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Porticolibrerias.Es Muñoz Seca, 6 Tel PÓRTICO LIBRERÍAS www.porticolibrerias.es Muñoz Seca, 6 Tel. 976 35 70 07 50005 ZARAGOZA • España Fax (+34) 976 35 32 26 Responsable de la Sección: Concha Aguirre MÚSICA 23 de abril 2011 — Día del libro 10% de descuento para los pedidos de esta selección que se envíen entre los días 18 al 25 de abril exclusivamente por correo electrónico sin mezclar con otros títulos y citando «Día del libro». 10% discount to orders of these titles sent to us between 18 and 25 of April by e-mail separately and quoting «Día del libro». 001 ABELES, H. F. / L. A. CUSTODERO, EDS.: CRITICAL ISSUES IN MUSIC EDUCATION. CONTEMPORARY THEORY AND PRACTICE 2010 – xii + 356 pp., 4 fig. € 58,00 002 AGAWU, K.: MUSIC AS DISCOURSE. SEMIOTIC ADVENTURES IN ROMANTIC MUSIC 2009 – vii + 336 pp., 110 not. € 37,75 ÍNDICE: 1. Theory: Music as language — Criteria for analysis I — Criteria for analysis II — Bridges to free composition — Paradigmatic analysis — 2. Analyses: Liszt, Orpheus (1853-4) — Brahms, Intermezzo, op. 119 no.2 (1893), Brahms, Symphony no. 1/II (1872-76) — Mahler, Symphony no. 9/I (1908-09) — Beethoven, String quartet op. 130/I (1825-26), Stravinsky, Symphonies of wind instruments (1920) — Epilogue. 003 AGUSTONI, L. / J. B. GOESCHL: INTRODUZIONE ALL’INTERPRETAZIONE DEL CANTO GREGORIANO, 2: ESTETICA, 2 VOLS. 2009 – 836 pp. € 94,00 004 ALMEN, B.: A THEORY OF MUSICAL NARRATIVE 2008 – xiv + 248 pp., 44 not. € 34,80 ÍNDICE: 1. A Theory of Musical Narrative: An introduction to narrative analysis: Chopin’s Prelude in G major, op. 28, no. 3 — Perspectives and critiques — A theory of musical narrative: conceptual PÓRTICO LIBRERÍAS Música_23 de abril_Día del ñibro 2 considerations; analytical considerations — Narrative and topic — 2. Archetypal Narratives and Phases: Romance narratives and Micznik’s degrees of narrativity — Tradic narratives: an extended analysis of Schubert, Piano sonata in Bb major, d. 960, first movement — Ironic narratives: subtypes and phases — Comic narratives and discursive strategies — Summary and conclusionn. 005 ALVAREZ BARRIENTOS, J. / B. LOLO, EDS.: TEATRO Y MUSICA EN ESPAÑA: LOS GENEROS BREVES EN LA SEGUNDA MITAD DEL SIGLO XVIII 2008 – 526 pp., not. € 28,00 ÍNDICE: 1. Teatro breve e historiografía: J. Álvarez Barrientos: Acerca de la historiografía sobre el teatro breve del siglo XVIII. La musa y la crítica castizas como defensoras de la patria amenazada — B. Lolo: Sainetes y tonadillas con música en el Madrdid del siglo XVIII (1750-1765) — A. Le Duc: Los géneros breves: continuidad y rupturas en la primera mitad del siglo XIX — 2. Tonadilla escénica: R. Pérez Mora: El villancico de tonadilla, un digno antecedente de la «tonadilla escénica» — J. Díaz: Instrumentos musicales en la tonadilla — A. Pessarrodona: Aportaciones al estudio del uso del catalán en el teatro barcelonés del siglo XVIII a partir de la tonadilla escénica — C. I. Pina Caballero: La figura del murciano en la música escénica dieciochesca — A. Presas: Aproximación a la forma literario-musical de las seguidillas en la tonadilla escénica — M. Fernández Pan: Los hermanos Raboso y la tonadilla «Los dos hermanos» de José Lidón — E. Le Guin: Hacia una revalorización de la tonadilla tardía — L. Crespillo: Tonadillas y tonadilleras en «la novela teatral» — 3. Sainetes: A. Romero Ferrer: El sainete y la tonadilla escénica en los orígenes del costumbrismo andaluz — A. Calderone: El texto espectacular de los sainetes — M. Coulon: Müsica y sainetes. Ramón de la Cruz — M. L. Tobar: Dos sainetes representados por la compañía de Manuel Mar´tinez con la comedia de carnaval de 1774 — J. M. Sala Valldaura: Pablo Esteve, sainetero: «Despedido quien despide» y «El calderero y la vecindad» — H. Falk: La participación musical en los sainetes de Luis Moncín — C. Peytavy: Música, canto y baile en los sainetes de Sebastián Vázquez (1773-1793) — M. R. Leal Bonmati: «Las besugueras», de Gaspar Zavala y Zamora — 4. Otros géneros breves: E. Huertas: Raras pequeñas especies dramático-musicales — M. Angulo: Los melólogos de Comella-Laserna en el ideal ilustrato de expresión teatral — G. Labrador López de Azcona: MOmentos musicales en los melólogos de Laserna-Comella. Música, texto y pantomima en la escena madrileña de finales del s. XVIII — G. Mera: La danza, el baile, los saraos, la danza escsénica y los bailes populares. Notas y precisiones sobre su estado en la España ilustrada — A. Aguerri: Catalogación de los apuntes de teatro en la Biblioteca histórica municipal — A. Presas: Apéndice bibliográfico. 006 ARRIETA, E.: LA CONQUISTA DI GRANATA. DRAMMA LIRICO IN TRE ATTI. LIBRETO DE T. SOLERA. EDICION CRITICA DE R. SOBRINO Y M. E. CORTIZO 2007 – lvii + 682 pp., not. € 50,00 007 BAILEY, T.: THE CHANTS OF THE AMBROSIAN OFFERTORY: THE ANTIPHONS ‘AFTER THE GOSPEL’ AND THE OFFERENDAE 2009 – iv + 269 pp. € 79,50 ÍNDICE: The liturgical function of the antiphons ‘after the gospel’ and the offerendae — The authentic antiphonae post evangelium — The general nature, performance and distribution of the antiphonae post evangelium — Analysis of assignments I: The antiphons ‘post evangelium’ of the temporale — Analysis of the assignments II: The antiphons ‘post evangelium’ of the sanctorale — The authentic offerendae — The nature and distribution of the offerendae — Analysis of the assignments III: the offerendae of the temporale — Analysis of the assignments IV: the offerendae of the sanctorale — Offerendae, offertoria, versus, communia: some generalities and conclusions — Appendices: 1(a): The antiphonae post evangelium in liturgical order with scriptural sources — 1(b): The antiphonae post evangelium in alphabetical order with scriptural sources and assignments — 2(a): The offerendae in liturgical order with scriptural sources — 2(b): The offerendae alphabetically by caput, their scriptural sources and assignments — 3: Offerendae and verses PÓRTICO LIBRERÍAS Música_23 de abril_Día del ñibro 3 with roman-gregorian counterparts — 4(a): AMS assignments of the offertoria of the Sanctorale in liturgical order — 4(b): AMS assignments of the offertoria of the Sanctorale in alphabetical order. 008 BAJEN GARCIA, L. M.: MUSICAS DE LA TIERRA. MELODIAS, BAILES Y MUSICOS POPULARES EN LA PROVINCIA DE ZARAGOZA 2010 – 453 pp., 2 com., fot., lám.col. € 40,00 009 BALL, P.: EL INSTINTO MUSICAL. ESCUCHAR, PENSAR Y VIVIR LA MUSICA 2010 – 515 pp. € 28,00 010 BARCE, R.: LAS PALABRAS DE LA MUSICA. ESCRITOS DE RAMON BARCE. J. F. DE DIOS HERNANDEZ Y E. MARTIN, EDS. 2009 – 789 pp., fot. € 38,00 011 BARNETT, G.: BOLOGNESE INSTRUMENTAL MUSIC, 1660-1710. SPIRITUAL COMFORT, COURTLY DELIGHT, AND COMMERCIAL TRIUMPH 2008 – xix + 394 pp., 19 fig., 185 not. € 80,00 012 BARRERO BALADRON, J. M. / G. A. C. DE GRAAF: EL ORGANO DE SANTA MARINA LA REAL DE LEON Y LA FAMILIA DE ECHAVARRIA, ORGANEROS DEL REY 2004 – 290 pp., fig., 61 fot., lám.col. € 22,00 013 BENOIT, M. / E. KOCEVAR, EDS.: RECHERCHES SUR LA MUSIQUE FRANÇAISE CLASSIQUE, 31: PRATIQUES INSTRUMENTALES AUX XVIIE ET XVIIIE SIECLES 2007 – 227 pp., fig. € 46,00 ÍNDICE: Articles: J. Couture: Nouvelles perspectives sur le répertoire français pour clavecin au XVIIe siècle — M. Écochard: Anciens et nouveaux instruments dans la France du XVIIe siècle: l’exemple du hautbois — L. Charles-Dominique: Le hautbois dans la tradition ménétrière toulousaine: du symbole consulaire à l’instrument de la fête et de la danse — B. Haynes: Le ton de la chambre du roy — Documents: X. Domino: Antoine Lefebvre (1644?-1709), maître facteur d’orgues et de clavecins — D. Amann: Le séjour à Toulon d’André Campra — E. Kocevar: L’orgue du collège Louis-le-Grand au XVIIe siècle à la lumière d’un marché d’orgues inédit — J.-P. C. Montagnier: Rameau, le «Menuet en rondeau» de La Méchanique des doigts et le problème de la forme musicale — B. Scheibert: Who wrote a 1769 book that is tied to the Paris Opera? 014 BIGET-MAINFROY, M. / R. SCHMUSCH, EDS.: «L’ESPRIT FRANÇAIS» UND DIE MUSIK EUROPAS. ENTSTEHUNG, EINFLUSS UND GRENZEN EINER AESTHETISCHEN DOKTRIN / «L’ESPRIT FRANÇAIS» ET LA MUSIQUE EN EUROPE. EMERGENCE, INFLUENCE ET LIMITES D’UNE DOCTRINE ESTHETIQUE. FESTSCHRIFT FÜR HERBERT SCHNEIDER 2007 – xxix + 839 pp. € 93,60 ÍNDICE: 1. «L’esprit français» comme doctrine esthétique – théorie musicale, critique et idéologies: B. Norman: Truth and beauty, beauty and truth: is there a classical french esthetic? — A. Di Profio: «...l’opéra italien n’est pas autre chose qu’un concert...» Aventures et mésaventures d’un topos critique — F. Brusniak: Zum französischen Einfluss auf die musikalische Bildung des Philanthropisten Christian Carl André (1763- 1831) — P. Jost: Grétrys Mémories ou essais sur la musique und ihre zeitgenössischen deutschen Übersetzungen — M. Fend: Der Lexikograph auf dem Kriegspfad: Momignys Polemik gegen die PÓRTICO LIBRERÍAS Música_23 de abril_Día del ñibro 4 französische Oper in der Encyclopédie méthodique — J. Mongrédien: Entre Italie et France: malentendus et vicissitudes d’un transfert culturel — M. Brzoska: Joseph d’Ortigue. Der «Esprit» des Neokatholizismus und das «Kunstwerk der Zukunft» — C. Schneider: L’analyse au service de l’expression musicale dans les écrits théoriques de Mathis Lussy — 2. Tradition courtoise et culture aristocratique: M. Bielitz: Ist Deutschland für die Musikgeschichte des Mittelalters wichtig? — W. Frobenius: Plourés, dames. Zur Balladenmelodik Machauts — N. Schwindt: Die burgundische Formel — W. Salmen: Fontainiers und «l’orgue hydraulique» im 16. und 17 Jahrhundert — P. Béhar: La «Tragédie en musique» et la tradition de l’esthétique de cour — J. S. Powell: Music and Corneille’s Andromède — R. Harris-Warrick: Dance and representation in the operas of Lully — J. de La Gorce: La musique et la danse dans les spectacles donnés par la troupe de Rosidor à Stockholm autour de 1700 — S. Bouissou: A la cour de Parme, une chorégraphie de Jean-Philippe Delisle pour Acis et Galatée — 3. Le chant – l’art populaire: R. Schmusch: Der anamnetische Rhythmus – «Le Chant des oyseaulx» in Clément Janequins Triptychon von 1528 — F. Gétreau: Philippot le Savoyard – Portraits d’un Orphée du Pont-Neuf mêlés de vaudevilles, d’images et de vers burlesques — A.
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