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HFL29_K:HFL29_K.QXD 2010-12-06 14:29 Page 1 Hrvatski filmski u ovom broju: Hrvatski filmski `anr: novi film strave – postvestern ljetopisov razgovor: jurij norstein Ajanovi} Zagreb 29/2002 kinematografska politika: LJETOPIS 29/2002 Brlek marketing u filmskoj industriji – studij filmske produkcije ^egir festivali: Gili} daruvar – rotterdam Gojun tuma~enja, tuma~ila~ka neslaganja: Govedi} tarrova prokletstva – kritika i film sami – pornofilska seksualnost na udaru feministi~ke kritike – o gospodaru prstenova – o fassbinderu – o kenethu angeru Heidl suvremene kinematografije: Joveti} japan Kragi} knjige: Krivak miki} – vojkovi} Kurelec studije i istra`ivanja: o glumi – o snimateljskom svjetlu – o elipsama Leni} majcenova ostav{tina: Lozina povijest hrvatskog neprofesijskog filma – filmografija zvonimira rogoza – bibliografija Majcen ljubomira marakovi}a Mari} Mihleti} Mili} Milinkovi} Nenadi} Paljan Petrovi} Primorac Radi} u narednom broju: Rafaeli} Rube{a teorijska tema: film i emocije Sabli} Sever srpska kinematografija: filmografija i bibliografija 1990-2001. [e{i} o slavoju `i`eku – o japanskoj ’animi' – psihoanaliza i film Tomljanovi} Turkovi} Vukoja @akni} CODEN.HFLJFV UDK 761.43/45 Hrvat.film.ljeto. god. 8. (2002.) br. 29 str.1-222 ISSN 1330-7665 CODEN HFLJFV Sadr`aj Contents @ANR GENRE Kristijan Mili}: NOVI FILM STRAVE 3 Kristijan Mili}: NEW HORROR FILMS 3 KRONOLOGIJA NOVOG FILMA STRAVE (IZBOR) 17 NEW HORROR FILMS CHRONOLOGICAL FILMOGRAPHY AUTORI NOVOG FILMA STRAVE (IZBOR) 18 (A SELECTION) 17 Tomislav ^egir: POTISNUTA DIVLJINA POSTVESTERN 19 NEW HORROR FILMS AUTHORS (A SELECTION) 18 KRONOLOGIJA POSTVESTERNA 27 Tomislav ^egir: SUPRESSED WILDERNESS POST-WESTERN 19 POST-WESTERN CHRONOLOGICAL FILMOGRAPHY 27 LJETOPISOV RAZGOVOR Midhat Ajanovi}: RAZGOVOR S JURIJEM NORSTEINOM: ANIMACIJA JE CHRONICLES INTERVIEW REALISTI^NA KAO I SAN 28 Midhat Ajanovi}: INTERVIEW WITH YURI NORSTEIN: ANIMATION IS AS GENUINE AS A DREAM 28 KINEMATOGRAFSKA POLITIKA: MARKETING, CINEMA POLICY: MARKETING, PRODUCTION PRODUKCIJA MENAGEMENT Damir Primorac: MARKETING U FILMSKOJ INDUSTRIJI 37 Damir Primorac: MARKETING IN FILM DISTRIBUTION 37 Vedran Mihleti}: STUDIJ FILMSKE PRODUKCIJE 58 Vedran Mihleti}: FILM PRODUCTION MENAGEMENT STUDY (CONCEPT AND CURRICULUM) 58 ISPRAVCI 70 ERRATA 70 LJETOPISOV LJETOPIS CHRONICLES CHRONICLE Daniel Rafaeli}: KRONIKA studeni 2001 sije~anj 2002. 71 BIBLIOGRAFIJA 74 Daniel Rafaeli}: CHRONICLE November 2001 January 2002. 71 BIBLIOGRAPHY 74 FESTIVALI / CIKLUSI FESTIVALS / SPECIAL PROGRAMS Diana Nenadi}: INTIMA I KREACIJA PROTIV TRADICIJE I IMITACIJE Diana Nenadi}: INTIMACY AND CREATION AGAINST TRADITION AND DARUVAR 2001 75 IMITATION DARUVAR 2001 75 FILMOGRAFIJA REVIJE 33/2001 80 FILMOGRAPHY DARUVAR 2001 80 Rada [e{i}: AMSTERDAMSKI FESTIVAL DOKUMENTARNOG FILMA 84 Rada [e{i}: INTERNATIONAL DOCUMENTARY FILMFESTIVAL AMSTERDAM, 2001 84 REPERTOAR Uredio: Igor Tomljanovi} REPERTOIRE KINOREPERTOAR 89 Edited by: Igor Tomljanovi} VIDEOPREMIJERE 114 FILM REPERTOIRE 89 VIDEO PREMIERES 114 TUMA^ENJA, TUMA^ILA^KA NESLAGANJA INTERPRETATIONS, CONTESTS Diana Nenadi}: TARROVA PROKLETSTVA 117 Diana Nenadi}: BÉLA TARRS DAMNATIONS 117 TARROVA FILMOGRAFIJA 122 TARRS FILMOGRAPHY 122 Tomislav Brlek: FILM, KRITIKA, KONTEKST: SAMI 123 Tomislav Brlek: FILM, REVIEWS, CONTEXT: ALONE BY LUCAS NOLA 123 Damir Radi}: PORNOFILSKA SEKSUALNOST NA UDARU FEMINISTI^KE Damir Radi}: PORNOPHILES SEXUALITY ATTACKED BY FEMINIST KRITIKE 130 CRITICISM 130 Bruno Kragi}: O KUPUSU I KRALJEVIMA... RAZMI[LJANJA UZ FILM Bruno Kragi}: ON CABBAGES AND KINGS... MUSINGS AT THE LORD OF GOSPODAR PRSTENOVA 134 THE RINGS 134 Marijan Krivak: ONO MALO DU[E FASSBINDER (1945-1982), DVORANA Marijan Krivak: A PIECE OF SOUL R. W. FASSBINDER 137 KINOTEKE, ZAGREB 137 FASSBINDERS FILMOGRAPHY 141 FASSBINDEROVA FILMOGRAFIJA 141 Elvis Leni}: KENNETH ANGERS FILMS 142 Elvis Leni}: FILMOVI KENNETHA ANGERA 142 KENNETH ANGERS FILMOGRAPHY 146 FILMOGRAFIJA KENNETHA ANGERA 146 CONTEMPORARY NATIONAL CINEMAS SUVREMENE KINEMATOGRAFIJE Dragan Rube{a: CONTEMPORARY JAPAN FILM 147 Dragan Rube{a: SUVREMENI JAPANSKI FILM 147 Dragan Rube{a: SHINJI AOYAMA: A JAP WHO LOVES JOHN FORD 151 AOYAMAS FILMOGRAPHY 152 Dragan Rube{a: SHINJI AOYAMA: JAPANAC KOJI VOLI JOHNA FORDA 151 AOYAMINA FILMOGRAFIJA 152 BOOK REVIEWS Bruno Kragi}: KRE[IMIR MIKI]: FILM IN TEACHING MEDIA CULTURE KNJIGE (2001, ZAGREB: EDUCA) 153 Bruno Kragi}: KRE[IMIR MIKI]: FILM U NASTAVI MEDIJSKE KULTURE 153 Nikica Gili}: CRITICAL NARRATOLOGY AT WORK (SASHA VOJKOVIC, Nikica Gili}: KRITI^KA NARATOLOGIJA NA DJELU (SASHA VOJKOVIC: 2001, SUBJECTIVITY IN THE NEW HOLLYWOOD CINEMA, AMSTERDAM: SUBJECTIVITY IN THE NEW HOLLYWOOD CINEMA) 155 ASCA PRESS) 155 STUDIJE I ISTRA@IVANJA STUDIES AND RESEARCH Nata{a Govedi}: IGRA BEZ OBJEKTA: GLUMA U RAZLI^ITIM MEDIJIMA I Nata{a Govedi}: THE GAME WITHOUT THE OBJECT: ACTING IN GLUMA^KA INTERMEDIJALNOST 160 DIFFERENT MEDIA AND INTERMEDIARY REFLECTIONS ON THE ART OF Domagoj Lozina: POLAZI[TE SNIMANJA: SVJETLO 170 ACTING 160 Vladimir Gojun: ELIPSE I NJIHOVA RETORI^NOST U FILMU KONCERT Domagoj Lozina: ON CINEMATOGRAPHY: LIGHTING 170 BRANKA BELANA 181 Vladimir Gojun: ELLIPSIS AND THEIR RETHORICAL QUALITY IN THE FILM KONCERT BY BRANKO BELAN 181 MAJCENOVA OSTAV[TINA MAJCENS INHERITANCE UVODNA NAPOMENA 188 INTRODUCTORY REMARK 188 Vjekoslav Majcen: HRVATSKI NEPROFESIJSKI FILM (1928-1998) 189 Vjekoslav Majcen: CROATIAN NONPROFESSIONAL FILM (1928-1998) 189 Vjekoslav Majcen: FILMOGRAFIJA ZVONIMIRA ROGOZA 204 Vjekoslav Majcen: ZVONIMIR ROGOZ FILMOGRAPHY 204 Vjekoslav Majcen: BIBLIOGRAFIJA LJUBOMIRA MARAKOVI]A 206 Vjekoslav Majcen: LJUBOMIR MARAKOVI] BIBLIOGRAPHY 206 ABSTRACTS 209 ABSTRACTS 209 O SURADNICIMA 220 ON CONTRIBUTORS 220 HRVATSKI FILMSKI LJETOPIS THE CROATIAN CINEMA CHRONICLE ISSN 1330-7665 ISSN 1330-7665 UDK 791.43/.45 UDC 791.43/.45 Hrvat.film.ljeto., god. 8. (2002), br. 29 Hrvat.film.ljeto., Vol 8 (2002), No 29 Zagreb, travanj 2002. Zagreb, April 2002 Copyright 1995: Croatian Film Clubs Association Nakladnici: Publishers: Hrvatski filmski savez (izvr{ni nakladnik) Croatian Film Clubs Association (executive publisher, distributor) Hrvatski dr`avni arhiv Hrvatska kinoteka Croatian State Archive Croatian Cinematheque Hrvatsko dru{tvo filmskih kriti~ara Croatian Society of Film Critics Za nakladnika: Publishing Manager: Vera Robi}-[karica Vera Robi}-[karica Uredni{tvo: Editorial Board: Nikica Gili}, Bruno Kragi}, Diana Nenadi}, Ivo [krabalo, Nikica Gili}, Bruno Kragi}, Diana Nenadi}, Ivo [krabalo, Igor Tomljanovi}, Hrvoje Turkovi} (glavni urednik) Igor Tomljanovi}, Hrvoje Turkovi} (chief editor) Likovni urednik: Design: Luka Gusi} Luka Gusi} Lektorica: Language advisors: Aleksandra Vagner-Peri} Aleksandra Vagner-Peri}; Mirela [karica Prijevod i lektura tekstova na engleskom: Translation: Mirela [karica Mirela [karica Priprema: Prepress: Kolumna d.o.o., Zagreb Kolumna d.o.o., Zagreb Tisak: Printed by: Tiskara CB Print, Samobor Tiskara CB Print, Samobor Hrvatski filmski ljetopis izlazi tromjese~no u nakladi od 1000 CCC is published quarterly, with circulation of 1000 copies primjeraka. Subscription abroad: 60 US Dollars Cijena ovom broju 50 kn Account Number: Godi{nja pretplata: 120.00 kn S.W.I.F.T. ZABA HR 2X 2500-3234240 Za inozemstvo: 60.00 USD Editors Adress: Adresa uredni{tva: Hrvatski filmski ljetopis / Croatian Cinema Chronicle 10000 Zagreb, Dalmatinska 12 Hrvatski filmski savez / Croatian Film Clubs Association tel: 385 01/48 48 771, 385 01/48 48 764 Dalmatinska 12 fax: 385 01/48 48 764 10000 Zagreb, Croatia E-mail: [email protected] tel: 385 1/48 48 771, [email protected] fax: 385 1/48 48 764 [email protected] E-mail: [email protected] Web stranica: www.hfs.hr [email protected] Hrvatski filmski ljetopis evidentiran je u International Index to [email protected] Film/TV Periodicals, Rue Defacqz 1, 1000 Bruxelles, Belgium. Web site: www.hfs.hr Cijena oglasnog prostora: 1/4 str. 1.000,00 kn Hrvatski filmski ljetopis (The Croatian Cinema Chronicle) is 1/2 str. 2.000,00 kn indexed in the International Index to Film/TV Periodicals, 1 str. 4.000,00 kn Rue Defacqz 1, 1000 Bruxelles, Belgium Hrvatski filmski ljetopis izlazi uz potporu Ministarstva kulture CCC is subsidized by the Ministry of Culture, Republike Hrvatske i Gradskog ureda za kulturu, Zagreb Republic of Croatia and Zagreb City Office for Culture @ANR UDK: 791.43-344 Kristijan Mili} Studije i istra`ivanja Novi film strave Uvod Za{to `ele gledati ubijanja, komadanja, mu~enja i ranjava- Film strave i u`asa ili samo film strave hrvatski je prijevod nja? Za{to uop}e itko gleda filmove strave? engleske ina~ice imena koja glasi horor-film, horror movie ili S obzirom na poznate elemente `anrovske ikonografije najjednostavnije horror. Film strave je jedan od prvih,1 a (smrt, krv, nasilje, nihilizam, pesimizam...) u hororima pro- ujedno i jedan od najosporavanijih filmskih `anrova u povi- lazi sve i njima (naizgled) ni{ta nije sveto. U hororima rodi- jesti. Film strave mo`e u sebi sadr`avati gotovo sve ostale telji napadaju vlastitu djecu i obrnuto, najbolji prijatelji po- filmske `anrove (uklju~uju}i i porno), pa i pripadati raznim staju najgori demoni, a zakona pritom nema ili je jalov. Mo- rodovima (~ak i dokumentarnom, ako ra~unamo snuff 2 fil- ralno je stajali{te autora u mnogim slu~ajevima neodre|eno move). Po mi{ljenjima nekih film strave pripada u najfilmi~- (ili ~ak nejasno), u svakom slu~aju podlo`no izmjenama. U nije3 `anrove, a s obzirom da je horor-film mogu}e snimiti jednoj sceni nastradat }e nevina djevojka,
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    (4/29/15) JOE HUTSHING , A.C.E. Editor FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “ALOHA” Cameron Crowe Sony Pictures Scott Rudin New Regency Pictures Cameron Crowe “ROADIES” Cameron Crowe Showtime Cameron Crowe (Series) Bad Robot J.J. Abrams “METALLICA THROUGH THE Nimród Antal Picturehouse Charlotte Huggins NEVER” Entertainment “SAVAGES”* Oliver Stone Relativity Media Moritz Borman Universal Pictures Eric Kopeloff "WE BOUGHT A ZOO" Cameron Crowe 20 th Century Fox Cameron Crowe (Additional Editor) Dune Entertainment Julie Yorn Rick Yorn "THE TOURIST"* Florian Henckel von GK Films Graham King Donnersmarck Spyglass Entertainment Tim Headington Columbia Pictures Gary Barber "IT’S COMPLICATED”* Nancy Meyers Universal Pictures Nancy Meyers Nomination: American Cinema Editors (ACE) Eddie Award Scott Rudin Productions Scott Rudin "W."* Oliver Stone Lionsgate Moritz Borman QED International Eric Kopeloff "LIONS FOR LAMBS" Robert Redford MGM Robert Redford United Artists Tracy Falco "THE HOLIDAY" Nancy Meyers Columbia Pictures Nancy Meyers Universal Pictures Bruce A. Block “THE SKELETON KEY” Iain Softley Universal Pictures Daniel Bobker Michael Shamberg Stacey Sher "SOMETHING’S GOTTA GIVE" Nancy Meyers Columbia Pictures Nancy Meyers Warner Bros. Pictures Bruce A. Block "VANILLA SKY"* Cameron Crowe Paramount Pictures Cameron Crowe Summit Entertainment Tom Cruise Paula Wagner “LIVE FROM BAGHDAD” Mick Jackson HBO Films George W. Perkins (TV movie) Industry Entertainment Winner: Emmy Award for Outstanding Editing Nomination: American Cinema Editors (ACE) Eddie Award "ALMOST FAMOUS”* Cameron Crowe Columbia Pictures Cameron Crowe Nomination: Academy Award for Best Film Editing DreamWorks SKG Ian Bryce Winner: American Cinema Editors (ACE) Eddie Award (cont.) SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (4/29/15) JOE HUTSHING , A.C.E.
  • The Godfather Study Guide

    The Godfather Study Guide

    OSCAR WINNER 1972: Best Picture Best Actor Best Adapted Screenplay TEACHERS’ NOTES This study guide is aimed at students of GCSE Media Studies, A’Level Film Studies and GNVO Media: Communication and Production (Intermediate and Advanced). Specific areas of study covered by the guide are those of genre, representation and the issue of violence in film. The Godfather: Certificate 18. Running Time 175 minutes. MAJOR CREDITS FOR THE GODFATHER The Godfather 1972 (Paramount) Producer: Albert S. Ruddy Director: Francis Coppola Screenplay: Mario Puzo, Francis Coppola Director of Photography: Gordon Willis Editors: William Reynolds, Peter Zinner Music: Nino Rota Art Director: Dean Tavoularis Cast: Marion Brando Al Pacino James Caan Richard Conte Robert Duvall Sterling Hayden Oscars 1972: Best Picture Best Actor (Marion Brando) Best Adapted Screenplay Oscar Nominations 1972: Best Director Best Supporting Actor (James Caan, Robert Duvall, Al Pacino) Best Music [later declared incligiblel Best Costume Design Best Editing Best Sound © Film Education 1 THE GODFATHER Coppola’s The Godfather was the direct descendant of dozens of gangster movies made with stars like Cagney and Edward C. Robinson. But there was a vital difference. Its examination of the Corleone family had a consistently human dimension that made the evil of the Mafia, who loved it for the wrong reasons, all the more horrendous. As a study of evil, it was all the better for assuming that such darkness emanated not from dyed-in-thewool villains but out of some of the family values we now most cherish. Added to that, of course, was the brilliance of its making, with Gordon Willis’ photography and Nino Rota’s score adding to Coppola’s fine orchestration of a terrific cast.

  • 57Th New York Film Festival September 27- October 13, 2019

    57th New York Film Festival September 27- October 13, 2019 filmlinc.org AT ATTHE THE 57 57TH NEWTH NEW YORK YORK FILM FILM FESTIVAL FESTIVAL AndAnd over over 40 40 more more NYFF NYFF alums alums for for your your digitaldigital viewing viewing pleasure pleasure on onthe the new new KINONOW.COM/NYFFKINONOW.COM/NYFF Table of Contents Ticket Information 2 Venue Information 3 Welcome 4 New York Film Festival Programmers 6 Main Slate 7 Talks 24 Spotlight on Documentary 28 Revivals 36 Special Events 44 Retrospective: The ASC at 100 48 Shorts 58 Projections 64 Convergence 76 Artist Initiatives 82 Film at Lincoln Center Board & Staff 84 Sponsors 88 Schedule 89 SHARE YOUR FESTIVAL EXPERIENCE Tag us in your posts with #NYFF filmlinc.org @FilmLinc and @TheNYFF /nyfilmfest /filmlinc Sign up for the latest NYFF news and ticket updates at filmlinc.org/news Ticket Information How to Buy Tickets Online filmlinc.org In Person Advance tickets are available exclusively at the Alice Tully Hall box office: Mon-Sat, 10am to 6pm • Sun, 12pm to 6pm Day-of tickets must be purchased at the corresponding venue’s box office. Ticket Prices Main Slate, Spotlight on Documentary, Special Events*, On Cinema Talks $25 Member & Student • $30 Public *Joker: $40 Member & Student • $50 Public Directors Dialogues, Master Class, Projections, Retrospective, Revivals, Shorts $12 Member & Student • $17 Public Convergence Programs One, Two, Three: $7 Member & Student • $10 Public The Raven: $70 Member & Student • $85 Public Gala Evenings Opening Night, ATH: $85 Member & Student • $120 Public Closing Night & Centerpiece, ATH: $60 Member & Student • $80 Public Non-ATH Venues: $35 Member & Student • $40 Public Projections All-Access Pass $140 Free Events NYFF Live Talks, American Trial: The Eric Garner Story, Holy Night All free talks are subject to availability.