DOCSLIB.ORG

Edition 1 | 2018-2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Edition 1 | 2018-2019 Message from the President Paul Helfrich, President & CEO, Dayton Performing Arts Alliance Welcome to Dayton Ballet’s epic production of Dracula: Bloodlines! We’re glad you’re here. On July 1, we celebrated the sixth birthday of the historic merger of the Dayton Ballet, Dayton Opera, and Dayton Philharmonic Orchestra into one operating entity, the first and only merger of its kind in the United States. As we begin our seventh year of working together, I’d like to take a brief look back at some of our activities and accomplishments in the past season. We saw some exciting audience growth, with subscription sales up from the prior year by 7%, single-ticket sales up by 13%, and overall attendance up by 7%. Strong sales for productions including the Verdi Requiem, Swan Lake, Turandot, and a pops series concert with Jackie Evancho played a key role in these encouraging numbers. We thanked some departing staff members for a job well done and welcomed a few newcomers to the team. Pam Eyink and Ellen Bagley retired from our staff after 35 and 18 years, respectively, of outstanding service. We also said farewell to our longtime Ballet Production Manager, Stacie Bigl. Milena Treer now keeps all in order for Dayton Opera in her role as Artistic Administrator–Opera, and Cory Wilhite is the new Artistic Administrator for Dayton Ballet. We’re also pleased to welcome Emily Duffin in her new role as Production Stage Manager. In other staff news, Jeremy Davit succeeded Amber Rose as Chief Development Officer, and we also welcomed Dennis TenWolde and Karen Dempsey Volke to our fundraising team. On the Board side, John Beran succeeded Jan Culver as our Chair and is doing a wonderful job. It is not easy to lead a volunteer nonprofit Board, and I am very grateful to John, Jan, and all our volunteer leaders for their gifts of time, talent, and hard work. We remain focused on execution of our three-year Strategic Plan, which states a clear, compelling vision and purpose for our activities. Our vision is To transform lives through the power of music and dance, and our purpose is To be our community’s indispensable source for traditional, diverse, and innovative experiences in ballet, opera, and orchestral music. We have a number of strategic goals to support our vision, but the most important one is simply to Matter to Dayton. What does that mean? It means we recognize that the Dayton of 2018 is not the Dayton of 1985 or even 2000. If we’re going to succeed in the long term, we must make a difference in today’s community and meet real needs for our residents, not simply do the things we’ve always done in the past. This means that the coming years will be years of exploration, experimentation, and reinvention. It will be an exciting journey! One thing is for certain, and that is that we won’t succeed without the participation of our loyal patrons and contributors. At the end of the day, each community has the arts that it chooses to support and patronize. Dayton is blessed with incredible richness in its arts scene and a multiplicity of arts organizations, but don’t take them for granted—they depend on your support as an audience member and as a contributor. Turning to this weekend’s performances, I am a huge fan of Dracula, going back to my reading of the Bram Stoker original in junior high school—as well as being a lifetime fan of monsters and all things that go bump in the night. But are Dracula and his ilk really monsters, or just misunderstood? Perhaps we’ll find out tonight! As American author H.P. Lovecraft memorably said, “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” For all that you do to support the arts in Dayton, thank you. If you have comments you wish to share or questions you wish to ask, please contact me at [email protected]. Enjoy the performance! Paul A. Helfrich President & CEO 2018–2019 SEASON Page 11 The s e c o n d month of the “Made in A m e r i c a Festival” of the Dayton P h i l h a r - monic was a concert of works as A m e r i c a n as apple pie. Amer- ican musical icons Leonard Bernstein and Aaron Copland shared the stage of the Schuster with Dayton’s premiere composer Steven Winteregg. Winteregg, commissioned by the Philharmonic to write a “serious piece,” chose the most somber of themes, the battle with cancer. Dedicated to his lovely wife Candy and her treatment and survival from breast cancer, the music was compelling but far from glum. Winteregg has an ability with melodic line and intricate rhythms making his music persuasive and delightful. We are fortunate in Dayton to have heard his music from the Philharmonic and Dayton Ballet. Resolution, beautifully played by the musicians of the Philharmonic was full of energy and emotion. There were, perhaps a few too many percussion interrup- t i o n s with the musical line, but the total effect was well received. Bernstein’s Serenade after Plato’s Symposium was a first hearing for the audience. I was certain that the piece would be like several other of Bernstein’s classical works, a wandering opus lacking the focus of his lighter compositions. After hearing Serenade, I owe “Lennie” a profound apology. The work was conceived to be an exposition of Plato’s familiar student assignment, The Symposium. It is remembered as a wine-sodden discussion on the various phases of love by convivial philosophers. Serenade succeeded, not as philosophic guide, but as a stunning piece of music, a violin sonata with orchestral accompaniment. Each of the five parts was full of musical nuances and expressions. Each of these nuances and expressions was presented to perfection by young violinist Philippe Quint and the master musicians of the Philharmonic. Included was a remarkable double cadenza by Quint and Principal Cellist Christina Coletta.. Quint, a The Oakwood Register Applauding The Arts Weekly with Burt Saidel 294-2662 • 435 Patterson Rd., Dayton, Ohio www.oakwoodregister.com Page 12 DAYTON BALLET Message from the Board Chair John Beran, Chair, Dayton Performing Arts Alliance Board of Trustees Hello Dayton! As we embark on our seventh season, I am honored to serve as Chairman of YOUR Dayton Performing Arts Alliance. With over 220 collective years of artistic excellence, our three professional performing arts organizations continue to produce programming that is unparalleled anywhere in the United States. On behalf of our Artistic Directors (Neal Gittleman, Karen Russo Burke, and Tom Bankston) and our staff led by Paul Helfrich and our Board of Trustees, welcome to the 2018–2019 Season of Vistas. What is the role of the performing arts for a growing, thriving and changing Dayton? Simply to entertain? To educate? To inspire? To support economic growth and opportunity? Today, the performing arts are called on to do all of these things and much more. We must be inspiring, adventurous, and ambitious; in step with the community, reaching citizens where they live and work; and serving today’s needs while planning for tomorrow. Recently, the Alliance took stock of our first six years and embarked on a plan to ensure that we will continue to be relevant to Dayton by meeting new and emerging needs while remaining true to our core values and honoring our legacy of excellence. We built a bold new strategic vision for the Alliance: one that seeks to transform lives through the power of music and dance; one that defines our purpose to be the community’s indispensable source for traditional, diverse, and innovative experience in ballet, opera, and orchestral music. While the Alliance has several goals, including being a principal resource for artistic and cultural service to the community, leveraging our unique artistic structure, and providing education for all ages, our overarching goal is to have everyone in the community recognize that we Matter to Dayton. The Alliance will offer an innovative slate of bold programs that will be embraced by our traditional audience as well as attract younger patrons and broaden the organization’s impact across the community. Throughout this season I will provide more information about our plans to ensure that the Dayton Performing Arts Alliance continues to play a vital role in meeting the entertainment, cultural, and educational needs of our community. So as you get settled in this beautiful theatre, I want to personally thank you for your support of YOUR Dayton Performing Arts Alliance and welcome you to a new season of the finest arts performances to be found anywhere. 2018–2019 SEASON Page 13 Page 14 DAYTON BALLET Message from the Artistic Director Karen Russo Burke, Dayton Ballet Hello everyone, and welcome to Dracula: Bloodlines! The Dayton Ballet is starting off our 81st season with some new faces! It has been exciting working with these dancers, and I hope that they are enjoying dancing here at Dayton Ballet. They have come from companies all over the United States, including Oklahoma City Ballet, Pittsburgh Ballet Theatre, Kansas City Ballet, Ballet Austin, Houston Ballet and Madison Ballet. I hope you will consider staying for some of our post performance talk-backs, when you can get a chance to meet them! We are so excited to perform this classic Halloween story again. Being able to present a full- length ballet a second time allows us to dive a little deeper into things we may not have been able to get to the first time.
Load more

Recommended publications
  • Butterfly Dawn (Red)
    Butterfly Dawn written as a Novel-in-a-Day BUTTERFLY DAWN Originally published: 2019 Copyright © 2019 Various Authors Jacqueline S Miller, Keith Blount, Ian Philpot Kelsey McIntyre, Adela Torres, E Kinna Julia Pierce, Astrid Stevens, Jaysen O'Dell Matthew Schillinger, Simon Horn, Claire Woodier Sue Cowling, CD Johnson, Heather Lovelace-Gilpin Ian E Hart, Kimberlee Gerstmann, LG Red Curtis Beaird Story by: Tim Rogers The moral rights of the authors have been asserted. All characters and events in this publication are fictitious and any resemblance to real persons, living, dead, or scared of sunlight, is purely coincidental This work is licensed under a Creative Commons Attribution - NonCommercial - NoDerivs 3.0 Unported License. You are free to share (to copy, distribute and transmit the work) under the following conditions: Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Noncommercial — You may not use this work for commercial purposes. No Derivative Works — You may not alter, transform, or build upon this work. For more details, visit: http://creativecommons.org/licenses/by-nc-nd/3.0/ Original cover photograph by: Tim Rogers www.novelinaday.com Also by Novel-in-a-Day: The Dark Lunar520 Made Man Section7 Marshal Law 3 Ghosts Start Wearing Purple Auld Lang Syne www.novelinaday.com sponsored by Literature & Latte, creators of Scrivener for Montrée Time is no substitute for talent There is a well-known saying that if you give a monkey a typewriter and an infinite amount of time then it will eventually produce the complete works of Shakespeare.
    [Show full text]
  • Walk to Remember Loved Ones Lost to Disease Honored, ‘Purple Day’ Takes Aim at Alzheimer’S Alzheimer’S Event Raises Over $100,000
    Power Play Magic Money ‘The Drowsy Luke Donald Chaperone’ tops money premieres list with win at Valencia, at Disney, Page 20 Volume 14, Issue 8 www.ValenciaVoice.com Oct. 26, 2011 Page 29 Color of compassion Walk to remember Loved ones lost to disease honored, ‘Purple Day’ takes aim at Alzheimer’s Alzheimer’s event raises over $100,000 By Brittany Rose person will have it for the rest of [email protected] their lives. That is what the eights By Neda Hamdan and the infinity sign are meant to [email protected] The SGA at Valencia College signify for the campus. West Campus hosted “Purple The event, which featured What would you do if you woke up, only to realize you can’t Day” to raise money and aware- food, beverages, music and door remember who you are? ness for the Alzheimer’s Foun- prizes, had free admission. In or- The Alzheimer’s Association hosted the Walk to End Alzheim- dation last Thursday. It was the der to have an opportunity to win er’s at Lake Eola on Saturday morning. People could register and last event before the Alzheimer any of the door prizes, which in- walk to help support and raise money,and all the proceeds go to re- walk on Saturday. cluded an iPad 2, a visitor would search for Alzheimer’s. The Alzheimer’s Association is the biggest “We pick one cause every year need to donate at least $10 to the fundraising group in the U.S. for the disease, from which millions to do a walk for,” said Zia Ansari, Alzheimer’s Foundation.
    [Show full text]
  • Annual Index: Volume 100: Sep. 1, 2003–Aug., 2004
    1 Annual Index: v.100 Booklist / September 1, 2003, through August 2004 Affirmative Action around the World. Sowell. Al-Windawi, Thura. Thura's Diary. 1613. ANNUAL INDEX: VOLUME 100: 1031. Alagna, Magdalena. Mae Jemison. 1312. Afghanistan's Struggles. Gunderson. 1387. Alagna, Magdalena. War Correspondents. 249. African American Architects. 1784. The Alamo. Gaines. 439. SEP. 1, 2003–AUG., 2004 African American Lives. 1860. Alamo. Thompson. 1536. African American Religious Leaders. Aaseng. Alan Moore's America's Best Comics. Moore. This cumulative index includes entries under author, title, and illus- 1088. 1148. trator (for children’s books). Bibliographies are listed individually African American Theater Buildings. Smith. 1232. Alaska's Hidden Wars. Hays. 945. by title, but they also appear here under the heading Bibliographies, African Americans at War. Sutherland. 1860. Albert, Susan Wittig. A Dilly of a Death. 829. Special Lists, and Features. Media reviews are indexed separately. African Americans in Film and Television. Lommel. Albert, the Dog Who Liked to Ride in Taxis. Zarin/ An ongoing cumulative index is also available at the Booklist Web 438. Pratt 749. African Americans in Science, Math, and Inven- Alberts, Laurie. Fault Line. 942. site [http://www.ala.org/booklist]. tion. Spangenburg. 166. Albino Animals. Halls. 1722. African Americans in Sports. 1784. Albion. Ackroyd. 197. 100 Best Books for Children. Silvey. 1802. Acceleration. McNamee. 232. African Americans in the Military. Reef. 1860. Albom, Mitch. The Five People You Meet in 100 Days of Cool. Murphy/Bendall-Brunello 1367. An Acceptable Arrangement. Savery. 838. African Americans. Boyle. 438. Heaven. 5. 100 Suns. Light. 279. The Accidental Connoisseur.
    [Show full text]
  • Graphic Novel Finding Aid for Merril Collection of Science Fiction, Speculation & Fantasy Last Updated: September 15, 2020
    Graphic Novel Finding Aid for Merril Collection of Science Fiction, Speculation & Fantasy Last updated: September 15, 2020 Most books in this list are in English. We have some graphic novels in other languages . Books are listed alphabetically by series title. Books in series are listed in numerical order (if possible) — otherwise they’re listed alphabetically by sub-title. A | B |C |D | E |F |G | H | I| J| K | L | M | N |O | P | Q| R |S | T| U | V | W | X | Y | Z Title Writer/Artist Notes A A.B.C. Warriors. The Mills, Pat and Kevin A.B.C. Warriors began in Mek-nificent Seven O’Neill and Mike Starlord. McMahon A. D.: after death Snyder, Scott and Jeff Lemire A.D.D. : Adolescent Rushkoff, Douglas Demo Division et al. Aama. 1, The smell Peeters, Frederick of warm dust Aama. 2, The Peeters, Frederick invisible throng Aama. 3, The desert Peeters, Frederick of mirrors The Abaddon Shadmi, Koren Abbott Ahmed, Saladin and Originally published in single others magazine form as Abbott, #1-5. Aama. 4, You will be Peeters, Frederick glorious, my daughter Abe Sapien. Vol. 1, Mignola, Mike et al. The drowning Abe Sapien. Vol. 2, Mignola, Mike et al. The devil does not jest and other stories Across the Universe. Moore, Alan et al. “Superman annual” #11; The DC Universe “Detective comics” #549, 550, stories of Alan “Green Lantern” #188; Moore “Vigilante” #17, 18; “The Omega men” #26, 27; “DC Comics presents” #85; “Tales of the Green Lantern corps annual” #2, 3; “Secret origins” #10; “Batman annual” #11 The Action heroes Gill, Joe et al.
    [Show full text]
  • The Lord Byron / John Polidori Relationship and the Foundation of the Early Nineteenth-Century Literary Vampire
    The Lord Byron / John Polidori relationship and the foundation of the early nineteenth-century literary vampire Matthew Beresford BA (hons), MA Submitted to the University of Hertfordshire in partial fulfilment of the requirements of the degree of Doctor of Philosophy June 2019 Abstract John William Polidori (1795-1821) was appointed as the personal physician to Lord George Noel Gordon, 6th Baron Byron (1788-1824) in April 1816. Byron was not in the best of health, and Polidori was recommended to him by Sir William Knighton, who had previously treated him. Placing himself in self-imposed exile, Byron left England for good, taking Polidori with him and travelling in Europe. They settled in Switzerland, on Lake Geneva, where soon they were joined by the Shelleys and Claire Clairmont for the now infamous ‘Summer of Discontent’, spent largely at the Villa Diodati. At Diodati, Byron allegedly challenged the party to each write a ghost story, Mary Shelley writing what would become Frankenstein and Byron starting a tale of a vampire that he subsequently abandoned. After Polidori was dismissed, in September 1816, he was challenged on the request of ‘a lady’ to turn the fragment of the story started by Byron into a more complete piece – the result was The Vampyre, published in 1819 under Byron’s name. In this thesis I explore the relationship between Byron and Polidori during their time together, and seek to understand what led Polidori to cast Byron as his fictional vampire Lord Ruthven. I also analyse the controversy around the publication, which some believe contributed to Polidori’s death in 1821.
    [Show full text]
  • Final Paper for MA Degree on Vampires
    Final Paper for MA Degree In English On Vampires: An exploration of the vampire as a literary character Helga Ósk Hreinsdóttir May 2021 University of Iceland School of Humanities Faculty of Languages and Culture On Vampires: An exploration of the vampire as a literary character MA degree in English Helga Ósk Hreinsdóttir Kt.: 120682-4079 Supervisor: Úlfhildur Dagsdóttir Maí 2021 2 Summary This thesis is an exploration of the vampire as a literary character. Of how the figure of the vampire has become a contemporary cultural icon. In part one of this exploration the genesis of the vampire as a literary character is considered along with its main fictional influences. Following that the thesis considers the question of what the essence of the vampire is and its diverse representations. This brings the evaluation to the inherent duality of the vampire and its mutability as a literary character within diverse fictional genres. The second part of this thesis is an analysis of three distinct vampire character varieties. The three classifications are the vampire as lover, Dracula derivations and the born vampire. The vampire as lover is a recurrent character in paranormal romance novels and Dracula derivations have become a genre of itself within vampire literature. The born vampire is a relatively new concept that seems to float between genres without typifying any of them. Two novels were selected for each type and the paper concludes with an analysis of them. 3 Table of Contents Introduction ..................................................................................................................... 5 Part I: Aspects of the Vampire ........................................................................................... 8 1.2 On Character .................................................................................................................... 13 1.2.1 The Sympathetic Vampire .................................................................................................................
    [Show full text]
  • Izzy Turner-Debs Honors Thesis
    i WHEATON COLLEGE Norton, Massachusetts This is to certify that Isabel Turner-Debs has fulfilled the requirements for graduation with Departmental Honors in English. The degree of Bachelor of Arts was awarded on 20 May 2017. Registrar Credit: 2 Director: James Byrne ii VAMPIRES AS “MEANING MACHINES”: SIGNIFYING THE MONSTER THROUGH RACE AND SEXUALITY BY Isabel Turner-Debs A Study Presented to the Faculty of Wheaton College in Partial Fulfillment of the Requirements for Graduation with Departmental Honors in English Norton, Massachusetts 15 May 2017 iii -AKNOWLEDGMENTS- There are a great many people who helped me produce this thesis, but I would like to thank a few without whom I would have been lost: Jim, my intrepid thesis advisor, for your endless feedback and confidence in me. Ruth, for your edits, but mostly for your unwavering support and for providing a safe harbor to escape from the stress. Paige, my thesis buddy, for the early mornings in the library and the laughs that got me through. And, finally, my mother, for always believing in me and for pushing me to discover the reaches of my own talent. iv -TABLE OF CONTENTS- INTRODUCTION………………………………………………………………………...1 CHAPTER I….…………………………………………………………………………..14 The Threatening Racial and Sexual Other: Nineteenth Century Vampires CHAPTER II……………………………………………………………………………..34 The White, Heteronormative Romantic Hero: Meyer’s Conservative Vampires CHAPTER III...………………………………………………………………………….61 The Black, Sexually Queer Vampire: Butler’s Radical Reinterpretation CONCLUSION…………………………………………………………………………..86 WORKS CITED…………………………………………………………………………89 1 -INTRODUCTION- Monsters are meaning machines. They can represent gender, race, nationality, class and sexuality in one body. -Halberstam, Skin Shows, 21-22 The vampire is an utterly fascinating figure.
    [Show full text]
  • The Living Television: Alloy Entertainment and the Brand New Girl
    THE LIVING TELEVISION: ALLOY ENTERTAINMENT AND THE BRAND NEW GIRL _______________ A Dissertation Presented to The Faculty of the Department of English University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Brandon K. Hernsberger May, 2014 THE LIVING TELEVISION: ALLOY ENTERTAINMENT AND THE BRAND NEW GIRL _______________ An Abstract of a Dissertation Presented to The Faculty of the Department of English University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Brandon K. Hernsberger May, 2014 ABSTRACT Alloy Entertainment has fundamentally changed the landscape of teen media (YA fiction and the television adaptation) by decentering the teenager (especially the teenage girl) and instead focusing squarely on how the teenager in media can help promote Alloy’s own brand mission of advertising itself as a marketing corporation within the spaces of its products (books and television programs). Alloy does this through the semiotic marking of gender in and through its products to resemble the way that it, Alloy Entertainment, markets itself as well as through the repetition of seven brand principles (of Alloy’s design) seen especially in Alloy’s three most popular (and most socially shared) book to television properties: Gossip Girl, The Vampire Diaries, and Pretty Little Liars. These properties can be seen as three separate parts of the same thing—that is, different versions of one singular brand mission: the promotion of a real company within the fictional spaces of narrative. The Alloy girl is: (1) sexually depraved; (2) terrorized; (3) highly dependent on a male counterpart for self-actualization; (4) surveilled; (5) marked by class and/or race; (6) representative of a nationalist gender identity (a social agent); and (7) a child acting as an adult.
    [Show full text]
  • Bookcode Category Bookname Authorname Biography the Story of My Experiments with Truth M
    BookCode Category BookName AuthorName Biography The Story of My Experiments with Truth M. K. Gandhi Biography Mein Kampf Adolf Hitler Biography Infidel Ayaan Hirsi Ali Biography My Year Inside Radical Islam Daveed Gartenstein-Ross Biography My Days R K Narayan Biography Timepass - The Memoirs of Protima Bedi Protima Bedi Pooja Bedi Biography Stranger to History: A Son's Journey Through Islamic LandsAatish Taseer Biography Kalpana Chawla A Life Anil Padmanaghan Biography Barack Obama The Movement for Change Anthony Painter Biography Worshipping False Gods Arun Shourie Biography A.P.J. Abdul Kalam:Scientist And Humanist Atulindra Nath Chaturvedi Biography Daughter Of The East Benazir Bhutto Biography The Pursuit Of Happyness Chris Gardner & Quincy Troupe Biography Condoleezza Rice An American Life Elisabeth Bumiller Biography John F. Kennedy: In His Own Words Eric Freedman,Jd, & Edward Hoffman, Phd Biography The Motorcycle Diaries Ernesto Che Guevara Biography The Prophet of Modern India: A Biography of Swami VivekanandaGautam Ghosh Biography Harivansh Rai Bachchan - In The Afternoon Of Time Harivansh Rai Bachchan Biography Welch An American Icon Janet Lowe Biography Letters From A Father To His Daughter Jawaharlal Nehru Biography Stephen Hawking'S Universe John Boslough Biography Che Guevara: A Revolutionary Life Jon Lee Anderson Biography Truth, Love & A Little Malice An Autobiography Khushwant Singh Biography I Dare Kiran Bedi Biography The Story Of My Experiments with Truth - An AutobiographyM K Gandhi Biography Autobiography of a Yogi
    [Show full text]
  • Ewft2007.Pdf (81.46Kb)
    MUIR Massey University Institutional Repository Cardow, A. (2007). Everyman with fangs: The acceptance of the modern vampire. (Department of Management and International Business Research Working Paper Series 2007, no. 6). Auckland, NZ: Massey University. Department of Management and International Business. Massey Authors: Cardow, Andrew http://hdl.handle.net/10179/651 Research Working Department of Management and International Business Paper Series 2007, no. 6 Andrew Cardow Everyman with Fangs: The Acceptance of the Modern Vampire Keywords Vampire History Buffy Contact Details Dr Andrew Cardow Department of Management & International Business Massey University (Auckland) Private Bag 102 904 Auckland, New Zealand Ph 64 9 414 0800 ex 9582 Email [email protected] Copyright © 2007 Andrew Cardow ISSN 1177-2611 ABSTRACT The vampire, an enduring demon from the European middle ages has through the course of the 20th century undergone a journey of transformation. The journey of the beast describes a circle, starting and ending with the depiction of the vampire as a soulless, evil killing machine. From the Middle Ages, moving into the 18th century the vampire slowly becomes more sophisticated, becoming first Varney, then Dracula, then in the last quarter of the 20th century as the accepted and understood Vampires Louis and Lestat. From there the vampire is found in television, theatre and cinema in such films as Fright Night, Blade, and The Lost Boys. Finally with the appearance of Buffy the Vampire Slayer, the vampire becomes once again everyman with fangs and the circular journey began in the European Middle Ages has been completed. 2 Joyce: “Oh my God, its Mr Sanderson from the bank” Gingerbread 30111 The above quote from Joyce is found in the prologue to Gingerbread, Buffy the Vampire Slayer 3011 and is uttered by Joyce upon seeing the vampire that Buffy is fighting.
    [Show full text]
  • Backlist Catalog 2009/2010 - 5
    4/30/09 12:54:06 PM 2009/2010 2009/2010 BACKLIST CATALOG CATALOG CATALOG BACKLIST BACKLIST SPINE: 5/32" SPINE: 2009/2010 ISBN: 978- 1 - 59582- 432- 5 5 - 432 - 59582 - 1 - 978 ISBN: DHBC09 CVR-BC.indd 1 READERS’ PICKS B.P.R.D.: Garden of Souls Bernie Wrightson’s Frankenstein Blood+ Novel Vol. 1: First Kiss Creepy Archives Vol. 1 978-1-59307-882-9, $17.95 978-1-59582-200-0, $29.95 978-1-59307-898-0, $8.95 978-1-59307-973-4, $49.95 darkhorse.com READERS’ PICKS Gantz Vol. 1 Hellboy: The Companion Indiana Jones Omnibus Vol. 1 The Perry Bible Fellowship Almanack 978-1-59307-949-9, $12.95 978-1-59307-655-9, $14.95 978-1-59307-887-4, $24.95 978-1-59307-988-8, $24.95 Serenity: Better Days SW: Clone Wars—Shipyards of Doom Star Wars: The Force Unleashed The Umbrella Academy: Apocalypse 978-1-59582-162-1, $9.95 978-1-59582-207-9, $7.95 978-1-59307-891-1, $15.95 Suite, 978-1-59307-978-9, $17.95 THINGS TO LOOK FOR IN 2009 Quarter 2 Quarter 3 Quarter 4 Clover Pixu The Art of Emily Strange Dames, Dolls, and Gun Molls Solomon Kane Volume 1 Grandville Applegeeks Volume 1 The Marquis Usagi Yojimbo: Yokai Printed in the United States of America DHBC09 IFC-IBC .indd 1 4/29/09 2:49:54 PM TABLE OF CONTENTS 13TH SON: WORSE THING WAITING ...............26 FLOOD! ...................................................25 OH MY GODDESS! ................................ 64-65 300 ................................................... 4, 16 FLUFFY ...................................................41 OHIKKOSHI ..............................................57 3x3 EYES ................................................62 FRANKENSTEIN .........................................75 OLD BOY .................................................57 ACHEWOOD ...........................................
    [Show full text]
  • COF5-59V13 N6.Qxd 5/15/2003 4:03 PM Page 5
    COF5-59v13 n6.qxd 5/15/2003 4:03 PM Page 5 Order PREVIEWS Form V1V13#6 ORDER DEADLINE: JUNE 14, 2003 PLACE STORE STAMP HERE Name _______________________________ Address _____________________________ City _________________State ___________ Zip ___________ Phone# _______________ Signature (Required) __________________ Your signature indicates that you are authorized to order items that are designated as “Adult,” and you are at least 18 years old. PLEASE PRINT CLEARLY! QTY TITLE PRICE Please note that the toy items on this order form may not be available at every store. Shipping times and prices may vary. For items sold by assortment (marked with an "*"), retailers cannot guarantee receiving specific items. Ask your retailer for more information when you order. PAGE 2 DIAMOND PUBLICATIONS ____________JUN03 0001 PREVIEWS VOL XIII #8 ............................................................................................MSRP: $3.95 = $ ____________ ____________JUN03 0002 PREVIEWS VOL XIII CONSUMER ORDER FORM #8 ............................................................SRP: PI = $ ____________ ____________JUN03 0004 PREVIEWS ADULT VOL XIII #8 ..................................................................................MSRP: $0.95 = $ ____________ PAGE 17 PREMIER PUBLISHERS DARK HORSE SPOT ______JUN03 0014 GO BOY 7 HUMAN ACTION MACHINE #2 ..........................................................................$2.99 = $ ____________ PAGE 18 __________JUN03 0015 GALACTIC #1......................................................................................................................$2.99
    [Show full text]