Lawson Park, Coniston, Cumbria, England, LA21 8AD Registered Charity No 1076662 Telephone 015394 41050

Total Page：16

File Type：pdf, Size：1020Kb

Lawson Park, Coniston, Cumbria, England, LA21 8AD Registered Charity no 1076662 Telephone 015394 41050 www.grizedale.org Grizedale Arts Field Trip A week of drawing in the Lake District Coniston Grizedale Arts is a public arts organisation based in the Lake District National Park. It has a 40 year history of working with artists in the rural environment. Its headquarters is the historic hill farm of Lawson Park, in a dramatic setting 1000 feet above sea level with views across the Crake Valley and across to the Coniston Fells. This September Grizedale Arts, in collaboration with the Turner Prize winning artist Jeremy Deller, are contributing to the Sao Paulo Bienal, with an exhibition based on the extraordinary work of Victorian artist, writer and educationalist John Ruskin who lived in Coniston for latter part of his life. Lawson Park As part of this project we are inviting a group of 10 pupils to come to the Lake District for a unique experience. For a week in summer the students will be taken on a drawing tour of the valley here in Coniston, to experience this outstanding natural environment, learn of the history of the valley, the work of John Ruskin and learn to see through field trips to draw and make works of art about this place. The finished drawings will be shown in Grizedale Arts ‘Mechanics Institute’ room at the Sao Paulo Bienal. The students will stay at, and have sole use of, the St Andrew’s Youth Hostel in Coniston village and will be taken on a different tour each day. All meals and transport will be provided. This trip is funded by The British Council with support from Grizedale Arts. Grizedale Arts Deputy Director Alistair Hudson will lead the trip each day, with teaching assistants accompanying the children at all times. Itinerary Sunday 22 August Travel to Coniston by train and mini-bus Evening: Welcome and dinner at Lawson Park Monday 23 August 10.00am: Visit to Ruskin Museum, Coniston and drawing class in Coniston Institute. Packed Lunch PM: Walk to Tarn Hows beauty spot Observational drawings Evening: Film Screening and Pizza at Lawson Park Tuesday 24 August 10.00am Plaster casting and printing at Coniston Institute Lunch at Coniston Institute 2.00pm: Gardening at Monk Coniston historic walled garden and afternoon tea Evening: fish and chips and games at Coniston Sports and Social Club Wednesday 25 August Day trip to Barrow-in-Furness to work with Octopus collective electronic music, sound and video workshops. Evening trip to Piel Island (English Heritage Castle) and dinner Thursday 26 August 10.00am Drawing and ‘Farmyard on a Plate’ at Lawson Park Lunch at Lawson Park PM Completion of art projects then walk down to Brantwood (Ruskin’s house) and boat back to Coniston. Evening campfire, barbeque and disco in the forest Friday 27 August AM: Depart Coniston travel back to London .

Copy Link

Recommended publications

The Ruskin Society
APPENDIX Ruskin Society Partial list of lectures Key:- M: Manchester B: Birmingham Lon: London Liv: Liverpool U: Ruskin Union A: Ambleside G: Glasgow All dares in the form dd.mm.yy *Indicates publication in Saint George. Lectures published separately are listed in the Select Bibliography. This list of lectures has been compiled from extant lecture lists, notices, newspaper reports, and other published and manuscript records. Where entries can be cross-referenced, the fullest information has been given. No attempt has been made to standardize the form in which names of speakers have been given, however, and the list should be used in conjunction with the full explanatory context given in Chapter 4. Date/ Lecture Title/Description Speaker Society 15.01.79 M Inaugural R. Bailey Walker 05.02.79 M Readings from Modern Painters Francis Pullen 28.02.79 M Reading at Charlestown Mutual Improvement Society Francis Pullen 05.03.79 M Short Address [Manchester Reference Library] Charles Rowley 26.03.79 M Endeavour Mutual Improvement Society Francis Pullen 02.04.79 M General readings Bailey/Pullen/Walker/Doyle 07.05.79 M Ruskin and his critics W. E. A. Axon 13.06.79 M Mechanical Industry Francis Pullen M The Three True Causes of Industrial Depression: A. H. Mackmurdo 22.09.79 M 1. The Land and the People 23.09.79 M 2. Usury 24.09.79 M 3. Our Metallic Currency 08.10.79 M Ruskin and Restoration T. H. Hall Caine 28.10.79 G John Ruskin; his life and works William Smart 05.11.79 M Natural Adornment E.
[Show full text]
John Ruskin: Prophet of the Anthropocene
John Ruskin: Prophet of the Anthropocene Paper Titles and Abstracts John Ruskin and the Green New Deal, Or a Brief History of Zombies, Gothic Architecture, and the Great Recession Amy Woodson-Boulton, Loyola Marymount University, Los Angeles, CA Just before the financial collapse of 2008, thinkers in the United States and Great Britain articulated the idea of a “Green New Deal” that would have used a combination of government investment and carbon trading to lower CO2 emissions. In the wake of the Great Recession, British and American conservatives prevented any substantive legislative progress, first embracing austerity and then an increasingly nationalist populism. In the last several years, however, politicians and economists on the left in both countries have revived the idea, this time with much broader goals of social change. This paper considers this new, ambitious Green New Deal in relation to John Ruskin’s penetrating social critique. I argue that Ruskin’s work clarifies the connection between economics and morality: namely, if we want to create human systems that are ecologically and socially sustainable, we need to first and foremost stop treating human beings as machines. Considering the global environmental history that separated saving “pristine nature” from promoting social justice, I will examine how Ruskin gives us the language and framework to re-unite them. “The Real Science of Political Economy”: John Ruskin and Economics after Neoliberalism Eugene McCarraher, Villanova University The discipline of economics is in crisis. Scholars and politicians have criticized economists for failing to predict the last two major recessions, and some economists themselves are beginning to question the very conceptual foundations of their “science.” At the same time, although neoliberalism remains the predominant wisdom among the political, corporate, and journalistic elites, its abject failure has galvanized intellectuals and popular movements to seek alternatives.
[Show full text]
NEWSLETTER 084 July 2006
C A T The Newsletter of the Cumbria Amenity Trust Mining History Society No. 84 August 2006 Cover picture: Richard Hewer in the Waiotahi Valley in New Zealand. Thames Mine The author by the transverse ore carriage. The ore hopper is to the left, And behind Richard’s left shoulder in the side of the level are many Minor veins of mineralisation. See Richard’s article in this issue. Cumbria Amenity Trust Mining History Society Newsletter No 84, August 2006 Contents: Cover picture Inside front cover News New Members Page 2 Library & Archive Page 2 Coniston Local History Initiative Page 2 Laser scanning Alastair Cameron Page 2 Hospital Level Conservation Project Page 2 Kernal Level Project Page 3 CATMHS Publications Page 3 Geo- archaeological survey at Coniston Copper Mines Page 3 Newland Furnace Page 5 Book Review Page 5 New Books Page 5 Whitriggs evening meet, 9th August Pete Sandbach Page 5 Petzl Jammers – risk of slippage Page 6 Meet Reports Inspection of No 1 Level, Force Crag Mine John Aird Page 8 Bloomeries and Bloomsmithies, May 21st Ian Matheson Page 9 Ellesmere Port, Sunday 25th June Ian Matheson Page 11 The Upper Long Crag area of Wetherlam Alastair Cameron Page 13 Long Crag Workings, 1977 & 1983 Dave Bridge. Page 14 Articles A journey to the gold workings of New Zealand. Richard Hewer Page 16 Minutes CAT minutes, Monday 20th March 2006 Sheila Barker Page 28 CAT minutes, Monday 15th May 2006 Sheila Barker Page 31 Society Officers and Committee Members Back cover News Straw House and the Nail Road, which apparently was named after someone, New Members is in progress.
[Show full text]
The Companion Magazine 2011 Download
The Companion The Newsletter of The Guild of St George Number 11 (2011) www.guildofstgeorge.org.uk A Letter from the Master ear fellow Companions, Your copy of The Companion is arriving a little earlier this year. We are trying to get back to the original Dplan of sending it out six months before the papers for the AGM. But there is a lot going on and I hope you will find it as full as last year’s issue. One thing you were promised, alas, is not happening – or not happening this year. Stephen Wildman and I had planned to follow up last year’s economic symposium in London with a second event to be called ‘Who Pays for the Environment?’ But as some of you know, I had a major accident in December – I slipped on the ice and broke my hip – and that made it difficult for me to pursue all my plans. We have therefore decided to postpone the second symposium and are hoping to hold it on 11th February – exactly two years after the last one. Ruskin and his ideas were very much in the news at the time of the first symposium. Articles by Andrew Hill in the Financial Times and Jonathan Glancey in the Guardian had drawn attention to the contemporary relevance of his social and economic concerns, as had Bernard Richards on More4 News. This year he has more than once come up, in, for instance, Simon Jenkins’s Guardian column, but I have been more struck by his extensive presence as an artist.
[Show full text]
Lake District & Cumbria
FAMILY DAYS OUT • ALL WEATHER ATTRACTIONS • WHAT’S ON LAKE DISTRICT & CUMBRIA GREAT HERITAGE 2019 CASTLES, HISTORIC HOUSES, GARDENS & CULTURAL ATTRACTIONS www.cumbriaslivingheritage.co.uk Welcome to Cumbria’s Living Heritage Cumbria’s Living Heritage brings you an exclusive collection of over 30 unique attractions, great houses, castles, gardens and cultural destinations in and around the Lake District, a World Heritage site recognised by UNESCO for its unique cultural landscape. Dive into Cumbria’s heritage to discover more about the places and people who have shaped our cultural heritage, visit new places, uncover family treasures, hear fascinating stories, find inspiration or simply relish the beauty of your surroundings. We hope that our stunning landscapes will inspire you like it has so many people over the centuries, poet William Wordsworth, children’s favourite Arthur Ransome, artist JMW Turner, adventurer Donald Campbell, walker Alfred Wainwright and conservationist Beatrix Potter, have all drawn inspiration from our valleys, fells and mountains. This year we celebrate John Ruskin’s 200th anniversary. Writer, artist, social critic, celebrity, and one of the greatest visionaries of the 19th Century, John Ruskin continues to influence our lives today. Artists, craft-makers, poets and film-makers still find inspiration here, and their work can be enjoyed at many exhibitions and events. Take a look at our website, www.cumbriaslivingheritage.co.uk, for suggestions for days out with the family, places and exhibitions to learn more about our historical and contemporary heroes, dog-friendly attractions and a list of attractions that have a restaurant or café, where you can enjoy some local food, home-baked treats and stunning views.
[Show full text]
Decorative Art in the Museum and the Novel, 1850-1880. Jacqueline Yauop January 2006
Narrative Objects: Decorative Art in the Museum and the Novel, 1850-1880. Jacqueline YaUop Submitted for the degree of PhD, Centre for Nineteenth-Century Studies, Department of English Literature. January 2006. Abstract: In the face of financial disaster, Dr Lydgate attempts to share his concerns with his wife, Rosamund, in George Eliot's Middlemarch (1871). Rosamund's refusal to engage with the crisis, or to sympathise with her husband's despair, is repeatedly presented by Eliot as a preoccupation with inanimate, decorative objects: Rosamund 'turned her neck and looked at a vase on the mantelpiece'. 1 The mid- nineteenth-century novel increasingly explores what it means to own, collect and display objects, and how personal and public lives can be constructed and defined by 'things'. Recent critical discussion has examined the significance of the Great Exhibition in London in 1851, and the subsequent international exhibitions, as a catalyst for, and an expression of, new ways of producing and consuming objects. 2 These dazzling exhibitions, in conjunction with the foundation of the South Kensington Museum (1857), began to formulate principles of design and models of taste for the public. Increasingly influential, however, was the development of the smaller, regional museum collections of decorative objects which began to emerge in the second half of the nineteenth century. Most of these shared with their national counterparts an intention to educate the public; almost all retained 1 George Eliot, Middlemarch, ed. by David Carroll (Oxford: Oxford University Press, 1998), p. 612. 2 See, for example, Jeffrey A. Auerbach, The Great Exhibition: A Nation on Display (New Haven and London: Yale University Press, 1999) and Andrew Miller, Novels Behind Glass: Commodity Culture and Victorian Narrative (Cambridge: Cambridge University Press, 1995).
[Show full text]
RUSKIN's 200Th ENGLAND May 10-18
W.G. Collingwood, “John Ruskin in his study at Brantwood,” watercolor, 1881 RUSKIN’S 200th ENGLAND May 10-18, 2019 The greatest thing a human soul ever does in this world is to see something…to see clearly is poetry, prophecy, and religion, all in one. John Ruskin, Modern Painters III (1856) Please join us on a special tour celebrating the life, work and legacy of John Ruskin (1819-1900) while retracing his footsteps in Britain. This itinerary has been especially designed to pay tribute to Ruskin, the intelligent traveler in England. We will begin in Oxford, site of his university experiences and early inspiration for his love of medieval architecture, and the city where he would later be appointed Oxford University’s first Slade Professor of Fine Art. There, in the superb Ashmolean Museum are major collections of the art created by Ruskin’s protégés, the Pre-Raphaelites, as well as dozens of his own exquisite drawings and watercolors. After seeing these, we shall travel next to the great Victorian city of Birmingham in the English Midlands, the site of Ruskin’s brilliant lecture “Of Kings Treasuries,” and home to one of the world’s superlative Pre-Raphaelite painting collections. Near Birmingham is the Wyre Forest, location of the thriving farm known as Ruskin Land, given to Ruskin by the Mayor of Birmingham in 1871. Next, travelling further north, we shall visit Lancaster University, primarily to see the riches of his manuscripts, letters, and drawings that are housed in perpetuity in the Ruskin Library. Still further north, in the glorious Lake District itself, we will tour Grasmere, home of one of Ruskin’s greatest inspirations, the poet William Wordsworth, before going on to Ruskin’s home itself, Brantwood, which overlooks the marvelous glacial lake known as Coniston Water.
[Show full text]
Copyrighted Material
185 Art galleries and museums Caledonia Guest House Index Abbott Hall Art Gallery (Penrith), 136 Index (Kendal), 26, 71, Crown Inn Hotel 125–126 (Coniston), 113 A Armitt Museum Deepdale Hall (Ulls- Abbott Hall Art Gallery (Ambleside), 13, 97 water), 76 (Kendal), 26, 71, 124–126 Beacon Museum Eagle and Child Inn Abbott Lodge Jersey Ice (Whitehaven), (Staveley), 76 Cream, 5, 53, 183 27, 58, 85, 145 Glenfield Guest House Accommodations, 9–10. Beatrix Potter Gallery (Back Corkickle), 146 See also B&Bs (Hawkshead), 15, 32, Greystone Cottage Ambleside, 99–101 66, 120 (Windermere), 105 Bowness-on- Grasmere Village Hall, Hill Crest Country Guest Windermere, 117 House (Newby 104–105 Heaton Cooper Studio Bridge), 94 catering to children, (Grasmere), 116 Hillside Bed and Break- 9–10 Keswick Museum and fast (Kendal), 127 in Central Lake District, Art Gallery, 13, 80, Honeysuckle Barn 68–69 129 (Ulverston), 142 Cockermouth, 108–109 Moot Hall (Keswick), 129 Howe Keld (Keswick), Coniston, 112–113 Ruskin Museum 132 East Lakes, 76–77 (Coniston), 24, 66, Lowthwaite B and B Grasmere, 116–117 110–111 (Ullswater), 76–77 Hawkshead, 120–121 William Wordsworth Old Vicarage (Lorton), Kendal, 126–127 Museum and Art 82 Keswick, 132–133 Gallery (Grasmere), Orchard House North Lake, 82–83 18, 39, 63, 114 (Ulverston), 142 Penrith, 136–137 Askham, 73 Randy Pike, 117 private rentals, 83 Askham Fell, 73 Rose Cottage (Cocker- South Lake, 94 ATMs, 178 mouth), 109 Ulverston, 142–143 Augustus, George, 43 Stanley House Western Lakes and Automobile museums, (Eskdale), 89 Cumbrian Coast, 13, 80, 93, 130 Town House (Ulverston), 88–89 143 Whitehaven, 146 B Wateredge Inn (Amble- Acland, Cubby, 99 Bacon, Francis, 41 side), 101 Adventure sports, 162–163 Banking, 178 Woolpack Inn (Hard- Aira Force (Ullswater), 75, 150 Barnsgates Brewery, 183 knott), 89 Airports, 174 Bars.
[Show full text]
John Ruskin's
Welcome to John Ruskin’s Guild of St George Find us online www.guildofstgeorge.org.uk The Guild of St George is the charity for arts, crafts and the rural economy founded in 1871 by the Victorian art and social critic, John Ruskin (1819–1900). This leaflet offers an introduction to the Guild’s history, purpose, work and Companionship today. If you’d like to know more, please visit our website or get in touch. Left: John Ruskin Study of a peacock’s breast feather (1873). Collection of the Guild of St George/ Museums Sheffield. Top right photograph: Studio in the Woods, Ruskin Land 2018. Photograph by Jim Stephenson – www. clickclickjim.com Bottom right photograph: Visitors making wire sculptures during the Ruskin Museum Makeover week at Meersbrook Hall, Sheffield 2018. “I have to draw a peacock’s breast feather, and paint as much of it [as] I can, without having heaven to dip my brush in.” John Ruskin 02 03 Who was John Ruskin (1819–1900) was a writer, artist John Ruskin? and philanthropist. As an author he commanded international respect, attracting praise from figures as varied as Tolstoy, George Eliot, Proust and Gandhi and he was cited as an influence by Clement Attlee and the founders of the National Trust, among others. He wrote on many things: art and architecture, There is no wealth but life. nature and craftsmanship, literature and religion, political economy and social justice —a dizzying Life, including all its powers variety of subjects. He also worked tirelessly for of love, of joy, and of a better society and the Guild of St George was part of that endeavour.
[Show full text]
Coniston & Hawkshead
Coniston & Hawkshead - breathtaking waters & attractive villages Enjoy a gentle cruise on Coniston Water with its surrounding spectacular fells, an inspiration for Ruskin, Ransome and Campbell, stopping off to visit John Ruskin’s beautifully situated house. Complete a perfect day meandering amongst whitewashed cottages and the quaint courtyards of Hawkshead. Camping & Caravan Estate Turn right onto the A592 (bad turning) into Bowness and then follow signs for Coniston (A593). Begin your tour in Coniston. Arrive at the Ruskin Museum (tel: 015394 41164) An innovative, inspirational and interactive award winning museum where you can explore the real Lakeland. Discover “Swallows and Amazons” country, mourn the water speed ace Donald Campbell and find out about John Ruskin, artist, critic and radical reformer. From the museum follow the road down to the lake to Coniston Pier. Aboard Coniston Launch (tel: 015394 36316) Relax and enjoy a gentle cruise taking in the magnificent views of the lake and mountains on your way to Brantwood. On arrival at Brantwood jetty follow the path up to the house. Arrive at Brantwood in time for lunch (tel: 015394 41396) Have a delicious lunch in delightful surroundings of “Jumping Jennys”, followed by an exploration of one of the most beautifully situated houses in the Lake District. Brantwood was John Ruskin’s home from 1870 to 1900, and contains a superb collection of his drawings, watercolours, furniture and personal items. There is a seasonal programme of exhibitions and events too. Follow the footpath back to the jetty. Board Coniston launch to take you back to Coniston Pier. Boats leave at 10mins past the hour should you wish a shorter or longer visit to Brantwood).
[Show full text]
CONVERSATION with RUSKIN Celebrating the Bicentenary of John Ruskin's Birth by Hideyuki Sobue
Touring Solo Art Project CONVERSATION WITH RUSKIN Celebrating the Bicentenary of John Ruskin's Birth by Hideyuki Sobue FINAL REPORT Section Project Overview ・・・・・・・ 3 Outline of the Activity ・・・・・・・ 7 Analytics Overview ・・・・・・・ 9 Aims and Objectives ・・・・・・・ 10 What I Learned... ・・・・・・・ 11 Feedback ・・・・・・・ 14 2 Project Overview was the 200th anniversary based on materialism. We humans are facing a grave crisis of of John Ruskin’s birth. An identity as we ask, “What does it mean to be human?” in the 2019art critic, artist, writer, era of advanced AI. educator, social thinker and philanthropist, he was one of the most influential voices in Victorian England and beyond. Bearing the above in mind, I produced a portrait of John As a Japanese artist based in the Lake District, where Ruskin Ruskin as the main work in this exhibition. I portrayed chose to live for 28 years prior to his death, I have been the Victorian thinker in a horizontal double-vision image, intrigued by his legacy in art and sustainability, which comprising two identical portraits overlapping each other. provided an ideological foundation for the Pre-Raphaelites, By carefully determining the distance between two images, the Arts and Crafts movement and the National Trust. Ruskin I attempted to promote a visual illusion so that the portrait was also the first Slade Professor of Fine Art at the University can be seen as a single image in another dimension, of Oxford, where he established the Ruskin School of Art. emerging from the surface of the support. It is a paradoxical approach, achieved by stimulating a visual illusion.
[Show full text]
Ruskin in Sheffield 2015
www.guildofstgeorge.org.uk ISSN 2053-8715 (print) ISSN 2053-8839 (online) The Guild of St George The Companion No. 16 (2016) Beautiful Peaceful Fruitful Front cover: ‘New life in the Wyre Forest’, photograph by Lynne Roberts, 2015. The Companion is edited, designed & The charity for arts, crafts and the rural economy, founded by John Ruskin in 1871. published by the Guild’s Communications Registered charity 231758. Limited company no. 12583. Officer, Dr Stuart Eagles. <www.guildofstgeorge.org.uk> CONTENTS (Editorial) TREASURES OF THE RUSKIN COLLECTION Stuart Eagles 3 THE GUILD A LETTER FROM THE MASTER OF THE GUILD Clive Wilmer 5 Master: JOHN RUSKIN’S BOTANICAL BOOKS David Ingram 7 Clive Wilmer (Review) Eagles, Miss Margaret Knight & Sheepscombe James S. Dearden 11 Directors: RUSKIN IN SHEFFIELD 2015: AN INTRODUCTION Janet Barnes 13 Janet Barnes RUSKIN IN SHEFFIELD & FREEMAN COLLEGE Carole Baugh 17 Rachel Dickinson ON LECTURING AT WALKLEY & TOTLEY Mark Frost 19 Chris Harris POP-UP RUSKIN MUSEUM, WALKLEY Ruth Nutter 20 John Iles BOOTS, FRESH AIR AND GINGER BEER Sally Goldsmith 21 Peter Miller REMEMBERING ST GEORGE’S MUSEUM & SWAN Richard Watts 24 Jenny Robbins (Speech) THE FOUNDATION OF ST GEORGE’S MUSEUM Clive Wilmer 25 (Speech) REMEMBERING HENRY SWAN Clive Wilmer 26 Clive Wilmer COMPANIONS’ DAY, SHEFFIELD, 2015 Jacqueline Yallop 27 Robert Wilson RUSKIN, POETRY, & THE POP-UP MUSEUM Fay Musselwhite 29 NA Officer: THE THIRD JOHN RUSKIN PRIZE Peter Miller 33 Sara Atwood ON WINNING THE STUDENT PRIZE Robin Sukatorn 34 Administrator: GRANDPA’s PEACH Bob Steele 35 Martin Green AMERICAN NOTES Jim Spates & Sara Atwood 38 Communications Officer: (info box) RUSKIN ART CLUB, LA 40 Stuart Eagles THE VICTORIAN WEB Jim Spates 41 USING YOUR MONEY FOR GOOD: A SYMPOSIUM Catherine Howarth 42 The Editor would like to thank all THE SECOND WHITELANDS RUSKIN LECTURE Bernard Richards 42 contributors to this issue of the magazine—writers, photographers (Film review) MANY BEAUTIFUL THINGS Jim Spates 45 and illustrators.
[Show full text]