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Winston Duke Shows Off Heroism Security Cameras Updated Campus Surveillance Is in the Process of Being Adjusted and Added To
Tuesday February 4, 2020 The Student Voice of California State University, Fullerton Volume 107 Issue 4 Winston Duke shows off heroism Security cameras updated Campus surveillance is in the process of being adjusted and added to. JESSICA BENDA Editor Following a turbulent semes- ter that sparked questions about the safety of Cal State Fullerton, University Police continues to add and improve security camer- as on campus. One of several ongoing proj- ects was the hiring of the public safety consultant firm Mission Critical Partners, which has been analyzing on-campus cameras DANIEL VENEGAS / DAILY TITAN and its effectiveness. The company is looking at ar- Aaron Aguilar, ASI president (left) and Keya Allen, ASI executive director (right) stand beside actor Winston Duke (center). eas with the greatest need and providing phases for security up- The Marvel and ‘Us’ star and determination are a major from Tobago, Duke moved with “My mother, my sister, my un- dates, said Mike Miller, a busi- electrifed the Titan part of Duke’s life, leading him his family to the United States cle, my extended family, they ness development manager with Student Union. to success as an actor and as a in order for his sister to go to all were the examples of ev- the firm and a CSUF alumnus. person. Those were topics that school. Duke spoke about the erything that I am today. So, I “We might be suggesting a dif- DANIEL VENEGAS Duke shared with the students size of Tobago growing up. learned how to be an entrepre- ferent location or different type of OLIVIA HAWKINS of Cal State Fullerton. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Crimson Peak
1 Crimson Peak Reviewed by Garry Victor Hill Directed by Guillermo Del Toro. Produced by Guillermo Del Toro, Thomas Tull, Callum Greene and Jon Tashi. Executive Producers: Jillian Share & Maguy R. Cohen. Production Design by Thomas E. Saunders. Screenplay by Guillermo Del Toro & Mathew Robbins. Photography by Dan Laustsen. Editing by Bernat Vilplana. Music by Fernando Velázquez. A Universal Pictures Production. Original Release: October 2015. MA rating. Length: 119 minutes. Rating 85% All pictures are taken from the public domain or Wikimedia 2 Cast Edith Cushing: Mia Wasikowska Lucille Sharpe: Jessica Chastain Thomas Sharpe: Tom Huddleston Doctor Alan McMichael: Charlie Hunnam Carter Cushing: Jim Beaver Ogilvie: Jonathan Hyde Mrs McMichael: Leslie Hope Ferguson: Bruce Clay Eunice: Emily Coutts Young Edith: Sofia Wells Finlay: Alec Stockwell Coroner: Bill Lake Reverend: Sean Hewitt Review Crimson Peak is a superior horror film; more of a chiller than a thriller - until the last thirty minutes, then it unleashes thrills and horrors galore. Those last thirty minutes are made all the more effective by the suspenseful build-up. Until then the narrative segments the chilling suspense with brief moments of horror. These not only warn; they tantalise about the mystery on the way to the revealing climax. 3 Almost any viewer will either work out what that mystery, or at the least, aspects of it, long before the naïve heroine Edith Cushing does. Originality is not the film’s strength. Naïve, isolated, inexperienced, young women have been going to dark sinister, isolated, aristocratic houses (and staying there!) since at least 1847, when Jane Eyre was published. -
Arts Array Fall 2017 Visiting Author Opening Reception Reading with Mandy Catron in the Trenches Sunday, August 27 September 7 3 P.M
Arts Array Fall 2017 Visiting Author Opening Reception Reading with Mandy Catron In the Trenches Sunday, August 27 September 7 3 p.m. 6-8 p.m. Sinking Spring Presbyterian Church William King Museum Free for everyone As a companion exhibit to The Great War: Printmakers of World War I the William King Museum of Art has collected memorabilia from the Great War— Abingdon native, Mandy Catron, will read from her best-selling new book, How uniforms, weapons, mess kits—to give visitors a chance to imagine the lives of To Fall in Love with Anyone and lecture on the book’s development. Part memoir, soldiers and civilians who lived during this violent and uncertain period of world part philosophical musing, and part scientific findings, Catron’s book explores history. The full exhibit is available September 1 to November 5. what it means to love someone, to be loved and how we present our love to the world. What makes love last? Can love ever work the way it seems to in Spencer-Miller Concert Series movies and books and on social media? Is there a right way to fall in love? Or even a right person to fall in love with? Copies of the book will be for sale at The Checkers of Sound the event. Sponsored by Washington County Public Library’s “Friends of the Library.” Sunday, September 10 3 p.m. Film Sinking Spring Presbyterian Church Hidden Figures $10 Monday and Tuesday, August 28 and 29 The annual Spencer-Miller concert series 4 p.m. and 7:30 p.m. -
Mako Mori and the Gender Politics of Pacific Rim (2013)
Journal of American Studies of Turkey 39 (2014): 113-122 Mako Mori and the Gender Politics of Pacific Rim (2013) Nathanael Hood Carefully balancing on the top of an escape pod somewhere in the South China Sea, pilots Raleigh Becket (Charlie Hunnam) and Mako Mori (Rinko Kukuchi) embrace after successfully saving the world from an invasion of giant, extra-dimensional monsters known as “kaiju.” This ending from Guillermo del Toro’s Pacific Rim (2013) seems to cohere to traditional narrative tropes within the Western action genre wherein the hero triumphantly kisses his love interest after a great struggle, battle, or fight. And yet, a close inspection of this scene reveals a shocking subversion of this reliable concluding scenario: Becket and Mori do not kiss. They draw close, touch foreheads, and even lean in for a hug as the screen cuts to the credits. But again, they do not consummate their victory with a kiss. The absence of a kiss wasn’t an oversight on del Toro’s part. In fact, it was a conscious creative choice, recounting in an interview that he had filmed three different versions of the scene including one where they did kiss. Del Toro said: “We did one version where they kiss and it almost felt weird. They’re good friends, they’re pals, good colleagues” (qtd. Faraci). The idea that two (supposedly) heterosexual heroes would not fall in love during the course of a film and instead become good friends seems oddly counter-intuitive. For western audiences, the development of romantic feelings concluding with a kiss between the protagonist and their love interest is quintessential for creating a sense of narrative closure (Doane 196). -
Proto-Cinematic Narrative in Nineteenth-Century British Fiction
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-2016 Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction Kara Marie Manning University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Literature in English, British Isles Commons, and the Other Film and Media Studies Commons Recommended Citation Manning, Kara Marie, "Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction" (2016). Dissertations. 906. https://aquila.usm.edu/dissertations/906 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. MOVING WORDS/MOTION PICTURES: PROTO-CINEMATIC NARRATIVE IN NINETEENTH-CENTURY BRITISH FICTION by Kara Marie Manning A Dissertation Submitted to the Graduate School and the Department of English at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved: ________________________________________________ Dr. Eric L.Tribunella, Committee Chair Associate Professor, English ________________________________________________ Dr. Monika Gehlawat, Committee Member Associate Professor, English ________________________________________________ Dr. Phillip Gentile, Committee Member Assistant Professor, -
Las Películas Que Compiten Por El Oso De Oro
Home / Noticias / Las películas que compiten por el Oso de Oro Las secciones de Competición oficial y Berlinale Special de la 67 edición del Festival Internacional de Berlín están ya completas. 18 de las 24 películas que componen la sección oficial competirán por el Oso de Oro y Plata. 22 cintas tendrán su estreno mundial durante el Festival. Por su parte, en Berlinale Special se presentarán nuevos trabajas de cineastas contemporáneos, nuevos documentales y series de todo el mundo. Por tercer año, Berlinale Special Series ofrecerá una selección de series en el programa oficial. En esta ocasión habrá seis series de procedencia alemana y series de todo el mundo se strenarán de forma mundial en el Haus der Berliner Festspiele.. La audiencia podrá disfrutar de los dos primeros episodios de cada serie. Competición Final Portrait, Reino Unido/Francia. Dirigida por Stanley Tucci, cuenta con un reparto lleno de caras conocidas: Geoffrey Rush, Armie Hammer, Clémence Poésy, Tony Shalhoub, James Faulkner y Sylvie Testud. Este será su estreno mundial y está fuera de competición. Hao ji le (Have a Nice Day), China. Filme de animación dirigido por Liu Jian. Estreno mundial. Sage femme (Midwife), Francia/Bélgica. Dirigida por Martin Provost (Le ventre de Juliette, Séraphine, Violette). El reparto está encabezado por Catherine Frot, Catherine Deneuve y Olivier Gourmet. Estreno mundial y fuera de competición. Berlinale Special Berlinale Special Gala en el Friedrichstadt-Palast Maudie, Canadá/Irlanda. Dirigida por Aisling Walsh. Reparto: Sally Hawkins, Ethan Hawke, Kari Matchett, Zachary Bennett. Premiere europea. Berlinale Special Gala en el Zoo Palast The Lost City of Z, Estados Unidos. -
FINAL PORTRAIT L’Arte Di Essere Amici
FESTA MOBILE Riverstone Pictures in associazione con HanWay Films una produzione Potboiler in associazione con Olive Productions, Arsam International e Lowsum Production FINAL PORTRAIT L’arte di essere amici un film scritto e diretto da STANLEY TUCCI Tratto dall’autobiografia di James Lord Un ritratto di Giacometti con GEOFFREY RUSH ARMIE HAMMER Uscita: 8 febbraio 2018 durata: 90 minuti I materiali stampa sono scaricabili dall’area press del sito www.bimfilm.com FINAL PORTRAIT – L’arte di essere amici Cast ARTISTICO GEOFFREY RUSH Alberto Giacometti ARMIE HAMMER James Lord TONY SHALHOUB Diego Giacometti SYLVIE TESTUD Annette Giacometti CLÉMENCE POÉSY Caroline Cast TECNICO REGIA Stanley Tucci SCENEGGIATURA Stanley Tucci SCENOGRAFIA James Merifield FOTOGRAFIA Danny Cohen COSTUMI Liza Bracey TRUCCO E CAPELLI Catherine Scoble MONTAGGIO Camilla Toniolo MUSICA Evan Lurie CASTING Nina Gold 2 FINAL PORTRAIT – L’arte di essere amici SINOSSI Nel 1964, durante un breve viaggio a Parigi, lo scrittore americano e appassionato d’arte James Lord incontra il suo amico Alberto Giacometti, un pittore di fama internazionale, che gli chiede di posare per lui. Le sedute, gli assicura Giacometti, dureranno solo qualche giorno. Lusingato e incuriosito, Lord accetta. Non è solo l’inizio di un’amicizia insolita e toccante, ma anche – visto attraverso gli occhi di Lord – di un viaggio illuminante nella bellezza, la frustrazione, la profondità e, a volte, il vero e proprio caos del processo artistico. FINAL PORTRAIT è l’affascinante ritratto di un genio e la storia di un’amicizia tra due uomini profondamente diversi, eppure uniti da un atto creativo in costante evoluzione. Il film racconta anche le difficoltà del processo artistico – a tratti esaltante, a tratti esasperante e sconcertante – chiedendosi se il talento di un grande artista sia un dono o una maledizione. -
DS 1718-Final-Portrait.Pdf
Un ottimo Geoffrey Rush come interprete, Stanley Tucci come regista, danno vita a una grande sfida: entrare nelle profondità del processo artistico di un artista geniale, Alberto Giacometti, cercando di penetrare senza svelare – perché nel cuore dell’arte c’è un enigma non svelabile – la magia del bello. scheda tecnica un film di Stanley Tucci; con: Geoffrey Rush, Armie Hammer, Clémence Poésy, Tony Shalhoub, James Faulkner, Sylvie Testud, Kerry Shale; sceneggiatura: Stanley Tucci; montaggio: Camilla Toniolo; musiche: Evan Lurie; fotografia: Danny Cohen; Gran Bretagna; 2017, 90’, Distribuzione: BIM. Premi e riconoscimenti 2017- Presentato fuori concorso al Festival Internazionale del cinema di Berlino; Presentato al Torino Film Festival; Candidato per il British Independent Film Award (Best Production Design). Stanley Tucci Uno dei più grandi attori caratteristi dei nostri tempi, Stanley Tucci è nato a Peekskill (la stessa cittadina dello stato di New York che ha dato i natali a Mel Gibson) l'11 novembre del 1960, da genitori di origini calabresi. Dopo aver studiato presso la State University of New York di Purchase, debutta a Broadway nel 1982 con una rappresentazione di The Queen and the Rebels. Da lì all'esordio cinematografico passano sono tre anni: è il 1985, infatti, quando Tucci interpreta il ruolo di un soldato ne L'onore dei Prizzi, diretto da John Huston. Comincia così una lunga carriera che lo vedrà alternare cinema e televisione. In questa prima fase si segnalano la partecipazione a Monkey Shines di George Romero, il ruolo di Lucky Luciano in Billy Bathgate - A scuola di gangster, quello di Vernon nella commedia Beethoven. -
NANA FISCHER Hair and Make-Up Artist IATSE Local 706 Fluent in German, Japanese, English and Some French
NANA FISCHER Hair and Make-Up Artist IATSE Local 706 Fluent in German, Japanese, English and some French FILM BUTTER Department Head Make-Up Branded Pictures Entertainment/ The Kaufman Director: Paul A. Kaufman Company Cast: Various MOWGLI Hair and Make-Up Designer and Prosthetics Artist Warner Bros. Studios Director: Andy Serkins Cast: Rohan Chand, Freida Pinto KIN Personal Hair and Make-Up to James Franco 21 Laps Entertainment Directors: Jonathan Baker, Josh Baker AD ASTRA Department Head Make-Up and Hair Designer New Regency Pictures Director: James Gray Cast: Tommy Lee Jones, Donald Sutherland, Liv Tyler, Ruth Negga, Kimberly Elise, Donnie Keshawarz DON’T WORRY, HE WON’T GET FAR ON FOOT Hair and Make-Up Designer Anonymous Content Director: Gus Van Sant Cast: Joaquin Phoenix, Rooney Mara, Jack Black THE PRETENDERS Hair and Make-Up Designer Pretenders Film Inc Director: James Franco Cast: James Franco, Juno Temple, Jane Levy WHY HIM? Personal Hair and Make-Up to James Franco 21 Laps Entertainment Director: John Hamburg THE DISASTER ARTIST Personal Hair and Make-Up and Prosthetics Artist to Good Universe James Franco Director: James Franco LOST CITY OF Z Hair and Make-Up Designer MICA Entertainment Director: James Gray Charlie Hunnam, Sienna Miller, Robert Pattinson THE LIGHT BETWEEN OCEANS Hair and Make-Up Designer and Personal Hair and DreamWorks SKG Make-Up to Michael Fassbender Director: Derek Cianfrance Cast: Michael Fassbender, Rachel Weisz, Alicia Vikander TRESPASS AGAINST US Personal Hair and Make-Up to Michael Fassbender Potboiler -
Quarterly 3 · 2009
cover_GFQ_3_2009heller.qxp:cover_GFQ_3_2009heller 24.07.2009 15:06 Uhr Seite 1 German Films Quarterly 3 · 2009 AT LOCARNO THE TWO HORSES OF GENHIS KHAN by Byambasuren Davaa AT MONTREAL ALIAS by Jens Junker ANNE PERRY-INTERIORS by Dana Linkiewicz CEASEFIRE by Lancelot von Naso AT VENEDIG DESERT FLOWER by Sherry Hormann SOUL KITCHEN by Fatih Akin PORTRAITS Almut Getto, Niko von Glasow, UFA Cinema, Alice Dwyer Inhaltsverz_GFQ3_2009.qxp:Inhaltsverz_GFQ3_2009 24.07.2009 15:01 Uhr Seite 1 German Films Quarterly 3 · 2009 directors’ portraits 4 A STROKE OF LUCK A portrait of Almut Getto 6 SHAKING AND STIRRING A portrait of Niko von Glasow producers’ portrait 8 NEW KIDS ON THE BLOCK A portrait of UFA Cinema actress’ portrait 12 SENSUALITY WITH PRINCIPLES A portrait of Alice Dwyer 14 news in production 18 BIS AUFS BLUT Oliver Kienle 18 BLACK DEATH Christopher Smith 20 FRECHE MAEDCHEN 2 Ute Wieland 20 GLUECKSRITTERINNEN Katja Fedulova 21 HABERMANN Juraj Herz 22 DER HUNGERWINTER 1946/47 Gordian Maugg 23 DIE JAGD NACH DER HEILIGEN LANZE Florian Baxmeyer 24 LUKS GLUECK Ayse Polat 25 NANGA PARBAT Joseph Vilsmaier 26 ORIENT EXPRESS THEATRE TRAIN Martin Andersson, Steffen Duevel 27 ORLY Angela Schanelec 27 RUMPE & TULI Samy Challah, Till Nachtmann, Stefan Silies 29 DER SANDMANN Jesper Moeller, Sinem Sakaoglu, Helmut Fischer 30 SATTE FARBEN VOR SCHWARZ Sophie Heldman 31 DAS SCHWEIGEN Baran bo Odar 32 THEMBA Stefanie Sycholt new german films 34 ALIAS Jens Junker 35 ANNE PERRY – INTERIORS Dana Linkiewicz 36 AYLA Su Turhan Inhaltsverz_GFQ3_2009.qxp:Inhaltsverz_GFQ3_2009 24.07.2009 15:01 Uhr Seite 2 37 BERLIN ’36 Kaspar Heidelbach 38 CHI L’HA VISTO Claudia Rorarius 39 DEUTSCHLAND NERVT MADE IN DEUTSCHLAND Hans-Erich Viet 40 DER ENTSORGTE VATER THE DISCARDED FATHER Douglas Wolfsperger 41 FLIEGEN FLY Piotr J. -
Film Journal International © 2018 by Film Expo Group, LLC
From the Editor’s Desk In Focus LEARNING ABOUT Y OUNG MOVIEGOERS TICKETING EVOLUTION Recently, the International Cinema Technology The traditional movie theatre box office hasn’t gone away, Association held a business session in Los Angeles as part but in recent years the industry has seen more and more al- of their annual program, the L.A. Seminar Series, at the ternatives to longstanding face-to-face ticket sales. The ubiquity Universal Hilton Hotel. The program usually attracts 200 of smartphones, the lure of the web, and the public’s comfort to 250 attendees and is geared primarily to the technology with online transactions have all been factors in the growth of community of the motion picture industry. However, in the Internet and mobile movie-ticket purchases. Still, online ticket- past five years the programming has broadened its focus and ing accounts for only 25 percent of overall movie-ticket buys in is now attracting film studios and theatrical exhibition. North America, compared to a massive 80 percent in China. One program that attracted attention and was favorably But the percentage is growing each year, spurred most received was a panel of students including a high-school of all by the rise of luxury recliner seating in cinemas and the senior, film students and a 16-year-old student from Europe. public’s urge to reserve those extra-comfy and roomy chairs. Most of the panel members were between 16 and 23 and As Joel Davis, VP and chief operating officer at Premiere Cin- their comments were intriguing. Bear in mind that some of ema Corp., explains in our FJI exhibitor survey in this issue, the findings below are skewed, because each panelist enjoys “Patrons are quickly accepting the reserved model due to the going to the movies and has little income and few spare wide acceptance of recliners.