Looking Back and Ahead: an Insight Into the Iranian Influence in the Caucasus
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Interview with Bahman Jalali1
11 Interview with Bahman Jalali1 By Catherine David2 Catherine David: Among all the Muslim countries, it seems that it was in Iran where photography was first developed immediately after its invention – and was most inventive. Bahman Jalali: Yes, it arrived in Iran just eight years after its invention. Invention is one thing, what about collecting? When did collecting photographs beyond family albums begin in Iran? When did gathering, studying and curating for archives and museum exhibitions begin? When did these images gain value? And when do the first photography collections date back to? The problem in Iran is that every time a new regime is established after any political change or revolution – and it has been this way since the emperor Cyrus – it has always tried to destroy any evidence of previous rulers. The paintings in Esfahan at Chehel Sotoon3 (Forty Pillars) have five or six layers on top of each other, each person painting their own version on top of the last. In Iran, there is outrage at the previous system. Photography grew during the Qajar era until Ahmad Shah Qajar,4 and then Reza Shah5 of the Pahlavi dynasty. Reza Shah held a grudge against the Qajars and so during the Pahlavi reign anything from the Qajar era was forbidden. It is said that Reza Shah trampled over fifteen thousand glass [photographic] plates in one day at the Golestan Palace,6 shattering them all. Before the 1979 revolution, there was only one book in print by Badri Atabai, with a few photographs from the Qajar era. Every other photography book has been printed since the revolution, including the late Dr Zoka’s7 book, the Afshar book, and Semsar’s book, all printed after the revolution8. -
Iran 2019 International Religious Freedom Report
IRAN 2019 INTERNATIONAL RELIGIOUS FREEDOM REPORT Executive Summary The constitution defines the country as an Islamic republic and specifies Twelver Ja’afari Shia Islam as the official state religion. It states all laws and regulations must be based on “Islamic criteria” and an official interpretation of sharia. The constitution states citizens shall enjoy human, political, economic, and other rights, “in conformity with Islamic criteria.” The penal code specifies the death sentence for proselytizing and attempts by non-Muslims to convert Muslims, as well as for moharebeh (“enmity against God”) and sabb al-nabi (“insulting the Prophet”). According to the penal code, the application of the death penalty varies depending on the religion of both the perpetrator and the victim. The law prohibits Muslim citizens from changing or renouncing their religious beliefs. The constitution also stipulates five non-Ja’afari Islamic schools shall be “accorded full respect” and official status in matters of religious education and certain personal affairs. The constitution states Zoroastrians, Jews, and Christians, excluding converts from Islam, are the only recognized religious minorities permitted to worship and form religious societies “within the limits of the law.” The government continued to execute individuals on charges of “enmity against God,” including two Sunni Ahwazi Arab minority prisoners at Fajr Prison on August 4. Human rights nongovernmental organizations (NGOs) continued to report the disproportionately large number of executions of Sunni prisoners, particularly Kurds, Baluchis, and Arabs. Human rights groups raised concerns regarding the use of torture, beatings in custody, forced confessions, poor prison conditions, and denials of access to legal counsel. -
Iran: Current Developments and U.S. Policy
Order Code IB93033 Issue Brief for Congress Received through the CRS Web Iran: Current Developments and U.S. Policy Updated March 13, 2003 Kenneth Katzman Foreign Affairs, Defense, and Trade Division Congressional Research Service ˜ The Library of Congress CONTENTS SUMMARY MOST RECENT DEVELOPMENTS BACKGROUND AND ANALYSIS Iran’s Strategic Buildup Conventional Weapons Weapons of Mass Destruction (WMD) Chemical and Biological Weapons Missiles Nuclear Program Iranian Foreign Policy and Involvement in Terrorism Persian Gulf Saudi Arabia/Khobar Towers Gulf Islands Dispute With UAE Iraq Middle East/North Africa Lebanon/Hizballah Sudan Central and South Asia/Azerbaijan/Former Yugoslavia Al Qaeda/Afghanistan/Pakistan Former Yugoslavia Human Rights Concerns Religious Persecution Trial of 13 Jews U.S. Policy and Sanctions Economic Sanctions Terrorism/Foreign Aid Proliferation Sanctions Counternarcotics Trade Ban The Iran-Libya Sanctions Act (ILSA) Caspian/Central Asian Energy Routes Through Iran Europe and Japan’s Relations With/Lending to Iran Multilateral Lending to Iran WTO Travel Sanctions Assets Disputes/Victims of Terrorism Military Containment Iran’s Opposition Movements IB93033 03-13-03 Iran: Current Developments and U.S. Policy SUMMARY Even before Iran’s tacit cooperation with Palestinian violence against Israel since Sep- post-September 11 U.S. efforts to defeat tember 2000. Afghanistan’s Taliban regime, signs of mod- eration in Iran had stimulated the United Iran’s human rights practices, particularly States to try to engage Iran in official talks. its treatment of the Baha’i and the Jewish Iran, still split between conservatives and communities, are also a major concern. The reformers loyal to President Mohammad Bush Administration has identified Iran’s Khatemi did not accept. -
KHERAD-DISSERTATION-2013.Pdf
Copyright by Nastaran Narges Kherad 2013 The Dissertation Committee for Nastaran Narges Kherad Certifies that this is the approved version of the following dissertation: RE-EXAMINING THE WORKS OF AHMAD MAHMUD: A FICTIONAL DEPICTION OF THE IRANIAN NATION IN THE SECOND HALF OF THE 20TH CENTURY Committee: M.R. Ghanoonparvar, Supervisor Kamran Aghaie Kristen Brustad Elizabeth Richmond-Garza Faegheh Shirazi RE-EXAMINING THE WORKS OF AHMAD MAHMUD: A FICTIONAL DEPICTION OF THE IRANIAN NATION IN THE SECOND HALF OF THE 20TH CENTURY by Nastaran Narges Kherad, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2013 Dedication Dedicated to my son, Manai Kherad-Aminpour, the joy of my life. May you grow with a passion for literature and poetry! And may you face life with an adventurous spirit and understanding of the diversity and complexity of humankind! Acknowledgements The completion of this dissertation could not have been possible without the ongoing support of my committee members. First and for most, I am grateful to Professor Ghanoonparvar, who believed in this project from the very beginning and encouraged me at every step of the way. I thank him for giving his time so generously whenever I needed and for reading, editing, and commenting on this dissertation, and also for sharing his tremendous knowledge of Persian literature. I am thankful to have the pleasure of knowing and working with Professor Kamaran Aghaei, whose seminars on religion I cherished the most. -
A Study of the Poetic Foundations of Three Prominent Contemporary
Propósitos y Representaciones May. 2021, Vol. 9, SPE(3), e1097 ISSN 2307-7999 Current context of education and psychology in Europe and Asia e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE3.1097 RESEARCH NOTES A Study of the Poetic Foundations of Three Prominent Contemporary Poets Mehdi Akhavan Sales, Ahmad Shamloo and Hamid Mossadegh with an Approach to European Literature Un estudio de los fundamentos poéticos de tres destacados poetas contemporáneos Mehdi Akhavan Sales, Ahmad Shamloo y Hamid Mossadegh con un enfoque de la literatura europea Farshad Daneshvar Nik PhD student in Persian language and literature, Islamic Azad University, Mashhad Branch, Iran Mohammad Fazeli Member of the Department of Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Parvin Dokht Mashhor Member of the Department of Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Received 07-08-20 Revised 08-10-20 Accepted 09-02-20 On line 03-06-21 *Correspondence Cite as: Email: [email protected] Daneshvar, F., Fazali, M., & Dokht, P. (2021). A Study of the Poetic Foundations of Three Prominent Contemporary Poets Mehdi Akhavan Sales, Ahmad Shamloo and Hamid Mossadegh with an Approach to European Literature. Propósitos y Representaciones, 9(SPE3), e1097. Doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE3.1097 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2021. Este artículo se distribuye bajo licencia CC BY-NC-ND 4.0 Internacional (http://creativecommons.org/licenses/by-nc-nd/4.0/). A Study of the Poetic Foundations of Three Prominent Contemporary Poets Mehdi Akhavan Sales, Ahmad Shamloo and Hamid Mossadegh with an Approach to European Literature Summary Literary schools in the West are influenced by the social and political conditions prevailing in those societies; This means that each school in line with the political and social developments of its time has undergone structural and content changes and gives way to a school with a different perspective. -
Roger Sedarat
Roger Sedarat Associate Professor MFA in Creative Writing and Literary Translation Department of English Queens College, City University of New York 65-30 Kissena Blvd., Flushing NY, 11367 [email protected] 718-997-4713 Education Ph.D. English, 2005. Tufts University Dissertation: Crossing History: New England Landscape in the Poetry of Emily Dickinson, Robert Frost, Wallace Stevens, and Robert Lowell. Directors: Jesper Rosenmeier and Deborah Digges MA English/Creative Writing, 1997. Queens College, City University of New York BA Sociology, 1993. University of Texas at Austin Creative Writing Publications Books: Haji as Puppet: an Orientalist Burlesque, (Word Works. 2017). Winner of 2016 Tenth Gate Prize for Mid-Career Poets, Leslie McGrath, judge. Foot Faults: Tennis Poems (David Robert Books, 2016). Ghazal Games (Ohio UP, 2011). Dear Regime: Letters to the Islamic Republic.( Ohio UP, 2007). Winner of Hollis Summers Book Prize, David Lehman, judge. Chapbooks: Eco-Logic of the Word Lamb: translations/imitations. New York: Ghost Bird Press, 2016. From Tehran to Texas. Somerville: Cervena Barva Press, 2008. Anthologies: “My In-Flight Mistress.” In Flight Reading: an Anthology of Real Life Airplane Stories. Washington/Winchester: Zero Press, 98-101. “Ghazal 6,” Hafez translation. Best of the Net 2016 (Sundress Press, Forthcoming). “My Mother’s 20 Persian Gold Bracelets,” “San Antonio, 1979,” “Khomeini’s Beard,” “Outing Iranians.” Talking through the Door: an Anthology of Middle Eastern American Writing. Ed. Susan Atefat- Peckham (Syracuse UP, 2014). “Apple” and “Speed.” Sharing the Earth: an International Environmental Justice Reader. Elizabeth Ammons and Modhumita Roy, eds. (Athens: U. of Georgia P, 2014), 267-268. -
Blood-Soaked Secrets Why Iran's 1988 Prison
BLOOD-SOAKED SECRETS WHY IRAN’S 1988 PRISON MASSACRES ARE ONGOING CRIMES AGAINST HUMANITY Amnesty International is a global movement of more than 7 million people who campaign for a world where human rights are enjoyed by all. Our vision is for every person to enjoy all the rights enshrined in the Universal Declaration of Human Rights and other international human rights standards. We are independent of any government, political ideology, economic interest or religion and are funded mainly by our membership and public donations. © Amnesty International 2017 Except where otherwise noted, content in this document is licensed under a Creative Commons Cover photo: Collage of some of the victims of the mass prisoner killings of 1988 in Iran. (attribution, non-commercial, no derivatives, international 4.0) licence. © Amnesty International https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode For more information please visit the permissions page on our website: www.amnesty.org Where material is attributed to a copyright owner other than Amnesty International this material is not subject to the Creative Commons licence. First published in 2017 by Amnesty International Ltd Peter Benenson House, 1 Easton Street London WC1X 0DW, UK Index: MDE 13/9421/2018 Original language: English amnesty.org CONTENTS GLOSSARY 7 EXECUTIVE SUMMARY 8 METHODOLOGY 18 2.1 FRAMEWORK AND SCOPE 18 2.2 RESEARCH METHODS 18 2.2.1 TESTIMONIES 20 2.2.2 DOCUMENTARY EVIDENCE 22 2.2.3 AUDIOVISUAL EVIDENCE 23 2.2.4 COMMUNICATION WITH IRANIAN AUTHORITIES 24 2.3 ACKNOWLEDGEMENTS 25 BACKGROUND 26 3.1 PRE-REVOLUTION REPRESSION 26 3.2 POST-REVOLUTION REPRESSION 27 3.3 IRAN-IRAQ WAR 33 3.4 POLITICAL OPPOSITION GROUPS 33 3.4.1 PEOPLE’S MOJAHEDIN ORGANIZATION OF IRAN 33 3.4.2 FADAIYAN 34 3.4.3 TUDEH PARTY 35 3.4.4 KURDISH DEMOCRATIC PARTY OF IRAN 35 3.4.5 KOMALA 35 3.4.6 OTHER GROUPS 36 4. -
Ethnic Identity Construction Among Iranian Azerbaijani Youth in Tabriz City
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ritsumeikan Research Repository Master’s Thesis Ethnic Identity Construction among Iranian Azerbaijani Youth in Tabriz City by KHALILI Mostafa 51115005 March 2017 Master’s Thesis Ritsumeikan Asia Pacific University In Partial Fulfillment of the Requirements for the Degree of Master of Asia Pacific Studies / Society and Culture Certification Page I, KHALILI Mostafa (Student ID 51115005) hereby declare that the contents of this Master’s Thesis are original and true, and have not been submitted at any other university or educational institution for the award of degree or diploma. All the information derived from other published or unpublished sources has been cited and acknowledged appropriately. KHALILI, Mostafa 2017/02/30 ii Acknowledgements Foremost, I would like to express my sincere gratitude to my Supervisor Professor Mani for the continuous support of my study and research, for his patience, motivation, kindness, and immense knowledge. Besides my advisor, I would like to thank Professor Nader Ghotbi, for his encouragement, insightful comments, kind support and extensive help throughout my Master’s studies. My sincere thanks also go to Professor Joseph Progler for his critical comments and insightful suggestions to improve my work. I am grateful to the Ritsumeikan Center for Asia Pacific Studies (RCAPS) for their generous support in funding my two field researches. I would also like to thank Oita Prefecture’s people and Government and JASSO organization for providing me with financial support during my Master’s studies. Without these scholarships, fulfilling my studies would be much harder. -
Transnational Modernization and the Gendered Built Environment in Iran
Transnational Modernization and the Gendered Built Environment in Iran: Altering Architectural Spaces and Gender Identities in the Early Twentieth Century (1925-1941) A Dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Architecture and Interior Design of College of Design, Architecture, Art, and Planning By Armaghan Ziaee Bachelor of Architecture, 2009 Master of Architecture, 2013 Master of Arts, 2018 2018 Committee: Amy Lind, Ph.D. (Co-chair) Adrian Parr, Ph.D. (Co-chair) Edson Cabalfin, Ph.D. Abstract When Reza Shah Pahlavi (1925-1941) came to power in Iran in 1925, he initiated a rapid and irreversible process of change that began in the public domain of the city and filtered into the private domain of the home. During this era of accelerated, westernized modernization, gender- segregated private housing, including courtyard houses, and gender-exclusive, masculine public spaces were repurposed relatively quickly and/or were replaced by modern villa-style houses/apartments and gender-inclusive public spaces. Over the years, as Reza Shah’s policies of western-style modern houses, urban spaces, fashion, and design grew, he intensified his support for gender desegregation, most notably through banning women’s use of the Chador (the traditional Iranian veil) in public spaces. In this sense, the first Pahlavi modernization project of the built environment was constructed through a gendered lens of progress, in which physical structures, public and private spaces, and women’s (and men’s) very senses of embodiment and identity – in their homes, in public spaces, in regard to their dress – became a contested battleground at the center of broader struggles concerning modernity and westernization in Iran. -
A Star Ceases to Shine
PERSICA XVII, 2001 A STAR CEASES TO SHINE Ehsan Yarsharter Center for Iranian Studies Columbia University With the passing of Nader Naderpour (1929-2000) Persian literature lost an outstanding poet, a great imagist, and a superb crafter of words, as well as a literary critic of remark- able insight and courage. The two decades that followed World War II were among the most remarkable peri- ods of Persian poetry. A movement away from the traditional norms of Persian poetry had begun earlier, notably by Nima Yushij (1897-1960), but had remained isolated and lacked a conspicuous following. With the forced abdication of Reza Shah in 1941, the lifting of autocratic constraints, and the opening up of the country to a torrent of new ideas and ideologies, the movement gained momentum. Nima was recognized as the leader of the new trend in Persian poetry; and a number of gifted young poets, generally belonging to leftist political camps, championed the new mode advocated by him. He had argued that the canons of classical Persian poetry no longer responded to the changed conditions of the modern age, that the exacting rules of Persian prosody (‘aru∂) which called for adoption of a single meter in all the lines of a poem and a single rhyme in the qaÒida, the gazal, and the qe†‘a were restricting poetical expression, that the classical forms of poetry were outmoded, and that the age-old stock of poetic imagery was no longer pertinent to the poetical concerns of a modern poet. He proposed that the length of lines need not be the same throughout a poem, but different numbers of poetic feet may be used depending on the requirement of the meaning; that different but compatible me- ters may be used in a poem; that rhyme should be used only as an organizing principle; that the poet should sincerely express his own feelings and impressions rather than imi- tate those of past masters and in so doing he should use imagery that suited his purpose. -
The Impact of the Modernity Discourse on Persian Fiction
The Impact of the Modernity Discourse on Persian Fiction Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Comparative Studies in the Graduate School of The Ohio State University By Saeed Honarmand, M.A. Graduate Program in Comparative Studies The Ohio State University 2011 Dissertation Committee: Richard Davis, Advisor Margaret Mills Philip Armstrong Copyright by Saeed Honarmand 2011 Abstract Modern Persian literature has created a number of remarkable works that have had great influence on most middle class people in Iran. Further, it has had representation of individuals in a political context. Coming out of a political and discursive break in the late nineteenth century, modern literature began to adopt European genres, styles and techniques. Avoiding the traditional discourses, then, became one of the primary characteristics of modern Persian literature; as such, it became closely tied to political ideologies. Remarking itself by the political agendas, modern literature in Iran hence became less an artistic source of expression and more as an interpretation of political situations. Moreover, engaging with the political discourse caused the literature to disconnect itself from old discourses, namely Islamism and nationalism, and from people with dissimilar beliefs. Disconnectedness was already part of Iranian culture, politics, discourses and, therefore, literature. However, instead of helping society to create a meta-narrative that would embrace all discourses within one national image, modern literature produced more gaps. Historically, there had been three literary movements before the modernization process began in the late nineteenth century. Each of these movements had its own separate discourse and historiography, failing altogether to provide people ii with one single image of a nation. -
Iran's Regional Policy in the South Caucasus: Case Studies of Relations with the Republics of Azerbaijan & Armenia
Durham E-Theses IRAN'S REGIONAL POLICY IN THE SOUTH CAUCASUS: CASE STUDIES OF RELATIONS WITH THE REPUBLICS OF AZERBAIJAN & ARMENIA KOUHI-ESFAHANI, MARZIEH How to cite: KOUHI-ESFAHANI, MARZIEH (2016) IRAN'S REGIONAL POLICY IN THE SOUTH CAUCASUS: CASE STUDIES OF RELATIONS WITH THE REPUBLICS OF AZERBAIJAN & ARMENIA, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11870/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 IRAN’S REGIONAL POLICY IN THE SOUTH CAUCASUS: CASE STUDIES OF RELATIONS WITH THE REPUBLICS OF AZERBAIJAN & ARMENIA A Thesis Submitted for the Degree of Doctor of Philosophy by: Marzieh Kouhi-Esfahani Durham University School of Government and International Affairs 2015 In the Name of God The Compassionate the Merciful This manuscript is dedicated to: My Husband Dr. H. Riahi whose love and unwavering support made this possible for me, and my daughters Yasaman and Nastaran, Who encouraged me and patiently walked along this path with me.