Extensions of Remarks E1735 EXTENSIONS of REMARKS
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tribute to Kishore Kumar
Articles by Prince Rama Varma Tribute to Kishore Kumar As a child, I used to listen to a lot of Hindi film songs. As a middle aged man, I still do. The difference however, is that when I was a child I had no idea which song was sung by Mukesh, which song by Rafi, by Kishore and so on unlike these days when I can listen to a Kishore song I have never heard before and roughly pinpoint the year when he may have sung it as well as the actor who may have appeared on screen. On 13th October 1987, I heard that Kishore Kumar had passed away. In the evening there was a tribute to him on TV which was when I discovered that 85% of my favourite songs were sung by him. Like thousands of casual music lovers in our country, I used to be under the delusion that Kishore sang mostly funny songs, while Rafi sang romantic numbers, Mukesh,sad songs…and Manna Dey, classical songs. During the past twenty years, I have journeyed a lot, both in music as well as in life. And many of my childhood heroes have diminished in stature over the years. But a few…..a precious few….have grown……. steadily….and continue to grow, each time I am exposed to their brilliance. M.D.Ramanathan, Martina Navratilova, Bruce Lee, Swami Vivekananda, Kunchan Nambiar, to name a few…..and Kishore Kumar. I have had the privilege of studying classical music for more than two and a half decades from some truly phenomenal Gurus and I go around giving lecture demonstrations about how important it is for a singer to know an instrument and vice versa. -
App for Downloading Older Songs App for Downloading Older Songs
app for downloading older songs App for downloading older songs. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66aa3d60eb3084bc • Your IP : 188.246.226.140 • Performance & security by Cloudflare. , Old Hindi Songs MP3 Music App. Old Hindi Songs is a music App that has been especially created for Bollywood music fans who love listening to Old Hindi Music. Download Old Hindi Songs, Unlimited MP3 Music & Old Hindi Classics. The app has the largest collection of Purane gane in wide genres like - Romantic Old Songs, Sad Songs, Retro Classics, Ghazals etc. Find all your favourite Retro singers’ songs: Mohammad Rafi, Lata Mangeshkar, Manna Dey, Kishore Kumar, Asha Bhosle, S.D. Burman, Mahendra Kapoor, Mukesh, Talat Mahmood, Geeta Dutt, Hemant Kumar, Shamshad Begum, Jagjit Singh. O.P. Nayyar, Naushad, Madan Mohan, Khayyam, Shankar Jaikishan, Laxmikant Pyarelal, Kalyanji Anand, Salil Choudhury, Roshan. You can search for your favourite Old songs or play music from thousands of playlists created by Gaana editorial experts. -
Cosmopolitanism, Remediation and the Ghost World of Bollywood
COSMOPOLITANISM, REMEDIATION, AND THE GHOST WORLD OF BOLLYWOOD DAVID NOVAK CUniversity ofA California, Santa Barbara Over the past two decades, there has been unprecedented interest in Asian popular media in the United States. Regionally identified productions such as Japanese anime, Hong Kong action movies, and Bollywood film have developed substantial nondiasporic fan bases in North America and Europe. This transnational consumption has passed largely under the radar of culturalist interpretations, to be described as an ephemeral by-product of media circulation and its eclectic overproduction of images and signifiers. But culture is produced anew in these “foreign takes” on popular media, in which acts of cultural borrowing channel emergent forms of cosmopolitan subjectivity. Bollywood’s global circulations have been especially complex and surprising in reaching beyond South Asian diasporas to connect with audiences throughout the world. But unlike markets in Africa, Eastern Europe, and Southeast Asia, the growing North American reception of Bollywood is not necessarily based on the films themselves but on excerpts from classic Bollywood films, especially song-and- dance sequences. The music is redistributed on Western-produced compilations andsampledonDJremixCDssuchasBollywood Beats, Bollywood Breaks, and Bollywood Funk; costumes and choreography are parodied on mainstream television programs; “Bollywood dancing” is all over YouTube and classes are offered both in India and the United States.1 In this essay, I trace the circulation of Jaan Pehechaan Ho, a song-and-dance sequence from the 1965 Raja Nawathe film Gumnaam that has been widely recircu- lated in an “alternative” nondiasporic reception in the United States. I begin with CULTURAL ANTHROPOLOGY, Vol. 25, Issue 1, pp. -
Hindi Song Book
1 Hindi Text Listing 33 Movie/singer order NO. TITLE MOVIE/SINGER COMPOSED BY 206 EK LADKI KO DEKHA TO AISA LAGA 1942 A LOVE STORY KUMAR SANU 521 PYAR HUA CHUPKE SE 1942 A LOVE STORY KAVITA KRISHNAMURTHY 539 RIMJHIM RIMJHIM 1942 A LOVE STORY KUMAR SANU , KAVITA K. 544 ROOTH NA JANA 1942 A LOVE STORY KUMAR SANU 677 YE SAFAR BAHUT HAI KATHIN MAGAR 1942 A LOVE STORY SHIVAJI CHATOPADHYAYA 421 MERA DIL TERA DIWAANA AA AB LAUT CHALEN ALKA UDIT 6038 KILIYE KILIYE AA RATHRI S. JANAKI 399 MAI GAREEBON KA DIL HOON AABE HYAAT HEMANT KUMAR 9 AAJ MERE YAAR KI SHAADI HAI AADMI SADAK KA MOHD.RAFI 11 AAJ PURANI RAAHON SE AADMI MOHD. RAFI 452 NA AADMI KA KOI BHAROSA AADMI MO. RAFI 13 AAJA RE AAH LATA MANGESHKAR & MUKESH 284 JAANE NA NAZAR AAH LATA MANGESHKAR, MUKESH 533 RAJA KI AAYEGI BARAT AAH LATA MANGESHKAR 222 GORIYA RE GORIYA RE AAINA LATA, JOLLY MUKHARJEE 43 ACHHA TO HUM CHALTE HAI AAN MILO SAJANA LATA, KISHORE KUMAR 19 AAN MILO SAJNA AAN MILO SAJNA LATA MANGESHKAR, MOHD.RAFI 661 YAHAAN WAHAAN SAARE AAN MILO SAJNA KISHORE KUMAR 8 AAJ MERE MANN MEIN SAKHI AAN LATA MANGESHKAR 105 BUS MERI JAAN BUS AANCHAL LATA, KISHORE KUMAR 275 IS MOD SE JAATE HAI AANDHI LATA MANGESHKAR 215 GAYA BACHPAN AANKHON ANKHON MEIN LATA MANGESHKAR 434 MERI AANKHON MEIN TUM HO AANKHON MEIN TUM HO ALKA, UDIT NARAYAN 227 GUNI JANO BHAKT JANO AANSOON AUR MUSKAAN KISHORE KUMAR 22 AAP AAYE BAHAAR AAYI AAP AAYE BAHAAR AAYI MOHD. -
Filmography Dilip Kumar – the Substance and the Shadow
DILIP KUMAR: THE SUBSTANCE AND THE SHADOW Filmography Year Film Heroine Music Director 1944 Jwar Bhata Mridula Anil Biswas 1945 Pratima Swarnlata Arun Kumar 1946 Milan Meera Mishra Anil Biswas 1947 Jugnu Noor Jehan Feroz Nizami 1948 Anokha Pyar Nargis Anil Biswas 1948 Ghar Ki Izzat Mumtaz Shanti Gobindram 1948 Mela Nargis Naushad 1948 Nadiya Ke Par Kamini Kaushal C Ramchandra 1948 Shaheed Kamini Kaushal Ghulam Haider 1949 Andaz Nargis Naushad 1949 Shabnam Kamini Kaushal S D Burman 1950 Arzoo Kamini Kaushal Anil Biswas 1950 Babul Nargis Naushad 1950 Jogan Nargis Bulo C Rani 1951 Deedar Nargis Naushad 1951 Hulchul Nargis Mohd. Shafi and Sajjad Hussain 1951 Tarana Madhubala Anil Biswas 1952 Aan Nimmi and Nadira Naushad 1952 Daag Usha Kiran and Nimmi Shankar Jaikishan 1952 Sangdil Madhubala Sajjad Hussain 1953 Footpath Meena Kumari Khayyam 1953 Shikast Nalini Jaywant Shankar Jaikishan 1954 Amar Madhubala Naushad 1955 Azaad Meena Kumari C Ramchandra 1955 Insaniyat Bina Rai C Ramchandra 1955 Uran Khatola Nimmi Naushad 1955 Devdas Suchitra Sen, Vyjayanti S D Burman Mala 1957 Naya Daur Vyjayantimala O P Nayyar 1957 Musafir Usha Kiran, Suchitra Salil Chaudhury Sen 1 DILIP KUMAR: THE SUBSTANCE AND THE SHADOW 1958 Madhumati Vyjayantimala Salil Chaudhury 1958 Uahudi Meena Kumari Shankar Jaikishan 1959 Paigam Vyjayantimala, B Saroja C Ramchandra Devi 1960 Kohinoor Meena Kumari Naushad 1960 Mughal-e-Azam Madhubala Naushad 1960 Kala Bazaar (Guest Appearance) 1961 Gunga Jumna Vyjayantimala Naushad 1964 Leader Vyjayantimala Naushad 1966 Dil Diya Dara Liya -
SD Burman Booklet
SD BURMAN - 200 SONGS 11. Phoolon Ke Rang Se Artiste: Kishore Kumar 01. Kora Kagaz Tha Film: Prem Pujari Artistes: Lata Mangeshkar & Lyricist: Neeraj Kishore Kumar 12. Aaj Phir Jeene Ki Film: Aradhana Artiste: Lata Mangeshkar Lyricist: Anand Bakshi Film: Guide 02. Khoya Khoya Chand Lyricist: Shailendra Artiste: Mohammed Rafi 13. Tere Mere Sapne Ab Film: Kala Bazar Artiste: Mohammed Rafi Lyricist: Shailendra Film: Guide 03. Teri Bindiya Re Lyricist: Shailendra Artistes: Lata Mangeshkar & 14. Hum Aap Ki Ankhon Mein Mohammed Rafi Artistes: Geeta Dutt & Mohammed Rafi Film: Abhimaan Film: Pyaasa Lyricist: Majrooh Sultanpuri Lyricist: Sahir Ludhianvi 04. Mana Janab Ne Pukara 15. Ab To Hai Tumse Har Artiste: Kishore Kumar Artiste: Lata Mangeshkar Film: Paying Guest Film: Abhimaan Lyricist: Majrooh Sultanpuri Lyricist: Majrooh Sultanpuri 05. Mere Sapnon Ki Rani 16. Din Dhal Jaye Haye Artiste: Kishore Kumar Artiste: Mohammed Rafi Film: Aradhana Film: Guide Lyricist: Anand Bakshi Lyricist: Shailendra 06. Ek Ladki Bheegi Bhagi Si 17. Aasman Ke Neeche Artiste: Kishore Kumar Artistes: Lata Mangeshkar & Film: Chalti Ka Nam Gaadi Kishore Kumar Lyricist: Majrooh Sultanpuri Film: Jewel Thief 07. Tere Mere Milan Ki Lyricist: Majrooh Sultanpuri Artistes: Lata Mangeshkar & 18. Aaye Tum Yaad Mujhe Kishore Kumar Artiste: Kishore Kumar Film: Abhimaan Film: Mili Lyricist: Majrooh Sultanpuri Lyricist: Yogesh 08. Gaata Rahe Mera Dil 19. Yeh Dil Na Hota Bechara Artistes: Lata Mangeshkar & Artiste: Kishore Kumar Kishore Kumar Film: Jewel Thief Film: Guide Lyricist: Majrooh Sultanpuri Lyricist: Shailendra 20. Hum Bekhudi Mein Tum Ko 09. Dil Ka Bhanwar Artiste: Mohammed Rafi Artiste: Mohammed Rafi Film: Kala Pani Film: Tere Ghar Ke Samne Lyricist: Majrooh Sultanpuri Lyricist: Hasrat Jaipuri 21. -
Faculty Details Proforma for DU Web-Site
Faculty Details Proforma for DU Web-site Title Dr. First Name Hemant Last Singh Photograph Name Designation Assistant Professor Address Department of Mathematics, University of Delhi, Delhi Phone No Office 011- 27666658 +91-9717448990 Residence +91-9312340064 Mobile Email [email protected], [email protected] Web-Page Educational Qualifications Degree Institution Year Ph.D. University of Delhi 2010 M.Sc. I.I.T. Delhi. 2000 B.Sc. VBS Purvanchal University, UP 1997 Career Profile 1. Assistant Professor, Department of Mathematics, University of Delhi, Delhi (22 nd January 2014 (AN) to till date) 2. Assistant Professor, Department of Mathematics, Keshav Mahavidalaya, University of Delhi, Delhi (22nd September, 2010 to 22nd January 2014 (FN)) 3. Assistant Professor/Lecturer (on ad-hoc basis), Department of Mathematics, Keshav Mahavidalaya, University of Delhi, Delhi (28th July, 2007 to 21st August, 2010 and 29th August, 2010 to 20th September, 2010) 4. Lecturer (on ad-hoc basis), Department of Mathematics, Kirori Mal College, University of Delhi, Delhi (1st November, 2003 to 30th September, 2004 and 29th July, 2005 to 27th July, 2007) 5. Lecturer (on ad-hoc basis), Department of Mathematics, Satyawati College, University of Delhi, Delhi (3rd December, 2002 to 30th April, 2003) Administrative Assignments • Worked as member of the following Committees at Keshav Mahavidalaya: (1) Central Admission Committee, (2) Magazine Committee, (3) Library Committee, (4) Prospectus Committee www.du.ac.in Page 1 • Worked as Dupty Superintendent of Annual/Semester Examination at Keshav Mahavidyalaya, University of Delhi for the period between from 8th June- 16th June 2011. Areas of Interest / Specialization Algebraic Topology Subjects Taught 1. -
Year Film Name Track Co-Singers Music 1
# Year Film Name Track Co-singers Music 1 1958 10 O'Clock Meri Ankhiyon Ke Dore Gulabi Chorus Ram Ganguly 2 1950 Aahuti Dil ke bas mein hain Shankar Dasgupta D C Dutta 3 1965 Aasmaan Mahal Aye raat zara aahista guzar Madhukar Jagphool Kaushik 4 1948 Actress Ho Gori Tera Banka Chaila Shamshad Begum Shyam Sunder 5 1951 Ada Sachhi Bata Batane Mein Madan Mohan 6 1952 Anand Math Aa Re Bhanware Hemant Kumar 7 1967 Anubhav Koi chupke se aake Kanu Roy 8 1959 Apna Ghar Tumse Hi Meri Zindagi Mukesh Ravi 9 1954 Baadban Kaise Koi Jiye Timir Baran-S K Pal 10 1962 Baghdad Ki Raaten kisi se pyar ho to dil beqarar ho to Dilip Dholakia 11 1952 Bahu Beti Mose Chanchal Jawani Sambhali S D Batish 12 1961 Batwara Zara Gal Sun Asha S Madan 13 1951 Bedardi More Tumse Ho Ho Roshan 14 1950 Beewee Beech Ghoonghat Kaise Keh Doon, Khayyam & aziz hindi 15 1946 Bhakta Prahlad Suno Suno Hari Ki Leela Sunaayen Female voice, Chorus Hanuman Prasad 16 1960 Bhool Na Jaana Mere Humnashin Daan Singh 17 1959 Bus Conductor Daao Chalane Ko Hain Bipin Babul 18 1952 Chamkee Main To Jangal Ki Chanchal Hiraniyaa Manna Dey 19 1948 Chandralekha Nache Ghoda Beech Bazar S Rajeshwar Rao 20 1956 Charminar Daudao Jo Chor Chor Bhaga Dil Churake Rafi Sardul Kwatra 21 1960 Chhabili Yaaron kisi se na kehna Nutan Snehal Bhatker 22 1948 Chunariya Oh Motorwale Babu Hansraj Behl 23 1959 Commander Oh Mast Nazarwale Chitragupt 24 1958 Detective Do Chamakti Aankhon Mein Kal Mukul Roy 25 1949 Dil Ki Basti Kadam Hai...Nazuk Dil Hai Tod Na Dena G M Durrani Ghulam Mohammed 26 1950 Dilruba Humne Khai Hai -
Indebited to Dogs SHAHID KAPOOR's LIFE Maneka Sanjay Gandhi Incident Public in Case the Public Reacted Negatively to the Use of Dogs in Rockets
SUNDAY, OCTOBER 13, 2013 (PAGE-4) BOLLYWOOD BUZZ NATURE 'I don't work to satisfy myself ' Indebited to dogs SHAHID KAPOOR'S LIFE Maneka Sanjay Gandhi incident public in case the public reacted negatively to the use of dogs in rockets. AT THE MOMENT IS ALL Look up at the stars. Will human Baars and Lisichka were not as lucky. beings ever reach any of the millions of Their rocket exploded 28 seconds after ABOUT LOVE AND WAR, worlds around us? Will the one foray to take off. the moon ever be duplicated? Will any THANKS TO PRABHU Belka and Strelka spent a day in human ever set foot on Mars? space aboard Sputnik 5 on 19 August If we do get to another planet, I hope DEVA WHO HAS TURNED 1960 before safely returning to Earth. those explorers will remember that they They were the first Earth-born creatures HIM INTO A ROMEO- owe it all to dogs. to go into orbit and return alive. The Russians were the first to attempt Strelka went on to have six puppies CUM-FIGHTER IN HIS to go into space. with a male dog named Pushok who was The first living being sent into orbit UPCOMING FILM R... also sent for many ground-based space was a dog, Laika — a sweet-tempered experiments, but never made it into stray with Siberian Husky blood in her, RAJKUMAR. space.[ One of the pups was named plucked off the streets of Moscow and Pushinka and was given to President put into the Sputnik rocket on 3rd SREYA BASU IN John Kennedy's daughter Caroline by the November 1957. -
Ragamala World Music 2017 Program Book
RAGAMALA 2017: WELCOME SCHEDULE Ragamala 2017 A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE For the 5th year, spanning 15 hours and featuring dozens of performers, Ragamala offers a FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts jaw-dropping assortment of Indian classical music from some of its greatest and emerging Ragamala: A Celebration of Indian Classical Music + Dance A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE practitioners. Ragamala functions as the perfect, immersive introduction to the classical music Chicago Cultural Center, Preston Bradley Hall FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 of India. Not only are both the music of the north (Hindustani) and the south (Carnatic) + Millennium Park, Great Lawn FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 - 6:30PM-10AM Chicago Cultural Center represented, but listeners will also get the rare chance to hear ragas performed at the time of 78 E. Washington Street, 3rd Floor Preston Bradley Hall, 3rd Floor day they were originally composed for—a facet of the tradition lost in the west. 6:30pm-10am 78 E Washington Street Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts 6:30pm-6:30am The word “raga” has a Sanskrit origin, meaning "coloring or dyeing". The term also connotes an Evolution of Songs from Indian Films: 1930-2017 emotional state referring to a "feeling, affection, desire, interest, joy or delight", particularly 6:30-7:30pm SATURDAY, SEPTEMBER 9 related to passion, love, or sympathy for a subject or something. In the context of ancient Anjali Ray, vocals with Rishi Thakkar, tabla and Anis Chandnani, harmonium Yoga + Gong Meditation Indian music it is often devotional and used as a prayer. -
SERVICE ALLOCATION LIST S. No Rank Roll Number Name of The
CIVIL SERVICES EXAMINATION 2018 - SERVICE ALLOCATION LIST S. No Rank Roll Number Name of the Candidate Category Service PH Category 1 1 1133664 KANISHAK KATARIA S.C.$ IAS -- 2 2 1104407 AKSHAT JAIN General IAS -- 3 3 863569 JUNAID AHMAD General IAS -- 4 4 856837 SHREYANS KUMAT General IAS -- 5 5 404032 SRUSHTI JAYANT DESHMUKH General IAS -- 6 6 1705594 SHUBHAM GUPTA General IAS -- 7 7 6314286 KARNATI VARUNREDDY General IAS -- 8 8 6413775 VAISHALI SINGH General IAS -- 9 9 2630204 GUNJAN DWIVEDI General IAS -- ORIGINAL 10 10 879888 TANMAY VASHISTHA SHARMA General IAS -- 11 11 804005 PUJYA PRIYADARSHNI General IFS -- 12 12 852762 NAMRATA JAIN General IAS -- 13 13 7700978 VARNIT NEGI General IAS -- 14 14 860706 ANKITA CHOUDHARY General IAS -- COPY 15 15 5202813 ATIRAG CHAPLOT General IAS -- 16 16 6610836 DHODMISE TRUPTI ANKUSH O.B.C.$ IAS -- 17 17 309781 RAHUL SHARANAPPA SANKANUR General IAS -- 18 18 815221 RISHITA GUPTA General IAS -- (4th Iteration) 19 19 3511797 HARPREET SINGH General IAS -- 20 20 817096 CHITRA MISHRA General IAS -- 21 21 7810279 RAHUL JAIN General IAS -- 22 22 887796 DEEKSHA JAIN General IAS -- 23 23 1225007 RISHAB C A General IAS -- 24 24 2617099 ANURAJ JAIN General IAS -- 25 25 6609091 GONDANE VAIBHAV SUNIL S.C. IFS -- 26 26 812456 HIMANSHU NAGPAL General IAS -- 27 27 808475 SALONI KHEMKA General IAS -- 28 28 6307513 KAJAL JAWLA General IAS -- 29 29 1913742 SREELAKSHMI R General IAS -- 30 30 1028758 SAUMYA GURURANI General IAS -- 31 31 6401103 MAINAK GHOSH General IAS -- 32 32 5808674 SAMEER SAURABH General IAS -- 33 -
It Takes a Little Lawsuit
This article was downloaded by: [Wayne Marshall] On: 08 August 2012, At: 22:41 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK South Asian Popular Culture Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rsap20 It takes a little lawsuit: The flowering garden of Bollywood exoticism in the age of its technological reproducibility Wayne Marshall a & Jayson Beaster-Jones b a Department of Music, Harvard University, Cambridge, MA, USA b Department of Performance Studies, Texas A&M University, College Station, TX, USA Version of record first published: 20 Jul 2012 To cite this article: Wayne Marshall & Jayson Beaster-Jones (2012): It takes a little lawsuit: The flowering garden of Bollywood exoticism in the age of its technological reproducibility, South Asian Popular Culture, DOI:10.1080/14746689.2012.706015 To link to this article: http://dx.doi.org/10.1080/14746689.2012.706015 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material.