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Zagreb 29/2002 Hrvatski Filmski HFL29_K:HFL29_K.QXD 2010-12-06 14:29 Page 1 Hrvatski filmski u ovom broju: Hrvatski filmski `anr: novi film strave – postvestern ljetopisov razgovor: jurij norstein Ajanovi} Zagreb 29/2002 kinematografska politika: LJETOPIS 29/2002 Brlek marketing u filmskoj industriji – studij filmske produkcije ^egir festivali: Gili} daruvar – rotterdam Gojun tuma~enja, tuma~ila~ka neslaganja: Govedi} tarrova prokletstva – kritika i film sami – pornofilska seksualnost na udaru feministi~ke kritike – o gospodaru prstenova – o fassbinderu – o kenethu angeru Heidl suvremene kinematografije: Joveti} japan Kragi} knjige: Krivak miki} – vojkovi} Kurelec studije i istra`ivanja: o glumi – o snimateljskom svjetlu – o elipsama Leni} majcenova ostav{tina: Lozina povijest hrvatskog neprofesijskog filma – filmografija zvonimira rogoza – bibliografija Majcen ljubomira marakovi}a Mari} Mihleti} Mili} Milinkovi} Nenadi} Paljan Petrovi} Primorac Radi} u narednom broju: Rafaeli} Rube{a teorijska tema: film i emocije Sabli} Sever srpska kinematografija: filmografija i bibliografija 1990-2001. [e{i} o slavoju `i`eku – o japanskoj ’animi' – psihoanaliza i film Tomljanovi} Turkovi} Vukoja @akni} CODEN.HFLJFV UDK 761.43/45 Hrvat.film.ljeto. god. 8. (2002.) br. 29 str.1-222 ISSN 1330-7665 CODEN HFLJFV Sadr`aj Contents @ANR GENRE Kristijan Mili}: NOVI FILM STRAVE 3 Kristijan Mili}: NEW HORROR FILMS 3 KRONOLOGIJA NOVOG FILMA STRAVE (IZBOR) 17 NEW HORROR FILMS CHRONOLOGICAL FILMOGRAPHY AUTORI NOVOG FILMA STRAVE (IZBOR) 18 (A SELECTION) 17 Tomislav ^egir: POTISNUTA DIVLJINA POSTVESTERN 19 NEW HORROR FILMS AUTHORS (A SELECTION) 18 KRONOLOGIJA POSTVESTERNA 27 Tomislav ^egir: SUPRESSED WILDERNESS POST-WESTERN 19 POST-WESTERN CHRONOLOGICAL FILMOGRAPHY 27 LJETOPISOV RAZGOVOR Midhat Ajanovi}: RAZGOVOR S JURIJEM NORSTEINOM: ANIMACIJA JE CHRONICLES INTERVIEW REALISTI^NA KAO I SAN 28 Midhat Ajanovi}: INTERVIEW WITH YURI NORSTEIN: ANIMATION IS AS GENUINE AS A DREAM 28 KINEMATOGRAFSKA POLITIKA: MARKETING, CINEMA POLICY: MARKETING, PRODUCTION PRODUKCIJA MENAGEMENT Damir Primorac: MARKETING U FILMSKOJ INDUSTRIJI 37 Damir Primorac: MARKETING IN FILM DISTRIBUTION 37 Vedran Mihleti}: STUDIJ FILMSKE PRODUKCIJE 58 Vedran Mihleti}: FILM PRODUCTION MENAGEMENT STUDY (CONCEPT AND CURRICULUM) 58 ISPRAVCI 70 ERRATA 70 LJETOPISOV LJETOPIS CHRONICLES CHRONICLE Daniel Rafaeli}: KRONIKA studeni 2001 sije~anj 2002. 71 BIBLIOGRAFIJA 74 Daniel Rafaeli}: CHRONICLE November 2001 January 2002. 71 BIBLIOGRAPHY 74 FESTIVALI / CIKLUSI FESTIVALS / SPECIAL PROGRAMS Diana Nenadi}: INTIMA I KREACIJA PROTIV TRADICIJE I IMITACIJE Diana Nenadi}: INTIMACY AND CREATION AGAINST TRADITION AND DARUVAR 2001 75 IMITATION DARUVAR 2001 75 FILMOGRAFIJA REVIJE 33/2001 80 FILMOGRAPHY DARUVAR 2001 80 Rada [e{i}: AMSTERDAMSKI FESTIVAL DOKUMENTARNOG FILMA 84 Rada [e{i}: INTERNATIONAL DOCUMENTARY FILMFESTIVAL AMSTERDAM, 2001 84 REPERTOAR Uredio: Igor Tomljanovi} REPERTOIRE KINOREPERTOAR 89 Edited by: Igor Tomljanovi} VIDEOPREMIJERE 114 FILM REPERTOIRE 89 VIDEO PREMIERES 114 TUMA^ENJA, TUMA^ILA^KA NESLAGANJA INTERPRETATIONS, CONTESTS Diana Nenadi}: TARROVA PROKLETSTVA 117 Diana Nenadi}: BÉLA TARRS DAMNATIONS 117 TARROVA FILMOGRAFIJA 122 TARRS FILMOGRAPHY 122 Tomislav Brlek: FILM, KRITIKA, KONTEKST: SAMI 123 Tomislav Brlek: FILM, REVIEWS, CONTEXT: ALONE BY LUCAS NOLA 123 Damir Radi}: PORNOFILSKA SEKSUALNOST NA UDARU FEMINISTI^KE Damir Radi}: PORNOPHILES SEXUALITY ATTACKED BY FEMINIST KRITIKE 130 CRITICISM 130 Bruno Kragi}: O KUPUSU I KRALJEVIMA... RAZMI[LJANJA UZ FILM Bruno Kragi}: ON CABBAGES AND KINGS... MUSINGS AT THE LORD OF GOSPODAR PRSTENOVA 134 THE RINGS 134 Marijan Krivak: ONO MALO DU[E FASSBINDER (1945-1982), DVORANA Marijan Krivak: A PIECE OF SOUL R. W. FASSBINDER 137 KINOTEKE, ZAGREB 137 FASSBINDERS FILMOGRAPHY 141 FASSBINDEROVA FILMOGRAFIJA 141 Elvis Leni}: KENNETH ANGERS FILMS 142 Elvis Leni}: FILMOVI KENNETHA ANGERA 142 KENNETH ANGERS FILMOGRAPHY 146 FILMOGRAFIJA KENNETHA ANGERA 146 CONTEMPORARY NATIONAL CINEMAS SUVREMENE KINEMATOGRAFIJE Dragan Rube{a: CONTEMPORARY JAPAN FILM 147 Dragan Rube{a: SUVREMENI JAPANSKI FILM 147 Dragan Rube{a: SHINJI AOYAMA: A JAP WHO LOVES JOHN FORD 151 AOYAMAS FILMOGRAPHY 152 Dragan Rube{a: SHINJI AOYAMA: JAPANAC KOJI VOLI JOHNA FORDA 151 AOYAMINA FILMOGRAFIJA 152 BOOK REVIEWS Bruno Kragi}: KRE[IMIR MIKI]: FILM IN TEACHING MEDIA CULTURE KNJIGE (2001, ZAGREB: EDUCA) 153 Bruno Kragi}: KRE[IMIR MIKI]: FILM U NASTAVI MEDIJSKE KULTURE 153 Nikica Gili}: CRITICAL NARRATOLOGY AT WORK (SASHA VOJKOVIC, Nikica Gili}: KRITI^KA NARATOLOGIJA NA DJELU (SASHA VOJKOVIC: 2001, SUBJECTIVITY IN THE NEW HOLLYWOOD CINEMA, AMSTERDAM: SUBJECTIVITY IN THE NEW HOLLYWOOD CINEMA) 155 ASCA PRESS) 155 STUDIJE I ISTRA@IVANJA STUDIES AND RESEARCH Nata{a Govedi}: IGRA BEZ OBJEKTA: GLUMA U RAZLI^ITIM MEDIJIMA I Nata{a Govedi}: THE GAME WITHOUT THE OBJECT: ACTING IN GLUMA^KA INTERMEDIJALNOST 160 DIFFERENT MEDIA AND INTERMEDIARY REFLECTIONS ON THE ART OF Domagoj Lozina: POLAZI[TE SNIMANJA: SVJETLO 170 ACTING 160 Vladimir Gojun: ELIPSE I NJIHOVA RETORI^NOST U FILMU KONCERT Domagoj Lozina: ON CINEMATOGRAPHY: LIGHTING 170 BRANKA BELANA 181 Vladimir Gojun: ELLIPSIS AND THEIR RETHORICAL QUALITY IN THE FILM KONCERT BY BRANKO BELAN 181 MAJCENOVA OSTAV[TINA MAJCENS INHERITANCE UVODNA NAPOMENA 188 INTRODUCTORY REMARK 188 Vjekoslav Majcen: HRVATSKI NEPROFESIJSKI FILM (1928-1998) 189 Vjekoslav Majcen: CROATIAN NONPROFESSIONAL FILM (1928-1998) 189 Vjekoslav Majcen: FILMOGRAFIJA ZVONIMIRA ROGOZA 204 Vjekoslav Majcen: ZVONIMIR ROGOZ FILMOGRAPHY 204 Vjekoslav Majcen: BIBLIOGRAFIJA LJUBOMIRA MARAKOVI]A 206 Vjekoslav Majcen: LJUBOMIR MARAKOVI] BIBLIOGRAPHY 206 ABSTRACTS 209 ABSTRACTS 209 O SURADNICIMA 220 ON CONTRIBUTORS 220 HRVATSKI FILMSKI LJETOPIS THE CROATIAN CINEMA CHRONICLE ISSN 1330-7665 ISSN 1330-7665 UDK 791.43/.45 UDC 791.43/.45 Hrvat.film.ljeto., god. 8. (2002), br. 29 Hrvat.film.ljeto., Vol 8 (2002), No 29 Zagreb, travanj 2002. Zagreb, April 2002 Copyright 1995: Croatian Film Clubs Association Nakladnici: Publishers: Hrvatski filmski savez (izvr{ni nakladnik) Croatian Film Clubs Association (executive publisher, distributor) Hrvatski dr`avni arhiv Hrvatska kinoteka Croatian State Archive Croatian Cinematheque Hrvatsko dru{tvo filmskih kriti~ara Croatian Society of Film Critics Za nakladnika: Publishing Manager: Vera Robi}-[karica Vera Robi}-[karica Uredni{tvo: Editorial Board: Nikica Gili}, Bruno Kragi}, Diana Nenadi}, Ivo [krabalo, Nikica Gili}, Bruno Kragi}, Diana Nenadi}, Ivo [krabalo, Igor Tomljanovi}, Hrvoje Turkovi} (glavni urednik) Igor Tomljanovi}, Hrvoje Turkovi} (chief editor) Likovni urednik: Design: Luka Gusi} Luka Gusi} Lektorica: Language advisors: Aleksandra Vagner-Peri} Aleksandra Vagner-Peri}; Mirela [karica Prijevod i lektura tekstova na engleskom: Translation: Mirela [karica Mirela [karica Priprema: Prepress: Kolumna d.o.o., Zagreb Kolumna d.o.o., Zagreb Tisak: Printed by: Tiskara CB Print, Samobor Tiskara CB Print, Samobor Hrvatski filmski ljetopis izlazi tromjese~no u nakladi od 1000 CCC is published quarterly, with circulation of 1000 copies primjeraka. Subscription abroad: 60 US Dollars Cijena ovom broju 50 kn Account Number: Godi{nja pretplata: 120.00 kn S.W.I.F.T. ZABA HR 2X 2500-3234240 Za inozemstvo: 60.00 USD Editors Adress: Adresa uredni{tva: Hrvatski filmski ljetopis / Croatian Cinema Chronicle 10000 Zagreb, Dalmatinska 12 Hrvatski filmski savez / Croatian Film Clubs Association tel: 385 01/48 48 771, 385 01/48 48 764 Dalmatinska 12 fax: 385 01/48 48 764 10000 Zagreb, Croatia E-mail: [email protected] tel: 385 1/48 48 771, [email protected] fax: 385 1/48 48 764 [email protected] E-mail: [email protected] Web stranica: www.hfs.hr [email protected] Hrvatski filmski ljetopis evidentiran je u International Index to [email protected] Film/TV Periodicals, Rue Defacqz 1, 1000 Bruxelles, Belgium. Web site: www.hfs.hr Cijena oglasnog prostora: 1/4 str. 1.000,00 kn Hrvatski filmski ljetopis (The Croatian Cinema Chronicle) is 1/2 str. 2.000,00 kn indexed in the International Index to Film/TV Periodicals, 1 str. 4.000,00 kn Rue Defacqz 1, 1000 Bruxelles, Belgium Hrvatski filmski ljetopis izlazi uz potporu Ministarstva kulture CCC is subsidized by the Ministry of Culture, Republike Hrvatske i Gradskog ureda za kulturu, Zagreb Republic of Croatia and Zagreb City Office for Culture @ANR UDK: 791.43-344 Kristijan Mili} Studije i istra`ivanja Novi film strave Uvod Za{to `ele gledati ubijanja, komadanja, mu~enja i ranjava- Film strave i u`asa ili samo film strave hrvatski je prijevod nja? Za{to uop}e itko gleda filmove strave? engleske ina~ice imena koja glasi horor-film, horror movie ili S obzirom na poznate elemente `anrovske ikonografije najjednostavnije horror. Film strave je jedan od prvih,1 a (smrt, krv, nasilje, nihilizam, pesimizam...) u hororima pro- ujedno i jedan od najosporavanijih filmskih `anrova u povi- lazi sve i njima (naizgled) ni{ta nije sveto. U hororima rodi- jesti. Film strave mo`e u sebi sadr`avati gotovo sve ostale telji napadaju vlastitu djecu i obrnuto, najbolji prijatelji po- filmske `anrove (uklju~uju}i i porno), pa i pripadati raznim staju najgori demoni, a zakona pritom nema ili je jalov. Mo- rodovima (~ak i dokumentarnom, ako ra~unamo snuff 2 fil- ralno je stajali{te autora u mnogim slu~ajevima neodre|eno move). Po mi{ljenjima nekih film strave pripada u najfilmi~- (ili ~ak nejasno), u svakom slu~aju podlo`no izmjenama. U nije3 `anrove, a s obzirom da je horor-film mogu}e snimiti jednoj sceni nastradat }e nevina djevojka,
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