hd OUter Po , lIignalized 78 5, he proudly took hill honored tr�al and error method can Taggart for the wing po!!ition. Brown, made lIackdoth" and besmearing him the beginning of the movemenl He French singers with him. The Ital· everything that needs to be done. ians, however, them at "rU8- It varsity lelt wing from West\.Own, with. mud. Thill is also the mOsL dra-llul� written more than a d ozen'plays despised sequently, each week, part of the . kt'pt her lett wing position through_I 6:� . mq.tlc moment of the play, lor we (or the Abbey Theatre, and is even tic," evidently finding tracu ot folk �o-h tl f t e cl . is take out the season. Although her playing .. ?� �ee ,!: � ,,: l know that Bartoni is planning to mu -lknown to the readers of PM1&Ch. as the 80ng in the service, and Charlemagne r, 0 ; . � lip WIt t e p ucbon 0 some t vl1l m "W. n obtained Roman singers. 11'1" is not llpectacular, it is Itendy and ier Carlo and here we see the 8 t artist who signs his drawings, IK)(l • the ork that the members have hallll· .fficient. � IlOking hO.les in Carlo's clothes with a spite ot this ACOrn, it acems possible . l Bird.'" '-d In the week before. These pro- lh at th e I t8 ans cond escended to use Cary, although an Inter-Scholastic brea d-kn ife. The director very suc-- Besides these interests Mr. Yeats II ·Iuctions are very informal and sim- L' 0 aeON 1 cess f� 11y b'ring s the . ac Ion t f a is very anxious to discull with Amer- IIOme of the "rustic " French music, eft inner from Germantown Friends, &0 they . pie; far have been Pl1l1to- for later many itema appeared in the (Riled to live up to expectationll, and rlt thIS POint. I fully expected an at- iean audiences the "New Ireland," mimes in Lhe main, and the author 1 temp t Con arI' 0 s II't e and . a' de spern which haa come into being since thl' Roman use which must have originat- "fter playing in two Varsity games, i I l nd actors usually find an hour over u c cd elsewhere, and among them Is the r{'11 back all a substitute and finally Nl,:uggle, but to m.y rehel the co�.6 1 fqunding ot the Irish Free St t . the week-end or on. Monday mornillg lO called "Foreign Tune," containing Ilnded a to splratora allowed him to go onto hili Horn in Dublin, he hall spent mo st of ... the scason on the Second V .... go through the motlonll mur- of the balcony and address the crowd ,j:)clow, more popular elcment� than the .. ity. This is not, however, indica-, ' " his mature life in his native land and 'er, dIscovery, or come d'y that 18 as- ' 0th ers, and tex raOr-" . '1 "1ar to th us gIVing 1 h'm teh he. ance to ac- hI'in close touch with all of her prob- ulll8n y SimI live of futUre work and she may . gned. ' knowledge his mistre88 publicly, and I1 1 C Sl well fU!d an old FrenCh folk song, "I..c Chant cventual1y shape into Varaity male- 0 n He Is especially quali , .u All f th'IS, W h'II 'e tends to . . ' vorte , It so ruin h'IS va Iuo as a S81nt an d the to des L' IVTC8S"( 0Itvr�z t ) a rIal . I' l speak on the problems of the new . . IICC Im�enae enth USlallm, ' has a way . pro value of his bonell as relics. which must once have been part of the Re mmgton and Collier have prov· " :1tate, for he has served as a S cnator of creating some confusion along Gallic marriage ceremony. Even more -r! to be the strength of the Bryn I II the piece had been more scriou In its Parliament lIince 192 2. It is with il Last week saw the perfect . _..J obvious is this connection betw n Ihe PI ayers wou Id have h ad to give ho ped that he may h ave a WOUI til ee M awr onense.- RemIngto' n 'hs a-",u sh O U fl. xample bo ualities, when two "I of th q . popular and ecc1eJiastic mutlc in more a n Ion t th'elr mob - s,age. 8Dy on t h'a sub' Jec t. n 0 h'IS /ormer and accuracy h ave d h h·rna e er Igh young hopefuls put on a one-act pia tto, 0 011 e U lia,. metrical plain song, such as the hymn �orer of Varsity with a total of sev- ( It was entirely silent except when the I visits to th nited States he the actorll readi lrom the'� tune, "0 Filii et Fillae," which, par en goall. She is Captain the tum � crowd was mentioned by one of l.he HhOwn himsclt to be a brilliant speak· of ript.a) which req:fred that ticularly at the beginning and the l so�c actors, whereupon it gave forth a er and lecturer, marked both by un- ind a reeerve on the All-Phll.delphia I "'" od .angaterll, police- . l . on Four) hi'"" d peeple, 109 . end, thows a IIkenen to the old French (ContinUe • , • • 1 ' \ \ Page Two THE COLLEGE NEWS . N w Theatres PHILADELPHIA N�ws of the e York IN . Bernard Simon. who has been prell! Theatres' agent lor varioua produce.rl5l is about Forrest.: Ethel Waters cornea THE COLLEGE1914) NEWS in I Lo flower on his own stem and bring back in a revival ot last year'" RIt(f.� (Founded WIT�� I:�() uut a play by Berenski called ,001/ in Black-a symphony ot "blue Y,.r Leo Publiahtd WftkJ, dunn, th.t COUtl' (UC.punl durUlI Thanlr.q.ivinl,of THANKSGIVlNG-OR NarrtnticulZ, which has been adap'ted notes and black rhythm." An excel Ouiaunu and... EuterHolid. , and duritiS uaminadon wubJ in til. inmdC &yn MIW!" CoIl. M•• w,. Buildin., Wlyne, P,., Ind Bryna M wr MISGIVING! by Manklewicz, under the title, a with all the ncces It th. Colic ... J. lent colored revue Pray why sheuld we cantankerous New S,xu1id. Custom. The Ameri. lIary decorations. can theatre dream, eranke . is no tonger a Chestnut: Alfred Lunt 8S n Haps lCh.rtc'I ·,}-"'M;::.m,,,b�'''' ' Stop In eur grumblibg, to deliver but a reality. Ah !-Well, at least our burg and Lynne Fontanne as a I thankJ! language comet! in handy (or the channing be.au� prove that erowna , .r' ���� What. I suppose for mid·8eme,terl, titles. may com� .and crowns may rat but . I -. Ii�r that grim premonitien that pelt. I!ditor.in.Chit Copy £(hter Edward Choat�.-i8 g�C:J2...producc some thi� go on {orever in Ilcll!,!iO'N. f era lhe Jacques Natanaon comedy, Vienna. SALLI8 JONU, 3.4. CLA"A P"ANCI!S CAANT, '304 I WUII in When we'V'e get a leng report a.cem· lV(titing For You.. Sounda. like the Broad: Elmer Rice'li L t, Uan Sporu: Editor el k .- ]l,(tlU' I!ditor ing due, "moking room aaga of the hall prcsi· JAN liT MAUHAU. SALLY HOWE. "H gee. gaily on about Amencans and 'n And fer the grades that evermere �Ient - i " art studenta In Pari.. The. play i. Editon we'll rue; Peggy Wood opened in the Duke of ncver bolaterous, but it is never dull. LI!T" CL IIWS, NANCY HAn, '304 :33 And for hockeY·8hinned ankles; York', Theatre in ELl1A8t.Ttt HANNA!"; '14 • Cl!IlALDIN8 R.HOADS, London re«!ntly in. Carrick: Beeinning Friday the 'U And for the hate t.hat rankles Tenigilt CoNSTANCI! ROllINSeN. '304 Or Never, and cabled her new Aarens and FreedJy musical com. At each and every lIb·aderning shrub; , husband: "Smart premiere, personal edy, PardO'tL M1I Engliall, featuring • SU/Jlcr1ption MonOltr Businc:u Monoltr For sleep di8rupted by a (ay, I drill lriumph, preis divided about play ELI!ANOI. YlAK:I!L, '33 MAUL Mr:r.:HAN. '33 as Jack Buehanan and Jack Pearl. Book there's the rub) ; we upeded." It all goes to show by Merrls Ryskind and Herbert Fer heart.-breaklng, bank.breaking that aelf-etracement is not included OL'\ti,.e PeG(;Y Fields and mUlic by George and .. ..e, . LITTLe, 'u pay days .. Ira c,.. 8� 'nDo"OTHY KALBACH, ., .. in the penonal policy ef the star, and Gershwin. As Friday is the date act And sleep·rebbing, 8pring merning that theatrical penonalitles are never for the hatching ef this egg, no one May DaY8; sumlPrJON, $2.)0 MAlUNG PRICE, IJ.oo- lIurpriaed at succeaa. The only thing knewI, soundl t. SUBSOUPTIONS MAY'BEGIN AT ANY TIME - but it perfec Fer weary ncccssiteu, trips to the that occasienally amuea them is the , , _____Eo_ 'H_� � at W.yn� P", Pott Of&ce-,-____ village: ImbUc's apparent inability to appre· Coming-December , .. M . ' THE COLLEGE NEWS Page Three PHILADELPHIA Vaughan WiHi ms of York Trial and Error Best Lomax � News the New- Theatns IN John Lectures IDr. . Teacher of Playwritinl� G IV es F I L,ec,ure' f Page Two) (Continued I_III TWiI) I�a -- __ �m from . ' (COntinued 1 W b MUSIC l (C'ontlnued Onel on Co oy _",lIlIlIe,1 ''>alr_ (Ina) frum r. ... d from attacks belore, but pulled through Rata reserved (or this .hort(!ned and of Need for enlivened venion of O'Neill. Songs Grew Out with the TtKaid of artifieial r spiration ). cnough to justify thiS. murder they MovitS cia I and, Diane de Poitie.ra used Lo BOxell, Lo ..... I •. I entitled whieh WaJ to be hi Amusement in Primitive Local 0/ Crt.t- fling8OU- to their favorite tune A.th ough hllve been lorced commit. There Plwntom 01 Ilroduced this•• fall, but Isn't any more. R ange L'f1 e 'he 'he melodiet to which I Ardmore : Wed., ,,- let I " I Ilractically no finer feeling that thc), _ t seems \.Oa he p ayers SOUl'h' or lI'ood. with Karen Morleyh and Ric.rdB the Calvinislt .. the Psalms have T Golden. lVat, the roles are all under contract to have not outraged, and no crime of Cortez ; Thurs., e �OLLEGE JOIN S S I N GING not been deftnitely traced, it is cer- the movIng picture comp1.niea and horror that they have not commit. ted . with 'George O'Brien ; Fri. and flackSat., lain that no sharp" �emarcation WaR i ••will not be free for some ime. Who oc when Irenet Dunne and John Boles in ob rved between secular and sacred ,he Tea haa become an casion S rtlet; . . - � Friday mgh� two weeks ago ;d m·o v,·e. neve, d;d ,ny'hlng Sltcctl"/1I1Mon. and Cobr Tuea., mitJ/,' George Ar- to I��el tU8iC. Many Calvinist tuncs spread the last word in brutality and appro- . prl i e ed he a for the stage ! A veritable hav�n lias' in Moute CnuJ/, Wed. and college wall V t r e. . rom France to other countries. Mr. I'riaLe vengeance ia discussed. The by John from the stoI rm. ' Thura., with Harold ture on "Cowboy Songs" Lo-� I AlwyneI' n cment played his own piano rt t:U II I n g II I -.I Illaywriting claas is definitely making max, devoted stud ent an." col ector G'lbeI M' er has JustAn.otll.er aunc h all ,oyd . u- 'I of one"Q of thcse, the Bach hlS e ll Englishuuag8, production of Lan- itsclf felt. It is the hope oC all WhO t'8 these lIongs. Mr. Lomax began j hOrale prelude Men ch bewein Seville : Wed. and Thu ., Edward lecture with a brief account of the . III with Herbert Marshall ami watch the proceedings with mingled Robinson and Richard Arlen in dein Sunde gr:,s�' " which rec- Blolldio life, environment, customs, and his�or) ' P l Edna Best, which is breaking all lerror and awe, that something re,. I�11-1' 1';"" Sbrk: . ., ' inEngthelish Genevan sa ter and in the II/ tAo FoUiee, Fri a.nd Sat in the provinces and may out- monumental will come of this. of the cowboy. AlthOugh his deseri P-1 hymnal .. the "Old 113th." ords with Robert.. Montgom- shine the American producll.on. mains to be seen. lions were excel1e�t, the IImall sna�h:.tThe choir also lang the following TAe Perfect Ma.rria"f'. andTAe MarionCrallh., Daviea: Mon. and In reviewing es of cowbo)' vet"84! that he . recIted .. W i with Ruth Chatter- , German sacred (IYl1l8bmusic:ruc k "AbschiedlCls mu a g 10 Ladies , in which Fay Bain is star�d, Per- gave the picture more clearly and dichvon Iansbruck" te.r rn n ton and. George Bre.nt: Wed. and la"en), be RacketM Ro%, M�irtty than any amount of explana· Hammond characterized It as It may of interest to learn Thurs., with Victor'Mc- which Baeh u�d In the 1700 P,,,I;;;.n""' tither hopeful mediocrity." So 1 tlon. St. Matthew Passion, anothern choralew ellin the year of grace Laglen and Greta Ni8llen. 1 ( St Matt e eu- Divoree 6), P theatre continues to portray life .. iL acted the following tasty bit of The cow-puneher was the product ,fNo.ion, from the(Dtlr . Tag wilCnich-t Wayne:tlte Wed. and Thut'll., is with neither optimism nor wearl� islation : "That all women of FomilM. of an economic phaBe in the history of ner borg"Tagelied"... tli • rt), with Lewis Stone, neu.Autumn th� West, a phase which is now rapid- known in England C..-ocu,. cur age,'rank, profession, or degree Jackie Cooper and Conrad Nagel : Frl- I)' with Francis d In the days when Ten! as the "Old lOOth ;" and "ItaIlSt Le · whether virgin, maid or wi dow that n Sat., Phillips Holmes and Dor- passing. I t9 nd Seventy TAo" ..aft d erer, seems doomed be a London cattle supplied all the big packing crfreuen henlieh sehr." The '!hall from and after lIuch Act im- ,!thy Jordan in Night success which New York refused to Wihlcut,; 0/ plants in Chicago and Kansas City, tics of archaic and foreign I)ose upon,' seduce and betray into hene Mon. and Tues., take to ita heart. If it were not for matrimony any of His Majest-y'tI sub 3 and there were few railroads to tra.na-to ation, seemed only to inspire the - 1 , with Clive Brook, Charlie Mr. Lederer and the suggested pa- port the stock, it was the custom to give its best performance of jecta by meana of scent, paints, cos- Ruggle15, an" Adrienne Allen; Wed. Irollage playwriting class he of the t metic washes, artiftdal teeth,ta false drive, 1"0un tremendous" � herds of wild' cat- series. In I Thurs., JohnStrctl Bolest. and Irene d .Lnmrt I I 1,lay would undoubtedly have breath- , hI Back tl ed up he-p alns, ar ISr, pams' I woo Iron' s -�ys, Dunne in I I Com-pleting the diacuHion 1 IIe <..-d'trlast-into-the---night air bel.,," hIg' h - hee Ide hoea or bol t a..w. h'Ip , up to th.e nor th a ong e th amous cat- connection between folkisong and 8) I ;::;;;;:;;;;:;;;;:;;;;:;;;;:;;;;:;;;;:;;;;:;;;; this: tM :;;;;:;;;; :;;;;:;;;;:;;;;, tie trails to Kansas or even to Mon- shull incur ' penaltyWlte of the law now1 ! 1 , � church music, Dr. Williams21 began his I . I' The ' new silccesscs on 'the horizon In· ' _.1orce agaInS, hera and J'ke tana and, to Cnana da. >lome of eth final lecture on November by point- Th, Gau Oi- , II t include Fred Astaire in . s ar e I ex co an d·rIve .. mlauemcanors and th a , th e marriage 00ra s 'd M d thl1'e � ing out that the real folk-song enrols, VOf'ce, I 01 with 8Ong. by Cole Porter, . II t k two or 'h rcc. mon'h s. " any upon con VIC " Ion sh a II st an d nu ant OPPENHEIM, 0 to be distinguished from "gallery. - which opened last week in NightNew Hav- lind VOl'd" . (NSFA. ) the IS .�-0111{st songs f the cowmenIU Jee h ave tunes," or wl!lI-known words set to I en (wait until you hear I rcthO d'rive f or 'helr" b' " or D.flyl), !:="'''''��''''�,",'''''=''''''''''''''''''� I I" music by organists, are!M)1I1{. merely bal- · and Beatrice LillieWalk and A Clnrk "; DINNER @LUNS 8'@ er to I·, In some way. The I e on lads on some church "God's TEA. Fader,and McCullough in LUNCHEON. Chatnuc and 12th Su. ral w s a very th e t'8n'ge or on th e , '1 a 0 Own Son," for example, ill also known Op�n SundtryJ . . . bod now stepping along nicely ;n prlml , Ive one. Th e grea t y f T House I tiS "Chestnuts." We wonder in which Chatter-On Boston. Also Judith Anderson and �a songs pro0 b a bl y grew out of th e one- direction lay the influence : did the 918 Old LancUler Road 1 eed Henry Stephenson have a Bryn I·rn c&& th e men, 'h e na' uraI n Mawr 118S I • 0 church take secular words find alter Telephone: Here's GoodNews I 1 oble, if not explosive, success in or amusemen 'dan 'he aek any . -_. the tune! The Methodist influence 8Sis , manuf actun:u amusements suc h as � often n on a pagan carol, suchKOCH for' theatres, concerts, or even boqks and "The stars8 shine bright," which magazinell. What we have said about u ��W�';b';"���=:===:��=:=:=:=::=:=��;;;;���;;;;;;� n to ghostly parody. In the Cor- Dorm the society of the range country was nish carol, "Tomorrow shall be m)' Dwellers! as true of the virtues that were ad- dancing day," we have a good exam mired there. There were seldom rle of the mixture of secular song and women. around to add a softening in- Christian doctrine. fluence; men were required to fight Turning to the- ,real Rubject of the � for their lives against madden catlie, e on -0t from lecture for the evening, "TheUr. l{;.to,.y� to protect themselves thieves of Nationalism in Music," I'nroeh- In a lawless country ; and phy!!ical in I'nrly Ihms slIid lhat feal'li11I1' -I. Om Ou1".mshoe .. strcngth and quickness of thought 10.,; ,1 Do .orm iaHam' based on the of �au rutm tw. wh..".., were accomplishments as necessury / one's hvelihood, wn. a neccl'IHity. as they were dmirable. Men like 0"\H11 s o-t' s W A1\JI. waH \9ith the growth of mobility, h c.a.Pl..<:2 Jesse James, the famo�1I tra robber, m m brcaking-down community I lie of b.";,,,., were, therefore, held awe and ad- 11\ . . :":' amJ J 001<...& . . lha' th e tIf -conscIous . �I:::I':: mirat' Ion rath er 'han abh orrene e b I � and th e se -conSCIous O the communi't y. I twas'H t h e "d'Irty I I IIroae.' Th e at, cr, however, I"tl _. It 1'1' C I 1.' 0 I I e cowalU t h a t shot r. oward ' . I . d ' ; IS tc In th e court 'h Sk I and hOI sent poor Jes!!e to hiS grave" .' . · I-· ���:: -_. I I mn had no national COlIlIClence. I .; on wh om 'hey pou� orth th' ell' ' I . the famc abroad of Dunstable &corn, �lso InterestIng IS the cow- John Dowland. At the time boy's attitude toward God and sal- Charle' II, howevc.r, a "keclHlUt vation. Most of them were runaways roreigner" movement set in; BanniK from homes back in the East and Ler and othcrs felt that their hrcnd their songs are often colored by mel- was being takcn from them. In Ger nncholy remembrances. Their reli- many, in the eighteenttt century, this gion had mostly been instilled into movement was revived at the inKLigll. them by God·fearing mothers, whose tion of the Emperor; inaLcnd o( Ital hearts they had broken by wild es- inn opera and ballets, the "Singspiel" cnpndcs and by leaving home. Hence was set up, whic,R, though it finished their thoughts on religion are ch,ud'- I with Lhe century, had stimulated such ed with Ceara that they may not eli- Magie FIII/.I', German opera! as theDer cape so easily from the conventional Fr.,i.dlfll.% and paved the way for Judgment Day they picture. and the Ring. Here Mr. Lomax broke�t1Le II.'Cture The carving up of EUroP4: in the to sing some of the songs himself. nineteenth century produced another .... He sang unaccoml,lanied, apologizing Th..,.; ":JS;9m..J outburat of nationaHsm. We can eas· Cor hiJI "singing," whtch he admitted - t,w-..,. ily tell the dffference between the CJ"'1fu� to be 'weak, but which he Haid quite Pariainn Chopin or the waltzeR and chic. o. ( - , • - . ______�______-� � �' c=_ • __.• Page Four THE COLLEGE NEWS • their madr - and presented an almost impenetrable Dr. Vaughan Williams- lowns and villages, with l 1932 Varsity Hockey I Saints' Day Pruent.d uurrier to the opposing forward lirie. I:al clubs, family musical gatherinp. Season Summarized as Players' Second Gives l-o'inal Lecturea . etc , show the real musical int.ereat of Ullom is an AII-Phiadelphia reserve, • ' what with t\.:olulnuo'ld fro", l'aK'f un�1 while Daniel's game has been steadily (Continued rrom " .... One' (OonUnued r,om .... g. Three) u people. We ot today, . "ur radiol and victrolal, are in Ireat llI1\>rovlng all seaaon. Second Team. Collilr'. detensive His posture, 'his walk and voice were dominion had supprcs3t.'tI it. T09ts, lhl' .Ianger o! becoming listener. only. Jackson haa proved to be an ex«l- l x .a iI nythlng virile r,pr a worker of plant of nationalism in Bohemili haM work i, aa e cellent her offensive, u too it profit a man il he lent goal keeper and the comparative_ "What. ,han and her passing and dribbling are the ruke miraclel, but he jUltifled them in becume a spontaneous cxprCABion uf Iy low score of the opponents due :cain the whole world and hi, is the end b s rt' hi" nd epe d n - Smetana, with hil Polka 10" best on the team and of distinct ad- ' , S I the people. pf a 10 a great extent to her watchful- " I�' >oul!" MUlic il the expre.aion cnce an goI ng 0lr WI th thevery lov e-- ror slring quartet and his chorus vuntage to the forwards. Sh� was . d aution'. aoul, of a people bound to- nelll. Many times goaI I were made Tite .. named center half on the All-Philadel- I MI o-h wab M' J It fronl BorLerw Odd , gives the lhrOUgh her cause of th� inle er J"cther by language, hiltory, Id al8' d :" 1 he t;u cul lie to hla denial or folk-H(mg influ � Ilhia �econd Team. :coo '.' � the PIU!lt. er- <:nce t her n forward hne. Jack- ::: :::�, ;�: and eontinuity with Longacre started the Icason well, 0 hrcnks into a smile only when he IlnCC. of contact arc needed, IlS well :-1011 was list d 8 S a reserve goalkcep- .. iod! her persistence in gelting the ball E- ura the chmk ot COIRS or when put. In RUllia, the famous lIationalist .1 ', hf' as those of 180lation. and wilh lI. ., .. ,' n the AII-Ph',I.d ph a team. . . OlI\ li l puswork making her one of • ling ofT the atage one of the pair ot movement had very humble begin l d her how can we he following arc musical soul of our own, the mainstays team. I" lhe T lhe statistics for white S oalyhaml who made an un" 81 rc· of the ningll, In England Itarting in Ihe Varsity .Ippreciate the musical 80ull of middle of the season however Ihe team : masked nppearance early in the play. volt against Italian ppera. Then cante o serve usc ' thers! We can belt the cu :-I1 'C be unable hit. the ball Mai Line, Bryn Mawr, A. villalnl Mill NelllOn and' Miss L812, and a rUlh of patriotilJm which . med to � ? 4; O. by being mOlt o( international union used weak chop Itrokes in attemptin Mcrlon C. C., Bryn �awr, 2. Hannan were mOlt engaging. I ea· flaved the way for Glinka, who wanl 'I � 8; nurael�es. W at Dr Williams advo- made an effort to Germanlown, B Mawr, peeially admired Misa..Hannan'. Bow--� ed to make his own people "reel at � . : Koals, and rarelx 6; � -2.- VIM . cates 11 an a.r:llstle Five-Year • Ph1tadelpbia, 6; Br}tn r.fawr, 2. which kept alive the con- Follow up her mistakes In the last - ery accent, home."� The fint -nuuian nationalilt, music mi ort I i�digenous mUlic. Then K p "SCason, R�mingt.on took Swarthmore, 2; Bryn Mawr, 2. trast that the play exploita : modern he gave to primitive .peech a pollsh � art oC the propc.lrly In the o�t altogether, and her place a't right inner, Smith went Rosemont, 0; Bryn Mawr, 4. commercial evangelism opposed to the .!d Idiom, and made the road clear Ihat cue ; or, composerl, Corced' to in at center rorward a d Kent nn Total points scored : Opponents, costumes and pioul beliefs of ror Mouuorglky, Borodin:.and Rim Ute make mUlic en irely on their x )lac i s lert i�ner Bryn Mawr, Chriltlana. otky-Konakotr. ! (lW�, e cellent k, went n :!O; 12. 1':"l'ly would at lut vOice the ideals of their ; • where her detense tactics were ex- ______.:.______"11 The modern achool are- inclined to five 1" fellow-men t the end of the tlCrpely usdul in keeping the ball ncar uproot themlelvea, making Paris their : � ' years, rotelgn mAuence would no long- c age. centre. Stravinlky il .clling hil Lhe opponents'. COLLEGE INN AND TEA ROOM er Itittle , but encourage-it would , . . birthright, toying .. he il with jau, Ullom, BIShop, Rothermel, and, III I.Iceome an incentive and'n corrective. and viewing Bach and Beethoven lhe last three gamcs, Daniels proved SERVICE a I\. M. TO ",0 P. M. No work of art represents the spir through • diltorted mirror. In 1 0 be Bryn Mawt'l "Four Horsemen" D4ily and Sunday Lu it of a nation more lurely than DiD and the Nocu SlImphO'ft'M de, SQltlu, !1IcilJttninQ'er. It Is unlverlal nrl be- ;---�"","""-:-:""""""---;:------A LA CART!! BREAKPAST where he i. writing for the human I Philip Harrison Store ,'auac it is 10 inLcnlely national. Anti l-lrNCHEON AP'T'ERNOO� Tu ""ND D1NNEIl voice, that instrument of great pow. : it il with the wOrdl of Hanft Sach!1 BRYN MAWR:- Pt\. LA CARTE AND TABLE D'Hon en and definite limitations which d A that Dr. Williams bid. us farewell; Gothlm Gol Siripe foree the compoler to think of caaen Silk Hosier) . $1.00 "Honor your own masterl and then, QUIIIU, GUEST P!!RMANENT AND TRANSIENT tials and not trapping., Stravinsky Uell' Sh,H''' ROOMS even when empirel fail, our sacred In Ur,. .. Mnn'" has been true to himself; he haa tum· STUDENTS' CHARGe ACCOUNTS at � i1l remain." Ne"t Door to the Moyies cd back to hili heritage. Closely connected with the question � w L -. o( nationalilm il that of tradition. • ' ...... : - •.. ..' : . Cilbert Murray ha. said: "An orig '.: inal genil¥ ia a rebel against tradi tion, but a child of that trad ition." , The greatest iconoclalu, Sibelius,- Cor . example, have spoken In traditional formL • When tradition hardens into con vention, the young adventurer is quitc right in breaking through it. But he must be carerul not to uproot the ,": tree. Both present and future resl . on the foundations of the past. We cannot help being the children of our - '1'lar�nts, good or bad. Their Nin�, however, we Ihould turn into virtues. Looking at America," which SC'PB .. rult'd (rom England for three hundred yeun, haa, through a common lan gunge, \he &ame mUlical roots but diC ft'rent t�•• we wonder how our coun try can find her musical lOul. Deter mined to haVe nOlhlng but the bcst we have .plendid orchcatras, IctltleNl, and mUllcal edncation..--we may )'et difICover the "one thing needed ." To be sure, the eondltions for Colk-song are not present. But folk-song is not a cause; it is simply a manifes lation of the spirit of nationality. Mu ",,:: f. '. lIic ItlelC may produce .uch R spirit by forming a bond of union between THE the various peoples who inhabit our FORT DEARBORN land. For music is only a mealls ur expression natural to everybody, all MASSACRE nttempt to reach into the infinite call .fNature in the Raw"-4I ed art. No aociety Is nceded to pre- pomaycd by dlc ardsc, • N. C •e rve the amenitlet of music; it i8 the __ huPired by Wyeth . the art ot the humble. As yet, however, h6:arduJ treachery 0/ a band since music il the youngest of the "kiOtU Miami India"", arta, a univerlal popular art il bUl R of dream. who mauacrm Ihe ""len inhMmQn _ •• In elo.ing, Dr. Williams lelt U:4 MeA ferocity 15, 1812. three "sermonI," each with an appro A",....,e priate text, the fint being, "Unltfas ye become as little children." In mu lie, the "child-like" mind is oC great importance-for' aU over twenty-five. The young compo&er mUlt, of course, • ret over the measle8--fuguel, bafleta, etc.-before he findl out that the lel ter il nothing without the Ipirit. He mUlt think of the humble part of hi1l -and. � raw tobaccos public. He mUlt wi.h, like Clinka, to make his own people teel at home. Usually the young composer. like the heart!ra, il a snob, and the two 'follows have no place in cigarettes each other round and round In a vl� are not present in Luckies these' fine tnhaccos, after cioul circle. When a composer diA They guitIeJ folk-lOng in a veil of modernis . the mildest cigarette ' proper aging and mellowing, tic harmony, he il not writing tor the you ever smoked are then given the benefit of people ; clnemell and pe"lftage are not wanted. that Lucky Strike purifying buy the finest, the very UBe doe" ot the.. word,and not he.ar� process; described by the en only." Art mUlt be .dive. Small Efinest tobaccos in all the words_tflt's toasted" ..That's Wworld -but that does not 675 why folks in every ciry, Bryn Mtlwr explain why fo lks every town McDEVITT and hamlet say that Luckies JOHN J, where regard Lucky Strike as PRII .'