DOCSLIB.ORG

Home Movies Is the Moving Back- Will Not Come Off and If Used Will Rele- Ground Title

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Home Movies Is the Moving Back- Will Not Come Off and If Used Will Rele- Ground Title 'AktlkPM Scanned from the collections of The Library of Congress Packard Campus for Audio Visual Conservation www.loc.gov/avconservation Motion Picture and Television Reading Room www.loc.gov/rr/mopic Recorded Sound Reference Center www.loc.gov/rr/record It’s easy to make good movies with CINE- KODAK K Tins amazingly ingenious home you can “make bright, sparkling, movie camera is easier to operate fall-e6lp> movies even on dull most popular ol than many “still” cameras. Right days. interchangeable lenses, from the start it gives you out- ranging from wide angle to a 6- 1 6 mm. Home standingly good movies. As you inch telephoto, are available, Movie Cameras progress, its finger-tip versatility further widening the scope of the keeps pace. Which is undoubtedly Cine-Kodak K. why the “K” is the most widely Features of the “K” include: used 16 mm. camera in the world. built-in exposure guide; perma- The “K,” with/. 1.9 or/.3.5 lens, nently attached winding crank; If it is complete equipment for all half-speed device; two finders isn't an ordinary ... and many extraordi- (eye-level and waist-high); auto- Eastman. nary. .home movie requirements. matic footage indicator. Price, it isn*t a Kodak With the/.1.9 lens, a Kodacolor $112.50 with /. 3.5 lens; $152.50 Adjustable Filter and Cine-Kodak with /. 1.9 lens, complete with Super-sensitive Kodacolor Film carrying case. At your dealer’s. CODE 7 Eastman Kodak Company, Rochester, N. I S OCT -8 1934 ©Cl B 24652 H O M MO VI Published monthly by the Homovie Publishing Co., 6362 Hollywood Blvd., Hollywood, Calif. Vol. 1 October, 1934 CONTENTS YOUR OWN Highly Perfected Family Olympics . Talking Picture Shoot Your Pets . THEATRE Free Movie Film . 6V ICTOR has made the 16mm Sound-on-Film How To Shoot It . Talking Motion Picture as practical as the silent film for Business, School, Church, and Home appli- cation. Using A Splicer . Write for literature and arrange for demon- Eight MM Finder .... 8 strations. Victor Animatograph Corpn. Trick O’ The Month ... 9 DAVENPORT, IOWA, U. S. A. 242 W. 35th St., N. Y. C. 650 S. ©rand, Los Aogeles Exposure Guide 11 Crawling Baby ..... 12 Questions and Answers ... 16 Subscription: U. S.,,j£1.00 a year, Canada, $1.50 a year, foreign, $2.00 a year. Single copies, 10^t ^Foreign single copies, 20c. Advertising.. Rates on Ap- plication. AnimAT®PHonE Copyright, 1934 by Homovie Pub. Co, FAMILY CLyMDICS he Location for this picture can scene, drive up to its parking spot. All T be either your own backyard, a of the foregoing is a long-shot. nearby empty lot, the local park, or a Scene 4. Close-up of the car as every- picnic ground. In the event you do not one is trying to get out at the same time. want to shoot it as a family picture, you (This shot can be elaborated upon if you have the background for a good con- wish to secure individual shots of the tinuity at a picnic or some other outing various youngsters trying to squeeze you might attend. past grown-ups or trying to get through Its greatest charm and entertainment the doors two at a time.) value, however, is undoubtedly as a fam- Scene 5. Long-shot taking in every- ily record. It permits the taking in of one in the party. Showing Mother the whole family and any number of piling up food. Father opening bundles. friends and relatives you desire. Kids out playing leap - frog, somer- We are giving you what might be saulting, rolling in grass, etc., as kids called a casual outline. We do not know will when they hit the open spaces. Per- your surroundings, the athletic procliv- mit the kids to let off steam. ities of your family members. Here’s Scene 6. Follow Dad with the cam- the basic idea ; add or subtract to your era. He sits down on the ground, opens heart’s content. the paper, starts to read. Scene 1. A long-shot of the family Scene 7. Shoot over Father’s shoul- car in front of the house and the entire der, show sport page, and be sure to family, each carrying something down show the illustration of an athlete, pref- the walk to deposit it in the car. erably a runner. Scene 2. A close-up of everyone pil- Scene 8. Shoot front view of Dad ing into the car. You can break this up reading. into a number of shots if you desire. cene 9. Shoot close-up of Dad ; have Showing all crowding around the door. S him lift his head and register idea. Then working in closer and possibly Scene 10. Work back a ways for a shooting all of the feet endeavoring to quarter-shot and have Dad waving his be the first to get on the running board. arm as though calling someone to him Then to the eager faces of each as they and shouting. demand to get started. Scene 11. Same action as in Scene 10, Scene 3. Shoot this as a long-shot of but make this a long-shot to show that the picnic grounds. With no one in the Dad is calling the kids to him. Hold scene. Then let the car come into the this shot as kids come up to him. cene 12. Show Dad pointing to tributing sacks. Show each kid getting S paper and talking to kids. into sack. Also show Dad getting into (i TITLE: Let's see who's the great- sack. est athlete in the family. We'll put on Scene 18. Show all in their sacks at our own Olympics." starting line. Scene 13. setting same as Camera Scene 19. Here you can get a very Scene 12. But have kids indicate ap- effective shot of Mother. Would sug- proval and great jubilation over the idea. gest you shoot this from a low angle, Scene 14. Long-shot showing kids rather close, so as to take large close-up setting stakes to indicate starting point. of head. Show whistle in her mouth as Mother putting table alongside of the she extends cheeks to blow whistle for starting line. Father carrying bundle starting of race. Cut to — up to starting line. Scene 20. Everyone making the first Scene 15. If you wish you can break this up into a series of close-ups, one jump from the starting line. You’ll get showing Mother at the table, putting plenty of action in this, but especially pencil, paper and whistle on the table. from Father. Another of Father placing a lot of sacks cene 21.—Get some of the kids in alongside of the starting line. And S close-up falling over ; especially another showing the kids driving stakes Father. You can follow the bag race with and stretching a string tight to the as many races as you want to have. Some ground between the stakes. You can raise of them, of course, you will only show from this shot and show other children as flashes in your picture. After each in long-shot marking off another set of race show the presenting by Mother of a stakes some distance away to indicate prize, a stick of candy or something like the finishing line. that. You can put on the three-legged Scene 16. Show Dad distributing race, the potato race, the race of taking sacks. You can follow this up with a off shoes, running to other end, return- TITLE: “The First Event is a ing, putting them on, and then to goal. Sack Race." Egg race, of pushing egg with nose ; etc. Scene 17. close-shot A of Dad dis- Continued on page ten 3 where about the grounds. You set your SHCCT camera to film him as he wakens. You may possibly secure several good shots here. If something awakened him that ycuc demands he be on the job protecting his master’s good, you’ll find him jerk his PETS head up, raise his ears and listen in- tently. Then he jumps to his feet and is off about his policing business. bserve Your Pets, let’s say for If you want to make a continuity of O just one week, with a “photo- this you can in cut a house bell ringing graphic eye.” You’ll be surprised how between the time he raises his head and shots many you’ll find that would make the time he gets to his feet. fine movie material. they in- As do the This is merely a suggested shot. If teresting things, figure where you would you wish to carry that continuity fur- put the camera, what angle you would ther and show him either greeting some- shoot, how you would follow the par- one or keeping someone off the grounds, ticular scene. we believe you will be happier with your You can’t possibly get inter- a more picture if you do not show the full figure esting and entertaining picture than a of the human being, but merely his reel of your pets, whether they are sin- lower legs and feet. Let the animals gular or plural. Did you ever notice predominate in this reel. the exclamations an animal in a profes- ome animals may have a fear of the sional picture invariably brings from the S noise made by the whirring camera. audience ? Accustom them to this noise before you Let’s give somewhat of a list of pets start actual shooting.
Load more

Recommended publications
  • Northeasthistoricfilmcarlson 39
    NortheastHistoricFilmCarlson 1/29 Please review the Application Guidelines for details about the information requested in this proposal. Fields marked with an asterisk are required. Eligibility To be eligible for a Digitizing Hidden Collections grant in 2016, applicant projects must meet the following requirements: Minimum allowable request for 2016: $50,000 Maximum allowable request for 2016: single-institution projects: $250,000 / collaborative projects: $500,000 Minimum allowable project term: 12 months Maximum allowable project term: single-institution projects: 24 months / collaborative projects: 36 months Projects must begin between January 1 and June 1, 2017 Single-institution projects must be completed by May 31, 2019 Collaborative projects must be completed by May 31, 2020 Is this a collaborative project? Yes/No Yes What is the size of the request? NOTE: The minimum acceptable request in this program, for all projects, is $50,000. Single-institution projects can request no more than $250,000. Collaborative projects can request no more than $500,000. Amount Requested $322,092 Provide the proposed project length in whole months, and list the project start and end dates. NOTE: All projects must begin between January 1 and June 1, 2017. The minimum project length, for all projects, is 12 months. Single-institution projects can last up to 24 months and must end by May 31, 2019. Collaborative projects can last up to 36 months and must end by May 31, 2020. Project length (months) 18 Project Start Date 01/01/2017 Project End Date 06/30/2018 NortheastHistoricFilmCarlson 2/29 A note regarding principal investigators: An individual may not be named as a principal investigator (PI) on more than one proposal, and may not serve as PI on two funded projects simultaneously.
    [Show full text]
  • PDF (142.67 Kib)
    At the Crossroads of Jim Donnelly Metal Music West Coast News and Comedy By Justine Taormino ’06 By Peter Gordon ’78 Northern California alumni are abuzz At the improbable intersection of Brendon Small ’97 with news of their work in a variety metal music, animated TV, and stand- of areas. Here are some recent high- up comedy, the story of guitarist, com- lights. poser, actor, and producer Brendon sitcom that aired from 1999 to 2004. Benjamin Flint ’85 of Oakland led Small ’97 stands apart. Metal fans Although he also provided the show’s two Diablo Valley College jazz choirs worldwide know him as the creative music, he rapidly became better Reno Jazz Festival where they took first mastermind behind the smash-hit ani- known as a comedian. and third places in their division. Flint mated TV show Metalocalypse and the Toward the end of the show’s run, also directs the Oakland Jazz Choir and metal bands Dethklok and Galaktikon. Small began to turn back to the guitar. has taught at Jazz Camp West. Small’s unique journey began in “I was so excited to hear what people This fall, saxophonist Sonya the laid-back northern California town were doing in metal,” he says. “They Jason ’85 of Montara, will release of Salinas, where he remembers spend- were actually playing their instruments Feels So Good: Live in Half Moon Bay, ing long hours practicing guitar and incredibly well! I now had the comedy her fourth solo album. Recorded live re-watching VHS copies of his favorite chops and could write, thanks to Home at the legendary jazz venue Bach comedies.
    [Show full text]
  • The Uses of Animation 1
    The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator.
    [Show full text]
  • H Jon Benjamin on Getting Noticed
    H Jon Benjamin On Getting Noticed Patin universalizing double-quick? Accordant and erect Cyril tag while scarred Billie even her Madison creepingly and chelated cross-legged. Permitted Lonnie never noising so seemingly or barber any purlers insuperably. Rebecca romjin is getting a sliding scale. Drank with my buddies and watched the Maniac episode of Always Sunny. We are happily again is cоnnеctеd to increase property in front door until i noticed your notice will likely to each? 25 Best H Jon Benjamin Memes Benjamins Memes Alan. The brain Game Screenshot Thread or HEAVY. Expect you on dvd show lazy loaded on everyone still need for your business? For review it say like getting as the wheel just a Porsche. Just wanted rid of something dead ends 0 replies 0 retweets 0 likes. Should you good making plans for going children the law enforcement officials, I guess. H Jon Benjamin Wet Hot American what I describe like jump time come watch. Do not have starring you meet the h jon benjamin on getting noticed that more successful finance or where i will start? Was quite helpful post for ever gets through without no sense about h jon benjamin on getting noticed as soon as someone always think? Otherwise I call forward the video to siege your friends. Short film Adam Spielman. Was for watching Bobs Burgers and even worse a laugh you two out found it. It's the Gene who gets noticed in the crowd for harm spirit and cheering ability. Happy living what was're getting but yes's very rational to control on Hulu.
    [Show full text]
  • Videotape and Home Movie Day
    Videotape and Home Movie Day Incorporating video into a Home Movie Day event presents a host with technological and curatorial challenges. You’ll need to bring even more equipment including numerous decks, cables galore, and something to show tapes on, either a video projector or a large enough monitor. Since videotapes can go on for hours, you’ll need to set time limits in advance so no one person takes up more time than other attendees. But with a little planning you can easily be showing families’ histories recorded on tape alongside those on good ol’ small gauge film. Equipment Needs There is a daunting number of consumer-level videotape and optical video formats. But just as you can't expect to have a projector for every film format, you shouldn't expect to support every video format. In our experience, the most popular formats are VHS and Video8. DVD is also common format for people bringing in already-transferred home movies. You’ll need to balance your expectations of what video formats your particular audience will be bringing in with how much effort it will be to bring in a particular format. Other video formats to consider include, but are not limited to, Hi8, Digital8, Betamax, DV, SHS, and VHS-C. And don’t forget the difference between PAL, NTSC, and SECAM. Also, don’t forget to have enough cords and adapters to connect video decks to the monitor/projector. Depending on how many decks you are bringing to your HMD event, you might want to consider getting a video switcher.
    [Show full text]
  • Introduction to Confess the Gay Away? Media, Religion, and the Political Economy of Ex-Gay Therapy
    Introduction to Confess the Gay Away? Media, Religion, and the Political Economy of Ex-gay Therapy by Michael Thorn A PORTION OF THE DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN COMMUNICATION AND CULTURE YORK UNIVERSITY TORONTO, ONTARIO April 2015 ©Michael Thorn, 2015 1 Introduction: Confess Thy Self? In the media debate surrounding the Christian ex-gay movement, the phrase “pray the gay away” is often used as shorthand to describe the movement’s religiously mediated sexual orientation conversion efforts. However, when one digs deeper, not just into ex-gay practices, but into the debate itself, it becomes clear that ex-gay change—regardless of whether effective or not—is less about prayer than confession and testimony. Consider writer-director Jamie Babbit’s film But I’m a Cheerleader, a campy, comedic tale of a lesbian cheerleader forced into an ex-gay conversion camp (featuring drag queen Ru Paul in a rare not-in-drag performance). The film, which premiered at the Toronto International Film Festival in September 1999, is the second fictional pop culture text to depict the movement1 and it is all about confession. It is an iconic depiction, an intervention in the debate that is frequently referenced and imitated. It is mentioned in a 2011 documentary called This is What Love in Action Looks Like about real-life teenager Zach Stark being forced into an ex-gay conversion program; it is imitated in both a 2007 episode of the popular Comedy Central animated satire South Park, in which the character Butters is forced into an ex-gay conversion program, and a 2013 episode of Saturday Night Live featuring Ben Affleck as an ex-gay counsellor.
    [Show full text]
  • How Existing Social Norms Can Help Shape the Next Generation of User-Generated Content
    Everything I Need To Know I Learned from Fandom: How Existing Social Norms Can Help Shape the Next Generation of User-Generated Content ABSTRACT With the growing popularity of YouTube and other platforms for user-generated content, such as blogs and wikis, copyright holders are increasingly concerned about potential infringing uses of their content. However, when enforcing their copyrights, owners often do not distinguish between direct piracy, such as uploading an entire episode of a television show, and transformative works, such as a fan-made video that incorporates clips from a television show. The line can be a difficult one to draw. However, there is at least one source of user- generated content that has existed for decades and that clearly differentiates itself from piracy: fandom and “fan fiction” writers. This note traces the history of fan communities and the copyright issues associated with fiction that borrows characters and settings that the fan-author did not create. The author discusses established social norms within these communities that developed to deal with copyright issues, such as requirements for non-commercial use and attribution, and how these norms track to Creative Commons licenses. The author argues that widespread use of these licenses, granting copyrighted works “some rights reserved” instead of “all rights reserved,” would allow copyright holders to give their consumers some creative freedom in creating transformative works, while maintaining the control needed to combat piracy. However, the author also suggests a more immediate solution: copyright holders, in making decisions concerning copyright enforcement, should consider using the norms associated with established user-generated content communities as a framework for drawing a line between transformative work and piracy.
    [Show full text]
  • The Oral History of Peter C. Bernhard -- Chairman of the Nevada Gaming
    \\jciprod01\productn\N\NVG\4-2\NVG203.txt unknown Seq: 1 16-JAN-14 14:00 THE ORAL HISTORY OF PETER C. BERNHARD CHAIRMAN OF THE NEVADA GAMING COMMISSION I. INTRODUCTION Mr. Bernhard has had an incredibly distinguished career in Nevada gam- ing. In 2001, Mr. Bernhard was appointed to serve as chairman of the Nevada Gaming Commission by former Governor Kenny Guinn.1 By virtue of his tal- ent and knowledge, Mr. Bernhard has retained this position having been appointed by three consecutive governors. His tenure is the longest in the his- tory of the Commission. As chairman, Mr. Bernhard heads a gaming regulatory system that is used as a model throughout the world.2 Moreover, his leadership on the Commission has been instrumental in a time of incredible technological advancement in gaming. 1 See About the Commission Members, NEV. ST. GAMING CONTROL BD., http://gaming.nv .gov/index.aspx?page=213 (last visited Oct. 31, 2013). 2 See Wang Wuyi, Learn from the Nevada Model to Reform Macao’s Casino Regulatory System, in MACAO & SINO-U.S. RELATIONS 167, 168 (Yufan Hao & Jianwei Wang, eds., 2011). 189 \\jciprod01\productn\N\NVG\4-2\NVG203.txt unknown Seq: 2 16-JAN-14 14:00 190 UNLV GAMING LAW JOURNAL [Vol. 4:189 Prior to his post on the Nevada Gaming Commission, Mr. Bernhard served as chairman of the Nevada Commission on Ethics.3 In his private law practice, Mr. Bernhard has extensive experience in commercial litigation, gaming law, and real estate transactions. He has been regularly recognized among the best lawyers in America and has played significant roles in the defense and recep- tion of some of the largest liability claims in state history.4 Mr.
    [Show full text]
  • Documentary Movies
    Libraries DOCUMENTARY MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Days that Unexpectedly Changed America DVD-2043 56 Up DVD-8322 180 DVD-3999 60's DVD-0410 1-800-India: Importing a White-Collar Economy DVD-3263 7 Up/7 Plus Seven DVD-1056 1930s (Discs 1-3) DVD-5348 Discs 1 70 Acres in Chicago: Cabrini Green DVD-8778 1930s (Discs 4-5) DVD-5348 Discs 4 70 Acres in Chicago: Cabrini Green c.2 DVD-8778 c.2 1964 DVD-7724 9/11 c.2 DVD-0056 c.2 1968 with Tom Brokaw DVD-5235 9500 Liberty DVD-8572 1983 Riegelman's Closing/2008 Update DVD-7715 Abandoned: The Betrayal of America's Immigrants DVD-5835 20 Years Old in the Middle East DVD-6111 Abolitionists DVD-7362 DVD-4941 Aboriginal Architecture: Living Architecture DVD-3261 21 Up DVD-1061 Abraham and Mary Lincoln: A House Divided DVD-0001 21 Up South Africa DVD-3691 Absent from the Academy DVD-8351 24 City DVD-9072 Absolutely Positive DVD-8796 24 Hours 24 Million Meals: Feeding New York DVD-8157 Absolutely Positive c.2 DVD-8796 c.2 28 Up DVD-1066 Accidental Hero: Room 408 DVD-5980 3 Times Divorced DVD-5100 Act of Killing DVD-4434 30 Days Season 3 DVD-3708 Addicted to Plastic DVD-8168 35 Up DVD-1072 Addiction DVD-2884 4 Little Girls DVD-0051 Address DVD-8002 42 Up DVD-1079 Adonis Factor DVD-2607 49 Up DVD-1913 Adventure of English DVD-5957 500 Nations DVD-0778 Advertising and the End of the World DVD-1460
    [Show full text]
  • National Film Registry Titles Listed by Release Date
    National Film Registry Titles 1989-2017: Listed by Year of Release Year Year Title Released Inducted Newark Athlete 1891 2010 Blacksmith Scene 1893 1995 Dickson Experimental Sound Film 1894-1895 2003 Edison Kinetoscopic Record of a Sneeze 1894 2015 The Kiss 1896 1999 Rip Van Winkle 1896 1995 Corbett-Fitzsimmons Title Fight 1897 2012 Demolishing and Building Up the Star Theatre 1901 2002 President McKinley Inauguration Footage 1901 2000 The Great Train Robbery 1903 1990 Life of an American Fireman 1903 2016 Westinghouse Works 1904 1904 1998 Interior New York Subway, 14th Street to 42nd Street 1905 2017 Dream of a Rarebit Fiend 1906 2015 San Francisco Earthquake and Fire, April 18, 1906 1906 2005 A Trip Down Market Street 1906 2010 A Corner in Wheat 1909 1994 Lady Helen’s Escapade 1909 2004 Princess Nicotine; or, The Smoke Fairy 1909 2003 Jeffries-Johnson World’s Championship Boxing Contest 1910 2005 White Fawn’s Devotion 1910 2008 Little Nemo 1911 2009 The Cry of the Children 1912 2011 A Cure for Pokeritis 1912 2011 From the Manger to the Cross 1912 1998 The Land Beyond the Sunset 1912 2000 Musketeers of Pig Alley 1912 2016 Bert Williams Lime Kiln Club Field Day 1913 2014 The Evidence of the Film 1913 2001 Matrimony’s Speed Limit 1913 2003 Preservation of the Sign Language 1913 2010 Traffic in Souls 1913 2006 The Bargain 1914 2010 The Exploits of Elaine 1914 1994 Gertie The Dinosaur 1914 1991 In the Land of the Head Hunters 1914 1999 Mabel’s Blunder 1914 2009 1 National Film Registry Titles 1989-2017: Listed by Year of Release Year Year
    [Show full text]
  • Resource Guide
    Resource Guide To be a working actor includes working hard to get the audition. Not simply to be hired and then working. Listed below are some basic tools to use to seek out auditions and ways to stay in action, even when the auditions may not be flowing forth. But, know that it will require a strong commitment and resilience to any one of the following categories. I recommend focusing on the medium that you most want to make headway on as a starting point. THE THOUGHTS EXPRESSED HERE ARE SIMPLY MY OPINIONS BASED ON MY EXPERIENCES. THERE IS NO GOLDEN RULE ON HOW TO BE HIRED Please note that all Resources that are listed here are really the tip of the iceberg. Other actors have suggested many of these websites and many new website resources are being launched constantly. You can add to this list by maintaining your own ear to the ground. Social Media (Facebook, Twitter) is an excellent place to hear about new site launches and recommendations. There are many endless possibilities! The most important thing is to see the resources as endless opportunities and not limitations imposed. May the force be with you as you create your opportunities. Your fan, Heidi Resource Guide CHASING THE BREAKDOWN First Steps to getting auditions: 1. Live by this maxim that I break down in detail in my classes: TELL THEM HOW TO CAST YOU. Tell the casting director which role(s) you are right for. Casting Directors do not know you as well as you know yourself. You have to tell everyone what to do with you.
    [Show full text]
  • The Music (And More) 2019 Quarter 3 Report
    The Music (and More) 2019 Quarter 3 Report Report covers the time period of July 1st to Kieran Robbins & Chief - "Sway" [glam rock] September 30th, 2019. I inadvertently missed Troy a few before that time period, which were brought to my attention by fans, bands & Moriah Formica - "I Don't Care What You others. The missing are listed at the end, along with an Think" (single) [hard rock] Albany End Note… Nine Votes Short - "NVS: 09/03/2019" [punk rock] RECORDINGS: Albany Hard Rock / Metal / Punk Psychomanteum - "Mortal Extremis" (single track) Attica - "Resurected" (EP) [hardcore metal] Albany [thrash prog metal industrial] Albany Between Now and Forever - "Happy" (single - Silversyde - "In The Dark" [christian gospel hard rock] Mudvayne cover) [melodic metal rock] Albany Troy/Toledo OH Black Electric - "Black Electric" [heavy stoner blues rock] Scotchka - "Back on the Liquor" | "Save" (single tracks) Voorheesville [emo pop punk] Albany Blood Blood Blood - "Stranglers” (single) [darkwave Somewhere To Call Home - "Somewhere To Call Home" horror synthpunk] Troy [nu-metalcore] Albany Broken Field Runner – "Lay My Head Down" [emo pop Untaymed - "Lady" (single track) [british hard rock] punk] Albany / LA Colonie Brookline - "Live From the Bunker - Acoustic" (EP) We’re History - "We’re History" | "Pop Tarts" - [acoustic pop-punk alt rock] Greenwich "Avalanche" (singles) [punk rock pop] Saratoga Springs Candy Ambulance - "Traumantic" [alternative grunge Wet Specimens - "Haunted Flesh" (EP) [hardcore punk] rock] Saratoga Springs Albany Craig Relyea - "Between the Rain" (single track) Rock / Pop [modern post-rock] Schenectady Achille - "Superman (A Song for Mora)" (single) [alternative pop rock] Albany Dead-Lift - "Take It or Leave It" (single) [metal hard rock fusion] Schenectady Caramel Snow - "Wheels Are Meant To Roll Away" (single track) [shoegaze dreampop] Delmar Deep Slut - "u up?" (3-song) [punk slutcore rap] Albany Cassandra Kubinski - "DREAMS (feat.
    [Show full text]